Event Comment: Mainpiece [1st time, i.e. as an alteration of Richard Savage's play; T 5, by William Woodfall. Prologue by Richard Brinsley Sheridan. Epilogue by Richard Cumberland (see text)]: with New Scenes and Dresses. Public Advertiser, 13 Feb. 1777: Sir Thomas Overbury (the Publication of which was unavoidably postponed) will be ready this Morning, at Ten o'Clock (1s. 6d.). Receipts: #212 4s. 6d. (210.7.6; 1.17.0)

Event Comment: "The Greybeards have certainly been chastised, for we did not find them at all gross. The piece is farcical and improbable, but has some good things, and is admirably acted. Coeur de Lion did not answer; nor was I much charmed with the music; but my ear is too bad to judge at first hearing. The scenes are excellent; Mrs Jordan is quite out of her character, and makes nothing of the part; and the turning the ferocious Richard into a tender husband is intolerable...It only makes a confusion in one's ideas, to maim a known story" (Walpole [15 Dec. 1786], XIII, 429)

Event Comment: [The playbill retains Mrs Jordan as Matilda and Mrs Crouch as Laurette, but Mrs Jordan "sent word she was too ill to perform this Evening. The audience called for Crouch to act Matilda" (Kemble Mem.). "She instantly complied...and was received with the most marked respect" (Morning Chronicle, 28 Nov.). The audience refused to believe that Mrs Jordan's illness was genuine, and for several days she was treated harshly by letters to and paragraphs in the newspapers. For her letter explaining her "real inability from illness to sustain her part in the entertainment" see Oulton, 1796, II, 103-6; see also 10 Dec. "Richard Coeur de Lion was advertised as the afterpiece; but on account of the sudden illness of Mrs Jordan, High Life below Stairs was proposed to be substituted; the house, however, seeming to disapprove of this change, Mrs Crouch kindly undertook the part of Matilda; Miss Hagley took hers of Laurette" (Public Advertiser, 28 Nov.).] Receipts: #285 10s. (220.3; 64.10; 0.17)

Event Comment: Paid Younger for Licenses for Prelude, Elfrida, Cross Purposes, and Golden Pippin #8 8s. Gave Hamilton #21 (Account Book). Receipts: #206 6s

Event Comment: Mainpiece [1st time; C 5, ascribed variously to Elizabeth Inchbald and to Miss Griffiths, based on L'Amour Use, by Philippe Nericault, dit Destouches. Prologue and Epilogue by George Colman, ynger (see text)]. Morning Herald, 4 Sept. 1792: This Day is published Cross Partners (1s. 6d.)

Event Comment: Mainpiece [1st time; CO 3, by Richard Tickell, some of the songs attributed to Richard Brinsley Sheridan; synopsis of plot in Public Advertiser, 18 Dec. Songs (no pub., 1781) omits several [i.e. all the non-singing] characters. MS not in Larpent; not published]: With entirely new Music and a new Overture [by Thomas Linley Sen.]. To conclude with a View of St. Mark's Place, and a grand Representation of the Carnival. With new Scenes, Dresses, and Decorations, designed by De Loutherbourg, and executed under his Direction. Books of the Songs to be had at the Theatre. Public Advertiser, 19 Dec. 1781: This Day are published the Songs in The Carnival of Venice (6d.). Account-Book, 11 Jan. 1782: Received from Miss Giles for 1,550 Books of the Songs in the Carnival #31. Receipts: #225 18s. 6d. (216/4/0; 9/14/6; 0/0/0)

Event Comment: Mainpiece [1st time; T 4, but published in 5, by Richard Bentley. The assignments of Fearon, Booth, Mahon (who are not listed in the text) are my own conjecture. Prologue and Epilogue by Richard Bentley Jun. (Public Advertiser, 18 Dec.)]: New Dresses, &c. Words of the Epithalamium will be given at the Box Doors. Public Advertiser, 11 Jan. 1783: This Day is published Philodamus (1s. 6d.). Afterpiece: Never performed at this Theatre. Receipts: #203 2s. (198/16/6; 4/5/6)

Event Comment: Benefit for Mrs Jordan. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four. Mainpiece [1st time; C 5, by Richard (later) Sir Richard? Ford. Kemble Mem.: Altered by R. Ford from the Humourous Lieutenant. Epilogue by Henry William? Bunbury. Larpent MS 894; not published]: Altered from Beaumont and Fletcher (recte Fletcher alone). Oracle, 25 Feb.: Tickets to be had of Mrs Jordan at her house, No. 14, Somerset-street, Portman-square. Receipts: #346 8s. 6d. (102.18.0; 13.5.0; 3.6.6; tickets: 226.19.0) (charge: free)

Event Comment: Mainpiece [1st time; MD 5, by Richard Cumberland. Author of Prologue unknown]: A Romance of the Fourteenth Century, Formed upon the Plan of an unpublished Drama [Johanna von Montfaucon], written and transmitted by Augustus von Kotzebue, The Overture, Songs, Chorusses, Marches and Finale, with appropriate Symphonies between the Acts, by Busby. The Scenery, Dresses, Machinery & Decorations entirely New. The Scenery by Richards, Phillips, Lupino, Hollogan, &c. The arrangement of the Marches, Chorusses & Military Movements incidental to the Piece, under the direction of Farley. The Dresses by Dick and Mrs Egan. The Words of the Songs to be had in the Theatre. "The appropriate beauty of the scenery, in which the rules of perspective are critically observed, the splendour of the decorations and the richness of the dresses, have been rarely equalled" (Universal Magazine, Jan. 1800, p. 75). Receipts: #318 6d. (316.2; 2.4)