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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Salisbury"/1) | (@(roleclean,performerclean) "Mr Salisbury")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5750 results for: Keyword - Mr Salisbury
We found 4258 matches on Event Comments, 1221 matches on Performance Comments, 562 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

951
03 April 1775 @ Covent Garden

Event Comment: Benefit for Bensley. Mainpiece: By Desire. Tickets for The Countess of Salisbury will be admitted

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: Cross Purposes

Dance: End Tragedy: The Frolick, as17741214

952
24 July 1780 @ Haymarket Theatre

Event Comment: Benefit for Mrs Crawford. [The playbill assigns Roderigo to Lamash, but Barrett was "the substitute for Lamash, who was suddenly indisposed" (Morning Chronicle, 26 July).] Tickets to be had of Mrs Crawford at her house in Salisbury-street, Strand

Performances

Mainpiece Title: Othello

Afterpiece Title: The Irish Widow

Dance: End I afterpiece: As17800615

953
16 August 1780 @ Haymarket Theatre

Event Comment: The Countess of Salisbury [announced on playbill of 15 Aug.] cannot be performed on account of the Indisposition of Palmer

Performances

Mainpiece Title: Douglas

Afterpiece Title: Fire and Water

954
09 March 1784 @ Drury Lane Theatre

Event Comment: [The playbill announces as mainpiece The Countess of Salisbury, but the Kemble playbill deletes it. The Account-Book also deletes it, and lists the substitute play. Public Advertiser, 10 Mar.: The tragedy was "unavoidably deferred on account of the Indisposition of Mrs Siddons." Receipts: #144 17s. (121/16; 22/11; 0/5; tickets not come in: 0/5)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Double Disguise

Dance: As17840308athi

955
15 June 1787 @ Covent Garden

Event Comment: [Extra night] Benefit for the Widow and three youngest Children of the late Dr Glover. [Dr William Frederick Glover, a surgeon, had died on 25 Feb. in straitened circumstances. A subscription--in behalf of which this Benefit was organized--had been set on foot for the relief of his family (see Gentleman's Magazine, Mar. 1787, p. 276). In the 1760's he was for some years an actor on the Dublin stage (see Tate Wilkinson, Memoirs, III, 198).] Tickets to be had at the Thatched-House Tavern, St. James's Street; at Free-Mason's Tavern, Great Queen Street; the Antigallican Coffee House, Royal Exchange; the Globe Tavern, Fleet Street; at Messrs Robinsons, booksellers, Paternoster Row; and of the Printer of the Morning Chronicle, Dorset Street, Salisbury Square. Received from Their Majesties for Box [for season] #70; from the Princess Royal for Box #35. Receipts: #127 11s. (125.5; 2.6; tickets: none listed)

Performances

Mainpiece Title: The Midnight Hour

Afterpiece Title: Nina

Afterpiece Title: Love a-la-Mode

956
30 January 1792 @ Drury Lane at King's Theatre

Event Comment: [This is the only occasion in the 18th century when a play was acted in London on this date. "The performance at the Haymarket on the 30th of January has been noticed by his Majesty in a manner which is still a topic of conversation in the higher circles...There will be no more theatrical performances on the 30th of January" (London Chronicle, 28 Feb.). On 3 Feb. the Lord Chamberlain wrote to Sheridan as follows: "Sir--Information has been received at this Office that Theatrical Entertainments were exhibited at the Theatre, under your direction, in St. James's Haymarket on the 30th of Last Month, contrary to all precedent, and repugnant to Decency, being the Anniversary of the Martyrdom of King Charles the First. I do not know by what Authority such a Step was taken but, as Chamberlain of His Majesty's Household, think it my Duty to desire that you will be pleased to Cause the Practice to be discontinued in future. I am, Sir, Your Obedient, Humble Servant, Salisbury" (MS Letters to Sheridan from Various Correspondents,II, 64, in Harvard Theatre Collection). The Morning Chronicle on 31 Jan. offered another opinion: "It gave us infinite pleasure that last night we happily broke through one of the most absurd fasts in the calendar. The Managers of Drury Lane, with proper regard to the public, rescued them from the common dullness of a 30th of January." But the absurd fast remained in force until 1843.] Receipts: #339 18s. (291.4; 40.0; 8.11; ticket not come in: 0.3)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Englishman in Paris

957
05 June 1794 @ Covent Garden

Event Comment: Benefit for Macready, Richardson and Townsend. Tickets delivered for THE COUNTESS OF SALISBURY will be admitted. 1st piece: With a Procession representing the ceremonies attending the Sacrifice of an Indian Woman on the Funeral Pile of her Deceased Husband. Morning Herald, 5 June: Tickets to be had of Townsend, No. 249, High Holborn [other recipients not listed]. Receipts: #255 16s. (57/13; 8/2; tickets: 190/1)

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: THE FOLLIES OF A DAY

Afterpiece Title: THE FARMER

958
20 February 1795 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Main Of Sacred Music, From The Works Of handel

Performance Comment: Principal Vocal Performers-Master Elliot, Kelly, Nield, Burdon (from Salisbury), Gray, Linton, Bartleman, Miss Parke, Miss Poole; Leader of the Band-G. Ashley.

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

959
11 March 1795 @ Covent Garden

Performances

Mainpiece Title: The Messiah

Performance Comment: Principal Vocal Performers-Master Elliot, Kelly, Nield, Burdon (from Salisbury), Gray, Bartleman, Miss Parke, Mrs Hindmarsh. For partial list of individual selections, and singers thereof, see17950327 .

960
19 March 1795 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by John O'Keeffe. Prologue by John Taylor (see text). Address by John Wolcot (Pocket Magazine, supra)]: With new Dresses and Decorations. [Mrs Lee was from the Salisbury theatre.] Morning Chronicle, 11 May 1795: This Day is published Life's Vagaries (2s.). Receipts: #268 3s. 6d. (259.19.6; 8.4.0)

Performances

Mainpiece Title: Life's Vagaries

Afterpiece Title: Rosina

Song: In: I can dance and sing-Mrs Lee. [Not listed on playbill, but see BUC, p. 619.

961
16 September 1796 @ Haymarket Theatre

Event Comment: [Extra night] By Authority of the Most Noble for Marquis of Salisbury, Lord Chamberlain of his Majesty's Household. Benefit for Waldron, prompter. Tickets to be had of Waldron, No. 4, Cross-court, Bow-street, Covent Garden

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Mock Doctor

Dance: End 2nd piece: Pas Russe, as17960907

Entertainment: MonologueEnd: Collins's Ode on the Passions-Palmer

962
17 September 1796 @ Haymarket Theatre

Event Comment: [Extra night] By Authority of the Most Noble the Marquis of Salisbury, Lord Chamberlain of his Majesty's Household. Benefit for R. Palmer. 1st piece: Not acted these 2 years [not acted since 16 Sept. 1791]. Tickets to be had of R. Palmer, No. 28, Eaton-street, Pimlico

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Jew

Afterpiece Title: The Follies of a Day

963
26 March 1798 @ Haymarket Theatre

Event Comment: By Permission of the Most Noble the Marquis of Salisbury [the Lord Chamberlain]. Benefit for Wilkinson. 1st piece: Compress'd into 4 acts. The Doors to be opened at 5:30. To begin at 6:30 precisely. Tickets to be had of Wilkinson, No. 16, Lisle Street, Leicester Square

Performances

Mainpiece Title: The Jew

Afterpiece Title: A Naval Interlude

Afterpiece Title: The Mayor of Garratt

Afterpiece Title: The Ghost

Song: 2nd piece: With Songs-

964
17 September 1798 @ Haymarket Theatre

Event Comment: [Extra night] By Authority of the Most Noble the Marquis of Salisbury, Lord Chamberlain of his Majesty's Household. Benefit for Waldron, prompter. [Amarath the Fourth was "A musical tale," 1st acted at the Royalty, 27 Nov. 1797.] 3rd piece [1st time; P 1, author unknown]: Got up under the direction of Delpini. Tickets to be had of Waldron, No. 4, Cross-court, Bow-street, Covent-garden.

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Sultan; or, A Peep into the Seraglio

Afterpiece Title: The Giant and Dwarf; or, Columbine Captive

Entertainment: Vaudeville. A Pasticcio, consisting of: From Shades of Night[, composed by Storace for Mahmoud,-D'Arcy; [The first Strophe, Epode, and Antistrophe of Gray's Bard-a Young Gentleman [, aged 10 years [unidentified]; Cheap Experience [; or, Cheats of London, composed by Dibdin,-Waldron Jun

965
16 September 1799 @ Haymarket Theatre

Event Comment: [Extra night] By Authority of the Marquis of Salisbury, Lord Chamberlain of his Majesty's Household. Benefit for Waldron, prompter

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Tars at Torbay

Afterpiece Title: Peeping Tom

Entertainment: Vaudeville End: Satan's Address to the Sun , from Milton's Paradise Lost-the Young Gentleman who last year (see17980917) recited a portion of Gray's Bard; Musical Pasticcio, The Cryer-Suett; My mother bids me bind my hair (Haydn)-Master Suett; a Comic Song descriptive of Bartholomew Fair-Wathen; Mad Tom (Purcell)-Story; The Irish Newsman-Clarke; Crazy Jane (Miss Abrams)-Mrs Bland; Imitations-Caulfield

966
16 September 1800 @ Haymarket Theatre

Event Comment: [Extra night] By Authority of the Marquess of Salisbury [the Lord Chamberlain]. Benefit for Waldron, prompter

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Author

Dance: In II: a Hornpipe-

Song: After Imitations: Sweet Echo-Mrs Mountain

Entertainment: Imitations End: Variety of Imitations-T. Trueman

967
02 June 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Register Office

Dance: II: The Haymakers-Giorgi's Scholars; End Opera: Hornpipe-Master Burn

Entertainment: End Opera: Bannister's Imitations-Bannister

968
16 May 1749 @ Drury Lane Theatre

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Intriguing Chambermaid

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

969
27 May 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: Matilda

Afterpiece Title: Bon Ton

970
24 October 1768 @ Covent Garden

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Dr Faustus

971
10 June 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Waterman

Dance: I: The Grand Garland Dance as17760410 but-Slingsby, Sga Crespi, Mrs Sutton

972
11 January 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Taste

973
June 1697 @ Dorset Garden Theatre

Performances

Mainpiece Title: The World In The Moon

974
March 1693 @ Drury Lane Theatre

Performances

Mainpiece Title: The Old Batchelor

975
18 April 1707 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; viz. A full Piece of Music of the famous Signior Pepusch-Mr Banister, Mr Dean, Mr Lamour; A set of Airs for the Arch/Lute and Violin-the Two Mr Deans, composed on purpose by Mr Dean Jun; A Sonata for the Arch/Lute and Flute Alleman-Mr Dean Jun, Mr Latour; Singing to the Arch/Lute-Mr Hughes; A Solo of the famous Archangelo Corelli-Mr Dean Sen; A Cantata to the Arch/Lute-Mr Newbury; Singing to the Arch/Lute-a Gentleman come on purpose from Worchester