SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Mountfort"/1) | (@(roleclean,performerclean) "Mr Mountfort")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4249 matches on Event Comments, 1309 matches on Performance Comments, 544 matches on Performance Title, 72 matches on Author, and 9 matches on Roles/Actors.

Performances

Mainpiece Title: A Very Good Wife

Performance Comment: Edition of 1693: Prologue [By Mr Congreve-Mr Hains; Epilogue-Mrs Knight; Courtwitt-Powell; Wellborn-Hodgson; Bonavent-Alexander [Verbruggen]; Squeezwit-Bowen; Venture-Bright; Hickman-Trafusis; Sneaksby-Hains; Aminadab-Cibber; Jeremy-Lee; Crack-Lawson; Annabella-Mrs Mountfort; Widow Lacy-Mrs Knight; Carroll-Mrs Lassels; Mrs Sneaksby-Mrs Lee.
Cast
Role: Annabella Actor: Mrs Mountfort
Event Comment: The data in Langhans, New Restoration Theatre Accounts, pp. 130-31, leave the acting days uncertain. Between 13 May 1689 and 7 Dec. 1689 the company acted on 91 days. It then played regularly through 8 Feb. 1689@90, and acted on 83 days (out of a possible 84) between 10 Feb. and 7 June, on 8 days from 13 June through 4 July 1690. In Poems on Affairs of State= (Fifth Edition, 1703), I, ii, 238, is A Prologue spoken by Mr Mountfort, after he came from the Army, and Acted on the Stage (see also A. S. Borgman, The Life and Death of William Mountfort [Cambridge, Mass., 1935], p. 55). The date at which Mountfort spoke this Prologue is not certain, but he was certainly in London ca. Tuesday 15 Oct. 1689 when he was involved in a disagreement within the United Company. See L. C. 5@192, in Nicoll, Restoration Drama, p. 334n

Performances

Performances

Mainpiece Title: Don Sebastian

Performance Comment: Edition of 1690: Prologue [Sent to the Author By an Unknown Hand-Mrs Mountfort [Dressed like an Officer; Prologue-a Woman; Don Sebastian-Williams; Muley Moluch-Kynaston; Dorax-Betterton; Benducar-Sandford; Mufti-Underhill; Muley Zeydan-Powell Jr; Don Antonio-Betterton [an error; corrected in 1692 edition to Mountfort]; Don Alvarez-Bowman; Mustapha-Leigh; Almeyda-Mrs Barry; Morayma-Mrs Montfort; Johayma-Mrs Leigh; Epilogue-Antonio, Morayma.
Event Comment: The United Company. This performance is known from testimony in the trial of Charles Lord Mohun for the attack on William Mountfort on 9 Dec. 1692. The evidence given by Brereton at the trial stated: I had not seen my Lord Mohun for two or three days before this Fact was committed;...but the Friday before, the Play of Alexander the Great was Acted, and my Lord Mohun and I were talking of the Play, and he said it was a good Play, and he commended Mr Mountford's Acting extreamly (The Tryal of Charles Lord Mohun [London, 1693], p. 26)

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Performance Comment: Alexander-Mountfort.
Cast
Role: Alexander Actor: Mountfort.

Performances

Mainpiece Title: Hurlothrumbo; Or, News From Terra Australis Incognita: With The Whimsical Flights Of My Lord Flame

Performance Comment: Flame-the Author; other parts-Smith, Giffard, Raymond, Gillow, Hulet, Williams, Reynolds, Hill, Mrs Purden, Mrs Thomas, Mrs Ward, Mrs Mountfort; but second edition of 1729 lists: Soarethereal-Gillow; Hurlothrumbo-Hulett; Dologodelmo-Smith; Darony-Taswell; Urlandenny-Williams; Theorbeo-Machen; Lomperhomock-Pearce; Darno-Holt; Primo-Reynolds; Puny-Hicks; Temo-Ware; Colonel Countermine-Dove; Genius-Webster; Spirit-Russel; Death-Wathen; Lord Flame-Johnson; Cademore-Mrs Purden; Sermentory-Mrs Thomas; Seringo-Mrs Montford; Lusingo-Miss Mann; Cuzzonida-Mrs Hill; Prologue by Amos Meredith-; Epilogue by Mr Byrom-.
Event Comment: The United Company. The exact date of the first production is not known, but the play was entered in the Term Catalogues, February 1691@2, and mentioned in the Gentleman's Journal, February 1691@2 (licensed 12 February 1691@2). In all probability, it was first acted not later than January 1691@2. The music to one song, As soon as the Chaos, was composed by Henry Purcell. See Purcell, Works, Purcell Society, XX (1916), xvii. Two songs--Bonny lad prithee lay thy pipe down, with music by Tollet; Great Jove once made love like a bull, with music by Mountfort--are in The Banquet of Musick, The Sixth and Last Book, 1692. Dedication, Edition of 1692: Having at last so well acquitted it self on the Stage (tho' the thronging, imperfect Action, and worse than all, the faulty length, which I will never be guilty of again, render'd it little Diversion the first day). A Letter to Mr D'Urfey [by Charles Gildon], Edition of 1692: If there be any fault in this Play, 'tis that which few are guilty of; that is, there are too many good Characters, too full of Humour, a very Pardonable failing, which only proceeds from Variety, the life of Pleasure and Wit, tho' that gave it the disadvantage of seeming too long the first days Acting, tho' the Stage's being throng'd with Spectators, did not a little contribute to the imperfect Acting of it, which accidental Misfortunes concurring with the Endeavours of an opposite Faction, must needs have damn'd it, had it not by the Force and Vigour of its own Worthy, rais'd it self the second day with the general Applause of all that saw it....But the Marriage-hater went further, and in spight of all the disadvantages it labour'd under of Action and Audience, pleas'd on, after several times Repetition. See also Poeta Infamis; or, A Poet not worth Hanging (1692) for a variety of comments upon this play. London Mercury, 26 Feb. 1691@2: Query 4. Whether in Justice he [D'Urfey] is not obliged to present Mr Dogget (who acted Solon to so much Advantage) with half the Profit of his Third Day, since in the Opinions of most Persons, the good Success of his Comedy was half owing to that admirable Actor? Query 5. Whether, if there be any Wit in bringing a Person upon the Stage with an extravagantly broad-brimmed Hat, and a Muff of the same Size, so it will not be a very easy Matter for the next Poet that writes a Play, to Out-hat and Out-muff his Predecessors, and consequently to Out-wit him? Downes, Roscius Anglicanus, p. 42: Mr Dogget perform'd the part of Solon Inimitably. Gentleman's Journal, p. 454, February 1691@2 (licensed 12 Feb. 1691@2): I send you the Marriage-hater match'd, a new Comedy by Mr Durfey; it hath met with very good success, having been plaid six days together, and is a diverting Play. Gentleman's Journal, January 1691@2: Now I speak of Music I must tell you that we shall have speedily a new Opera, wherein something very surprising is promised us; Mr Purcel who joyns to the Delicacy and Beauty of the Italian way, the Graces and Gayety of the French, composes the Music, as he hath done for the Prophetess, and the last Opera called King Arthur, which hath been plaid several times the last Month [presumably December 1691]

Performances

Mainpiece Title: The Marriage-hater Matched

Performances

Mainpiece Title: The Squire Of Alsatia

Performance Comment: Squire-Bullock; Sir William-Penkethman; Sir Edward-Keene; Young Belfond-Wilks; Trueman-Mills; Scrapeall-Norris; Lolpoop-Cross; Isabella-Mrs Porter; Teresa-Mrs Mountfort; Mrs Termagent-Mrs Knight.
Cast
Role: Teresa Actor: Mrs Mountfort

Performances

Mainpiece Title: The Spanish Fryar; Or, The Double Discovery

Performance Comment: Torrismond-Booth; Bertran-Ryan; Lorenzo-Wilks; Fryar-Leigh; Gomez-Norris; Queen-Mrs Porter; Elvira-Mrs Mountfort.
Cast
Role: Elvira Actor: Mrs Mountfort.

Performances

Mainpiece Title: The Injur'd General; Or, The Blind Beggar Of Bednal-green; With The Comical Humours Of Squire Sousecrown And His Man Gudgeon

Performance Comment: Sousecrown-Miller; Gudgeon-Norris; Sir Robert Westford-Shepard; Young Westford-Wilks Jr; Hazard-Oates; Ardelia-Mrs Knapp; Lady Westford-Mrs Wetherell; Widow-Mrs Ratcliffe; Mountfort-Williams; Undertaker-Penkethman.
Cast
Role: Mountfort Actor: Williams

Song: Mrs Willis

Dance: Mrs Willis

Performances

Mainpiece Title: The Beggar's Wedding

Performance Comment: Hunter-Ray; Chaunter-Hulett; Phebe-Mrs Mountfort; Tippit-Mrs Nokes; Mrs Chaunter-Mrs Thomas; rest-Wilcocks, Rosco, Pearce, Machen, Russell, Dove, Mrs Kilby, Mrs Palmer, Miss Mann, Mrs Clark, Mrs Jones, Mrs Barnett.
Cast
Role: Phebe Actor: Mrs Mountfort

Afterpiece Title: Damon and Phillida

Performance Comment: Parts-Ray, Hulett, Willcocks, Rosco, Machen, Mrs Nokes, Mrs Mountfort.

Afterpiece Title: The Humours of Harlequin

Music: With the Original Band of Musick

Event Comment: The United Company. The date of the first performance is not known, but the Preface states:...the many inconveniences this hasty Peice has been expos'd to, as the Season of the being [sic] so near Christmas. [The Preface also refers to several scenes omitted in the action and expresses gratitude to Mountfort who wrote one scene of the fifth act.] This play was entered in the Term Catalogues, Feb. 1690@1

Performances

Mainpiece Title: The Mistakes

Event Comment: Benefit Miss Evans and Miss Mountfort. At the Desire of several Persons of Quality. [In Cowper MS, III, 79, James Cragg enclosed in a letter to Thomas Coke "Three small playing cards having on the back of each 'June 26th The Amorous Widow or the Wanton Wife. The Box. For the Benefitt of Miss Mountfort and Miss Evans."

Performances

Mainpiece Title: The Amorous Widow

Performance Comment: Damaris-Miss Mountfort; a new Epilogue-Miss Evans.
Cast
Role: Damaris Actor: Miss Mountfort

Dance: A New Dance by Four Scaramouches to Faranoll's Ground never perform'd but once-; A Scotch and Irish Dance-Miss Evans; Firbank, Firbank's Scholar

Event Comment: The United Company. The date of the first performance is not known. The edition of 1687 states on the title page: This may be printed, April 23. 1686. It was entered in the Stationers' Register, 8 May 1686, under the title: The Disappointed Marriage; or, Ye Generous Mistris. It was probably first given before mid-April 1686, with the publication delayed, a delay accounting for the fact that Mrs Percival, who did not marry Mountfort until 2 July 1686, appears in the cast as Mrs Mountford. A song, O love that stronger art than wine, the music by John Blow, the verse by Ousley, and sung by John Bowman, is in The Theater of Music, The Fourth Book, 1687

Performances

Mainpiece Title: The Luckey Chance; Or, An Alderman's Bargain

Event Comment: The United Company. The date of the premiere is not known, but the Gentleman's Journal, January 1691@2, suggests that it was first given in December 1691, although the tendency of this journal to be dated one month and appear in the next month makes the interpretation of its information difficult: We have had a new Comedy this last Month, call'd The Wives Execuse; or Cuckolds make themselves: It was written by Mr Southern, who made that call'd Sir Anthony Love, which you and all the Town lik'd so well. I will send you The Wives Excuse, as soon as it comes out in Print, which will be very speedily: And tho' the Town hath not been so kind to this last, as to the former, I do not doubt but you will own that it will bear a Reading; which some that meet with a better Fate too often do not; some that must be granted to be good Judges commend the Purity of its Language (pp. 51-52). Henry Purcell composed the music for this work. One song, Corinna I excuse thy face, the words (according to the Edition of 1692) by Tho. Cheek, the music by Henry Purcell, but without the singer's name, is in The Banquet of Musick, The Sixth and Last Book, 1692 (licensed 17 Feb. 1691@2). Say, cruel Amoret, sung by Mountfort; Hang this whining way, sung by Mrs Butler; and Ingrateful lover, the words by Major General Sackville, are in Joyful Cuckoldom, ca. 1695. See also Purcell, Works, Purcell Society, XXI (1917), xxvi-xxix

Performances

Mainpiece Title: The Wives' Excuse; Or, Cuckolds Make Themselves

Event Comment: Gentleman's Journal, December 1692 (appearing not earlier than January 1693): We are like to be without new Plays this month and the next; the death of Mr Mountfort, and that of Mr Leigh soon after him being partly the cause of this delay. The first that is promised us is a Comedy by Mr Southern, whose Plays are written with too much Politeness and Wit, not to be read by you with uncommon pleasure

Performances

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The King & Queene at the Silent Woman. See also Nicoll, Restoration Drama, p. 350. Matthew Prior, Satire Upon the Poets: @Mountfort how fit for Politicks and Law@That play'd so well Sir Courtly and Jack Daw.

Performances

Mainpiece Title: The Silent Woman

Performance Comment: Jack Daw-Mountfort?.
Cast
Role: Jack Daw Actor: Mountfort?.
Event Comment: The United Company. This performance is on the L. C. list, 5@141, p. 369. See also Nicoll, Restoration Drama, p. 352. In L. C. 5@150, p. 156, is an order to prepare the stage for the play, and, in L. C. 5@150, p. 164, is another order for new equipment. Luttrell, A Brief Relation, II, 125: The 4th, being his majesties birth day...and at night was a consort of musick, and a play afterwards. Matthew Prior wrote A Pindarique Ode which was sung before Their Majesties at court on this day. See The Literary Works of Matthew Prior, ed. H. B. Wright and M. K. Spears (Oxford, 1959), I, 96-98; II, 858. Cibber, Apology, I, 128: The agreeable was so natural to [Mountfort], that even in that dissolute Character of the Rover he seem'd to wash off the Guilt from Vice, and gave it Charms and Merit. For tho' it may be a Reproach to the Poet to draw such Characters not only unpunish'd but rewarded, the Actor may still be allow'd his due Praise in his excellent Performance. And this is a Distinction which, when this Comedy was acted at Whitehall, King William's Queen Mary was pleas'd to make in favour of Monfort, notwithstanding her Disapprobation of the Play

Performances

Mainpiece Title: The Rover

Performance Comment: [Part I (?).] Willmore-Mountfort?; With a Concert-.
Cast
Role: Willmore Actor: Mountfort?
Event Comment: Benefit Miss Evans and Miss Mountfort. At the Desire of several Persons of Quality. Tickets given out for Hannibal taken at this play

Performances

Mainpiece Title: Sir Mannerly Shallow; Or, The Country Wit

Performance Comment: Betty Frisk-Miss Mountfort, who speaks a new Epilogue.

Afterpiece Title: The Stage Coach

Song: Spinning Wheel Dialogue-Cook, another

Dance: Chacone-Miss Evans

Event Comment: Benefit Mrs Mountfort. At the Desire of several Persons of Quality

Performances

Mainpiece Title: The Committee

Performance Comment: As17050929, but Ruth-Mrs Mountfort.
Cast
Role: Ruth Actor: Mrs Mountfort.

Song: As17060227

Dance: duRuel, Mrs duRuel, Cherrier, Mrs Santlow; particularly Harlequin Dance-. *'s Comical Dance-Firbank, Mrs Bignall; Scaramouch, Tub Dance-Layfield

Dance: duRuel, Mrs duRuel, Cherrier, Mrs Santlow; particularly Harlequin Dance-

Event Comment: Benefit Miss Mountfort

Performances

Mainpiece Title: Sir Solomon Single

Performance Comment: Sir Solomon-Estcourt; Peregrine-Powell; Ralph-Penkethman; Single-Bickerstaff; Betty-Miss Mountfort.
Cast
Role: Betty Actor: Miss Mountfort.

Song: As17070204

Dance: duRuel, Cherrier, Debargues, Miss Santlow, Mrs Evans

Event Comment: Benefit Mrs Mountfort. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performance Comment: Hamlet-Wilks; Ghost-Booth; Ophelia-Mrs Mountfort.
Cast
Role: Ophelia Actor: Mrs Mountfort.
Event Comment: Benefit Mrs Mountfort. At the Desire of several Ladies of Quality

Performances

Mainpiece Title: The Maid's Tragedy

Performance Comment: King-Mills; Amintor-Wilks; Melantius-Booth; Calianax-Penkethman; Evadne-Mrs Porter; Aspatia-Mrs Mountfort.
Cast
Role: Aspatia Actor: Mrs Mountfort.

Music: A New Concerto-Paisible

Dance: As17151122

Event Comment: Benefit Mrs Mountfort

Performances

Mainpiece Title: Marriage A La Mode; Or, The Comical Lovers

Performance Comment: Palamede-Wilks; Rhodophil-Mills; Celadon-Cibber; Florimel-Mrs Mountfort; Doralice-Mrs Porter; Melantha-Mrs Bicknell.
Cast
Role: Florimel Actor: Mrs Mountfort

Song: As17170204

Dance: As17161112

Event Comment: Benefit Mrs Mountfort

Performances

Mainpiece Title: The Fashionable Lady

Performance Comment: See17300421 but Lady-Mrs Mountfort; Ballad-Penkethman; Meanwell-W. Giffard; Modely-Burny; Drama-Lacy; Merrit-W. Williams; Hackum-Pearce; Smooth-Mrs Thomas; Whim-Smith; Trifle-Collett; Voice-Bardin; Sprightly-Mrs Giffard; Prattle-Mrs Palmer; Mutes: Harlequin-Burny; Scaramouch-Sandham; Pantalon-Dukes; Punch-R. Williams; Pierrot-Eaton.

Music: SSelarce a Trumpet Solo-Burk Thumoth

Event Comment: The United Company. As 9 Nov. 1692 is known to be the second day, it is assumed that 8 Nov. 1692 represents the first performance. (See entry for 9 Nov. 1692.) The authorship is uncertain; William Mountfort signed tne Dedication, but its authorship is linked with that of Edward III (November 1690), which may have been by Bancroft. Gentleman's Journal, October 1692 (not issued until November): Henry the Second, King of England, A new Play, by the Author of that call'd Edward the Third, which gave such universal satisfaction, hath been acted several times with applause. It is a Tragedy with a mixture of Comedy....Had you seen it acted, you would own that an Evening is pass'd very agreeably, when at a Representation of that pleasing Piece. [Alfred Harbage, Elizabethan-Restoration Palimpsest, Modern Language Review, XXXV (1940), 312-18, argues that this play is the Elizabethan Henry II once in the possession of Moseley. A song, In vain 'gainst Love I strove, composed by Henry Purcell and sung by Mrs Dyer, not in the printed play, is in Comes Amoris, 1693, and Joyful Cuckoldom 1695. See Purcell's Works, Purcell Society, XX (1916), vii

Performances

Mainpiece Title: Henry The Second, King Of England; With The Death Of Rosamond