SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Powells House"/1) | (@(roleclean,performerclean) "Mr Powells House")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 5723 matches on Event Comments, 2063 matches on Performance Comments, 745 matches on Performance Title, 30 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: Not acted these 2 years. Account-Book: Paid House & Window tax 1@2 year #56 13s. 8d. Receipts: #297 6s. 6d. (274.19.0; 18.19.6; 3.8.0)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Deaf Lover

Event Comment: Benefit for Bernard. 1st piece [1st time; M. PREL 1]: With the Storming of the Fort, and a View of the Fleet and Harbour. In which will be introduced the Grand Ceremony of the Enemy's Surrendering the Colours, and Marching out before the British Troops. The whole (including Dances) got up entirely under the direction of Byrn. Morning Herald, 13 May: Tickets to be had of Bernard at his house, No. 12, Kirby-street, Hatton Garden. Receipts: #249 8s. 6d. (83/9/6; 7/19/6; tickets: 157/19/6)

Performances

Mainpiece Title: The Fall Of Martinico; Or, Britannia Triumphant

Afterpiece Title: THE BELLE'S STRATAGEM

Afterpiece Title: THE HIGHLAND REEL

Dance: In Act IV of 2nd piece a Masquerade, in which a Minuet by Mrs Pope and Byrn

Song: In Masquerade Old Towler by Incledon; End of 2nd piece A Catalogue of Plays and Farces; or, a Love Letter from Dick Ranter to Kitty Sprightly, to an old Tune, by Bernard; After which Sally in our Alley by Incledon

Event Comment: Account-Book: Tickets delivered by Jealous, Walker, Bonsor, Gawdry, Dosel, Paskin, Hay, Wells, Gilbert, Ansell will be admitted. Account-Book, 28 June: Received for His Majesty's Box 11 nights #110; paid Advertisements in The World to 17 June #30 4s1. 6d.; 17 July: paid several Renters #21 15s. 6d. apiece; 2 Aug.: Paid Land, Commutation, Window and House tax half a year #187 12s. 9d. The Last Night of the Company's Performing this Season. Receipts: #300 0s. 6d. (39/3/0; after money: none listed; tickets: 260/17/6)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: THE IRISHMAN IN LONDON

Dance: As17931022

Event Comment: Benefit for Fawcett. 3rd piece: By permission of Thomas Harris, Esq.; never acted at this theatre, and for that night only. [Address by Thomas Hurlstone (Morning Herald, 25 Aug.)]. Morning Herald, 19 Aug.: Tickets to be had of Fawcett at his house, No. 9, Tottenham-Court-Road, opposite Howland-street

Performances

Mainpiece Title: The Prisoner At Large

Afterpiece Title: THE AGREEABLE SURPRISE

Afterpiece Title: THE FARMER

Song: In the course of the evening Dr Grigsby's Tippety Witchet by Fawcett [sec CG, 16 May]

Monologue: 1794 08 23 A new Occarimlal Address in the Character of Trudge [in INKLE AND YARICO] by Fawcett

Event Comment: Benefit for Jewell, treasurer. Morning Cbro11icle, 2 Sept.: Tickets to be had of Jewell at his house, Suffolk-street

Performances

Mainpiece Title: All In Good Humour

Afterpiece Title: THE MOUNTAINEERS

Afterpiece Title: MY GRANDMOTHER

Event Comment: Benefit for Mrs Pope. Mainpiece: Not acted these 4 years. [2nd piece 1st acted at cg, 3 May 1793, as To Arms; or, The British Recruit.] Morning Chronicle, 26 Feb.: Tickets to be had of Mrs Pope at her house, Half-moon-street, Piccadilly. Account-Book, 21 Apr.: Paid Mrs Pope for Dresses as per Bill #32 19s. 6d. Receipts: #293 18s. (138.5; 9.7; tickets: 146.6)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The British Recruit; or, Who's Afraid

Afterpiece Title: Catharine and Petruchio

Song: In course 2nd piece: The Mid Watch-Incledon; 2nd piece to conclude: with a new Loyal Duet (composed by Shield) Tho' Hurricanes rattle tho' Tempest appear-Incledon, Bowden

Event Comment: Benefit for Bensley. Morning Chronicle, 16 Apr.: Tickets to be had of Bensley, No. 21, Charlotte-street, Bloomsbury. Receipts: #490 16s. (217.9.0; 92.4.6; 6.4.6; tickets: 174.18.0) (charge: #231 6s. 2d.). Account-Book breaks down Bensley's charge as follows: house #200, Mrs Siddons #20, Mrs Jordan #10 10s. Properties 5s. 8d., supernumeraries 10s. 6d., for a total of #231 6s. 2d . At the doors of the theatre #315 18s. was received. The charge subtracted from this amount leaves #84 11s. 10d., which was paid to Bensley. The Proprietors made him a gift of the #20 he paid Mrs Siddons. His own profit was therefore #104 11s. 10d., which, in addition to his tickets, gave him a grand total of #279 9s. 10d

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Spoil'd Child

Event Comment: Benefit for Pope. Morning Chronicle, 13 Apr.: Tickets to be had of Pope at his house, Half-moon-street, Piccadilly. Receipts: #187 0s. 6d. (87.0.6; 7.12.0; tickets: 92.8.0)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Naval Volunteers

Afterpiece Title: Lovers' Quarrels

Dance: As17950428

Song: End II 1st piece: Representation of a Ship in Distress; in which The Storm-Incledon

Event Comment: Benefit for Fawcett. 1st piece: Never [previously] acted here (by Permission of George Colman, Esq., for that night only). 2nd piece [1st time; M. INT 1]. Morning Chronicle, 30 Apr.: Tickets to be had of Fawcett at his house, No. 9, Tottenham-court-road. Receipts: #447 14s. (158.4.6; 10.10.0; tickets: 278.19.6)

Performances

Mainpiece Title: The Battle Of Hexham; Or, Days Of Old

Afterpiece Title: A Gallimaufry

Afterpiece Title: Crotchet Lodge

Entertainment: Monologue.End: Monsieur Tonson (founded on fact, and recited at Freemason's Hall)-Fawcett

Event Comment: Benefit for Bernard. 3rd piece [1st time; MF 2, by John Bernard. Larpent MS 1084; not published]: To conclude with a View of the Town of Portsmouthv on a Rejoicing Night, embellished with Grand Illuminations. [This was included in all subsequent performances.] The Music by Attwood. Morning Chronicle, 27 May: Tickets to be had of Bernard at his house, No. 12, Kirby-street, Hatton-Garden. Receipts: #253 6s. 6d. (70.8.0; 12.4.6; tickets: 170.14.0)

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: Doctor Last's Examination before the College of Physicians

Afterpiece Title: The Poor Sailor; or, Little Ben and Little Bob

Dance: In 3rd piece: Double Hornpipe-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I: Black Eyed Susan-Incledon

Event Comment: Benefit for Fawcett. Mainpiece: Not acted these 3 years [acted 18 June 1793]. Afterpiece: The new Musick, with a Scottish Medley Overture, by Dr Arnold. Morning Chronicle, 18 Aug.: Tickets to be had of Fawcett at his house, No. 9, Tottenham-court-road

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: Auld Robin Gray

Song: End: Mock Italian Song from The Irish Mimic; or, Blunders at Brighton-Fawcett

Entertainment: MonologueIn evening: Monsieur Tonson-Fawcett

Event Comment: Benefit for Jewell, treasurer. Morning Chronicle, 31 Aug.: Tickets to be had of Jewell at his house, Suffolk-street

Performances

Mainpiece Title: Love And Money

Afterpiece Title: Zorinski

Afterpiece Title: New Hay at the Old Market

Performances

Mainpiece Title: The Ghost

Afterpiece Title: The Widow of Malabar

Afterpiece Title: Merry Sherwood [and see17951221]

Performance Comment: Principal Vocal Characters: First Bowman, Friar Tuck-Bowden; Tinker-Knight; Cryer-Rees; Beggar Man-Townsend; Tanner-Richardson; Allen@o'@Dale-Gray; Martha-Mrs Mountain; Damsel-Mrs Clendining; Witch of Nottingham Well-Mrs Martyr; [Principal Pantomimic Characters: as17951221 Robin Hood-Follett; Arthur of Bradley-Farley; Little John-Simmons; Will Scarlet-Cranfield; Will Stukely-Williamson; Locksley-Gray; Midge the Miller-Street; Clerk-Rees; Parson of Barnsdale-Platt; Sheriff of Nottingham-Thompson; Prince of Arragon-Holland; Two Giants-Price, Stevens; Harlequin-Simpson; Maid Marian-Mlle St.Amand; [Part I. Scene I. A View in Sherwood Forest; Archers regaling on Venison Song-Follett; [Robin entering, receives a challenge from Marian, the Sheriff of Nottingham's Daughter, to shoot the Deer. The Sheriff and Arthur-o'-Bardley's pursuit of Marian. Harlequin appears as a Beggar Boy-is refused relief from the Sheriff, but receives it from Robin and his Men. Marian forced by the Sheriff from Robin. The Witch of Nottingham rises from the Well, puts Robin in possession of an enchanted Horn to wind when in distress, and appoints Harlequin as his Guide and Protector-the Moving Grove-the story of Robin Hood and the Tanner-the Miniature View of the Suburbs of Nottingham, which changes to Scene II. A View of Nottingham Town. The Sheriff offers a reward for apprehending Robin. The Cryer's Chaunt-; [Scene III. A Hall in the Sheriff's House; Sheriff introduces Marian to Arthur-o'-Bradley, her [sic] intended Bride-Little John disguised, brings on a dead Buck as a present to Arthur-the Buck becomes animated and drives off Arthur, and Little John escapes with Marian. A Leap by Harlequin over the Heads of twelve Soldiers armed With Pikes, Swords. Scene IV. View of the Town Hall in Nottingham. Porter enters with Box-Marian taken by Arthur is forced into it-the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight; [seated at a Table, which changes to the Town Stocks in which they are confined-Harlequin's Leap over the Heads of his pursuers, from the Thatch of the Alehouse. Scene VI. The Pinfold of Wakefield Town. The story of the Pindar of Wakefield-the Purseurs inclosed in the Pound. Scene VII. Robin Hood's Bower. Barrel of Ale which changes to the Cedar Tree of Lebanon, with a circular Bench. Scene VIII. View in Plumpton Park. Robin and his pursuers in full chace-the commencement of the Story of the Prince of Arragon, and the Earl of Nottingham's Daughter. The Entree of the Two Giants--the Challenge to Combat. Scene IX. Pollard Wood Song-Mrs Clendining; [imploring Robin Hood's aid to rescue the Princess. Scene X. The Earl of Nottingham, his Daughter, and the Count discovered-Giants, Pigmies-Robin vanquishes the Prince of Arragon-- the Grand Dance of Warriors in the Field of Combat-; [Part II. Scene I. A View in Fountain Dale. Story of the Curtal Fryar Song-Bowden; [Robin's skill in Archery-Arthur-o'-Bradley changed to a Tree-shot at by Robin and his Party-enters transfixed with Arrows. Scene II. Fountain Abbey Wall. Beggar's Ballad-; [Robin procures his Garments to rescue Will Scarlet. Scene III. Nottingham Castle. Scarlet attended by the Sheriff, his Guards, led to Execution. Scene IV. Nottingham Market-Place, Gibbet, Ladder. Robin rescues Will Scarlet. The Sheriff suspended on the Gibbet, Arthur-o'-Bradley by a Lanthorn of Fire-The Priest and Attendants enclosed in the Ladder. Scene V. Barnsdale Church. The Story of Allen o'Dale, Martha and the Old Knight and Martha, attended by the Bridemen and Maids-a Morrice Dance-; [the Marriage of Allen and Martha Martha's song to Allen o'Dale-Mrs Mountain; [Harlequin changes the Scene to Scene VI. A View of the Sea and Scarborough Cliffs, with a Cottage. Harlequin changes the Cottage to a Ship-a French Vessel appears in view, which he changes to a cart-and the Scene to a Plough Field-a piece of Mechanism is introduced representing a Farmer with his Plough and Team of Horses. Scene VII. A Landscape changes to a Stile-Archers to Trees-the Death of Robin by Arthur-o'-Bradley and his Men. Scene VII [sic]. Birksley Monastery. The renovation of Robin by the Witch of Nottingham Well Witches Recitative-Mrs Martyr; [Scene VII [sic]. Clouds with Angels supporting Wreaths-which changes to Scene VIII. Representing the Triumphs of Archery, as17951228. To conclude with a Grand Dance of Archers-Byrn; Finale, Chorus-.
Cast
Role: intended Bride Actor: Little John disguised, brings on a dead Buck as a present to Arthur-the Buck becomes animated and drives off Arthur, and Little John escapes with Marian. A Leap by Harlequin over the Heads of twelve Soldiers armed With Pikes, Swords. Scene IV. View of the Town Hall in Nottingham. Porter enters with Box-Marian taken by Arthur is forced into it-the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight
Role: brings on a dead Buck as a present to Arthur Actor: the Buck becomes animated and drives off Arthur, and Little John escapes with Marian. A Leap by Harlequin over the Heads of twelve Soldiers armed With Pikes, Swords. Scene IV. View of the Town Hall in Nottingham. Porter enters with Box-Marian taken by Arthur is forced into it-the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight
Role: Porter enters with Box Actor: Marian taken by Arthur is forced into it-the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight
Role: Marian taken by Arthur is forced into it Actor: the Box being placed on the head of Arthur changes into a Bird Cage, in which he is inclosed. Scene V. A Country Alehouse. Tinker's Song-Farley, Knight
Role: which changes to the Town Stocks in which they are Actor: Harlequin's Leap over the Heads of his pursuers, from the Thatch of the Alehouse. Scene VI. The Pinfold of Wakefield Town. The story of the Pindar of Wakefield-the Purseurs inclosed in the Pound. Scene VII. Robin Hood's Bower. Barrel of Ale which changes to the Cedar Tree of Lebanon, with a circular Bench. Scene VIII. View in Plumpton Park. Robin and his pursuers in full chace-the commencement of the Story of the Prince of Arragon, and the Earl of Nottingham's Daughter. The Entree of the Two Giants--the Challenge to Combat. Scene IX. Pollard Wood Song-Mrs Clendining
Event Comment: "The represention announced for last night at this Theatre was Twelfth Night; but as Mrs Jordan found herself too ill to perform, new bills were issued, and the substitute was to be The Siege of Belgrade. About the middle of the day, however, Mrs Jordan found herself well enough to perform, and the other bills were circulated, importing that the play was to be Twelfth Night. But, in the afternoon, Mrs Jordan found herself too ill to perform, and a message was sent again to the theatre, signifying the melancholy disappointment. It was then too late to make any other change, and Twelfth Night was represented, Mrs Goodall reading the part of Viola. There was considerable difficulty in collecting the performers, after these repeated changes. Barrymore could not be found, and Caulfield dressed for Orsino; but when he was ready to appear Barrymore arrived, and took the part. It was then discovered that Phillimore was absent, and Caulfield was doomed to dress once more, for Phillimore's character; but soon after Phillimore came to the house. Mrs Kemble being indisposed, Miss Mellon undertook her part of Maria ...The Audience (a large one) indeed grumbled a little at this kind of dramatic hocus pocus, but on the whole, were not churlish in their testimonies of satisfaction" (True Briton, 13 Jan.). Receipts: #222 19s. (160.4.0; 58.11.6; 4.3.6)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: My Grandmother

Event Comment: Mainpiece [1st time; MD 3, by George Colman, ynger]: The Scenery and Dresses are entirely new. The Musick composed by Storace.The Scenes designed and executed by Greenwood and Capon [the Gothic library was painted by Capon (Oracle, 21 Mar. 1796)]. The Dresses by Johnston, Gay and Miss Rein. Books of the Songs to be had in the Theatre. [When Colman published his play he prefaced it with an acrimonious attack on Kemble, in which he accused him of deliberately trying to make the play a failure. But almost without exception the contemporary reviews excused Kemble's performance on the grounds of his obvious indisposition, and agreed that the play itself was unsatisfactory. "The play failed, and we are sorry to say did not merit to succeed...Kemble, who was tormented With an incessant cough, said he could not but be sensible that much of the displeasure of the house proceeded from his deficiency in a principal character...The whole audience with one voice cried out, 'No, no, Kemble-it is not your fault'" (Oracle, 14 Mar.). "The dialogue is extremely heavy, and there is little or no incident to relieve the tedium of more than four hours representation...Sir Edward Mortimer is a being distracted, with no adequate cause; a prey to remorse, which he of all men was the last to feel from the principles that make up his being. This therefore is the radical moral defect of the piece. But there is another which, though not equally strong, is equally fatal: there is no progression of interest, there is no involution of plot, there is no development of character" (Star, 14 Mar.). Other notices of the opening night were much in the same vein. Subsequently Colman revised the play, and it held the stage for many years. "The curtailments which have been made shorten the representation near an hour and a half, and the alterations are many and judicious" (Morning Herald, 21 Mar. 1796). Morning Herald, 23 July 1796: This Day is published The Iron Chest (2s.). Receipts: #471 9s. (468.13; 2.16)

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Harlequin Captive

Song: Mainpiece: The General Chorus-Cooke, Danby, Evans, Welsh, Wentworth, J. Fisher, Master DeCamp, Master Gregson, Atkins, Brown, Denman, Fisher, Tett, Aylmer, Caulfield Jun., Dibble, Gallot, Willoughby, Annereau, Bardoleau, Cook, Miss Arne, Mrs Boimaison, Mrs Bramwell, Mrs Butler, Miss Mellon, Miss Wentworth, Mrs Maddocks, Miss Chatterley, Miss Menage, Miss Stuart, Miss Jackson

Event Comment: Benefit for Mrs Martyr. 3rd piece [1st time; M. INT 1, by John Cartwright Cross. Larpent MS 1124; not published]: Founded on the recent and glorious Achievement, at the above French Fort, of Sir Sydney Smith. [On 17 Mar. 1796 a force under Sir William Sydney Smith had destroyed six French vessels in the Bay of Herqui.] To conclude with the British striking the French Colours on the Fort, burning their Corvettes in the Harbour. The new Music by Shield. Oracle, 29 Mar.: Tickets to be had of Mrs Martyr at her house, No. 16, Martlett-court, Bow-street, Covent-Garden. Receipts: #384 11s. 6d. (192.14.0; 10.1.0; tickets: 181.16.6)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Three Weeks after Marriage

Afterpiece Title: The Point at Herqui; or, British Bravery Triumphant

Dance: II: a Negro Dance-; 3rd piece: a new incidental Dance by Byrn-Mlle St.Amand, Holland, Byrn

Song: End I: Sweet Bird-Mrs Serres; accompanied on the German Flute (for this night only)-Ashe, from the Hanover-Square Concert; In Evening: Admiral Benbow-Incledon; 3rd piece: the following songs: The Mid Watch-Incledon; Tippy Bob-Munden; The Waiter-Fawcett; Irish Song-Johnstone; New Loyal Song-Mrs Martyr; Rondo-Mrs Clendining; Ye Gentlemen of England-Linton, Street, Incledon; Rule Britannia-Incledon, Johnstone, Chorus

Event Comment: Benefit for Fawcett 1st piece: By permission of G. Colman, Esq. Never performed at that Theatre. As performed at the Theatre Royal, Haymarket, with universal Applause. With new Scenery, Dresses and Decorations. Written by the Author of The Way to Get Married [Thomas Morton]. 2nd piece [1st time; M. INT 1]. Oracle, 8 Apr.: Tickets to be had of Fawcett at his house, No. 9, Tottenham-Court-Road, opposite Howland-street. Receipts: #507 9s. 6d. (185.7.6; 10.0.0; tickets: 312.2.0)

Performances

Mainpiece Title: Zorinski

Afterpiece Title: A Nicknackatory

Afterpiece Title: Lock and Key

Dance: 2nd piece to conclude with: Highland Festivity, as17951125

Song: 1st piece: Vocal Parts-Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Little, Miss Logan, Miss Ives, Miss Leserve, Miss Walcup, Mrs Castelle, Mrs Masters, Mrs Watts

Entertainment: Monologue.End: Monsieur Tonson (Founded on Fact, and recited at Free-Mason's Hall, last Winter, with universal Applause)-Fawcett

Event Comment: Benefit for Bensley, being the Last Time of his Appearing on the Stage. Bensley's defects (chiefly Nature's) were to a stranger disgusting, but on a further acquaintance, hi merit (all his own) not only gained favour, but covered all his faults" (Monthly Magazine, May 1796, p. 320). Morning Herald, 23 Apr.: Tickets to be had of Bensley at his house, No. 21, Charlotte-street, Bloomsbury. Receipts: #595 9s. (271.2; 63.14; 6.2; tickets: 250.10; odd money: 4.1) (charge: #232 7s. 6d.)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Romp

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Follies of a Day

Entertainment: Monologue. End: A Picture of a Play House; or, Bucks have at ye all-R. Palmer

Performance Comment: End: A Picture of a Play House; or, Bucks have at ye all-R. Palmer.
Event Comment: Benefit for Fawcett. Mainpiece: Not acted these 4 years. Morning Herald, 16 Aug.: Tickets to be had of Fawcett at his house, No. 9, Tottenham-court-road

Performances

Mainpiece Title: King Henry The Fourth [part I]

Afterpiece Title: The Children in the Wood

Event Comment: The Pas Seul which was only introduced after the above Ballet was composed by Gentili, in order to bring forward Mademoiselle Parisot for a few nights, is obliged to be omitted in future, on account of her engagement at the Opera House. Receipts: #260 13s. 6d. (180.13.0; 76.12.6; 3.8.0)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Richard Coeur de Lion

Dance: III afterpiece: Dance, as17961019

Ballet: End: The Scotch Ghost. As17961029, but The Lady of Dunblain-_; Villagers-_

Event Comment: Mainpiece: Not acted these 6 years [acted 7 Oct. 1791]. Middleton, after performing the first scene of Nerestan, retired abruptly into the wardrobe, pulled off his coat, and telling the dresser he should be back in ten minutes, left the theatre; he did not return, however, according to his appointment, and Davenport read the remainder of the character: a fit of insanity is supposed to have seized him" (Monthly Mirror, Jan. 1797, p. 55). [Middleton did not appear on the stage again until 27 Feb. 1797.] Afterpiece [1st time: P 2 (?), by James Wild and John Follett. MS of Songs only: Larpent MS 1148; synopsis of action in Pocket Magazine, Dec. 1796, p. 412]: With entire new Scenery, Machinery, Music, Dresses. The Overture and Music by Reeve. The Scenery painted by Phillips, Blackmore, Hollogan, Thorne, Byrn. The Machinery, Trick and Changes of Scenery invented and executed by Cresswell and Sloper. The Dresses by Dick, Mrs Egan. Books of the Songs to be had at the Theatre. "Among the changes are a trunk into a gingerbread nut-man's wheel-barrow--a poor man's hut into an old oak, with a group of Gypsies boiling their kettle under it--one of the clowns into a thick candle, and the candle afterwards into a green-house tub, with a large shrub in it" (Oracle, 20 Dec.). Receipts: #193 5s. 6d. (183.4.6; 10.1.0)

Performances

Mainpiece Title: Zara

Afterpiece Title: Harlequin and Oberon; or, The Chace to Gretna

Performances

Mainpiece Title: The Guardian

Afterpiece Title: No Song No Supper

Performance Comment: Robin (1st time)-Fawcett; Crop (1st time)-Townsend; Endless (1st time)-Simmons; William-Haymes; Louisa-Mrs Clendining; Dorothy-Mrs Martyr; Nelly-Mrs Castelle; Margaretta (by permission of the Proprietor of the Opera House)-Sga Storace (1st and only appearance at that Theatre); Lullaby-Sga Storace.

Afterpiece Title: The Comedy of Errors

Song: In 3rd piece: as17970107

Event Comment: Benefit for Pope. 1st piece: Not acted these 10 years. [3rd piece in place of The Irish Mimick, advertised on playbill of 3 May.] True Briton, 2 May: Tickets to be had of Pope at his house, No. 5, Moon-street, Piccadilly. Receipts: #398 12s. 6d. (237.14.6; 10.15.6; tickets: 150.2.6)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Ghost

Afterpiece Title: Hartford Bridge

Event Comment: Benefit for Mrs Martyr. 2nd piece [1st time; ENT 1, by John Cartwright Cross (see Monthly Mirror, June 1797, p. 370). Larpent MS 1166; not published]; With a striking Representation of the Conflagration of the Spanish Fleet in the Gulph of Pariav, the Island's Capitulation and the Departure of its Garrison, Prisoner of War [on 18 Feb. 1797]. True Briton, 1 May: Tickets to be had of Mrs Martyr at her house, No. 16, Martlett Court, Bow-street, Covent-Garden. Receipts: #359 14s. (185.5; 8.2; tickets: 166.7)

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Surrender of Trinidad; or, Safe Moor'd at Last

Afterpiece Title: The Irishman in London

Song: End I: The Storm-Incledon; In course 2nd piece: Black@Ey'd Susan-Incledon; Beauty at her Levee-Munden; Jack at the Windlass-Fawcett; The Wolf-Bowden; Oh why to be happy-Incledon; The Row-Johnstone; Bravura Song-Mrs Clendining; a new Negro Song (composed by Shield)-Mrs Martyr; Rule Britannia-