SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Powells House"/1) | (@(roleclean,performerclean) "Mr Powells House")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 5723 matches on Event Comments, 2063 matches on Performance Comments, 745 matches on Performance Title, 30 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Woodman

Afterpiece Title: Modern Antiques

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Humourist

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Blue Beard; or, The Flight of Harlequin

Dance: see17920111

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Blue Beard

Song: As17911020

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Citizen

Performances

Mainpiece Title: Notoriety

Afterpiece Title: Oscar and Malvina

Music: In afterpiece: As17911219

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Humourist

Event Comment: [This is the only occasion in the 18th century when a play was acted in London on this date. "The performance at the Haymarket on the 30th of January has been noticed by his Majesty in a manner which is still a topic of conversation in the higher circles...There will be no more theatrical performances on the 30th of January" (London Chronicle, 28 Feb.). On 3 Feb. the Lord Chamberlain wrote to Sheridan as follows: "Sir--Information has been received at this Office that Theatrical Entertainments were exhibited at the Theatre, under your direction, in St. James's Haymarket on the 30th of Last Month, contrary to all precedent, and repugnant to Decency, being the Anniversary of the Martyrdom of King Charles the First. I do not know by what Authority such a Step was taken but, as Chamberlain of His Majesty's Household, think it my Duty to desire that you will be pleased to Cause the Practice to be discontinued in future. I am, Sir, Your Obedient, Humble Servant, Salisbury" (MS Letters to Sheridan from Various Correspondents,II, 64, in Harvard Theatre Collection). The Morning Chronicle on 31 Jan. offered another opinion: "It gave us infinite pleasure that last night we happily broke through one of the most absurd fasts in the calendar. The Managers of Drury Lane, with proper regard to the public, rescued them from the common dullness of a 30th of January." But the absurd fast remained in force until 1843.] Receipts: #339 18s. (291.4; 40.0; 8.11; ticket not come in: 0.3)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Englishman in Paris

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Katharine and Petruchio

Performances

Mainpiece Title: Notoriety

Afterpiece Title: Oscar and Malvina

Music: As17920125

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Blue Beard

Performances

Mainpiece Title: Orpheus And Eurydice

Afterpiece Title: Rosina

Song: Sweet Bird(by Handel)-Mrs Billington; accompanied on the violin-Weichsel

Performances

Mainpiece Title: Mary Queen Of Scots

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: King Henry The Viii

Afterpiece Title: Selima and Azor

Entertainment: Monologue. End: Collins's Ode on the Passions (for this night only)-Mrs Siddons

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Minor

Entertainment: Monologue. Occasional Prologue-Bannister Jun

Performances

Mainpiece Title: Coriolanus; Or, The Roman Matron

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: A Peep behind the Curtain; or, The New Rehearsal

Afterpiece Title: Robin Hood

Performances

Mainpiece Title: Cymon

Afterpiece Title: The First Floor

Performances

Mainpiece Title: Poor Old Hay-market

Afterpiece Title: The Battle of Hexham; or, Days of Old

Afterpiece Title: Seeing is Believing

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Surrender of Calais

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: The Village Lawyer

Performances

Mainpiece Title: Hail Fellows Well Met

Afterpiece Title: Ways and Means

Afterpiece Title: The Rehearsal

Afterpiece Title: The Rights of Women

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Village Lawyer

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: Katharine and Petruchio

Performances

Mainpiece Title: A New Occasional Prelude

Afterpiece Title: The Road To Ruin

Afterpiece Title: The Irishman in London