SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Tate"/1) | (@(roleclean,performerclean) "Mr Tate")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4242 matches on Event Comments, 1142 matches on Performance Comments, 528 matches on Performance Title, 126 matches on Author, and 4 matches on Roles/Actors.

Performances

Mainpiece Title: A Commonwealth Of Women

Performances

Mainpiece Title: The Widow Ranter; Or, The History Of Bacon In Virginia

Performances

Mainpiece Title: The Wives' Excuse; Or, Cuckolds Make Themselves

Event Comment: The United Company. The date of the first production is not known, but Part II seems to have followed rather closely upon Part I. The Gentleman's Journal, June 1694 (which apparently appeared in mid-June) states: The first Part of Mr Durfey's Don Quixote was so well received, that we have had a second Part of that Comical History acted lately, which doubtless must be thought as entertaining as the first; since in this hot season it could bring such a numerous audience (p. 170). The Songs were advertised in the London Gazette, 5 July 1694, and Part II advertised in the same periodical 19-23 July 1694. The songs as listed in the separately printed Songs are as follows: Genius of England, the music by Henry Purcell, sung by Freeman and Mrs Cibber. I burn, I burn, the music by John Eccles, sung by Mrs Bracegirdle. Since times are so bad, the music by Henry Purcell, sung by Reading and Mrs Ayliff. Damon, let a friend, the music by Pack, sung by Mrs Hudson. Ye nymphs and sylvan gods, the music by John Eccles sung by Mrs Ayliff. If you will love me, composer and singer not named. In addition, Thesaurus Musicus, 1695, published Lads and lasses, blithe and gay, the music by Henry Purcell, sung by Mrs Hudson. Purcell also wrote the music for other songs for which the singer is not known. Preface, edition of 1694: The good success, which both the Parts of Don Quixote have had, either from their Natural Merit, or the Indulgence of my Friends, or both, ought sufficiently to satisfie me, that I have no reason to value tne little Malice of some weak Heads, that make it their business to be simply Criticizing....I think I have given some additional Diversion in the Continuance of the character of Marcella, which is wholly new in this Part, and my own Invention, the design finishing with more pleasure to the Audience by punishing that coy Creature by an extravagant Passion here, that was so inexorable and cruel in the first Part, and ending with a Song so incomparably well sung, and acted by Mrs Bracegirdle, that the most envious do allow, as well as the most ingenious affirm, that 'tis the best of that kind ever done before....I deserve some acknowledgment for drawing that Character of Mary the Buxom, which was intirely my own,...by making the Character humorous, and the extraordinary well acting of Mrs Verbruggen, it is by the best Judges allowed a Masterpiece of humour

Performances

Mainpiece Title: The Comical History Of Don Quixote, Part Ii

Performances

Mainpiece Title: The She-gallants

Performances

Mainpiece Title: Pausanius, The Betrayer Of His Country

Performances

Mainpiece Title: The Spanish Wives

Performances

Mainpiece Title: The Female Wits; Or, The Triumvirate Of Poets At Rehearsal

Performance Comment: [The author is not known, but the title page states that it was written by W. M.] Edition of 1704: Prologue-; Epilogue-; Mr Aw'dwell-Mills; Praiseall-Cibber; Fastin-Powell; Amorous-Pinkethman; Lord Whiffle-Thomas; Lord Whimsical-Verbruggen; Marsillia-Mrs Verbruggen; Patience-Mrs Essex; Mrs Wellfed-Mrs Powell; Calista-Mrs Temple; Isabella-Mrs Cross; Lady Loveall-Mrs Knight; Betty Useful-Mrs Kent; Players-Johnson, Pinkethman, Mrs Lucas, Miss Cross; Singers-Mrs Cross, Pate; Dancers-Mrs Cross, Mrs Lucas.

Performances

Mainpiece Title: Cinthia And Endimion; Or, The Loves Of The Deities

Performances

Mainpiece Title: Boadicea Queen Of Britain

Performances

Mainpiece Title: The Way Of The World

Performances

Mainpiece Title: The Drummer

Afterpiece Title: The Jealous Doctor

Music: Between the Acts: Select Pieces of Musick-; accompanied with Trumpets Flutes German Flutes and French Horns-; Particularly Hendel's Water Musick-

Dance: As17211003

Performances

Mainpiece Title: Cato

Performances

Mainpiece Title: Hurlothrumbo; Or, News From Terra Australis Incognita: With The Whimsical Flights Of My Lord Flame

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Biter Bit

Performances

Mainpiece Title: Deborah

Performance Comment: Edition of 1733 does not list performers' names, but Daily Advertiser, 20 March, states: Wherein Principal Parts-Signor Senosini, Signora Strada, Signora Gismundi, Signora Bertoldi, Signor Montagnana, Miss Young, Miss Arne, Mrs Wright, Mr Swartzs[, perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.], perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.]

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: The Honest Yorkshireman

Music: As17350715

Dance: French Peasant by Vallois and Mrs Woodward. Two Pierrots by Vallois and Davenport. Le Gout Anglois by Mr and Mrs Davenport

Song: As17350718

Performances

Mainpiece Title: Sir Harry Wildair

Afterpiece Title: Hymen's Triumph; or, Trick Upon Trick

Performances

Mainpiece Title: Pasquin

Afterpiece Title: Fame; or, Queen Elizabeth's Trumpets; or, Never plead's Hopes of being a Lord Chancellor; or, The Lover turn'd Philosopher; or, The Miser's Resolve upon the Lowering of Interest

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Lethe; or, Esop in the Shades

Dance: II: La Matelote-Desnoyer, Mlle Chateauneuf; III: Muilment; V: Le Tambourine-Mlle Chateauneuf

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Parting Lovers

Dance: I: Peasants-the French Boy and Girl; II: Comic Ballet-Villeneuve, Miss Oates; III: Swiss Dance-French Boy and Girl; IV: Grecian Sailors-Glover; V: Hippisley's Drunken Man-

Performances

Mainpiece Title: The Old Batchelor

Dance: Mechel, Mlle Mechel

Performances

Mainpiece Title: Rehearsal

Dance: I: Ballet, as17411015; II: Sailor's Dance, as17411015; III: The Drunken Peasant, as17411029; IV: A Dutch Dance, as17411114; V: The Swiss, as17410926

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The School Boy

Song: Concert Air from Alexander's Feast: War he sung is Toil and Trouble-Mrs Bishop; III: Can Love be controul'd by Advice-Miss Medina

Music: V: Preamble on the Kettle Drums-Jo. Woodbridge; who never perform'd on that Stage before ending with Handel's celebrated Water Musick-; And to conclude: the Concert, the Coronation Anthem Long Live the King (never perform'd there before) by Mr Handel-an Additional Band

Dance: I: David apShenkin; II: Welsh Buffoon, as17420406 IV: Two Millers and Courtezan, as17420315 End I Afterpiece: New Scots Dance-Master and Miss Granier

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Virgin Unmasked

Dance: I: Comic Ballet, as17421203; III: Welsh Boufon, as17421203; IV: Comic Ballet, as17421203; II: La Sabotier-M LaPierre

Ballet: The facetious Grand Dance by the whole Company. Thunder, Lightning, Players, Soldiers, Bishops, Judges, Lord@Mayor, Serjeants at Arms-the Comedians; With the Total Eclipse of the Sun and Moon-; Sol-Hemskirk; Luna-Stitchbury; Orbis-Worldly; Also a Representation of a Grand Theatrical Battle-; Mr Bayes' New Rais'd Troops-