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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Solomon Eccles"/1) | (@(roleclean,performerclean) "Mr Solomon Eccles")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5952 results for: Keyword - Mr Solomon Eccles
We found 4247 matches on Event Comments, 1356 matches on Performance Comments, 568 matches on Performance Title, 142 matches on Author, and 0 matches on Roles/Actors.

51
27 November 1749 @ Drury Lane Theatre

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Acis and Galatea

Related Works
Related Work: Acis and Galatea Author(s): John Eccles

52
31 July 1719 @ Drury Lane Theatre

Performances

Mainpiece Title: Sir Solomon Single; Or, The Cautious Coxcomb

Song: As17190703

Dance: Thurmond Jr, Miss Smith, Miss Tenoe, Miss Lindar

53
18 May 1724 @ Drury Lane Theatre

Performances

Mainpiece Title: The Squire Of Alsatia

Afterpiece Title: Acis and Galatea

Related Works
Related Work: Acis and Galatea Author(s): John Eccles

Dance: Shaw, Thurmond, Boval, Topham, Mrs Younger, Mrs Bullock, Miss Tenoe; particularly Foresters-

Song: Miss Lindar

54
26 March 1731 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Acis And Galatea

Related Works
Related Work: Acis and Galatea Author(s): John Eccles

Song: Likewise the Song Son Confusa Pastorella-Mr Rochetti, being the Favourite Hornpipe in the Opera of Porus

55
17 May 1732 @ Haymarket Theatre

Performances

Mainpiece Title: Acis And Galatea

Related Works
Related Work: Acis and Galatea Author(s): John Eccles

56
05 December 1732 @ King's Theatre

Performances

Mainpiece Title: Acis And Galatea

Related Works
Related Work: Acis and Galatea Author(s): John Eccles

57
09 February 1744 @ Stationer's Hall

Performances

Mainpiece Title: Acis And Galatea

Related Works
Related Work: Acis and Galatea Author(s): John Eccles

Music: Concerto on German Flute-Burk Thumoth

Song: An English and an Italian Song-the sister of the above lady, a child of nine years; the whole to conclude with: the Coronation Anthem God Save the King-; Trumpet-Valentine Snow

58
02 April 1753 @ Haymarket Theatre

Performances

Mainpiece Title: Acis And Galatea

Related Works
Related Work: Acis and Galatea Author(s): John Eccles

Music: Organ-Stanley; First Violin-Sig Giardini

59
02 May 1757 @ Haymarket Theatre

Performances

Mainpiece Title: Acis And Galatea

Related Works
Related Work: Acis and Galatea Author(s): John Eccles

60
01 April 1758 @ The Great Room, Dean Street, Soho

Performances

Mainpiece Title: Acis And Galatea

Related Works
Related Work: Acis and Galatea Author(s): John Eccles

Music: First Violin-Brown; Second Violin-Froud; First Violoncello-Gordon; Harpsichord-Cooke; Between I and II: a Concerto on Hautboy-Vincent

61
13 August 1759 @ The Long Room, Hampstead

Performances

Mainpiece Title: Acis And Galatea

Related Works
Related Work: Acis and Galatea Author(s): John Eccles

Music: CConcerto on the Harpsichord-Stanley; solo on Violin-Hay

62
13 November 1764 @ Haymarket Theatre

Performances

Mainpiece Title: Acis And Galatea

Related Works
Related Work: Acis and Galatea Author(s): John Eccles

Music: Between the acts: Solo on Violincello-Chiri; Concerto on Bassoon-Baumgarten; Concerto on Hautboy-Simpson; Solo on Violin-Hay who will lead the performance; To conclude with the Coronation Anthem-

63
26 September 1766 @ Mary-le-Bone Gardens

Performances

Mainpiece Title: Acis And Galatea

Related Works
Related Work: Acis and Galatea Author(s): John Eccles

64
14 November 1671 @ Whitehall or St. James's

Event Comment: The Duke's Company. This play is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. It is uncertain, however, just when this performance occurred. The L. C. lists at Harvard (see VanLennep, Plays on the English Stage, p. 19) suggest that the three performances at the head of this list belong to the spring of 1672 rather than the spring of 1671. If this is correct, this performance of Sir Solomon is out of place in the list, for it can hardly be placed at 14 Nov. 1672, yet it is surprising that, so soon after the opening of dg, the Duke's Company should act at court, especially when the King and Queen attended dg on the following day, 15 Nov. 1671. This performance of Sir Solomon should be judged as an uncertain one

Performances

Mainpiece Title: Sir Solomon; Or, The Cautious Coxcomb

65
28 February 1704 @

Performances

Mainpiece Title: Sir Solomon Single

Performance Comment: Sir Solomon-Betterton; Peregrine-Wilks; Young Single-Booth; Sir Arthur Addle-Dogget; Justice Wary-Johnson; Ralph-Penkethman; Timothy-Underhill; Julia-Mrs Bracegirdle; Betty-Mrs Mountfort [Downes, p. 47].Downes, p. 47].
Cast
Role: Sir Solomon Actor: Betterton

66
23 February 1706 @ Drury Lane Theatre

Performances

Mainpiece Title: Sir Solomon Single

Performance Comment: Sie Solomon-Estcourt.
Cast
Role: Sie Solomon Actor: Estcourt.

Music: As17060216

Song: Singing in Italian (composed by the best Masters) and in English (a Purcell song)-Signiora del'Epine

67
11 March 1707 @ Drury Lane Theatre

Performances

Mainpiece Title: Sir Solomon Single

Performance Comment: Sir Solomon-Estcourt; Peregrine-Powell; Ralph-Penkethman; Single-Bickerstaff; Betty-Miss Mountfort.
Cast
Role: Sir Solomon Actor: Estcourt

Song: As17070204

Dance: duRuel, Cherrier, Debargues, Miss Santlow, Mrs Evans

68
28 October 1707 @ Drury Lane Theatre

Performances

Mainpiece Title: Sir Solomon Single; Or, The Cautious Coxcomb

Performance Comment: Sir Solomon-Estcourt; Ralph-Penkethman; Betty-Mrs Montfort.
Cast
Role: Sir Solomon Actor: Estcourt

Song: Leveridge, others

Dance:

69
21 May 1714 @ Drury Lane Theatre

Performances

Mainpiece Title: Sir Solomon Single

Performance Comment: Sir Solomon-Keene; Betty-Miss Younger; Peregrine-Wilks; Single-Booth; Woodland-Boman; Wary-Johnson; Barter-Cory; Sir Arthur-Norris; Timothy-Bullock; Ralph-Leigh; Julia-Mrs Santlow; Alice-Mrs Willis.
Cast
Role: Sir Solomon Actor: Keene

70
23 August 1725 @ Bartholomew Fair

Performances

Mainpiece Title: The True And Famous History Of Semiramis, Queen Of Babylon: Or, The Woman Wears The Breeches, Containing The Distressful Loves Of The Prince Alexis An Ulamia; The Pleasant Adventures Of Sir Solomon Gundy And His Man Spider; And The Comical Humours Of Alderman Doodle, His Wife, And Daughter Hoyden

Performance Comment: King Ninus-Huddy; Semiramus-Mrs Plommer; Alexis-Cibber Jr; Alderman Doodle-Williams; Captain-Roberts; Ulamia-Mrs Houghton; Madame Doodle-Mrs Cook; Sir Solomon Gundy-Bridgwater; Spider-Norris; Hoyden Doodle-Mrs Willis.
Cast
Role: Sir Solomon Gundy Actor: Bridgwater

Song: Platt

Dance: Houghton, Mrs Houghton

71
06 March 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast, With Coronation Anthems

Music: First Violin-Mr Ximene; with a Solo on the Violincello-Mr Janson, lately arrived from Paris, (Who has never performed in Public in England)

72
29 March 1704 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Particularly a Sonata for a Flute and a Violin-Signior Gasperini, Mr Paisable; And likewise a Sonata for two Flutes-Mr Paisable, Mr Banister; the whole being entirely New. Margaretta Gallia mention'd in my former Bills, has since got a Cold, and is very much indispos'd, therefore will not venture to Sing; but in her room Several Pieces of the late Mr Henry Purcell-Mrs Lindsey, Mrs Hudson, Mr Hughes, Mr Laroone

73
13 July 1710 @ Queen's Theatre

Performances

Mainpiece Title: The Recruiting Officer

Song: Several Comical Dialogues-Mr Dogget, Mr Leveridge; And other Entertainments of Ballad/Singing after the true English manner. Compos'd by Mr Estcourt-Mr Estcourt, in Honour of the Great and Glorious Successes of her Majesty over her proud French Foes

74
28 May 1715 @ York Buildings

Performances

Mainpiece Title: Entertainments

Entertainment: It consisted of Pyramids-; of all manner of Sweetmeats, the most generous Wines, Burgundy, Champaign, and was usher'd in by a Prologue-Mrs Younger; written by Mr Tickel, under Secretary to Mr Addison, and concluded by an Epilogue-Mr Wilks; written by himself; which was very merry and free with his own Character; after which, a large Table that was in th Area of the Consort-House, was taken away to make Room for the Company to Dance Country-Dances...We are likewise to acquaint the Reader, that an Ode of Horace-; was set to Musick and sung upon the Occasion, with several other very particular Songs and Performances, both Vocal and Instrumental Music- and that Mrs Younger spoke the Prologue, and Mr Wilks the Epilogue, which, after Sir Richard's Way, was extremely Diverting (Weekly Packet, 4 June)

75
10 May 1732 @ Hickford's Room

Performances

Mainpiece Title: Concert

Music: Consisting of Church Musick- for six or eight Voices, by Mr DeFesch; Several Songs in Italian-Mrs De Fesch, the first Time of he performing in publick since her Arrival in England; a new Concert on the Violon-Mr DeFesch; a Solo , composed, and perform'd on the Bass Viol-Mr St.Helene; Solo on the Violoncello-Mr St.Helene the first Time of his performing in Publick