SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Samuel Ireland"/1) | (@(roleclean,performerclean) "Mr Samuel Ireland")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4317 matches on Event Comments, 3490 matches on Author, 1191 matches on Performance Comments, 540 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit for Bensley. Afterpiece [1st time; F 2, by Samuel Jackson Pratt. Not in Larpent MS; not published. Prologue printed in Westminster Magazine, Apr. 1778, p.218; author unknown]. Public Advertiser, 2 Apr.: Tickets to be had of Bensley, Charlotte-street, Bloomsbury. Receipts: #230 16s. 6d. (131.6.0; 25.4.0; 0.7.6; tickets: 73.19.0) (charge: #66 9s.)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Joseph Andrews

Related Works
Related Work: Joseph Andrews Author(s): Samuel Jackson Pratt

Dance: As17780109

Event Comment: Afterpiece [1st time; CO 2, by Charles Dibdin, based on La Bohemienne, by Charles Simon Favart. Music by Samuel Arnold]. Books of both Pieces to be had at the Theatre. Public Advertiser, 10 Aug. 1778: This Day is published The Gipsies (price not listed)

Performances

Mainpiece Title: Bonduca

Afterpiece Title: The Gipsies

Related Works
Related Work: The Gipsies Author(s): Samuel Arnold
Event Comment: Mainpiece [1st time; T 5, by Samuel Jackson Pratt. Author of Prologue unknown. Epilogue attributed to the Hon. Richard Fitzpatrick (Crouch, 1, 125), and to Richard Brinsley Sheridan (I. A. Williams in The London Mercury, Aug. 1924, pp. 412-15)]: With New Scenes (see 29 Nov.), Dresses and Decorations. Public Advertiser, 12 Dec. 1781: This Day is published The Fair Circassian (1s. 6d.). Receipts: #149 19s. (126/19/0; 22/17/6; 0/2/6)

Performances

Mainpiece Title: The Fair Circassian

Related Works
Related Work: The Fair Circassian Author(s): Samuel Jackson Pratt

Afterpiece Title: The Apprentice

Music: In Act III of mainpiece an Epitbalamium [not listed in playbill, but see17811129]

Event Comment: Mainpiece [1st time; C 5, by Samuel Jackson Pratt. Prologue and Epilogue probably by the author]. Receipts: #210 7s. (190/11; 19/11; 0/5)

Performances

Mainpiece Title: The School For Vanity

Related Works
Related Work: The School for Vanity Author(s): Samuel Jackson Pratt

Afterpiece Title: The Gentle Shepherd

Event Comment: Afterpiece [1st time; MF 2, by Henry Knapp; music by Samuel Arnold. Author of Prologue unknown. London Chronicle, 24 Aug., states that this was based on a French comedy of the same title.]

Performances

Mainpiece Title: Lord Russel

Afterpiece Title: Hunt the Slipper

Related Works
Related Work: Hunt the Slipper Author(s): Samuel Arnold
Event Comment: By Permission of the Lord Chamberlain. Benefit for Harwood, late prompter of the Theatre-Royal, Drury-Lane. Harwood's respectful compliments to his Friends in particular, and the publick in general, and assures them every effort in his power shall be exerted to render the Evening's Entertainment agreeable, and humbly hopes for their well-known candour and protection on the above occasion. Tickets and Places to be had of Harwood, next door to Drury-Lane Theatre, Little Russel-street, Covent Garden. [Harwood was prompter at dl from 1780 to 1786. Hooke was from cg.] Afterpiece: Written by the late Samuel Foote, Esq

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Devil upon Two Sticks

Related Works
Related Work: The Devil Upon Two Sticks Author(s): Samuel Foote

Entertainment: End: a variety of Theatrical and Senatorial Imitations-Kean

Event Comment: [1st piece in place of THE FLITCH OF BACON, advertised on playbill of 25 July.] 3rd piece [1st time; CO 2, by Samuel James Arnold]: The new musick, with a Scottish Medley Overture, by Dr Arnold. New Scenery by Rooker. New Dresses and Decorations. Morning Chronicle, 28 Aug. 1794: This Day is published AULD ROBIN GRAY (1s)

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: THE VILLAGE LAWYER

Afterpiece Title: AULD ROBIN GRAY

Related Works
Related Work: Auld Robin Gray Author(s): Samuel James ArnoldSamuel Arnold
Event Comment: Benefit for Master Welsh. Afterpiece [1st time; MF 2, by Samuel Birch]: The Music principally new, composed by Attwood, with a few selections from Mozart. Books of the Songs to be had hn the Theatre. Morning Chronicle, 21 May 1795: This Day is published The Adopted Child (1s.). Ibid., 21 Apr.: Tickets to be had of Master Welsh, No. 9, Margaret-street, Westminster. Receipts: #226 10s. (87.13.6; 43.3.6; 17.7.0; tickets: 78.6.0) (charge: free)

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Adopted Child

Related Works
Related Work: The Adopted Child Author(s): Samuel Birch

Song: End IV: a favourite song (unaccompanied)-Master Welsh

Event Comment: 3rd piece [1st time; M. ENT 2, by Samuel James Arnold. Larpent MS 1090; not published]: The new Music, with a Martial Overture, by Dr Arnold. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The Dead Alive

Related Works
Related Work: The Dead Alive Author(s): Samuel Arnold

Afterpiece Title: Tit for Tat

Afterpiece Title: Who Pays the Reckoning

Related Works
Related Work: Who Pays the Reckoning? Author(s): Samuel Arnold
Event Comment: Benefit for Bannister Jun. 1st piece [1st time; MD 2, by Samuel Birch]: The Musick by Attwood. Books of the Songs to be had in the Theatre. 2nd piece [1st time; INT 1, by George Colman, ynger. This was the 1st scene from Colman's New Hay at the Old Market, slightly revised; in subsequent seasons it was acted under the title of Sylvester Daggerwood]: By Permission of the Proprietor of the Theatre Royal Hay-Market. 3rd piece: With a Sea Fight. [The playbill assigns Sneer to Palmer, but "The Public are most respectfully informed that Palmer being too ill to perform this Evening, the character of Sneer will be attempted by Benson, who humbly hopes for their usual indulgence" (printed slip attached to Kemble playbill).] Oracle, 4 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford Square. Receipts: #613 12s. (332.0.6; 45.19.6; 4.3.0; tickets: 231.9.0) (charge: #221 19s.)

Performances

Mainpiece Title: The Smugglers

Related Works
Related Work: The Smugglers Author(s): Samuel Birch

Afterpiece Title: A Favourite Scene from New Hay [Sylvester Daggerwood]

Afterpiece Title: The Critic

Afterpiece Title: The Wedding Day

Event Comment: 3rd piece [1st time: MF 2, by Samuel James Arnold. Larpent MS 1176; not published; synopsis of plot in Morning Herald, 27 June]: The Musick, with an Hibernian Medley Overture, by Dr Arnold. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The Purse; Or, Benevolent Tar

Afterpiece Title: The Spanish Barber

Related Works
Related Work: The Spanish Barber; or, The Fruitless Precaution Author(s): Samuel Arnold

Afterpiece Title: The Irish Legacy

Related Works
Related Work: The Irish Legacy Author(s): Samuel James ArnoldSamuel Arnold
Event Comment: Afterpiece [1st time; F 2, by Samuel Birch, based on James Powell's unacted play, The Narcotic, 1787; incidental music by Thomas Attwood (see 28 Nov.). Larpent MS 1182; not published; synopsis of plot in Morning Chronicle, 30 Oct.]. Receipts: #309 19s. 6d. (222.7.6; 86.1.0; 1.11.0)

Performances

Mainpiece Title: Cheap Living

Afterpiece Title: Fast Asleep

Related Works
Related Work: Fast Asleep Author(s): Samuel Birch
Event Comment: Afterpiece [1st time; MD 3, by Samuel Birch, adapted from Camille; ou, Le Souterrain, by Benoit Joseph Marsollier des Vivetieres, and from Les Victimes Cloitrees, by Jacques Marie Boutet de Monvel; the songs written by Thomas John Dibdin. Larpent MS 1236; not published. The playbill states that this was "Taken from the German," but London Chronicle, 12 Dec., says that its source is the same as that of The Captive of Spilburg (see dl, 14 Nov.). An examination of the MSS of these two pieces (Larpent 1230 and 1236) proves that such is unmistakably the case]: With entire new Scenes, Machinery, Dresses & Decorations. The Music composed and selected by Steibelt and Attwood. The Action of the Chorusaes, Finales, &c. under the Direction of Farley, and the Action of the Overture by Bologna Jun. A new Descriptive Overture, composed by Steibelt, on a Plan never before introduced on the English Stage, accompanied by Action. "The overture is...nothing more than music adapted to pantomime; and, in the present instance, the dumb shew is an unnecessary anticipation of the procession with which the piece opens" (Monthly Mirror, Dec. 1798, p. 369). The Scenery painted by Richards, Phillips, Lupino, Hollogan, Blackmore, &c. The Dresses by Dick and Mrs Egan. Books of the Songs to be had at the Theatre. Receipts: #338 17s. 6d. (325.14.6; 13.3.0)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Albert and Adelaide; or, The Victim of Constancy

Related Works
Related Work: Albert and Adelaide; or, The Victim of Constancy Author(s): Samuel Birch

Dance: In afterpiece: Procession and Dance of Swabian Peasants-Blurton, Dyke, Wilde, L. Bologna, T. Cranfield, Platt, Masters, Slape, Ramage, Goodwin, Little, Ms Watts, Ms Iliff, Ms Norton, Ms Castelle, Ms Leserve, Miss Gray, Ms Bologna, Ms Masters, Ms Burnett, Ms Gilbert, Ms Lloyd, Ms Blurton, Ms Ward

Performances

Mainpiece Title: Mr Anthony

Performances

Mainpiece Title: Mr Turbulent; Or, The Melanchollicks

Performances

Mainpiece Title: Concert

Music: Mr Abell; having had the Honour lately, to Sing to the Nobility and Gentry of Richmond and the Neighbouring Towns, thinks himself bound in Gratitude...to return his most Humble Thanks with a Performance of New Musick, in English, Latin, Italian, French-Mr Abell; &c....being Honour'd and Accompany'd-the Greatest Masters of Europe

Performances

Mainpiece Title: Mad Tom Of Bedlam; Or, The Distress'd Lovers: With The Comical Humours Of squire Numscul

Song: Mr Corse, age 12

Dance: DDutch Skipper-Sandham; Drunken Man-Wilcox; (On 8 Aug. and there after:) Mad Dance, Pierrot-Le Sieur Labisle, from France

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: A New Dance call'd The Hunters-Mas. Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Sheep Shearers, as17640308 II: The Shepherdesses, as17640113; End Opera: Dance, as17640301

Performances

Mainpiece Title: Sir Courtly Nice

Afterpiece Title: La Guinquette; or, Harlequin Turned Tapster

Dance: An Entertainment of Mimick Dancing, call'd, La Caprice-Harlequin (in Imitation of Mlle Provost, the Famous Dancer in the Opera at Paris)

Performances

Mainpiece Title: The Connoisseur; Or, Every Man In His Folly

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Hunters, as17640224; The Faggot Binders, as17640224; End Opera: A Dance, as17640224

Performances

Mainpiece Title: The Royal Shepherd

Dance: II: The Faggot Binders, as17640224; End Opera: A Dance, as17640224

Performances

Mainpiece Title: The Royal Shepherd

Afterpiece Title: Miss in Her Teens

Dance: I: The Sheep Shearers-Lauchery, Miss Baker; II: The Faggot Binders, as17640224; End Opera: A Dance, as17640319

Event Comment: Mr Garrick Bays 1st time these four years Very fine House (Hopkins Diary). Mrs King many years actress and dancer will leave the stage at her Benefit. Garrick [will] play for her (Winston MS 10). Paid Marshall & Co. (plumbers) #11 9s. 6d.; Mr Racket (taylor) #20 6d.; Mr Hatsell (mercer) #29 6d.; Mr Ireland (upholsterer) #34 7s.; Barrow & Co (oil merchants) #88 10s.; Printer's Bill #8 12s. (Treasurer's Book). Receipts: #280 6s. (Treasurer's Book)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Chaplet

Dance: V: A Comic Dance-Daigville, Sga Vidini