Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Penkethman\'s New Theatre in Greenwich"/1) | (@(roleclean,performerclean) "Mr Penkethman\'s New Theatre in Greenwich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
12717 results for: Keyword - Mr Penkethman's New Theatre in Greenwich
We found 8127 matches on Event Comments, 3410 matches on Performance Comments, 3176 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.

251
11 March 1771 @ Haymarket Theatre

Event Comment: By Authority. Not acted these Forty Years. Benefit of Lelauze, who for 27 Years successively belonged to the Covent Garden Theatre. Books of the Interlude to be sold at the Theatre

Performances

Mainpiece Title: Athelwold The False Favorite

Afterpiece Title: Cupids Friendship or The Farmer Outwitted

Dance: Louvre, Minuet, (by desire) an Allemand-Lalauze, Lalauze's daughter; a Comic piece, The Drunken News@Writer, with a new song set and sung in character-A. Smith

252
31 December 1782 @ Covent Garden

Event Comment: Mainpiece: Not acted these 5 years [not acted since 26 Dec. 1776. Mrs Robinson, who was from the Portsmouth theatre, is identified by MS annotation on Kemble playbill]. Afterpiece [1st time; CO 2, by Frances Brooke, based on Les Moissonneurs, by Charles Simon Favart]: The new Music and overture composed, and the Selected Airs compiled [from Paxton and Sacchini], by Shield. Books of the Songs to be had at the Theatre. Account-Book, 30 June 1784: Paid Shield for composing Rosina #100. Receipts: #158 18s. 6d. (154/5/6; 4/13/0)

Performances

Mainpiece Title: King Henry The Second Or The Fall Of Rosamond

Afterpiece Title: Rosina

Dance: End of mainpiece new Dance, composed by Harris, Damon and Musidora, by Harris, Miss Besford, and others

253
13 April 1796 @ Drury Lane Theatre

Event Comment: Benefit for Bannister Jun. 1st piece [1st time; MD 2, by Samuel Birch]: The Musick by Attwood. Books of the Songs to be had in the Theatre. 2nd piece [1st time; INT 1, by George Colman, ynger. This was the 1st scene from Colman's New Hay at the Old Market, slightly revised; in subsequent seasons it was acted under the title of Sylvester Daggerwood]: By Permission of the Proprietor of the Theatre Royal Hay-Market. 3rd piece: With a Sea Fight. [The playbill assigns Sneer to Palmer, but "The Public are most respectfully informed that Palmer being too ill to perform this Evening, the character of Sneer will be attempted by Benson, who humbly hopes for their usual indulgence" (printed slip attached to Kemble playbill).] Oracle, 4 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford Square. Receipts: #613 12s. (332.0.6; 45.19.6; 4.3.0; tickets: 231.9.0) (charge: #221 19s.)

Performances

Mainpiece Title: The Smugglers

Afterpiece Title: A Favourite Scene from New Hay Sylvester Daggerwood

Afterpiece Title: The Critic

Afterpiece Title: The Wedding Day

254
19 November 1740 @ Drury Lane Theatre

Event Comment: Written by Dryden and Lee. [With new machinery.

Performances

Mainpiece Title: Oedipus King Of Thebes

Music: With new Musick The Songs, Choruses new by Mr Arne-Lowe, Savage, Mrs Clive

255
03 September 1718 @ Southwark Fair

Event Comment: At Bullock-Leigh Booth, adjoining Penkethman's Advertised 3, 6, 15, 17, 18, 19, 20, 22, 23 Sept

Performances

Mainpiece Title: Loves Triumph Or The Happy Fair One With The Comical And Pleasant Humours Of Colin The Shepherds Foolish Son And His Sister Mopsa

Music: And all the Musick by Mr Heyden-

Dance:

256
11 July 1702 @ Drury Lane Theatre

Performances

Mainpiece Title: Bury Fair

Music: The last New Entertainment compos'd for Flutes on the Stage,-Mr Bannister, Mr Bannister's Son

Song: Mrs Lyndsey

Dance:

257
16 May 1705 @ Drury Lane Theatre

Performances

Mainpiece Title: Amphitryon Or The Two Sosias

Song: All the Songs set by the late Mr Henry Purcell-Mr Leveridge, Mrs Lyndsey, the new Boy

258
11 March 1737 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Music: the best Hhe best Hands;With a Solo, several new Pieces on the French Horn, Clarinette, Sharlarno-Mr Charles; Also several Pieces on the French Horn-an English Gentlewoman, a Negro Boy of ten Years old, both Scholars of Mr Charles

259
31 May 1783 @ Haymarket Theatre

Event Comment: [Prologue by George Colman, the elder (Colman, Prose, 10,239).] Afterpiece: Written by the Author of The Son-in-Law [John O'Keeffe]. Places for the Boxes to be taken of Rice at the Theatre. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s.] The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. On 24 May Colman inserted the following in Public Advertiser: The Theatre Royal in the Haymarket will open next Saturday. In order to avoid unnecessary' Repetitions during the Season, the Public are desired, once for all, to take Notice that every Performance at this Theatre will be exhibited to most brilliant, crouded and OVERFLOWING audiences; and received with loud and universal Bursts of most UNBOUNDED and UNCOMMON Applause

Performances

Mainpiece Title: The Suicide

Performance Comment: Principal Characters by Palmer, Edwin, Aickin, Baddeley, R. Palmer, Wewitzer, Gardner, Usher, Massey, Bannister; Mrs Webb, Miss Hale, Mrs Bulkley. [Cast adjusted from playbill of 28 June 1786: Tobine-Palmer; Wingrave-Edwin; Tabby-Aickin; Catchpenny-Baddeley; Squib-R. Palmer; John-Wewitzer; Bounce-Gardner; Dr Truby-Usher; Juggins-Massey; Ranter-Bannister; Mrs Grogram-Mrs Webb; Peggy-Miss Hale; Nancy Lovel-Mrs Bulkley.] New Occasional Prologue spoken by Palmer . New Occasional Prologue spoken by Palmer .

Afterpiece Title: The Agreeable Surprise

Performance Comment: Principal Characters by Bannister, Gaudrey (from the Theatre Royal, Dublin; 1st appearance on that stage), Wood, Massey, Egan, Stevens, Painter, Ledger, Edwin; Mrs Webb, Mrs Wells, Mrs Poussin, Mrs Bannister. [Cast adjusted from Songs (T. Cadell, 1782): Compton-Bannister; Sir Felix Friendly-Gaudrey; Eugene-Wood; Chicane-Massey; John-Egan; Thomas-Stevens; Stump-Painter; Cuddcn-Ledger; Lingo-Edwin; Mrs Cheshire-Mrs Webb; Cowslip-Mrs Wells; Fringe-Mrs Poussin; Laura-Mrs Bannister.] hathi. hathi.

Dance: End of Act III of mainpiece Dance by Mr and Miss Byrn

Song: In Act III of mainpiece [Sing] Old Rose and burn the Bellows, and 'Twas you Sir, 'Twas you Sir, both by Bannister, Wood, Burton, Brett, &c

260
01 May 1714 @ Queen's Theatre

Performances

Mainpiece Title: Arminius acts I And Ii

Music: To which will be added the following Songs: S hai pieta, Due pupille-Mrs Robinson; Lusinghe vezzose, Si t'intendo-Signora Galerati; Del fallo ful Camin, Ti stringo o mio diletto-Valentini; Cieco Amor, Ho un non so che nelcor-Mrs Barbier; Care labra, Una speranza-Mrs Manina; E vano ognipensiero, Si lieto e si conteno-Mrs Margarita; a new Trumpet Song-; [With a Sonata upon the Violin-[the wonderful Youth of 11 years old; [Upon the Trumpet-Mr Grannon [Grano?]; [And on an Instrument of Invention [entirely New imitating the Harp and Lute-Mrs Margarita

Performance Comment: =]; [And on an Instrument of Invention [entirely New imitating the Harp and Lute-Mrs Margarita.
Cast
Role: entirely New imitating the Harp and Lute Actor: Mrs Margarita.

261
06 April 1745 @ Drury Lane Theatre

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Lying Valet

Dance: II: New Grand Dance-Muilment; III: New Dance-Muilment; V: Muilment

Song: IV: Gentle Shepherd-Mrs Arne

262
13 December 1763 @ King's Theatre

Event Comment: A new Opera, The Music entirely new, excepting in the three favorite Airs of Signora Mingotti

Performances

Mainpiece Title: Siroe

Dance: I: A Dance called The Turkish Coffee House-; II: A Tyrolese Wedding-; III: A New Dance-for Mr Duberval

263
22 April 1774 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Miss in Her Teens

Dance: III: New Grand Spanish Dance-; End: A New Ballet, call'd The Pirates-Como, Sga Crespi, Sga Chiringhelli, being her first appearance in England; After I Farce: A Grand Serious Dance-Como, Sga Crespi

264
26 March 1701 @ York Buildings

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental, with new Pieces of Musick-; and particular Performances of Instrumental Musick-Mr Dean; And likewise an Extraordinary Italian Song-a Boy, lately arriv'd from Italy, being the first time of his Singing in Publick in England

265
05 April 1722 @ Lincoln's Inn Fields

Performances

Mainpiece Title: The Soldiers Fortune

Afterpiece Title: The Magician

Song: With several new collected Songs-Mr Legare, never performed by him before

Dance: Hornpipe-Jones

266
09 May 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Catharine and Petrucio

Dance: II: Dance of Slaves, as17640425 The Cow@Keepers, as17640504

Song: I: The Song of Sweet Bird-Mrs Vincent; accompanied on violin-Pinto as17640427

Entertainment: II: King as Mr Prattle, will open a Packet of News (for that night only), as17640403

267
23 January 1766 @ Drury Lane Theatre

Performances

Mainpiece Title: Zara

Afterpiece Title: Lethe

Dance: End: New Tambourine-Aldridge, Miss Baker

268
28 April 1730 @ Goodman's Fields

Event Comment: Benefit R. Williams. Mainpiece: Not Acted these Twenty Years. On this day the Lord Mayor and the Court of Aldermen of the City presented a petition to the King seeking the suppression of the theatre in Goodman's Fields. Thomas Odell, Master of the Theatre, also appeared before His Majesty and sought royal leave to continue acting.--See Grub St. Journal, 7 May, for a summary of the events, but see also Weekly Journal or British Gazetteer and London Journal, 2 May

Performances

Mainpiece Title: The Mans Bewitchd Or The Devil To Do About Her

Afterpiece Title: Harlequin Turnd Dancing Master

Dance: TThe White Joke (new)-Eaton

269
11 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

Performance Comment: ], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre) .
Cast
Role: , and for some years Ballet Actor: Master at the King's Theatre

270
03 July 1787 @ Royalty Theatre, Well (now Ensign) Street

Event Comment: The playbill concludes with the following note: The frequenters of the Royalty Theatre, from the west end of the town, are hereby informed that there is an excellent access for carriages, from Whitechapel, through Red-Lion Street. [Future performances at this theatre will not be recorded.

Performances

Mainpiece Title: Reopened see 20 June With Three Burlettas The Birth day Or The Arcadian Contest 1st Time Anonymous

Afterpiece Title: The Recruiting Serjeant

Afterpiece Title: Hobsons Choice or Thespis in Distress 1st time

Entertainment: Occasional Address-Palmer

Dance: End: a new dance, The Triumph of Cupid-

271
08 February 1788 @ Drury Lane Theatre

Event Comment: Tickets to be had, and Places for the Boxes to be taken of Fosbrook, at the Stage Door of the Theatre. Books of the Performance to be had at the Theatre. Boxes 10s. 6d. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: Redemption 0 selected From The Great And Favoprite Works Of handel That Were Performed At His commemoration In Westminster Abbeyv And At The pantheon on 26 And 27 May 1784

Afterpiece Title: Redemption 1

Music: End II: a new concerto on the hautboy-Parke

272
01 June 1790 @ Covent Garden

Event Comment: Benefit for Mrs Warrell and Darley. 1st piece: Not acted these 10 years [never previously acted at this theatre. Warrell was from the Bath theatre]. Receipts: #216 12s. (76.18; 4.15; tickets: 134.19)

Performances

Mainpiece Title: The Ladies Frolick

Afterpiece Title: The Comedy of Errors

Afterpiece Title: The Flitch of Bacon

Dance: End I: Crutch Dance-Byrne, Mrs Goodwin

Song: In course: Dr Hayes's New Highland Laddie-Mrs Warrell; Between the acts 2nd piece: Alone by the Light of the Moon-Darley

273
14 March 1749 @ King's Theatre

Event Comment: Other Decorations entirely new. A new Comic Opera [by Ciampi]. The New Comic Opera, entitled Le Tre Cicisbei Ridicoli, was perform'd last Tuesday at the King's Theatre in the Hay Market; though large Bills were stuck up in various Parts of the Town and Hand Bills dispers'd insinuating the Contrary (General Advertiser, 18 March)

Performances

Mainpiece Title: Le Tre Cicisbei Ridicoli

Dance: Between the Acts: New Dances-

274
04 July 1754 @ Haymarket Theatre

Event Comment: The Dances, Music, Dresses, Scenes and other Decorations entirely new. The House to be illuminated with Wax candles, and particular care taken to keep it cool. The Performance by Particular Desire. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 7:00 p.m. Places for Boxes will be taken at the Theatre. [Prices, places, and opening time repeated.

Performances

Mainpiece Title: The British Roratory Or Mrs Midnights New Carnival Concert

Music: Will be introduced a NewConcerto for the Tambour de Basque-; accompanied with the Original Jews@Harp-; the Hurdy Gurdy-

Dance: DDancing-Banbaregines, Rerriminonies (just arived from +Piemons); End Concert: a New British Dance, The Cassey-a company of Lilliputians; to which will be added a new Entertainment of Music and Dancing-a company of Lilliputians just arrived, being their first time of performing in +England

275
21 November 1775 @ Covent Garden

Event Comment: Mainpiece: A New Comic Opera [by R. B. Sheridan] never perform'd. The Music partly New and partly selected from the most eminent composers. With a New Overture, Scenes, Dresses, and Other Decorations. Books of the songs in the Opera to be had at the Theatre. [This note repeated on subsequent bills.] Afterpiece: Not acted these 10 years. [See 19 May 1767.] [Reviewed in the Westminster Magazine for Nov. which commented on the witty dialogue and effectiveness of the music. It was "puffed" gently in the Public Advertiser 22 Nov.: "Receiv'd with every mark of approbation that could be given. It will be repeated tomorrow evening with the Farce of the Apprentice."

Performances

Mainpiece Title: The Duenna Or The Double Elopement

Afterpiece Title: The Lying Valet

Dance: II: A New Spanish Dance-Sg Zuchelli, Sga Zuchelli, Dagueville, Sga Vidini