SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Phil Hart"/1) | (@(roleclean,performerclean) "Mr Phil Hart")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4274 matches on Event Comments, 1187 matches on Performance Comments, 528 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Deserter

Related Works
Related Work: The Deserter Author(s): Phillidor

Ballet: The Scotch Ghost. As17961221

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Related Works
Related Work: The Maid of Honour Author(s): Philip MassingerJohn Philip Kemble

Afterpiece Title: The Wicklow Mountains

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: An Entremets

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Honest Thieves

Afterpiece Title: The Village Fete

Song: End: Wigs-, including His own Wig, Doctor's Wig, Coachman's Wig; The Storm-Incledon; In 3rd piece: Chorusses, As17970518

Performances

Mainpiece Title: The Purse

Afterpiece Title: The Country Girl

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Minor

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: The Irishman in London

Afterpiece Title: The Liar

Event Comment: [In mainpiece the playbill assigns Richard to Holman, but "Holman being indisposed, Murray assumed the arduous part of Richard this evening. (Monthly Mirror, Oct. 1797, p. 238).] Afterpiece: Not acted these 2 years. Account-Book: Paid Music #9 1s. 8d.; Properties #12 8s.; Kettle Drum 5s.; Chorus Singers #1 10s.; Wardrobe #6 10s. 3d.; Supernumeraries #3 11s.; Sloper [master carpenter] for Scenemen #40 13s. 4d.; Phillips and Creswell #4 4s.; Lupino #2 14s. 6d.; Hollogan #2. Receipts: #286 17s. (282.15; 4.2)

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: A Divertisement

Dance: In afterpiece: a Ballet-Blurton, Mrs Watts, Mlle St.Amand

Performances

Mainpiece Title: The Rival Soldiers

Afterpiece Title: Rule a Wife and Have a Wife

Afterpiece Title: Three Weeks after Marriage

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Chimney Corner

Performances

Mainpiece Title: The Will

Afterpiece Title: The Prize

Entertainment: Monologue.As17971016; An Occasional Address-Wroughton

Performances

Mainpiece Title: Measure For Measure

Related Works
Related Work: Measure for Measure Author(s): John Philip Kemble

Afterpiece Title: The Wedding Day

Afterpiece Title: A Trip to the Nore

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: The Irishman in London

Song: As17980705

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Wedding Day

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Feudal Times

Performance Comment: As17990119, but Chorus of Soldiers-Danby, Caulfield [Jun.], Maddocks, Brown, Tett, Cook, Bardoleau, Clark; Chorus of [Male] Villagers-Phillimore, Fisher, Evans Aymler, Elliot, Willoughby, Mead, Sawyer; Minstrels-Mrs _Saunders, Mrs B. _Menage.

Performances

Mainpiece Title: The Secret

Afterpiece Title: Feudal Times

Performance Comment: Characters-Cory, Archer, Kelly, Middleton, Surmont, Wathen, Caulfield, Suett, Sedgwick, Fisher, Evans, Trueman, Mrs Crouch, Mrs Bland, Miss Menage, Mrs Maddocks; Chorus of Soldiers-Danby, Caulfield? Jun, Maddocks, Brown, Tett, Cook, Mead, Clark, Sawyer; Chorus of Villagers-Phillimore, Fisher, Evans, Aylmer, Elliot, Willoughby, Bardoleau; Minstrels-Ms Arne, Ms Roffey, Ms Jacobs, Ms R. Jacobs, Ms Jackson, Ms Wentworth, Ms Illingham; Principal Dancer-Mlle Parisot. [And see17990119] .And see17990119] .

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: Feudal Times

Performances

Mainpiece Title: Zorinski

Afterpiece Title: The Irishman in London

Song: End II: Crazy Jane-Mrs Bland; End: a favorite Mock Italian Song-Fawcett

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Prize

Performances

Mainpiece Title: The Secret

Afterpiece Title: The Pavilion

Performances

Mainpiece Title: The Egyptian Festival

Afterpiece Title: The Wedding Day

Performances

Mainpiece Title: What A Blunder

Afterpiece Title: The Irishman in London

Performances

Mainpiece Title: The Moore Of Venice

Performances

Mainpiece Title: The Step-mother

Event Comment: Flora's Figarys appears in Herbert, Dramatic Records, p. 148, under this date. As Flora's Vagaries, it had been acted at Christ Church, Oxford, on 8 Jan. 1663. The play was not published before 1670, and the entry in Herbert's list has sometimes been regarded as the date of licensing, sometimes as the date of a performance in London. Nicoll, Restoration Drama, p. 427, assigned it to ca. January 1662@3 at Vere St, presumably because "Mr Bird" in the cast in the quarto of 1670 referred to Theophilus Bird, who died before 3 Nov. 1663. But the cast in the edition of 1670 is presumably that for 5 Oct. 1667, when Pepys saw the play and referred to Nell Gwyn and Mrs Knepp as acting in it; they, too, are listed in the quarto of 1670 but could hardly have played in it in 1663. If the cast in the 1670 edition is not that for 3 Nov. 1663 and if the "Mr Bird" is Theophilus Bird Jr, then the obstacles to consiuering 3 Nov. 1663 as the date of a performance rather than of licensing are less formidable. [I am indebted to professor John Harold Wilson for much of this argument.

Performances

Mainpiece Title: Flora's Vagaries

Event Comment: Charles II to Madame, 10 Dec. 1663: I am just now going to see a new play (C. H. Hartmann, Charles II and Madame[1934], p. 89). The Duke's Company. W. J. Lawrence, in a review of Boswell, The Restoration Court Stage, in Modern Language Review, XXVIII (1933), 103, suggests that it was The Step-Mother which was given on this occasion. The edition of 1664 lists: The Prologue to the King at the Cockpit at White-Hall. The Epilogue to the King

Performances

Mainpiece Title: The Step Mother