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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Thomas Baker"/1) | (@(roleclean,performerclean) "Mr Thomas Baker")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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12136 results for: Keyword - Mr Thomas Baker
We found 5726 matches on Author, 4612 matches on Event Comments, 2731 matches on Performance Comments, 705 matches on Performance Title, and 0 matches on Roles/Actors.

26
11 October 1749 @ Drury Lane Theatre

Performances

Mainpiece Title: Comus

Performance Comment: Comus-Havard; Elder Brother-Usher; Younger Brother-King; First Spirit-Mills; Second Spirit-Master Mattocks; Bacchanal-Beard; Euphrosyne-Mrs Clive; Lady-Mrs Elmy; Sabrina-Miss Norris (with the song of Sweet Echo) her 1st appearance on that stage; The Dances-Matthews, Mlle Contri (her 1st time of appearing on that stage), Pelling, Shawford, Yates, Macclean, Mrs Addison, Miss Baker, Mrs Shawford, Mrs L'Font, Miss Shawford.
Related Works
Related Work: Comus Author(s): Thomas Arne

Afterpiece Title: The Anatomist

27
01 May 1724 @ Drury Lane Theatre

Event Comment: Benefit Mrs Baker. At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: The Amorous Widow

Performance Comment: As17231025, but Lovemore-Wilks; Cunningham-Mills; Sir Peter-Johnson; Barnaby-Norris; Merryman-Penkethman; Clodpole-Miller; Lady Laycock-Mrs Baker; Lady Pride-Mrs Willis; Philadelphia-Mrs Younger; Damaris-Miss Tenoe; Prudence-Mrs Heron; And an Epilogue-Penkethman riding on an Ass.
Cast
Role: Lady Laycock Actor: Mrs Baker
Related Works
Related Work: The Amorous Widow; or, The Wanton Wife Author(s): Thomas Betterton

Dance: As17240316

28
29 April 1700 @ Drury Lane Theatre

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Edition of 1700: Prologue by Mr Dryden-Colley Cibber; Epilogue by Mr Dryden-Colley Cibber; Alphonso-Johnson; Pedro-Wilks; Roderigo-Powell; Governor-Simson; Scholar-Thomas; Parson-Haynes; Englishman-Cibber; Welshman-Norris; Taylor-Pinkethman; Alinda-Mrs Oldfield; Juletta-Mrs Moor.
Cast
Role: Scholar Actor: Thomas
Related Works
Related Work: The Pilgrim Author(s): Thomas Killigrew

29
18 February 1792 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5 by Thomas Holcroft. Prologue and Epilogue by the author (London Chronicle, 21 Feb.)]. Morning Herald, 29 Feb. 1792: This day is published The Road to Ruin (1s. 6d.). Receipts: #233 5s. (231.1; 2.4)

Performances

Mainpiece Title: The Road To Ruin

Related Works
Related Work: The Road to Ruin Author(s): Thomas Holcroft

Afterpiece Title: Blue Beard

30
08 October 1793 @ Covent Garden

Event Comment: Mainpiece: With Alterations [by Thomas Hull]. Afterpiece: Compressed into 3 Acts by the author of the Road to Ruin [Thomas Holcroft]. Receipts: #232 6s. (204.16; 27.10)

Performances

Mainpiece Title: The Comedy Of Errors

Related Works
Related Work: The Twins; or, A Comedy of Errors Author(s): Thomas Hull
Related Work: The Comedy of Errors Author(s): Thomas Hull

Afterpiece Title: The School for Arrogance

Related Works
Related Work: The School for Arrogance Author(s): Thomas Holcroft

Song: In III: a song (in character)-Mrs Clendining

Entertainment: As17931004

31
04 February 1791 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based on Le Glorieux, by Philippe Nericault, dit Destouches. In 1793 reduced by the author to an afterpiece of 3 acts. Prologue and Epilogue by the author (Knapp, 101, 307). This play was originally attributed to James Marshall (Public Advertiser, 5 Feb.); on 8 Feb. he wrote a letter to the editor of the Oracle, stating that "The School for Arrogance is not mine, but Mr Holcroft's...By appearing for a time as the ostensible author I hope I have contributed to heal what was most unaccomodating between Mr Harris and Mr Holcroft." And see Genest, VII, 24, 27.] Oracle, 19 Feb. 1791: This Day is published The School for Arrogance (1s. 6d.). "If Mrs Wells could be prevailed upon to speak out, so that the audience might hear, it would be of some advantage to the new play. At present, the performer who happens to be on the stage with her has it all in confidence" (Gazetteer, 9 Feb.). Receipts: #186 11s. (181.8; 5.3)

Performances

Mainpiece Title: The School For Arrogance

Related Works
Related Work: The School for Arrogance Author(s): Thomas Holcroft

Afterpiece Title: The Picture of Paris

32
15 September 1794 @ Covent Garden

Event Comment: 1st piece [1st time; PREL I, by Thomas Holcroft, based on The Covent Garden Tragedy, by Henry Fielding. Larpent MS 1039; not published; synopsis of plot in Morning Herald, 16 Sept.]. "The two Queens are represented by Munden and Fawcett, who are dressed up fantastically, wearing as Crowns Models of the two Theatres" (Morning Chronicle, 16 Sept.). Covent-Garden was crowned with a triangular representation of the Piazza; Drury-Lane with her own Theatre, surmounted by Apollo" (Morning Herald, 16 Sept.). [This was Burton's 1st appearance in London; he was from the Norwich theatre. Miss Cornelys was from the Dublin theatre.] No Money to be returned. Boxes 6s. Second Price 3s. Pit 3s. 6d. Second Price 2s. Gallery 2s. Second Price 1s. Upper Gallery 1s. Places for the Boxes to be taken of Brandon at the Office in Hart-street. The Doors to be opened at 5:30. To begin at 6:30 [see 30 Oct.]. Receipts: #305 1s. 6d. (296.10.6; 8.11.0)

Performances

Mainpiece Title: The Rival Queens; Or, Drury-lane And Covent-garden

Related Works
Related Work: The Rival Queens; or, Drury-Lane and Covent-Garden Author(s): Thomas Holcroft

Afterpiece Title: The Suspicious Husband

Afterpiece Title: Sprigs of Laurel

33
18 October 1776 @ Drury Lane Theatre

Event Comment: [Afterpiece in 3 acts, altered from Garrick's original 5 acts by Richard Brinsley Sheridan.] The Music composed by Dibdin. With New Dresses. The Scenes, Machines, &c. invented by DeLoutherbourg. The Christmas Tale reduced to three Acts (by R. B. Sheridan esq.) was performed for the first time as a Farce--was received with very great Applause--it is too long, and must be shortened (Hopkins Diary). Public Advertiser, 22 Oct. 1776: This Day at Four o'Clock will be published A Christmas Tale (1s.) [For Baker see 28 Sept.] Receipts: #241 14s

Performances

Mainpiece Title: The Hypocrite

Performance Comment: Doctor Cantwell-Moody; Sir John Lambert-Packer; Seyward-Brereton; Col. Lambert-Jefferson; Maw@Worm-A Young Gentleman (3rd appearance upon any stage [Baker]); Darnley-Bensley; Lady Lambert-Miss Sherry; Old Lady Lambert-Mrs Bradshaw; Charlotte-Mrs Abington (1st appearance this season).
Related Works
Related Work: The Hypocrite Author(s): Thomas Shadwell
Related Work: Trick for Trick; or, The Debauch'd Hypocrite Author(s): Thomas D'Urfey

Afterpiece Title: A ChristmasTale

34
April 1684 @ Drury Lane Theatre

Event Comment: The United Company. The date of the first performance is not known, but Luttrell dated his copy of the separately-printed Prologue and Epilogue 5 April 1684 (J. W. Dodds, Thomas Southerne, p. 48). Very probably the play first appeared during the week of 31 March-5 April, immediately following Easter. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 191-94. This may have been the last new role William Smith undertook for some years; see Cibber, Apology, ed. Lowe, 1, 78-79, for the incident which prompted Smith's leaving the stage for awhile. One song, I never saw a face till now, with music by Captain Pack, is in The Theater of Music, the First Book, 1685; and another, O why did e'er my thoughts aspire, the music by R. King, is in the same collection. A third song, See how fair Corinna lies, the music by Captain Pack, is in A Collection of Twenty-Four Songs, 1685

Performances

Mainpiece Title: The Disappointment; Or, The Mother In Fashion

Related Works
Related Work: The Disappointment; or, The Mother in Fashion Author(s): Thomas Southerne

35
11 May 1757 @ Drury Lane Theatre

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Britannia

Performance Comment: [See17550509, but without Miss Thomas.] With a Prologue-Garrick [in the character of a Sailor; Epilogue-[suitable to the Occasion, to be spoken at the head of a Number of Boys clothed in Sailors Habits given them by the Society.suitable to the Occasion, to be spoken at the head of a Number of Boys clothed in Sailors Habits given them by the Society.
Related Works
Related Work: Britannia Author(s): Thomas Lediard
Related Work: Britannia Author(s): Thomas Arne

36
25 September 1780 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Walker and Stewart. [Author of Prologue unknown.] Afterpiece [1st time; F 2, by Thomas Stewart. Larpent MS 926; not published]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:00. To begin at 6:30

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Related Works
Related Work: The Gentle Shepherd; or, Patie and Roger Author(s): Thomas Linley Sr.

Afterpiece Title: The Double Amour

Related Works
Related Work: The Double Amour Author(s): Thomas Stewart

Music: With an entire new Scotch Overture-, composed by JonasBlewitt; End: songs-Mrs Bayley; between the Acts of the Farce: songs-Mrs Bayley, composed by JonasBlewitt

37
06 May 1796 @ Covent Garden

Event Comment: Benefit for Mr and Mrs Knight. 1st piece [1st time; C 3, by Thomas Holcroft, altered by author from his Duplicity. Larpent MS 1129; not published]. Oracle, 13 Apr.: Tickets to be had of Mr and Mrs Knight, No. 47, Rathbone Place. Receipts: #331 5s. (159.7.0; 16.7.6; tickets: 155.10.6)

Performances

Mainpiece Title: The Mask'd Friend

Related Works
Related Work: The Mask'd Friend Author(s): Thomas Holcroft
Related Work: Duplicity Author(s): Thomas Holcroft

Afterpiece Title: The Way to Get Un-Married

Afterpiece Title: The Farmer

Song: In 2nd piece: The Sportman's snug little Cot-Incledon

Entertainment: Monologues, with Songs.End: The Barber's Petition-Fawcett (1st time); [with a song in character, Wigs [including His Own Wig, The Lover's Wig, Doctor's Wig, Coachman's Wig, Counsellor's Wig-Fawcett; End 2nd piece: A Ramble to Bath (1st time) [with a descriptive song in the character of Jacob Gawkey [in The Chapter of Accidents]-Knight

38
25 January 1798 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based on La Serva Amorosa and on Il Padre di Famiglia, both by Carlo Goldoni. Author of Prologue unknown. Epilogue by Matthew Gregory Lewis (see text)]. Times, 7 Feb. 1798: This Day is published Knave or Not (2s.). Receipts: #358 2s. (283.11.6; 71.2.0; 3.8.6)

Performances

Mainpiece Title: Knave Or Not

Related Works
Related Work: Knave or Not Author(s): Thomas Holcroft

Afterpiece Title: Blue-Beard

39
02 April 1799 @ Covent Garden

Event Comment: 2nd piece [1st time; CO 3, by Thomas Holcroft. Larpent MS 1242; not published]: With new Music, Scenes, and Dresse". The Music composed by Attwood; the Overture by W. Parke. Books of the Songs to be had at the Theatre. Receipts: #234 2s. (230.19; 3.3)

Performances

Mainpiece Title: Five Thousand A Year

Afterpiece Title: The Old Cloathsman

Performance Comment: Principal Characters by Incledon, Munden, Knight, Emery, Waddy, Wilde, Abbot, Dyke, Curties, Mrs Atkins, Mrs Chapman, Mrs Mattocks. Cast from London Chronicle, 4 Apr.: Frank-Incledon; Dewberry-Munden; Florid-Knight; Mr Morgan-Emery; Melton-Waddy; Philip-Abbot; Clara-Mrs Atkins; Phoebe-Mrs Chapman; Mrs Morgan-Mrs Mattocks; unassigned-Wilde, Duke, Curties; Peasants and Servants-King, Linton, Street, Blurton, Russel, Tett, Oddwell, Sawyer, Everett, Thomas, Kenrick, Miss Wheatley, Mrs Watts, Mrs Iliff, Mrs Follett, Miss Leserve, Mrs Masters.
Cast
Role: Peasants and Servants Actor: King, Linton, Street, Blurton, Russel, Tett, Oddwell, Sawyer, Everett, Thomas, Kenrick, Miss Wheatley, Mrs Watts, Mrs Iliff, Mrs Follett, Miss Leserve, Mrs Masters.
Related Works
Related Work: The Old Cloathsman Author(s): Thomas HolcroftThomas Attwood

Afterpiece Title: The Tobacconist

40
June 1680 @ Dorset Garden Theatre

Event Comment: The Duke's Company. The date of the first performance is not known. Luttrell, however, dated the copy he purchased 6 July 1680 (VanLennep, Two Restoration Comedies, pp. 57-58) and attributed it to Mrs Aphra Behn. If copies were available in early July, the play was most probably performed in June 1680. Langbaine (English Dramatick Poets, p. 547) had heard that Mrs Behn was the author, but A Comparison between the Two Stages (p. 11) attributed it to Thomas Betterton. For a discussion of the authorship, see also Ten English Farces, ed. Leo Hughes and A. H. Scouten (Austin, Texas, 1948), pp. 203-4

Performances

Mainpiece Title: The Revenge; Or, A Match In Newgate

Related Works
Related Work: Bussy D'Ambois; or, The Husbands Revenge Author(s): Thomas D'Urfey
Related Work: The Revenge; or, A Match in Newgate Author(s): Thomas Betterton
Related Work: The Unhappy Kindness; or, A Fruitless Revenge Author(s): Thomas Scott

41
November 1692 @ Drury Lane Theatre

Event Comment: The United Company. The date of the first performance is not certain, but the play was acted soon after Shadwell's death in November 1692. Gentleman's Journal, November 1692: We have lately lost Thomas Shadwell Esquire....The Comedy which, as I told you, he design'd for the Stage, was acted since his decease: 'Tis call'd the Volunteers; and though that Orphan wanted its Parent to support it, yet it came off with reasonable success. [When this play was revived at Drury Lane 27 July 1711, the bill bore the heading: Not acted these Twenty Years.

Performances

Mainpiece Title: The Volunteers; Or, The Stock-jobbers

Related Works
Related Work: The Volunteers; or, The Stock-Jobbers Author(s): Thomas Shadwell

42
13 October 1781 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft; in 1796 altered by the author and acted as The Mask'd Friend. Prologue by William Nicholson (see text). Epilogue attributed to Frederick Pilon (Public Advertiser, 15 Oct.)]: With New Dresses, Scenery, &c. Public Advertiser, 12 Nov. 1781: This Day will lie published Duplicity (price not listed). Paid Music #8 4s. 8d.; Chorus Singers #3 15s. Receipts: #204 16s. (202/7/6; 2/8/6)

Performances

Mainpiece Title: Duplicity

Related Works
Related Work: The Mask'd Friend Author(s): Thomas Holcroft
Related Work: Duplicity Author(s): Thomas Holcroft

Afterpiece Title: The Flitch of Bacon

43
January 1692 @ Drury Lane Theatre

Performances

Mainpiece Title: The Marriage-hater Matched

Related Works
Related Work: The Marriage-Hater Matched Author(s): Thomas D'Urfey
Related Work: The Marriage Hater Matched Author(s): Thomas D'Urfey
Related Work: The Marriage Hater Match'd Author(s): Thomas D'Urfey

44
04 November 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408. It is not certain that this was the premiere, but, as the play was licensed for publication on 20 Nov. 1676, the first performance may well have been on this day. A song, Away with the causes of riches and cares, with music by Matthew Lock, is in Catch that Catch Can, No. 64, 1685. Another, Beneath a shady willow, with music by William Turner, is in A New Collection of Songs and Poems...by Thomas D'Urfey, 1683. Edition of 1677: That its only good Fortune was, in being the Subject of the Courts Diversion, where their Noble Clemency and Good Nature were extremely requisite, in covering its defects from the too Censorious; His Majesty, according to His accustomed Royal and Excellent Temper, was pleas'd to descend so far, as to give it a particular Applause, which was seconded by your Grace [The Duke of Ormond]

Performances

Mainpiece Title: Madam Fickle; Or, The Witty False One

Related Works
Related Work: Madam Fickle; or, The Witty False One Author(s): Thomas D'Urfey

45
December 1676 @ Dorset Garden Theatre

Event Comment: The Duke's Company. There is no indication of the first date of performance, but a licensing date of 19 Feb. 1676@7 suggests a December 1676 or January 1677 production.Downes (Roscius Anglicanus, p. 38): Titus and Berenice, Wrote by the same Author [Thomas Otway], consisting of 3 Acts: With the Farce of the Cheats of Scapin at the end: This Play, with the Farce, being perfectly well Acted; had good Success

Performances

Mainpiece Title: Titus And Berenice

Related Works
Related Work: Titus and Berenice Author(s): Thomas Otway

Afterpiece Title: The Cheats of Scapin

Related Works
Related Work: The Cheats of Scapin Author(s): Thomas Otway

46
September 1679 @ Dorset Garden Theatre

Event Comment: The Duke's Company. There is no certainty as to the date of the first production; but as this play was entered in the Term Catalogues November 1679, it was certainly first acted by October 1679, possibly in September 1679. A musical number, The Loyal Protestant, the music by Thomas Farmer, is in Choice Ayres and Songs, The Third Book, 1681

Performances

Mainpiece Title: The Virtuous Wife; Or, Good Luck At Last

Related Works
Related Work: The Virtuous Wife; or, Good Luck at Last Author(s): Thomas D'Urfey

47
21 May 1759 @ Drury Lane Theatre

Event Comment: Benefit for Scrase, Mozeen, Ackman, Harrison. Afterpiece: A new farce written by Mr Mozeen (Indiff) (Cross). Ellis Ackman, Henry Scrase, Harrison, Thomas Mozeen advertised the above new piece for their benefit performance being founded on fact (Winston MS 8). Receipts: #170 Cross)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Heiress; or, The Antigallican

Related Works
Related Work: The Richmond Heiress; or, A Woman Once in the Right Author(s): Thomas D'Urfey
Related Work: The Heiress; or, the Antigallican Author(s): Thomas Mozeen

Dance: I: Hornpipe-Harrison, a Young Gentleman Harrison's Scholar; End: A Minuet-Two of Harrison's Scholars

48
16 November 1782 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; T 5, by Thomas Hull; also ascribed to Samuel Jackson Pratt. Author of Prologue unknown. Epilogue by S. J. Pratt. {Miscellanies, 1785,1,271). MS: Larpent 603; not published]: With a grand Masquerade Scene, and Decorations incident to the Piece. Receipts: #234 17s. (223/13/0; 11/1/6; 0/2/6)

Performances

Mainpiece Title: The Fatal Interview

Related Works
Related Work: The Fatal Interview Author(s): Thomas Hull

Afterpiece Title: The Gentle Shepherd

Related Works
Related Work: The Gentle Shepherd; or, Patie and Roger Author(s): Thomas Linley Sr.

49
12 March 1787 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft. Prologue by the author (Public Advertiser, 19 Mar.). Epilogue by Miles Peter Andrews (Knapp, 81)]: With new Scenery, Dresses, &c. Public Advertiser, 31 Mar. 1787: This Day is published Seduction (1s. 6d.). Receipts: #187 15. (162.14.0; 24.1.6; 0.17.0; ticket not come in: 0.2.6)

Performances

Mainpiece Title: Seduction

Related Works
Related Work: Seduction Author(s): Thomas Holcroft

Afterpiece Title: The Gentle Shepherd

Related Works
Related Work: The Gentle Shepherd; or, Patie and Roger Author(s): Thomas Linley Sr.

50
31 March 1789 @ Covent Garden

Event Comment: Benefit for Ryder. Public Advertiser, 20 Mar.: Tickets to be had of Ryder at his house, No. 5, Bow-street, Covent-garden. 1st piece: The Overture, Airs, &c. by Dr Arnold. The selected by Handel, Vento, Giordani, Giardini, Bertoni, Dr Arne, Carolan the Irish Bard. 2nd piece: 1st time Here. Translated from the French of La Bonne Mere, by Horatio Edgar? Robson, and at this Time reading with great success and general applause by LeTexier in Lisle-Street [and 1st acted at the hay, 22 Aug. 1788]. 3rd piece [1st time; F 2, by Thomas Ryder, altered from The Man of Parts, by Isaac Jackman; not published]. Receipts: #271 0s. 6d. (191.15.6; 5.7.0; tickets: 73.18.0)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Look before You Leap

Afterpiece Title: Such Things Have Been

Related Works
Related Work: Such Things Have Been Author(s): Thomas Ryder

Song: End 3rd piece: Paddy's Ramble from Dublin to Londonwritten and to be sung-Ryder

Entertainment: Monologue. In course of Entertainments: Bucks have at Ye All-Ryder