SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Tate"/1) | (@(roleclean,performerclean) "Mr Tate")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4242 matches on Event Comments, 1142 matches on Performance Comments, 528 matches on Performance Title, 354 matches on Author, and 4 matches on Roles/Actors.

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Lottery

Event Comment: Afterpiece [1st time at a public theatre; C 3, by Elizabeth Craven, Baroness Craven, afterwards Margravine of Anspach, 1st acted privately at the Town-Hall, Newbury, 6 Apr. 1780. Text (G. Riley, 1781) assigns no parts. Prologue by Richard Brinsley Sheridan. Epilogue by Joseph Jekyll (see text)]: With new Dresses, &c. "The Prologue [the first 30 lines and the concluding couplet of which were used by Sheridan as the Prologue to Pizarro (see dl, 24 May 1799)] was so much admired that at the request of the Duchess of Devonshire and several other of the nobility it was respoken after the piece; but as King was absent from the theatre, it was delivered by Palmer" (Town and Country Magazine, May 1780, p. 23 ). "The chief singularity was that [Lady Craven] went to it herself the second night, in form; sat in the middle of the front row of the stage-box, much dressed, with a profusion of white bugles and plumes, to receive the public homage due to her sex and loveliness. The Duchess of Richmond, Lady Harcourt,...Mrs Damer, Lord Craven,...and I were with her. It was amazing to see so young a woman entirely possess herself-but there is such an integrity and frankness in her consciousness of her own beauty and talents, that she speaks of them with a naivete as if she had no property in them, but only wore them as gifts of the gods. Lord Craven on the contrary was quite agitated by his fondness for her and with impatience at the bad performance of the actors, which was wretched indeed, yet the address of the plot, which is the chief merit of the piece, and some lively pencilling carried it off very well, though Parsons murdered the Scotch lord, and Mrs Robinson (who is supposed to be the favourite of the Prince of Wales) thought on nothing but her own charms, or him. There is a very good though endless prologue written by Sheridan and spoken in perfection by King, which was encored (an entire novelty) the first night: and an epilogue that I liked still better and which was full as well delivered by Mrs Abington, written by Mr. Jekyl. The audience, though very civil, missed a fair opportunity of being gallant, for in one of those ----logues, I forget which, the noble authoress was mentioned, and they did not applaud as they ought to have done, especially when she condescended to avow her pretty child and was there looking so very pretty...Yet Lady Craven's tranquillity had nothing displeasing;...and it was tempered by her infinite good nature, which made her make excuses for the actors instead of being provoked at them" (Walpole [28 May 1780], XI, 178-80). Public Advertiser, 14 July 1781: This Day at Noon will be published The Miniature Picture (price not listed). Receipts: #144 9s. (94.9; 48.3; 1.17)

Performances

Mainpiece Title: The Winters Tale

Afterpiece Title: The Miniature Picture

Dance: II: New Dance, as17791126; End II afterpiece: The Coopers, as17800224

Performances

Mainpiece Title: The Spanish Fryar Or The Comical Discovery

Afterpiece Title: Midas

Afterpiece Title: Mother Shipton or Harlequin Gladiator

Song: End of Act II of 1st piece The Pidgeon by Miss Cranford; End of 1st piece Four and Twenty Fidlers all on a Row by Wellman

Monologue: 1785 07 15 End of 2nd song Bucks have at ye all by Benson

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Love in a Camp

Performances

Mainpiece Title: The Maskd Friend

Afterpiece Title: The Way to Get Un Married

Afterpiece Title: The Farmer

Song: In 2nd piece: The Sportman's snug little Cot-Incledon

Entertainment: Monologues, with Songs.End: The Barber's Petition-Fawcett (1st time); [with a song in character, Wigs [including His Own Wig, The Lover's Wig, Doctor's Wig, Coachman's Wig, Counsellor's Wig-Fawcett; End 2nd piece: A Ramble to Bath (1st time) [with a descriptive song in the character of Jacob Gawkey [in The Chapter of Accidents]-Knight

Performances

Mainpiece Title: Douglas

Afterpiece Title: Lovers Quarrels

Afterpiece Title: The Deserter of Naples

Entertainment: Vaudeville In course Evening: an entire New Song, The Seaman's Lamentation for the Loss of the Royal Charlotte (The Words by G. S. Carey, and composed by Mazzinghi)-Incledon; Dancing-Mr and Master Michell (from the Theatre Royal, Edinburgh; 1st appearance)

Performances

Mainpiece Title: Circe

Performances

Mainpiece Title: Constantine The Great

Performances

Mainpiece Title: A Commonwealth Of Women

Performances

Mainpiece Title: The Widow Ranter Or The History Of Bacon In Virginia

Performances

Mainpiece Title: The Wives Excuse Or Cuckolds Make Themselves

Event Comment: The United Company. The date of the first production is not known, but Part II seems to have followed rather closely upon Part I. The Gentleman's Journal, June 1694 (which apparently appeared in mid-June) states: The first Part of Mr Durfey's Don Quixote was so well received, that we have had a second Part of that Comical History acted lately, which doubtless must be thought as entertaining as the first; since in this hot season it could bring such a numerous audience (p. 170). The Songs were advertised in the London Gazette, 5 July 1694, and Part II advertised in the same periodical 19-23 July 1694. The songs as listed in the separately printed Songs are as follows: Genius of England, the music by Henry Purcell, sung by Freeman and Mrs Cibber. I burn, I burn, the music by John Eccles, sung by Mrs Bracegirdle. Since times are so bad, the music by Henry Purcell, sung by Reading and Mrs Ayliff. Damon, let a friend, the music by Pack, sung by Mrs Hudson. Ye nymphs and sylvan gods, the music by John Eccles sung by Mrs Ayliff. If you will love me, composer and singer not named. In addition, Thesaurus Musicus, 1695, published Lads and lasses, blithe and gay, the music by Henry Purcell, sung by Mrs Hudson. Purcell also wrote the music for other songs for which the singer is not known. Preface, edition of 1694: The good success, which both the Parts of Don Quixote have had, either from their Natural Merit, or the Indulgence of my Friends, or both, ought sufficiently to satisfie me, that I have no reason to value tne little Malice of some weak Heads, that make it their business to be simply Criticizing....I think I have given some additional Diversion in the Continuance of the character of Marcella, which is wholly new in this Part, and my own Invention, the design finishing with more pleasure to the Audience by punishing that coy Creature by an extravagant Passion here, that was so inexorable and cruel in the first Part, and ending with a Song so incomparably well sung, and acted by Mrs Bracegirdle, that the most envious do allow, as well as the most ingenious affirm, that 'tis the best of that kind ever done before....I deserve some acknowledgment for drawing that Character of Mary the Buxom, which was intirely my own,...by making the Character humorous, and the extraordinary well acting of Mrs Verbruggen, it is by the best Judges allowed a Masterpiece of humour

Performances

Mainpiece Title: The Comical History Of Don Quixote Part Ii

Performances

Mainpiece Title: The She gallants

Performances

Mainpiece Title: Pausanius The Betrayer Of His Country

Performances

Mainpiece Title: The Spanish Wives

Performances

Mainpiece Title: The Female Wits Or The Triumvirate Of Poets At Rehearsal

Performance Comment: [The author is not known, but the title page states that it was written by W. M.] Edition of 1704: Prologue-; Epilogue-; Mr Aw'dwell-Mills; Praiseall-Cibber; Fastin-Powell; Amorous-Pinkethman; Lord Whiffle-Thomas; Lord Whimsical-Verbruggen; Marsillia-Mrs Verbruggen; Patience-Mrs Essex; Mrs Wellfed-Mrs Powell; Calista-Mrs Temple; Isabella-Mrs Cross; Lady Loveall-Mrs Knight; Betty Useful-Mrs Kent; Players-Johnson, Pinkethman, Mrs Lucas, Miss Cross; Singers-Mrs Cross, Pate; Dancers-Mrs Cross, Mrs Lucas.

Performances

Mainpiece Title: Cinthia And Endimion Or The Loves Of The Deities

Performances

Mainpiece Title: Boadicea Queen Of Britain

Performances

Mainpiece Title: The Way Of The World

Performances

Mainpiece Title: The Drummer

Afterpiece Title: The Jealous Doctor

Music: Between the Acts: Select Pieces of Musick-; accompanied with Trumpets Flutes German Flutes and French Horns-; Particularly Hendel's Water Musick-

Dance: As17211003

Performances

Mainpiece Title: Cato

Performances

Mainpiece Title: Hurlothrumbo Or News From Terra Australis Incognita With The Whimsical Flights Of My Lord Flame

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Biter Bit

Performances

Mainpiece Title: Deborah

Performance Comment: Edition of 1733 does not list performers' names, but Daily Advertiser, 20 March, states: Wherein Principal Parts-Signor Senosini, Signora Strada, Signora Gismundi, Signora Bertoldi, Signor Montagnana, Miss Young, Miss Arne, Mrs Wright, Mr Swartzs[, perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.], perform'd the principal Parts. [See also Deutsch, Handel, p. 308, and Dean, Handel's Dramatic Oratorios, p. 236.]

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: The Honest Yorkshireman

Music: As17350715

Dance: French Peasant by Vallois and Mrs Woodward. Two Pierrots by Vallois and Davenport. Le Gout Anglois by Mr and Mrs Davenport

Song: As17350718