SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Tate"/1) | (@(roleclean,performerclean) "Mr Tate")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4242 matches on Event Comments, 1142 matches on Performance Comments, 528 matches on Performance Title, 126 matches on Author, and 4 matches on Roles/Actors.

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: No One's Enemy but His Own

Dance: II: The Provencale, as17740928; End: The Reel, as17741028

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Lyar

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Election

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17740917

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17740917

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Lottery

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Register Office

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Cobler

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Cobler

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Rival Candidates

Dance: In: The Grand Provencalle Dance, as17741213, but view of Genoa is specified "at Sun Rising"

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: Judas Maccabaeus

Music: End Part I: Hautboy Concerto-Vincent; Part II: Violin Concerto-Barthelemon

Event Comment: Benefit for Mrs Barry. Mainpiece: A Tragedy altered from Thomson [by Thomas Hull] never perform'd. Part of Pit laid into the Boxes. Servants who are to keep places are desired to be at the stage door by 4 o'clock, and those Ladies and Gentlemen who have taken seats in the Pit are requested to come early to prevent confusion in getting to their places. Epilogue by Sheridan. [This play had been refused a license on 26 March 1739, While Walpole was still Prime Minister, probably because of such speeches as: @Is there a cure on Humankind so fell@So pestilent, to Prince and People,@As the base servile vermin of a court;@Corrupt, Corrupting ministers and favourites?@How oft have such eat up the widow's morsel,@The Peasant's toil, the Merchant's far-sought gain,@And wantoned to the ruin of a nation!-Larpent MS, op. p. 65.@ Also the play equalizes Christianity and Mohammedanism before God, and gives a slight edge to the latter (Act IV, scene ii), suggesting the part politics play in Christian churches. An account of the alterations made for the present performance is given in the Westminster Magazine for March. The review concludes: The Play was got up altogether well, and reputedly acted, and is in its present state what the Ladies call "a very pretty tragedy."

Performances

Mainpiece Title: Edward And Eleonora

Afterpiece Title: The Padlock

Dance: End Epilogue: The Vintage Festival, as17741007

Performances

Mainpiece Title: Medea

Afterpiece Title: A Peep behind the Curtain

Song: The Azure God, composed by Giordani, sung-Mrs Smith

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Deserter

Dance: The Irish Fair, as17740917

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: A Peep behind the Curtain

Dance: II: The Favourite Tambourine Dance=, for that night only-Slingsby; End: Grand Provencalle Dance-

Performances

Mainpiece Title: The Fair Quaker

Afterpiece Title: Harlequin's Jacket

Dance: Slingsby, Sga Hidou. [Title unspecified.

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: Phebe; or, The Beggar's Wedding

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Deserter

Dance: The Sailors Revels, as17740920

Monologue: End of Play: Henry and Emma. Henry-Brereton; Eugenius-Palmer; Venus-Mrs Smith; Emma-Mrs Baddeley

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Bon Ton

Dance: III: The Pirates, as17750422

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Polly Honeycomb

Dance: I: The Pirates, as17750422

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Padlock

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Irish Widow

Dance: End I: A New Dance call'd The Merry Peasants-M Fontaine (from the Opera at Paris), Mrs Sutton, Others; End I Afterpiece: The Irish Fair, as17751003

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Rival Candidates

Dance: II: A Grand New Ballet, call'd The Savage Hunters-Slingsby first appearance this season, Grimaldi, Como, Giorgi, Sga Crespi, Sga Paccini, first appearance on the English Stage

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: May Day; or, The Little Gipsy