Event Comment: Mainpiece [1st time; C 5, by Leonard Macnally. Prologue by ---- Chalmers. Epilogue by ---- Norris (see text, but London Chronicle, 4 Apr., says by Thomas Morris). In 1792 this was acted at this theatre reduced to 3 acts]. Public Advertiser, 30 Apr. 1785: This Day is published Fashionable Levities (1s. 6d.)

Event Comment: Mainpiece [1st time; D 5, by Benjamin Thompson, altered from Menschenhass und Reue, by August Friedrich Ferdinand von Kotzebue. Prologue by William Linley; Epilogue by Matthew Gregory Lewis (European Magazine, Mar. 1798, p. 260)]: With new Scenes, Dresses, &c. With Musick [by Thomas Shaw]. "Mrs Siddons was succesful in all the impassioned parts; but she cannot sustain a mixed character. She is the Muse of Tragedy herself, and when she descends from her lofty state to the level of familiar dialogue, she instantly ceases to astonish and we to admire" (Monthly Mirror, Apr. 1798, p. 234). "The dialogue must be considerably abridged, as well for the purpose of preserving the interest of the piece, as for shortening the time of representation, which is at least an hour too long, it being half past ten before the curtain dropt" [see 26 Mar.] (Morning Herald, 26 Mar.). Receipts: #420 7s. 6d. (378.11.6; 40.18.0; 1.8.0)

Event Comment: Benefit for Lewis. 1st piece [1st time; C 3, by Thomas John Dibdin. Prologue and Epilogue by the author (London Chronicle, 18 Mar.)]. Morning Chronicle, 12 Apr. 1799: This Day is published Five Thousand a Year (price not listed). Ibid, 8 Mar.: Tickets to be had of Lewis, Bow-street. Receipts: #542 0s. 6d. (383.9.0; 2.19.0; tickets: 155.12.6)

Event Comment: 2nd piece [1st time; C 3, by Thomas John Dibdin, altered from Die Versohnung, by August Friedrich Ferdinand von Kotzebue. Author of Prologue unknown. Epilogue by the author (see text)]: With new Scenery, Dresses, &c. [3rd piece in place of The Old Cloathsman, advertised on playbill of 6 Apr.] Receipts: #180 3s. (177.1; 3.2)

Event Comment: Benefit Mrs Baker. At the Desire of several Ladies of Quality. Written by Beaumont and Fletcher

Event Comment: Benefit Mrs Baker

Event Comment: Benefit Mrs Baker

Event Comment: Benefit Mrs Baker. At the particular Desire of several Ladies of Quality

Event Comment: Benefit for Bencraft and Mrs Baker

Event Comment: Benefit for Miles, Mrs Pitt, Mrs Baker

Event Comment: Benefit for Dickinson (First Gallery Office Keeper). We borrow'd Mrs Baker for Maria (Cross). Receipts: #190 (Cross)

Event Comment: KKing did Tom (Well) Mrs Clive being taken ill-Mrs Abington did Phillis & I borrow Mrs Baker from Rich to do Lucinda. Receipts: #130 (Cross)

Event Comment: Benefit for White & Mrs Baker

Event Comment: Benefit for Messrs Wignel and Stoppelaer. Neither Piece Acted This Season. The Prologue and Epilogue spoken By particular Desire by Master Wignell. Charges #72 15s. [of which Wignel bore #32 2s. 6d. and Stoppelaer bore #40 12s. 6d. Their deficit codered by income from tickets: Wignel #97 6s. (Box 82; Pit 362; Gallery 225); Stoppelaer #104 15s. (Bhx 118; Pit 377; Gallery 187).] Paid Edward Bamford for the Giant in the Dragon of Wantly #1 1s. (Account Book). With difficulty got into the Pit just before began (Neville MS Diary). [He comments favorably on the play and performers. Liked Shuter, especially, as Sharp in the afterpiece, and thought Miss Baker looked well in men's clothes.] Receipts: #48 7s. (Account Book)

Event Comment: Benefit for Mrs Baker. Mainpiece: By Desire. Tickets deliver'd for Artaxerxes will be taken

Event Comment: Benefit for Farren, Baker & Miss Abrams. Receipts: #140 19s. 6d. (48.2.0; 15.5.6; 0.0.0; tickets: 77.12.0) (charge: #74 14s.)

Event Comment: The United Company. The date of the first production is not known, but the Gentleman's Journal, February 1692@3 (issued in March) makes clear that it followed Congreve's play: We have had since a Comedy, call'd, The Wary Widow, or Sir Noisy Parrot, by Henry Higden Esq; I send by here the Prologue to it by Sir Charles Sedley, and you are too great an Admirer of Shakespeare, not to assent to the Praises given to the Fruits of his rare Genius (p. 61). The play was announced in the London Gazette, No. 2875, 29 May-June 1693. The music for one song, All hands up aloft, was by Berenclow, and the song appears in D'Urfey, Wit and Mirth, 1699. Dedication, edition of 1693: But now it is forced to beg for your Protection from the malice and severe usage it received from some of my Ill natured Friends, who with a Justice peculiar to themselves, passed sentence upon it unseen or heard and at the representation made it their business to persecute it with a barbarous variety of Noise and Tumult. Gildon, The Life of Mr Thomas Betterton (p. 20): The actors were completely drunk before the end of the third act, and being therefore unable to proceed with this "Pleasant Comedy," they very properly dismissed the audience

Event Comment: Benefit Mrs Reading, Wife of Mr Thomas Reading, Attorney at Law, of New Inn. At the Desire of several Persons of Quality. Afterpiece: A Farce (never perform'd before). Boxes 5s. Pit 3s. Gallery 2s. Stage Half a Guinea. N.B. Mrs Reading is credibly informed, that a Hackney Writer, who has lately turn'd Author, and Player in his own Farce, has maliciously spread a Report about the Town, that she does not intend to have any Play perform'd: this is to assure the Publick, that she has taken a great deal of Pains to have the Play and Farce perform'd with all the Decency possible

Event Comment: Benefit Mrs Reading, Wife of Mr Thomas Reading, Attorney at Law of Salisbury

Event Comment: On Tuesday last died in Dublin, Mr Thomas Walker, the Comedian, who originally perform'd the Part of Capt. Macheath in the Beggar's Opera.--General Advertiser, 12 June

Event Comment: Mainpiece: Not acted these 3 years. The Music by Purcel and Dr Arne, with the additional Airs and Chorusses by the late [Thomas] Linley Jun. [Gazetteer, 9 Nov., notes that the music for the Chorus of Spirits was composed by Purcell, for Ariel's song by Dr Arne, for the storm scene by Linley Jun.] Receipts: #162 11s. (126/10/0; 35/19/6; 0/1/6)