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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Pinto"/1) | (@(roleclean,performerclean) "Mr Pinto")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5684 results for: Keyword - Mr Pinto
We found 4237 matches on Event Comments, 1199 matches on Performance Comments, 540 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

901
22 April 1785 @ Covent Garden

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Comus

Performance Comment: Comus (1st time)-Farren; Spirit-Thompson; Brothers-Kennedy, Helme; Bacchanals-Brett, Darley, Davies; Sabrina-Mrs Morton; The Lady-Mrs Bates; Principal Bacchant and Euphrasyne (with Sweet Echo, accompanied on the oboe by W. Parke)-Mrs Martyr; Pastoral Nymph (with Noon-tide Air)-Mrs Pinto, formerly Miss Brent (1st appearance on this stage these 10 years [recte 14, i.e. not since 6 Apr. 1771.] And see HAY 26 Apr.) .recte 14, i.e. not since 6 Apr. 1771.] And see HAY 26 Apr.) .
Cast
Role: with Noon Actor: tide Air-Mrs Pinto, formerly Miss Brent
Role: Pastoral Nymph Actor: Mrs Pinto, formerly Miss Brent

Song: As17850405

902
11 May 1767 @ Covent Garden

Event Comment: Benefit for Legg, Mrs Lampe, Mrs Jones. Afterpiece: For the last time this season. Tickets deliver'd for Hamlet will be taken. The Dragon of Wantly cannot be perform'd on account of indisposition of Mrs Pinto. Charges #67 9s. 6d. [Profit to each beneficiary #2 19s. 6d. plus income from tickets: Legg #84 2s. (Box 129; Pit 251; Gallery 142); Mrs Lampe and Mrs Jones combined #74 15s. (Box 102; Pit 219; Gallery 164).] Paid Bryan a bill for writing parts #1 1s. 6d. Paid Cooper (printer) #27 2s. Paid Condell for Coach hire, the last command by order of Mr Beard 2s. (Account Book). Before 5 went to ye Play...It was played tolerably well; Cleopatra very well by Mrs Bellamy, Octavia (for ye 1st time) by Mrs Mattocks, Antony by Smith, Vent. by Gibson not badly. We had ye Dances, Rural Love and ye Wapping Landlady (Neville MS Diary). Receipts: #76 8s. (Account Book)

Performances

Mainpiece Title: All For Love

Afterpiece Title: Midas

Dance: III: Rural Love, as17661120; End: Double Hornpipe, as17670427

Ballet: End: The Wapping Landlady. As17670427

903
March 1700 @ Drury Lane Theatre

Event Comment: Rich's Company. The date of the premiere is not known, but the second edition (1700) states: The first appearance of this Play was on a Wednesday in Lent; for then (it seems) the Town look for a bad Entertainment. [As the play was advertised in the Flying Post, 2 April 1700, the first performance probably occurred in early March.] A Prologue by Sir Charles Sedley which may have been intended for this play is in Sedley's Works, ed. V. de Sola Pinto (London, 1928), I, 46-47, 288-89. A song in this play, separately printed ca. 1700, indicates that the music was composed by Daniel Purcell and that the song was sung by Mrs Erwin

Performances

Mainpiece Title: The Reform'd Wife

904
31 December 1766 @ Covent Garden

Event Comment: TThe Accomplish'd Maid oblig'd to be deferr'd on account of the Indisposition of Mrs Pinto (playbill). Paid for a License for The School for Guardians #2 2s. (Account Book). Receipts: #165 10s. 6d. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Citizen

Dance: II: Rural Love, as17661120

905
24 March 1768 @ Covent Garden

Event Comment: Benefit for Mrs Bellamy. Mainpiece: Never acted there. Thomas and Sally oblig'd to be deferr'd on account of Indisposition of Mrs Pinto (playbill). Charges #64 5s. balance to Mrs Bellamy #62 15s. plus #110 8s. in tickets (Box 293; Pit 231) (Account Book). Receipts: #127 (Account Book)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Catherine and Petruchio

Dance: End: The Irish Lilt, as17670921

906
12 May 1786 @ Haymarket Theatre

Event Comment: Benefit for Mrs Pinto (formerly Miss Brett). [And see 26 Apr. 1785.]

Performances

Mainpiece Title: The Beggar's Opera

Entertainment: Not specified

907
02 June 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Register Office

Dance: II: The Haymakers-Giorgi's Scholars; End Opera: Hornpipe-Master Burn

Entertainment: End Opera: Bannister's Imitations-Bannister

908
16 May 1749 @ Drury Lane Theatre

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Intriguing Chambermaid

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

909
27 May 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: Matilda

Afterpiece Title: Bon Ton

910
24 October 1768 @ Covent Garden

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Dr Faustus

911
10 June 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Waterman

Dance: I: The Grand Garland Dance as17760410 but-Slingsby, Sga Crespi, Mrs Sutton

912
11 January 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: The Revenge

Afterpiece Title: Taste

913
June 1697 @ Dorset Garden Theatre

Performances

Mainpiece Title: The World In The Moon

914
March 1693 @ Drury Lane Theatre

Performances

Mainpiece Title: The Old Batchelor

915
18 April 1707 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Masters; viz. A full Piece of Music of the famous Signior Pepusch-Mr Banister, Mr Dean, Mr Lamour; A set of Airs for the Arch/Lute and Violin-the Two Mr Deans, composed on purpose by Mr Dean Jun; A Sonata for the Arch/Lute and Flute Alleman-Mr Dean Jun, Mr Latour; Singing to the Arch/Lute-Mr Hughes; A Solo of the famous Archangelo Corelli-Mr Dean Sen; A Cantata to the Arch/Lute-Mr Newbury; Singing to the Arch/Lute-a Gentleman come on purpose from Worchester

916
03 June 1782 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of mainpiece a Hornpipe by Master Byrn. [This was danced, as here assigned, in all subsequent performances.]

917
20 June 1783 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: In Act III of 2nd piece Hornpipe by Byrn

918
07 April 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Orphan

Afterpiece Title: High Life below Stairs

Dance: End: The Irish Lilt, as17630922

919
27 October 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Bon Ton

Dance: End: The Merry Peasants, as17751018

920
08 August 1781 @ Haymarket Theatre

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Dance: III 2nd piece: a Hornpipe-Master Byrn, in girl's clothes (London Chronicle, 9 Aug., and see17810810) This was danced, as here assigned, in all subsequent performances

921
16 September 1758 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Anatomist

Dance: I: A comic Dance call'd The German Hunters-Master Settree, Miss Twist

922
07 May 1726 @ Drury Lane Theatre

Performances

Mainpiece Title: King Henry The Fourth, Part I

Afterpiece Title: The Stage Coach

Dance: Thurmond, Boval, Mrs Brett, Miss Tenoe, Young Rainton, Miss Robinson

923
01 February 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Wedding Ring

924
21 January 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Lyar

925
22 February 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: Sethona

Afterpiece Title: High Life below Stairs