SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Penkethmans New Theatre in Greenwich"/1) | (@(roleclean,performerclean) "Mr Penkethmans New Theatre in Greenwich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 8123 matches on Event Comments, 3410 matches on Performance Comments, 3176 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Amurath The Great Emperor Of The Turks Containing The Distressd Loves Of achmet And selima Or The london Prentices Glory With The Comical Humours And Surprizing Adventures Of The London prentice And Want Brains His Man

Performance Comment: London Prentice-Penkethman; Want Brains-Reynolds; Amurath-Huddy; Achmet-Mullart; Haly-Jones; Selim-Achurch; Aelima-Mrs Newsted; Zara-Mrs Dutton.
Cast
Role: Aelima Actor: Mrs Newsted

Afterpiece Title: Harlequins Contrivance or The Plague of a Wanton Wife

Performances

Mainpiece Title: Loves Last Shift

Afterpiece Title: The Cheats or The Tavern Bilkers

Dance: CCordelier-Salway; Fingalian-Newhouse, Mrs Ogden; Saraband-Glover, Miss LaTour

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Afterpiece Title: The Tragedy of Tragedies

Dance: SScottish Dance-Mrs Bullock; Hornpipe-Jones, Mrs Ogden

Performances

Mainpiece Title: The Tender Husband

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The What Dye Call It

Dance: I: La Follette c'est Ravizee by Tench and Mrs Woodward. III: Pierrots by Vallois and Delagarde. V: Scot's Dance, as17350329

Song: II: By Mrs Chambers. IV: By Mrs Chambers

Performances

Mainpiece Title: The Wifes Relief

Afterpiece Title: The Lovers Opera

Song: II: A Purcell Dialogue-Masters Hamilton; III: The Early Horn Salutes the Morn-Miss Jones

Dance: V: Clown-Vallois

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: The Lucky Discovery

Dance: JJe ne scai quoi-Tench, Villeneuve, Miss Oates; Ball Dance-Dupre, Miss Norman; Comic Dance-Tench, Miss Cantrel; Serious Dance-Mlle Roland; Grecian Sailors-Glover

Performances

Mainpiece Title: The Squire Of Alsatia

Afterpiece Title: The Country House

Dance: JJe ne scai quoy-Villeneuve, Richardson, Miss Oates; Comic Dance-Villeneuve, Miss Oates; Grecian Sailors-Glover

Song: Roberts

Performances

Mainpiece Title: Rope Dancing

Entertainment: The most famous Rope/Dancers of Europe, who perform such strange and surprizing things as were never before seen, and which are almost incredible to relate

Performances

Mainpiece Title: The Busie Body

Afterpiece Title: The Walking Statue or The Devil in the Wine Cellar

Dance: Irish Trot-; Harlequin Dance-; French Peasant-; Dutch Skipper-; Flemming in Wooden Shoes-; Dance between a Miller his Wife and a Town Miss-; Ladder Dance-a famous Master; Night Scene between a Harlequin, a Cooper, his Wife, and others-

Performances

Mainpiece Title: The History Of The Famous Fryer Bacon With The Comical Humours Of Justice Want brains Hopper The Miller And His Son Ralph

Song: Mrs Boman

Dance: Italian Shadows-

Performances

Mainpiece Title: The Blind Beggar Of Bednal Green Or The Woman Never Vexd With The Comical Humours Of Sir Timothy Sousecrown And His Man Gudgeon

Entertainment: Vaulting-; Tumbling-; High Rope Walking-

Performances

Mainpiece Title: Valentine And Orson

Song: Mrs Willis

Dance: Mrs Willis

Entertainment: Tumbling-

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The What Dye Call It

Dance: II: Black Joak-Philips, Miss Mann; V: English Maggot-Villeneuve, Mrs Walter

Event Comment: The Duke's Company. Downes (p. 30): This Comedy in general was very well Perform'd. Pepys, Diary: I alone to the Duke of York's house, to see the new play, called The Man is the Master, where the house was, it being not above one o'clock, very full. But my wife and Deb. being there before, with Mrs Pierce and Corbet and Betty Turner, whom my Wife carried with her, they made me room; and there I sat, it costing me 8s. upon them in oranges, at 6d. apiece. By and by the King come; and we sat just under him, so that I durst not turn my back all the play. The play is a translation out of French, and the plot Spanish, but not anything extraordinary at all in it, though translated by Sir W. Davenant, and so I found the King and his company did think meanly of it, though there was here and there something Pretty: but the most of the mirth was sorry, poor stuffe, of eating of sack posset and slabbering themselves, and mirth fit for clownes; the prologue but poor, and the epilogue little in it but the extraordinariness of it, it being sung by Harris and another in the form of a ballet

Performances

Mainpiece Title: The Mans The Master

Event Comment: The United Company. The date of the first performance is not known, but Luttrell dated his copy of the separately-printed Prologue and Epilogue 5 April 1684 (J. W. Dodds, Thomas Southerne, p. 48). Very probably the play first appeared during the week of 31 March-5 April, immediately following Easter. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 191-94. This may have been the last new role William Smith undertook for some years; see Cibber, Apology, ed. Lowe, 1, 78-79, for the incident which prompted Smith's leaving the stage for awhile. One song, I never saw a face till now, with music by Captain Pack, is in The Theater of Music, the First Book, 1685; and another, O why did e'er my thoughts aspire, the music by R. King, is in the same collection. A third song, See how fair Corinna lies, the music by Captain Pack, is in A Collection of Twenty-Four Songs, 1685

Performances

Mainpiece Title: The Disappointment Or The Mother In Fashion

Event Comment: The United Company. Tne date of the first performance is not known, but the Gentleman's Journal, March 1692 (licensed 9 March 1691@2), refers to its having already been produced. See also a letter concerning it dated 19 Jan. 1691@2. Probably the play was given in early February 1692. A song, How long must women wish in vain, the music by Robert King, is in Comes Amoris, The Fourth Book, 1693. Gentleman's Journal, March 1692: We have had lately a new Play, called, The Innocent Impostors. It hath been acted four times. Mr Shadwell Poet-Laureat, usher'd it into the Stage. It is said that the Author of it is not one of the Laity; therefore since he desires not to be known, I shall not presume to let you know his Name, tho the Play being Historical, and altogether of the Tragick kind, and withal treated with all the decency imaginable, can never be inglorious to its ingenious Author

Performances

Mainpiece Title: The Rape Or The Innocent Impostors

Event Comment: The United Company. The date of the premiere is not certain, but reference to it in the Gentleman's Journal, May 1693 (issued in June 1693), suggests that it appeared in May: We have had since my last a new Comedy called, The Female Vertuosos, something in it was borrowed from Moliere's Femmes Savantes, and as it hath Wit and Humour, it cannot but please in the perusal, as in the representation (p. 168). One song, Love thou art best of human joys, to words by Anne, Countess of Winchelsea, was set by Henry Purcell

Performances

Mainpiece Title: The Female Vertuosos

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: Lethe and Jumpedo

Performance Comment: Frenchman-Garrick the only character listed; see17490407. The whole to conclude with an extraordinary and surprising performance of the Original Seignor Capitello Jumpedo, who after entertaining the audience with a Hornpipe-Seignor Capitello Jumpedo; will in a manner entirely new, Jump down his own throat-Seignor Capitello Jumpedo.
Event Comment: Mainpiece [1st time; D 5, by Elizabeth Inchbald. Prologue by Thomas Vaughan. Epilogue by Miles Peter Andrews (see text). Public Advertiser, 14 Feb: Part of Andrews's Epilogue to Eloisa [see 20 Dec. 1786]...was blended with Epilogue spoken on first representation of Such Things Are]: With new Scenes, Dresses, &c. Public Advertiser, 1 Dec. 1787: This Day is published Such Things Are (1s. 6d.). Receipts: #214 10s. (212.10; 2.0)

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: The Enchanted Castle

Event Comment: Tickets will be deliver'd out at the Treasury Office at the Theatre, and no where else in the Theatre, at usual Prices

Performances

Mainpiece Title: Arlequin Balourd Or Harlequin A Blunderer

Performance Comment: And the last new Prologue spoken on Thursday last between Harlequin and Colombine The London edition of 1719 gives no cast but contains Prologue, Epilogue-Vezian.
Event Comment: LLee, Yeates and Warner's Booth. A droll...The Cloaths, Scenes, Machines, and other Decorations entirely new, and according to the Taste of the Ancient Greeks. Prices 2s. 6d., 1s. 6d., 1s., 6d. To begin at twelve Noon. [Notice repeated 24, 25, 26 Aug.

Performances

Mainpiece Title: The Siege Of Troy

Performance Comment: Parts-Persons from the Theatres.

Song:

Dance:

Music: Grand Band of Music

Event Comment: This is to acquaint the Publick that the Famous Turk Carata, who has already had the honour to entertain the town with his surprising Exercises on the SLACK ROPE, is arrived with a numerous company of Turks, Men and Women, and that he is to perform Tuesday the 31st Instant, at the New Theatre in the Haymarket. There will be dancing and music after the Turkish manner (General Advertiser). [His charges were: Box, 5s.; Pit, 3s.; Gallery, 2s. See notes for 29 Sept., and 23 Dec.] Receipts: #90 8s. 6d

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Hob