SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Tho Dogget"/1) | (@(roleclean,performerclean) "Mr Tho Dogget")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4312 matches on Event Comments, 1284 matches on Performance Comments, 541 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Wives Revenged

Afterpiece Title: The Dramatist

Performance Comment: Vapid-Lewis; Lord Scratch-Quick; Ennui-Bernard; Floriville-Blanchard; Peter-Thompson; Willoughby-Macready; Neville-Holman; Marianne-Mrs Wells; Lady Waitfor't-Mrs Webb; Letitia-Mrs Powell; Miss Courtney-Miss Brunton; Epilogue-Lewis. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]
Cast
Role: Peter Actor: Thompson

Afterpiece Title: The Provocation

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: The Virgin Unmask'd

Performance Comment: Goodwill-Packer; Blister-Suett; Coupee-Bannister Jun.; Quaver-Dignum; Mr Thomas-Phillimore; Miss Lucy-Mrs Jordan.
Cast
Role: Mr Thomas Actor: Phillimore
Event Comment: Benefit for Mrs Wells. Mainpiece [1st time: C 5, by Simon. Prologue by John Henniker (Town and Country Magazine, June 1791, p. 281). Larpent MS 906; not published; synopsis of plot in Morning Post, 11 May]. "Scarcely [any] performer in the piece thought it worth while to charge their memories with words, that they would wish afterwards, if they had, to forget as fast as possible...The imitations were some tolerably true, and a few excellent. Siddons and Storace were outrageous caricatures. Mrs Wells once came infinitely nearer the former. She is now deficient in tone and emphasis--all is shiver and sob. Mrs Crawford, Mrs Jordan and Mrs Abington were worthy her talents in the mimetic art" (Oracle, 11 May). Public Advertiser, 27 Apr.: Tickets to be had of Mrs Wells, No. 12, Weymouth-street, Portland-place. Receipts: #313 3s. (148.15; 8.7; tickets: 156.1)

Performances

Mainpiece Title: National Prejudice

Afterpiece Title: The Poor Soldier

Entertainment: Imitations End II: (for that Night only some) Comic Imitations-Mrs Wells; End: instead of an Epilogue, some Tragic Imitations-Mrs Wells

Performances

Mainpiece Title: The Double Gallant; Or, The Sick Lady's Cure

Performance Comment: Atall-Lewis; Careless-Farren; Clerimont-Macready; Finder-Bernard; Sir Harry Atall-Thompson; Mr Wilful-Cubitt; Supple-Cross; Sir Solomon Sadlife-Quick; Lady Dainty-Mrs Mattocks; Sylvia-Miss Brunton; Clarinda-Mrs Bernard; Wishwell-Mrs Harlowe; Sittup-Miss Stuart; Lady Sadlife-Mrs Pope; Edition of 1792 (John Bell) adds: Dr Blister-Powel; Rhubarb-C. Powell.
Cast
Role: Sir Harry Atall Actor: Thompson
Related Works
Related Work: The Picture; or, Cuckold in Conceit Author(s): Thomas Arne

Afterpiece Title: Robin Hood

Dance: As17910507

Performances

Mainpiece Title: The Heiress

Related Works
Related Work: The Richmond Heiress; or, A Woman Once in the Right Author(s): Thomas D'Urfey
Related Work: The Stolen Heiress or the Salamanca Doctor Outplotted Author(s): Thomas May
Related Work: The Heiress; or, the Antigallican Author(s): Thomas Mozeen

Afterpiece Title: No Song No Supper

Entertainment: Monologue. End: The Picture of a Play@House, or, Bucks have at ye all-R. Palmer

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Performances

Mainpiece Title: I'll Tell You What

Performance Comment: Major Cyprus-Palmer; Anthony Euston-Bensley; Colonel Downright-Aickin; Charles Euston-Iliff; Sir George Euston-Williamson; Sir Harry Harmless-R. Palmer; Mr Euston-Parsons; Lady Euston-Mrs Brooks; Lady Harriet-Mrs Whitfield; Bloom-Mrs Cuyler; Mrs Euston-Mrs Kemble.
Cast
Role: Anthony Euston Actor: Bensley

Afterpiece Title: The Agreeable Surprise

Performance Comment: Sir Felix Friendly-Wilson (1st appearance on this stage these 6 years); Compton-Bannister; Eugene (1st time)-Bland; Chicane-Usher; Lingo-Cornellys (from the Theatre Royal, Dublin [1st appearance on this stage]); Thomas-Burton; John-Phillimore; Laura-Mrs Bannister; Mrs Cheshire-Mrs Webb; Fringe-Mrs Edwards; Cowslip-Mrs Wells.
Cast
Role: Thomas Actor: Burton

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Minor

Event Comment: [In 2nd piece the playbill assigns Orlando to Kemble, but "On account of indisposition, Barrymore last night performed Orlando for Kemble" (Oracle, 4 Oct.).] 3rd piece: To conclude with the Glorious Defeat of the Spanish Armada, and a Grand Procession. "Equal to any actor I ever saw, as far as his line extends, is Mr Parsons; his conception and expression of Sir Fretful Plagiary, in Mr Sheridan's Critic, are as strong and masterly as were Garrick's in Kitely [in Every Man in his Humour]; and his 'laughing without mirth' therein equally admirable" (Jonson, ed. Waldron, 171). Receipts: #251 4s. 6d. (213.6.6; 37.0.0; 0.18.0)

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: As You Like It

Afterpiece Title: The Critic

Song: V 2nd piece: song-Miss Hagley

Performances

Mainpiece Title: Venice Preserv'd

Related Works
Related Work: Venice Preserv'd; or, A Plot Discover'd Author(s): Thomas Otway
Related Work: Venice Preserv'd Author(s): Thomas Otway

Afterpiece Title: Taste; or, Diversion in the Morning

Related Works
Related Work: Harlequin Restor'd; or, Taste a la Mode Author(s): Thomas Arne

Dance: I afterpiece: Mock Minuet-Alderman, Lady Pentweazel

Song: End: The Tobacco Box-Johnson, Miss Chatterley

Entertainment: Monologues After Singing: British Loyalty[; or, A Squeeze to St. Paul's-Wilkinson; End II afterpiece: Bucks have at Ye All-a Gentleman (1st appearance on any stage [unidentified])

Music: Between Acts: several pieces of Martial Music-his Royal Highness the Duke of Gloucester's Band(, in full uniform, by Permission)

Performances

Mainpiece Title: The School For Fathers

Afterpiece Title: Katharine and Petruchio

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: Richard Coeur de Lion

Related Works
Related Work: Richard Coeur de Lion Author(s): Thomas Linley Sr.

Performances

Mainpiece Title: Cymon

Afterpiece Title: All the World's a Stage

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Waterman

Related Works
Related Work: London's Resurrection to Joy and Triumph: Celebrious to the much-meriting Magistrate Sir George Waterman Knight, Lord Mayor of the City of London Author(s): Thomas Jordan

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: A Peep behind the Curtain; or, The New Rehearsal

Performance Comment: Glib (the Author)-Lewis; Sir Toby Fuz-Wilson; Sir Macaroni Virtu-Fawcett; Wilson-Macready; Patent-Powel; Mervin-Evatt; Prompter-Farley; Carpenter-Rock; Lady Fuz-Mrs Webb; Sweepers-Mrs Powell, Mrs Davenett; Miss Fuz-Mrs Davis; Characters in the Burletta: Orpheus-Davies; Shepherds-Powel, Follett, Linton, Cross, Rees, Noble, Letteney, Rowson, Blurton, Milburne, Simmons, Coombes; Old Shepherd-Munden; Rhodope-Mrs Martyr.

Afterpiece Title: Robin Hood

Event Comment: By Permission of the Lord Chamberlain. Benefit for The Literary Fund. [In this performance the male parts were acted chiefly by amateurs; the female parts were acted by professionals. Prologue and Epilogue by Thomas Morris (Morning Herald, 17 Apr.).] The Committee for the Management of the Literary Fund respectfully inform the Public that affecting instabces of Merit in distress exceed their power of relief by the ordinary Subscription; and that they wish to have recourse to every honourable expedient to increase that power. The Admission will be by Tickets, at the Opera Prices. Boxes and Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No more Company will be admitted than the House will hold with perfect convenience; and when the proper number of Tickets is issued, no means of admission can be obtained. The Doors to be opened at 6:00. To begin at 7:00 precisely. Registers: Thomas Dale, M. D.; Mr Deputy Nichols. Treasurers: Thomas Morris, Esq.; Mr E. Brooke. "In the course of the play we observed several restorations of Shakespeare's text, with some interpolations. The boldest of the latter was the introduction of Richard's son to him in the tent, the night befiredthedbefore the Battle of Bosworth field. This scene was borrowed, as we believe, from Thomas? Hull's Legendary Tale of Richard Plantagenet. It was well written, and produced a considerable degree of effect. The Ghosts were banished, and the start and stagger of Richard, heretofore the theatrical trick of the scene, necessarily omitted" (Diary, 17 Apr.)

Performances

Mainpiece Title: Richard Iii

Afterpiece Title: The Citizen

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Soldier's Festival; or, The Night before the Battle

Afterpiece Title: The Intrigues of a Morning; or, An Hour in Paris

Performance Comment: Principal Characters by Quick, Wilson, Fawcett, Macready, Thompson, Evatt, Rock, Rees, Munden; Miss Chapman, Mrs Mattocks. Cast from text (William Lane, 1792): Squire Lubberly-Quick; Physicians-Wilson, Thompson; Carlos-Fawcett; Erastus-Macready; 1st Tradesman-Evatt; Apothecary-Rees; Closefist-Munden; Julia-Miss Chapman; Nerina-Mrs Mattocks; Rock. Rock.
Cast
Role: Physicians Actor: Wilson, Thompson

Afterpiece Title: The Wives Revenged

Event Comment: Benefit for the Author [of mainpiece, who is named in Kemble Mem., but not on the playbill. In mainpiece the playbill retains King, but "Mr King being ill I acted his Part to-night" (Kemble Mem.).]. Account-Book, 12 May: Author's Charge 3rd night of Fugitive enter'd short by error #12 16s. Receipts: #408 5s. (365.1; 41.0; 2.4; tickets: none listed) (charge: #147)

Performances

Mainpiece Title: The Fugitive

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: The Road To Ruin

Cast
Role: Sheriff's Officer Actor: Thompson
Related Works
Related Work: The Road to Ruin Author(s): Thomas Holcroft

Afterpiece Title: Oscar and Malvina

Music: As17920125

Performances

Mainpiece Title: The Winter's Tale

Related Works
Related Work: The Winter's Tale Author(s): Thomas Hull

Afterpiece Title: The Irishman in London

Afterpiece Title: The Golden Pippin

Song: In 2nd piece: As17920421; End II: a Selection of the most favourite Catches and Glees from Harrison and Knyvett's Vocal Concert-; O let the merry peal go on-(Danby); When Arthur first in Court began-(Callcott); Tweedside What beauties does Flora-(Corfe); Come let us all a Maying go-(Hilton)

Performances

Mainpiece Title: I'll Tell You What

Performance Comment: Major Cyprus-Palmer; Anthony Euston-Bensley; Colonel Downright-Aickin; Charles Euston-A Young Gentleman (1st appearance [Uncle]); Sir George Euston-Williamson; Sir Harry Harmless-R. Palmer; Mr Euston-Parsons; Lady Euston-Mrs Brooks; Lady Harriet-Mrs Whitfield; Bloom (1st time)-Miss Fontenelle; Mrs Euston-Mrs Kemble.
Cast
Role: Anthony Euston Actor: Bensley

Afterpiece Title: Young Men, and Old Women

Related Works
Related Work: The Amorous Old Woman; or, 'Tis Well if it Take Author(s): Thomas Duffett
Event Comment: Benefit for Wilson. 1st piece [1st time; F 1, author unknown. Larpent MS 944; not published]. 3rd piece: Not acted these 15 years. In Act II a Grand Review of Bayes's Troops, with a Sham Battle of Horse and Foot [for which see dl, 13 Dec. 1777]. 4th piece [1st time; M. INT 1, author unknown. Larpent MS 946; not published]: With a New Overture. Morning Herald, 6 Aug.: Tickets to be had of Wilson, Park-lane, Church-lane, Chelsea

Performances

Mainpiece Title: Hail Fellows Well Met

Afterpiece Title: Ways and Means

Afterpiece Title: The Rehearsal

Afterpiece Title: The Rights of Women

Event Comment: Afterpiece [1st time; F 2, by John Rose. Larpent MS 956; not published; synopsis of plot in Morning Herald, 7 Sept. Author of Prologue unknown.

Performances

Mainpiece Title: Cross Partners

Afterpiece Title: The Family Compact

Performances

Mainpiece Title: At King's The Inconstant; Or, The Way To Win Him

Afterpiece Title: The Waterman

Related Works
Related Work: London's Resurrection to Joy and Triumph: Celebrious to the much-meriting Magistrate Sir George Waterman Knight, Lord Mayor of the City of London Author(s): Thomas Jordan

Performances

Mainpiece Title: At King's The Heiress

Afterpiece Title: The Cave of Trophonius

Song: II: a song-Mrs Crouch