SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Powel Sr"/1) | (@(roleclean,performerclean) "Mr Powel Sr")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4567 matches on Event Comments, 2069 matches on Performance Comments, 585 matches on Performance Title, 224 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Receipts: #120 (Cross); #124 8s. 6d. (Powel)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Lethe

Music: I: (By desire) a piece of Music-the Child

Dance: III: Characters de la Dance-Cooke, Anne Auretti, Janneton Auretti; IV: Italian Cabaret, as17481109

Event Comment: [Sat. 7-Wed. 11] I was sick (Cross). Receipts: #140 (Cross); #130 5s. (Powel)

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Lethe

Music: I: A Piece of Music-the Child

Dance: II: Vertumnus and Pomona, as17481112

Event Comment: Receipts: #160 (Cross); #167 5s. 6d. (Powel)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Lethe

Event Comment: MMiss Thurmond play'd (Cross). Mainpiece: Not acted these 7 years. Receipts: #150 (Cross); #141 15s. (Powel)

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: Lethe

Event Comment: Receipts: #130 (Cross). #151 18s. 6d. (Powel)

Performances

Mainpiece Title: The Funeral

Afterpiece Title: Lethe

Event Comment: Rout at ye Haymarket (Cross). Receipts: #90 (Cross); #118 16s. (Powel)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Intriguing Chambermaid

Event Comment: By particular Desire. ["We have in Rehearsal a new Tragedy call'd Irene--Author, as yet, unknown."--Charles Adams to John Gilbert-Cooper, Theatre Notebook, XI (1957), pp. 138-39.] Receipts: #130 (Cross); #143 16s. 6d. (Powel)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Anatomist

Dance: IV: Dutch Dance, as17481203

Event Comment: Letter from John Potter, Proprietor of the New Theatre in the Haymarket, to the author of the General Advertiser: As the resentment of the Town for the disappointment of the performance advertised to be exhibited at my theatre on Monday last, shall fall entirely upon me, I hope I may be allowed to acquaint the public with the nature of my case. [Suggests he should not be to blame for misbehavior of any person who hired his house, that he had some apprehensions in this case, but that the Bottle Conjurer paid the rent in advance and agreed to have a House officer in the box office to return the money if the audience was displeased.] All the caution above mentioned was taken, and the money locked up in the office, guarded by persons of reputation, who would have returned it, and publicly on the stage told them, that if the person did not appear, their money should be return'd. But instead of complying with that offer, my House was pulled down, the Office broken open, the money taken out, and the servants oblig'd to fly to save their lives. I hope therefore this may be deem'd a sufficient justification in my behalf, and all that could be reasonably expected from me; and that those gentlemen who are conscious of having injured me, will be so generous as to make me a reasonable Satisfaction, considering the damage I have suffer'd, which in a moderate computation will amount to upwards of four thousand pounds. This day is Publish'd, at 1s. Lethe, a Dramatic Satire, by David Garrick as it is perform'd at Drury Lane. By Paul Vaillant, facing Southampton Street in the Strand. [A letter from Samuel Foote to the Author of the General Advertiser clears himself from any imputation of confederacy in the Bottle Conjuror fraud. See also my Introduction, note 103.] Receipts: #100 (Cross); #119 2s. 6d. (Powel)

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Lethe

Music: I: A Piece of Music-the Child

Dance: II: New Scotch Dance-Cooke, Ann Auretti

Event Comment: By Particular Desire. Receipts: #160 (Cross); #145 3s. (Powel)

Performances

Mainpiece Title: The Foundling

Afterpiece Title: The Lying Valet

Dance: NNew Scotch Dance, as17490118

Event Comment: By Desire. Receipts: #80 (Cross); #98 1s. 6d. (Powel)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: The Anatomist

Music: I: Concerto on Flute-a Child; III: Piece of Music-the Child

Dance: II: New Scotch Dance, as17490118; V: Savoyards, as17480920

Event Comment: Receipts: #160 (Cross); #159 4s. 6d. (Powel)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Intriguing Chambermaid

Dance: II: New Scotch Dance, as17490118

Event Comment: Receipts: #100 (Cross); #105 14s. (Powel)

Performances

Mainpiece Title: The Miser

Afterpiece Title: Miss in Her Teens

Dance: II: New Scotch Dance, as17490118

Event Comment: Receipts: #190 (Cross); #108 15s. (Powel)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Lethe

Event Comment: By Desire. Don John de Nasaquitine, sworn brother and champion to the man that was to have jumped into the bottle...hereby invites all such as were then disappointed to repair to the theatre on Monday the 30th, and that shall be exhibited to them which never was before, nor ever will be hereafter seen. All such as shall swear upon the Book of Wisdom that they paid for seeing the Bottle man, will be admitted gratis; the rest at Gotham prices (General Advertiser). Receipts: #50 (Cross); #70 11s. 6d. (Powel)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Miller of Mansfield

Dance: II: New Scotch Dance, as17490118

Event Comment: By particular Desire. Receipts: #150 (Cross); #138 14s. (Powel)

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Intriguing Chambermaid

Dance: V: Savoyards, as17480920

Event Comment: Receipts: #150 (Cross); #154 11s. 6d. (Powel)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Devil to Pay

Dance: II: New Scotch Dance, as17490118

Event Comment: Peace Proclaim'd (Cross). Yesterday most of the Foreign Ministers had a very grand entertainment at Pontack's, on Account of the Peace being proclaimed yesterday at Paris. This morning the Peace is to be proclaim'd, pursuant to his majesty's royal warrant, signed for that purpose, the ceremony of which is to be in the following manner (General Advertiser). [Follows an account of the five places and times of reading the proclamation throughout the city.] Receipts: #120 (Cross); #116 15s. (Powel)

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Lying Valet

Dance: Mathews, Mrs Addison; New Scotch Dance, as17490118

Music: By Desire-the Child

Event Comment: Mainpiece: By Desire. Receipts: #80 (Cross); #89 9s. 6d. (Powel)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Virgin Unmask'd

Dance: NNew Scotch Dance, as17490118

Event Comment: Mainpiece: By desire. Receipts: #40 (Cross); #59 6d. (Powel)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Anatomist

Music: I: A Piece of Music-the Child

Dance: III: Peasant Dance-Mathews, Mrs Addison; V: Scotch Dance, as17490118

Event Comment: 5th Ath Act hiss'd again (Cross). Receipts: #150 (Cross); #136 5s. 6d. (Powel)

Performances

Mainpiece Title: Mahomet And Irene

Event Comment: Receipts: #120 (Cross); #137 19s. 6d. (Powel)

Performances

Mainpiece Title: Mahomet And Irene

Event Comment: Receipts: #100 (Cross); #115 18s. (Powel)

Performances

Mainpiece Title: Mahomet And Irene

Event Comment: Benefit for ye Author (Cross). [Tickets as of 9 Feb., with additional note that they could be obtained of Mrs Payne at the White Hart in Paternoster Lane.] Receipts. #140 (Cross); house charges, #63 (Powel)

Performances

Mainpiece Title: Mahomet And Irene

Event Comment: Afterpiece: By Desire. Receipts: #120 (Cross); #1O5 5s. 6d. (Powel)

Performances

Mainpiece Title: Mahomet And Irene

Afterpiece Title: The Anatomist

Dance: SScotch Dance, as17490118

Event Comment: Afterpiece: By Desire. [A full column, front-page letter to the Author of the General Advertiser from one purporting to live many miles from London, but whose curiosity about the New Tragedy Irene brought him to see it, details his experience in the theatre the night of Tues. 14 Feb. Seems to be an illconcealed "puff." The writer listens to three critics in the pit decry the performance, then after seeing it himself concludes: "It was receiv'd with universal approbation...Upon the whole I dare affirm that the Judgment of Posterity will concur with me in distinguishing Irene as the best tragedy which this age has produced, for Sublimity of thought, Harmony of numbers, strength of expression, a scrupulous observation of Dramatic Rules, the sudden Turn of events, the tender and generous distress, the unexpected catastrophe, and the extensive and important moral." He inquires why the play has not been so favorably received as others, and concludes it is too finely and artistically conceived to please the masses. He closes by complimenting the Ladies of Great Britain for he "scarce ever saw so shining an assembly in the Boxes. Their early approbation of a Tragedy in which not only the words but the ideas are entirely chaste; a tragedy filled with noble sentiment and poetic beauty is at once a proof of their delicacy and penetration."] Receipts. #100 (Cross); #101 (Powel)

Performances

Mainpiece Title: Mahomet And Irene

Afterpiece Title: The Lying Valet

Dance: SScotch Dance, as17490118