SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Phil Hart"/1) | (@(roleclean,performerclean) "Mr Phil Hart")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4274 matches on Event Comments, 1187 matches on Performance Comments, 528 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Love For Love

Performance Comment: Sir Sampson-Love; Valentine-Reddish; Tattle-Dodd; Scandal-Palmer; Foresight-Parsons; Ben (with song)-Moody; Trapland-Hartry; Buckram-Keen; Officer-Wright; Miss Prue-Mrs Abington; Mrs Foresight-Mrs Reddish; Mrs Frail-Mrs Egerton; Nurse-Mrs Bradshaw; Angelica-a young Gentlewoman, being her first appearance.
Cast
Role: Trapland Actor: Hartry

Afterpiece Title: The Institution of the Garter

Performances

Mainpiece Title: Timon Of Athens

Performance Comment: Timon-Barry; Apemantus-Bannister; Alcibiades-Crofts, 1st appearance on the stage; Flavius-Packer; Lucius-Palmer; Lucullus-Hurst; Senators-J. Aickin, Inchbald, Keen; Poet-Jefferson; Painter-Davies; Jeweler-Wright; Merchant-Fawcett; Flaminius-Brereton; Caphis-Ackman; Soldier-Baddeley; Servilius-Wrighten; Lucilius-Wheeler; Hortensius-Griffith; Titus-J. Burton; Varro-Master Cape; Philotus-Jacobs; Messenger-Follett; Evanthe-Mrs Barry; In Act I: will be introduced a Grand Dance-Daigville, Atkins, Giorgi, Sga Vidini, Sga Giorgi, Miss Rogers.
Cast
Role: Philotus Actor: Jacobs

Afterpiece Title: The Musical Lady

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Citizen

Performance Comment: Young Philpot-King; Sir Jasper-Wright; Beaufort-Wheeler; Dapper-Jacobs; Quildrive-Griffith; Maria-Mrs Egerton; Old Philpot-Baddeley; Corinna-Miss Platt.
Cast
Role: Young Philpot Actor: King
Role: Old Philpot Actor: Baddeley

Entertainment: V:(By Desire,) Cupid's Remonstrance, as17720427

Performances

Mainpiece Title: The Grecian Daughter

Cast
Role: Philotas Actor: Reddish

Afterpiece Title: The Old Maid

Performances

Mainpiece Title: Venice Preserv'd

Related Works
Related Work: Venice Preserv'd Author(s): John Philip Kemble

Afterpiece Title: The Pigmy Revels

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Pigmy Revels

Dance: II: Comic Dance, as17720922

Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Performance Comment: Macbeth-Macklin, first time; Macduff-Clarke; Lenox-Hull; Malcolm-Wroughton; Banquo-Bensley; Duncan-Gardner; Seyton-Thompson; Hecate-Reinhold; Witches-Dunstall, Mrs Pitt, Quick; Vocal Parts-Mattocks, Reinhold, Mrs Thompson, DuBellamy, Baker, Fox, Mrs Baker, Mrs Lampe, Mrs Jones; Lady Macbeth-Mrs Hartley.
Cast
Role: Lady Macbeth Actor: Mrs Hartley.
Related Works
Related Work: Macbeth Author(s): John Philip Kemble

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Lyar

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Citizen

Cast
Role: Young Philpot Actor: King
Role: Old Philpot Actor: Baddeley

Performances

Mainpiece Title: No Performance

Performances

Mainpiece Title: Venice Preserv'd

Related Works
Related Work: Venice Preserv'd Author(s): John Philip Kemble

Afterpiece Title: The Cobler; or, a Wife of Ten Thousand

Performances

Mainpiece Title: Isabella

Afterpiece Title: The Rival Candidates

Performances

Mainpiece Title: Venice Preserv'd

Related Works
Related Work: Venice Preserv'd Author(s): John Philip Kemble

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Deserter

Related Works
Related Work: The Deserter Author(s): Phillidor

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Queen Mab

Dance: II: The Savage Hunters, as17751118

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Waterman

Dance: I: The Sailors Revels, as17751220

Entertainment: A Variety of New Imitations, vocal and rhetorical-Bannister

Performances

Mainpiece Title: The Rehearsal

Related Works
Related Work: Britons Strike Home; or, The Sailors' Rehearsal Author(s): Edward Phillips

Afterpiece Title: A ChristmasTale

Performances

Mainpiece Title: Cymbeline

Cast
Role: Philario Actor: Wright

Afterpiece Title: The Cady of Bagdad

Dance: In II: Masquerade Scene Dancing-Blurton, Henry; End III: The Provincalle, as17780128

Song: Masquerade Scene As17771031

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: Midas

Performances

Mainpiece Title: At King's Othello

Performance Comment: Duke of Venice-Maddocks; Brabantio-Aickin; Gratiano-Phillimore; Lodovico-Packer; Othello-Kemble; Cassio-Barrymore; Iago-Bensley; Roderigo-Dodd; Montano-Whitfield; Julio [i.e. Gentleman ]-Benson; Antonio [i.e. Messenger ]-Caulfield; Officers-Banks, Lyons; Messenger-Bland; Sailor-Alfred; Desdemona-Mrs Siddons; Aemilia-Mrs Ward.
Cast
Role: Gratiano Actor: Phillimore

Afterpiece Title: The Patron

Performance Comment: Sir ThomasLofty-Palmer; Sir Peter Pepper Pot-R. Palmer; Dick Bever-Whitfield; Frank Younger-Bland; Sir Roger Dowlas-Phillimore; Mr Rust-Waldron; Mr Dactyl-Suett; Mr Puff-Baddeley; Mr Staytape-Hollingsworth; Robin-Benson; John-Alfred; Miss Juliet-Miss Heard.
Cast
Role: Sir Roger Dowlas Actor: Phillimore

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Farmer

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performances

Mainpiece Title: The Cutter Of Coleman Street

Performances

Mainpiece Title: Henry Viii