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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Norton Amber"/1) | (@(roleclean,performerclean) "Mr Norton Amber")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5766 results for: Keyword - Mr Norton Amber
We found 4259 matches on Event Comments, 1249 matches on Performance Comments, 542 matches on Performance Title, 19 matches on Author, and 0 matches on Roles/Actors.

1426
02 November 1782 @ Drury Lane Theatre

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Alchymist

1427
25 November 1782 @ Covent Garden

Performances

Mainpiece Title: Zara

Afterpiece Title: Lord Mayor's Day; or, A Flight from Lapland

1428
14 February 1783 @ Covent Garden

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Maid's the Mistress

1429
03 May 1783 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Tristram Shandy

Dance: In Act III of mainpiece, as17830422; End of mainpiece, as17821231

1430
13 August 1783 @ Haymarket Theatre

Performances

Mainpiece Title: The Triumph Of Honour

Afterpiece Title: The Receipt Tax

Afterpiece Title: The Dead Alive

Afterpiece Title: Chrononhotonthologos

Monologue: 1783 08 13 End of 2nd piece Joe Haynes's Epilogue by Wilson, riding on an Ass

1431
27 November 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Comus

1432
09 February 1784 @ Haymarket Theatre

Event Comment: By Authority of the Lord Chamberlain. At the request of several of the Scotch Nobility. Benefit for Raeburn. Mainpiece: In its original state, as it was written by Allan Ramsay in 1724 [recte 1725]. The Characters to be entirely new dressed. The Doors to be opened at 5:00. To begin at 6:00. No persons to be admitted behind the scenes, nor any money returned after the curtain is drawn up. Ladies are requested to send their servants by Five to keep places. Tickets to be had of Raeburn, No. 4, Gloucester-court, St. James's; of Walker, the Globe, Pall-mall; of Mackintosh, the George, East Harding-street, Shoe-lane; of Watson, the Fleece, Little Windmill-street (being the original Scotch house); of Mrs Shaw, the St. Andrew, near the Armitage-bridge, Wapping

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: Wit's Last Stake

Dance: End of Act III of mainpiece a new composed Reel (performers not listed); In Act IV a Hornpipe by Middleton

Monologue: 1784 02 09 The Edinburgh Buck by a Genleman [unidentified]

1433
01 May 1784 @ Covent Garden

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Rosina

Dance: In Act III of mainpiece, as17831014; End of mainpiece The Poney Races, as17840428

Song: End of Act I of mainpiece a favourite song by Leoni; End of Act II When Phoebus the tops of the bills does adorn by Leoni and Brett

1434
25 November 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Arthur and Emmeline

1435
24 January 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Raeburn, Stewart and Rae. Mainpiece: In its original state. Afterpiece: Written by the Author of the Prologue. The Doors to be opened at 5:00. To begin at 6:00. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Rice at the Theatre; and tickets to be had at Rae's, No. 4, Wardour-street, Soho

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Double Amour

Song: End of Act III of mainpiece the Sbeep shearing Song [Come, come, my good shepherds] by Mrs Raeburn; End of mainpiece, by Permission of the Caledonian Society, their Constitution Song, set to music by an eminent Master, by a Gentleman [unidentified]. imitations. Following 2nd song, a variety of Imitations by a Gentleman who performed for Bannister's Benefit [on 26 Aug. 1784], and others, with universal applause, being his 4th appearance [Kean]

1436
25 July 1785 @ Windsor Castle Inn, King Street, Hammersmith

Performances

Mainpiece Title: The Follies Of A Day; Or, The Marriage Of Figaro

Afterpiece Title: The Poor Soldier

Afterpiece Title: Harlequin Skeleton

1437
04 August 1785 @ Haymarket Theatre

Performances

Mainpiece Title: I'll Tell You What

Afterpiece Title: The Author

1438
14 January 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Quaker

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]

1439
11 May 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: Isabella

Afterpiece Title: Who's the Dupe

Song: As17860223

1440
28 September 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Gentle Shepherd

Dance: End I afterpiece: Highland Reel-Mills, the Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.

Song: II: song (in character)-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.

1441
28 October 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Richard Coeur de Lion

1442
20 October 1787 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Comus

Song: II: song in character-Mrs Crouch. [This was sung, as here assigned, in all subsequent performances.

1443
05 January 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Minor

Dance: End III: As17870920; End IV:a Scotch Dance, The Lucky Return-Mills, the Miss Stageldoirs

1444
14 April 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: (End of Act I of mainpiece) Jewish Education

Afterpiece Title: 'Tis an Ill Wind Blows Nobody Good; or, The Road to Odiham

Dance: End: a Minuet-Master D'Egville, Miss Blanchet

1445
06 May 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Le Matin, Midi, et le Soir

Afterpiece Title: Too Civil by Half

Dance: End 2nd piece: The Conjugal Frolick, as17880221

1446
02 August 1788 @ Haymarket Theatre

Performances

Mainpiece Title: Ways And Means

Afterpiece Title: A Quarter of an Hour before Dinner; or, Quality Binding

Afterpiece Title: Peeping Tom

1447
09 August 1788 @ Haymarket Theatre

Performances

Mainpiece Title: The Sword Of Peace; Or, A Voyage Of Love

Afterpiece Title: The Mayor of Garratt

1448
15 August 1788 @ Haymarket Theatre

Performances

Mainpiece Title: The Election

Afterpiece Title: Inkle and Yarico

Afterpiece Title: The Minor

Dance: End 2nd piece: The British Soldier Triumphant-Byrn, Ratchford, Miss DeCamp, Mrs Goodwin

1449
27 August 1788 @ Haymarket Theatre

Performances

Mainpiece Title: The Good-natured Man

Afterpiece Title: Chrononhotonthologos

Song: End III: Four@and@twenty Perriwigs all on a Row-Edwin

Entertainment: Monologue. End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin

1450
09 October 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Arthur and Emmeline

Song: In II: song in character-Mrs Crouch [who sang it in all subsequent performances]