SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Tho Dogget"/1) | (@(roleclean,performerclean) "Mr Tho Dogget")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4312 matches on Event Comments, 1284 matches on Performance Comments, 541 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: Alonzo

Afterpiece Title: The Anatomist

Performances

Mainpiece Title: The Earl Of Warwick

Afterpiece Title: The Pantheonites

Dance: V: The Sailors Revels, as17730928

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: A Trip to Scotland

Entertainment: End: (By Particular Desire) Bannister's Imitations-Bannister

Performances

Mainpiece Title: The Gamester

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: The Choleric Man

Afterpiece Title: Hob in the Well

Cast
Role: Sir ThomasTesty Actor: Hurst
Related Works
Related Work: Hob; or, The Country Wake Author(s): Thomas Doggett
Event Comment: Paid 4 day's salary list at #94 11s. 6d. per diem #378 7s. 4d.; J. French on acct #5 5s. (Treasurer's Book). [From the Westminster Magazine, March, p. 125: "A disturbance on account of Mrs Yates having left the theatre without speaking the Epilogue to Braganza. The House was clamorous and would not give up their right. Mr Vernon endeavoured to appease their fury, by declaring that Mrs Yates being taken with a hoarseness, had left the theatre,' but this excuse the Audience would not accept. Mr Vernon withdrew, and after a short time returned assuring the House that he had sent to Mr Garrick (who was confined to his room with a fit of the stone) but who had directed the messenger immediately to fetch Mrs Yates, and that her husband was then in the theatre. He was directly called for, and instantly came on the stage to know the pleasure of the Audience. They told him bluntly they did not want to see him, but to hear his wife, whose obstinacy and pride had betrayed her into the present insult. He in vain tried to assure them, that his wife's conduct proceeded from a very contrary cause from that which they alledged; and the cause was real illness. As the clamor was universal, Mr Yates quitted the stage; and at length, an hour and a half being spent in tumult, the overture was suffered, and the farce went on, but not in silence." See note, 9 March.] Receipts: #201 19s. (Treasurer's Book)

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Rival Candidates

Related Works
Related Work: The Rival Candidates Author(s): Charles Thomas Carter

Performances

Mainpiece Title: All For Love

Related Works
Related Work: Love for Money; or, The Boarding School Author(s): Thomas D'Urfey

Afterpiece Title: The Contrast; or, The Jew and Married Courtezan

Performances

Mainpiece Title: Didone

Dance: As17751104

Ballet: Le Triomphe D'Euthime sur Le Genie de Liba. As17751104

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: May Day

Related Works
Related Work: May Day; or, The Little Gipsy Author(s): Thomas Arne

Dance: The Merry Peasants, as17751018

Performances

Mainpiece Title: Old City Manners

Afterpiece Title: Queen Mab

Dance: II: The Savage Hunters, as17751020

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Padlock

Performances

Mainpiece Title: New Brooms

Afterpiece Title: The Runaway

Afterpiece Title: The Elopement

Event Comment: Benefit for a Fund, for the Relief of those who from their Infirmities shall be obliged to retire from the Stage. Prelude [1st time; M. PREL 1, by David Garrick, and others. In a synopsis of the plot the London Chronicle assigns Bannister; it lists the names of the other performers and, separately, their parts. The assignments given above are my own conjecture. Not in Larpent MS; the composer of the vaudeville written by Garrick is unknown]. The Words of the Songs will be given at the Theatre. Ladies and Gentlemen are requested to come early, to prevent Confusion. And to send their Servants by Five o'clock to keep the Places. Receipts: #217 8s. 6d. (100.9.0; 25.14.6; 0.0.0; tickets: 91.5.0) (charge: free)

Performances

Mainpiece Title: A Bundle Of Prologues

Afterpiece Title: Twelfth Night

Afterpiece Title: The Jubilee

Related Works
Related Work: The Goldsmiths Jubilee; or, London's Triumph: Containing, A Description of the several Pageants: On which are Represented, Emblematical Figures, Artful Pieces of Architecture, and Rural Dancing: with the Speeches Spoken on each Pageant. Author(s): Thomas Jordan

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Wilkinson (1st appearance in that character on this stage); Mr Johnson-Hull; Mr Smith-Clarke; other Characters-Quick, Dunstall, Whitfield, Robson, Wewitzer, Baker, L'Estrange, Death, Jones, Fearon, Thompson, Cushing, Fox, Smith, Stevens, Mrs Poussin, Miss Green, Miss Morris, Miss Dayes. With a Reinforcement of Mr Bayes's New Raised Troops [for which, and for a list of the other parts, see dl, 13 Dec. 1777].for which, and for a list of the other parts, see dl, 13 Dec. 1777].

Afterpiece Title: The Norwood Gypsies

Dance: As17771229

Performances

Mainpiece Title: The Humours Of Oxford

Afterpiece Title: A Mirror for the Ladies

Afterpiece Title: The Wrangling Lovers

Song: End III: Hunting Song-Miss Harris

Monologue: Vaudeville.Between Acts 3rd piece: a few Pantomimical Scenes. Harlequin-Best; Columbine-Miss Dudley

Event Comment: By Permission of the Lord Chamberlain. Benefit for Walker and Stewart. [Author of Prologue unknown.] Afterpiece [1st time; F 2, by Thomas Stewart. Larpent MS 926; not published]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:00. To begin at 6:30

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Related Works
Related Work: The Gentle Shepherd Author(s): Thomas Linley Sr.

Afterpiece Title: The Double Amour

Related Works
Related Work: The Double Amour Author(s): Thomas Stewart

Music: With an entire new Scotch Overture-, composed by JonasBlewitt; End: songs-Mrs Bayley; between the Acts of the Farce: songs-Mrs Bayley, composed by JonasBlewitt

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by the author (Gentleman's Magazine, Jan, 1782, p. 36). Another Prologue, by the Right Hon. Luke Gardiner, "not arriving in London time enough for the first exhibition of the Count of Narbonne, was not spoken" (ibid.). Epilogue by Richard Josceline Goodenough, but beginning with 20 Nov. it was superseded by a new Epilogue written by Edmond Malone (see text)]: With new Scenery and Dresses. Public Advertiser, 1 Nov.: The Management of The Count of Narbonne is . . . under very good Care: Mr Horace Walpole, with a Fondness nothing less than fatherly, directs that part of the Affair which respects the Scenes and Dresses, while Henderson takes Charge of the Rehearsals and the casting of inferior Parts... [Henderson] is to wear a Dress which is lent him from among the Antiquities at Strawberry Hill. "I have been at the theatre, and compromised the affair of the epilogues: one is to be spoken to-morrow, the friend's on the author's night. I have been tumbling into trap-doors, seeing dresses tried on in the green-room, and directing armour in the painting-room" (Walpole [16 Nov. 1781], XII, 95). "I never saw a more unprejudiced audience, nor more attention. There was not the slightest symptom of disapprobation to any part ... It is impossible to say how much justice Miss Younge did to your writing. She has shown herself a great mistress of her profession, mistress of dignity, passion, and of all the sentiments you have put into her hands. The applause given to her description of Raymond's death lasted some minutes, and recommenced; and her scene in the fourth act, after the Count's ill-usage, was played in the highest perfection. Mr Henderson was far better than I excepted from his weakness, and from his rehearsal yesterday, with which he was much discontented himself. Mr Wroughton was very animated, and played the part of the Count much better than any man now on the stage would have done. I wish I could say Mr Lewis satisfied me; and that poor child Miss Satchell was very inferior to what she appeared at the rehearsals, where the total silence and our nearness deceived us. Her voice has no strength, nor is she yet at all mistress of the stage. I have begged Miss Younge to try what she can do with her by Monday. However, there is no danger to your play: it is fully established" (Walpole [to the author, 18 Nov. 1781], XII, 95-96). Public Advertiser, 28 Nov. 1781: This Day is published The Count of Narbonne (price not listed). Receipts: #164 10s. 6d. (163/0/6; 1/10/0)

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: The Characters by Henderson, Wroughton, Lewis, Thompson, Fearon, J. Bates; Miss Satchell, Mrs Morton, Miss Younge. [Cast from text (T. Cadell, 1781), and London Chronicle, 19 Nov.: Austin-Henderson; Raymond-Wroughton; Theodore-Lewis; Fabian-Thompson; Officers of the Count-Fearon, J. Bates, Painter, &c.; Adelaide-Miss Satchell; Jacqueline-Mrs Morton; Hortensia-Miss Younge.] With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] . With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] .
Cast
Role: Fabian Actor: Thompson

Afterpiece Title: The Deaf Lover

Cast
Role: John Actor: Thompson
Event Comment: Mainpiece [1st time; D 5, by Elizabeth Inchbald. Prologue by Thomas Vaughan. Epilogue by Miles Peter Andrews (see text). Public Advertiser, 14 Feb: Part of Andrews's Epilogue to Eloisa [see 20 Dec. 1786]...was blended with Epilogue spoken on first representation of Such Things Are]: With new Scenes, Dresses, &c. Public Advertiser, 1 Dec. 1787: This Day is published Such Things Are (1s. 6d.). Receipts: #214 10s. (212.10; 2.0)

Performances

Mainpiece Title: Such Things Are

Performance Comment: [Principal Characters by Lewis, Quick, Holman, Pope, Farren, Davies, Fearon, Macready, Cubitt, Mrs Mattocks, Miss Wilkinson, Mrs Pope. Cast from text (G. G. J. and J. Robinson, 1788 [i.e. 1787]): Mr Twineall-Lewis; Sir Luke Tremor-Quick; Elvirus-Holman; Mr Haswell-Pope; Sultan-Farren; Lord Flint-Davies; Zedan-Fearon; Mr Meanright-Macready; Keepers-Thompson, Cubitt; Prisoners-Helme, Gardner; Guard-Blurton; Messenger-Ledger; Lady Tremor-Mrs Mattocks; Aurelia-Miss Wilkinson; Prisoner-Mrs Pope; Prologue-Holman; Epilogue-Mrs Mattocks. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Keepers Actor: Thompson, Cubitt
Related Works
Related Work: Such Things Have Been Author(s): Thomas Ryder

Afterpiece Title: The Enchanted Castle

Related Works
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett

Performances

Mainpiece Title: The Widow Of Malabar

Cast
Role: Narrain Actor: Thompson

Afterpiece Title: Midas

Afterpiece Title: The Dreamer Awake; or, The Pugilist Matched

Song: End I 1st piece: Say Bonny Lass: Highland Lad-Mrs Martyr, Highland Lassie- Mrs Mountain; End I 3rd piece: The Musical Courtship-Incledon, Mrs Martyr

Event Comment: 2nd piece [1st time; C 3, by Elizabeth Inchbald, based on L'Indigent, by Louis Sebastien Mercier, and on Le Dissipateur; ou, L'Honnete Friponne, by Philippe Nericault, dit Destouches. Prologue and Epilogue by Thomas Vaughan (see text)]. Morning Chronicle, 21 July 1791: This Day is published Next Door Neighbours (1s. 6d.)

Performances

Mainpiece Title: Half An Hour After Supper

Afterpiece Title: Next Door Neighbours

Afterpiece Title: The Author

Cast
Role: Thomas Actor: Burton

Performances

Mainpiece Title: The Welch Heiress

Afterpiece Title: My Grandmother

Event Comment: Benefit for Johnstone. 1st piece [1st time; C 5, by William Macready, based on The Artful Husband, by William Taverner. Prologue by William Thomas Fitzgerald. Epilogue by Robert Houlton (see text)]. 2nd piece [1st time; M. INT 1, author unknown. Larpent MS 1076; not published]: The Music part new and part compiled by Shield. Morning Herald, 4 June 1795: This Day is published The Bank Note (2s.). Morning Chronicle, 18 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-garden. Receipts: #434 19s. 6d. (168.1.0; 8.0.6; tickets: 258.18.0)

Performances

Mainpiece Title: The Bank Note; Or, Lessons For Ladies

Afterpiece Title: The Sailor's Prize; or, May-Day Wedding

Afterpiece Title: Three Weeks after Marriage

Dance: 2nd piece to conclude with: a Garland Dance (composed by Byrn)-Byrn, Mlle St.Amand, Mme Rossi

Song: Incidental to 1st piece: The Irishman's Peep at the Continent-Johnstone; End II: Old Towler-Incledon; In course 2nd piece: New Ballad-Mrs Martyr; Fat Dolly-Munden; Battle Song-Bowden; Let us love and let us drink-Munden; Bowden, Mrs Martyr; Teddy O'Shaughnessey's History-Johnstone; When 'tis Night and the Mid@Watch is come, Admiral Benbow-Incledon; Now landed from the Ocean-

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: My Grandmother

Performances

Mainpiece Title: The Battle Of Hexham; Or, Days Of Old

Afterpiece Title: The Poor Sailor

Related Works
Related Work: The Poor Sailor; or, Little Ben and Little Bob Author(s): Thomas Attwood