SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Moor"/1) | (@(roleclean,performerclean) "Mr Moor")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 4247 matches on Event Comments, 1237 matches on Performance Comments, 797 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Chaplet

Ballet: II: Savoyard Travellers. Principal Savoyards-Grandchamps, Mlle Auretti, Mathews, Mrs Addison; Children Savoyards-Little Swiss, Miss Popling; Peasants-M'Neil, Mlle delaContri; see17491110

Performances

Mainpiece Title: A Writ Of Inquiry Will Be Executed On The Inquisitor General

Performances

Mainpiece Title: The Orators

Performances

Mainpiece Title: Othello, Moor Of Venice

Performances

Mainpiece Title: Othello, Moor Of Venice

Performances

Mainpiece Title: Othello, Moor Of Venice

Song: Singing in Italian-Mrs Robinson

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Mars and Venus

Dance: I: Punches Dance-Master Ferg, Miss Wright; III: Pierots-Leviez, Pelling; IV: Moors Dance-Muilment, Mrs Walter

Music: V: A Concerto-Henry Burgess Jr

Performances

Mainpiece Title: Love And A Bottle

Dance: SScottish Dance-Mrs Bullock; Grand Dance of Moors-Glover, Newhouse, Pelling, Lanyon, Mrs Ogden, Mrs Anderson, Miss LaTour; Fingalian-Newhouse, Mrs Ogden

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: Othello, Moor Of Venice

Dance: I: Pastoral-Vallois, lately arrived from the Opera at Paris, the first Time of his dancing in England; a Scholar to M Marcelle; II: Wooden Shoe Dance-Poitier; Serious Dance-Poitier, Mrs Laguerre; III: Sicilian Dance-Glover, Mrs Pelling; (at Desire) Two Pierrots-Poitier, Pelling; IV: Highlander and his Mistress-Salle, Mrs Laguerre; V: A new Peasant Dance-Poitier, Mrs Laguerre

Music: Grand Concert of Water Musick by Mr Randal [Handel?]-; [in which Poitier will beat the Kettle@Drums-Poitier

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Contending Deities

Dance: SScotch Dance-Mrs Bullock

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

Ballet: III: Double Jealousy. As17381108

Dance: V: Moors Dance-Muilment, Mrs Walter

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Colombine Courtezan

Dance: II: Moors Dance-Muilment, Mrs Walter; V: Grand Ballet-Denoyer, Mlle Roland

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Mars and Venus

Dance: I: Punches Dance-Master Ferg; Miss Wright; III: Moors Dance-Muilment, Mrs Walter

Song: II: Singing in Italian-Miss Thynne; IV: The Noontide Air-Beard

Music: V: A Concerto-Henry Burgess Jr

Performances

Mainpiece Title: Othello, Moor Of Venice

Dance: I: Grand Ballet-Desse, Miss Oates; II: French Peasant-French Boy and Girl; III: Miller and His Wife-French Boy and Girl; IV: Comic Ballet-Villeneuve, Miss Oates; V: Grecian Sailors-Glover

Performances

Mainpiece Title: Othello, Moor Of Venice

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Devil to Pay

Song: Between the acts: Lowe, Mrs Mozeen

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Virgin Unmask'd

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there,--in an upper box...did see The Moor of Venice: but ill-acted in most parts; Mohun, which did a little surprise me, not acting Iago's part by much so well as Clun used to do; nor another Hart's, which was Cassio's; nor, indeed, Burt doing the Moor's so well as I once thought he did

Performances

Mainpiece Title: The Moor Of Venice

Performances

Mainpiece Title: The Rover

Afterpiece Title: The Beggar's Wedding

Dance: End I: Dutch Dance-Miss Robinson; a Scholar of Mr Essex. II: Tambour Dance of Moors-Essex, Lally, Thurmond, Rainton, Haughton; III: La Pieraite-Roger, Mrs DeLorme; IV: A New Dance-Miss Robinson; in which will be expressed all the different Movements in Dancing. V: A New Grand Dance-Essex, Roger, Thurmond, Lally, Rainton, Houghton, Mrs Walter, Mrs DeLorme, Miss Williams

Performance Comment: II: Tambour Dance of Moors-Essex, Lally, Thurmond, Rainton, Haughton; III: La Pieraite-Roger, Mrs DeLorme; IV: A New Dance-Miss Robinson; in which will be expressed all the different Movements in Dancing. V: A New Grand Dance-Essex, Roger, Thurmond, Lally, Rainton, Houghton, Mrs Walter, Mrs DeLorme, Miss Williams.
Event Comment: The King's Company. This performance is on the L. C. list, 5@141, p. 359: Moor of Venice. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: Othello, Moor Of Venice

Event Comment: Christopher Rich's Company. The date of the resumption of playing is not certain, for Cibber (see below) beclouds the issue by referring to Easter-Monday in April, whereas the first Monday following Easter fell on 25 March 1694@5. Nevertheless, Monday 1 April 1695 seems the likely date of the resumption of playing, with Rich's Company ready to perform before the seceding company under Thomas Betterton was fully organized. A new song for Abdelazar, Lucinda is bewitching fair, the music by Henry Purcell and sung by "the Boy" (Jemmy? Bowen), is in Thesaurus Musicus, The Fourth Book, 1695. Cibber, Apology, I, 195: [The Patentees] were not able to take the Field till the Easter-Monday in April following. Their first Attempt was a reviv'd Play call'd Abdelazar, or the Moor's Revenge, poorly written, by Mrs Behn. The House was very full, but whether it was the Play or the Actors that were not approved, the next Day's Audience sunk to nothing. However, we assured that let the Audiences be never so low, our Masters would make good all Deficiencies, and so indeed they did, till towards the End of the Season, when Dues to Ballance came too think upon 'em. [See I, 195-96, for Cibber's account of his Prologue.] A Comparison Between the Two Stages, 1702, p. 7: But in my Opinion, 'twas strange that the general defection of the old Actors which left Drury-lane, and the fondness which the better sort shew'd for 'em at the opening of their Newhouse, and indeed the Novelty it self, had not quite destroy'd those few young ones that remain'd behind. The disproportion was so great at parting, that 'twas almost impossible, in Drury-lane, to muster up a sufficient number to take in all the Parts of any Play; and of them so few were tolerable, that a Play must of necessity be damn'd that had not extraordinary favour from the Audience: No fewer than Sixteen (most of the old standing) went away; and with them the very beauty and vigour of the Stage; they who were left behind being for the most part Learners, Boys and Girls, a very unequal match for them who revolted. According to a statement made in litigation, the company in Drury Lane acted 84 times between 25 March 1694@5 and 7 July 1695; and the Young Actors played 68 times from 6 July 1695 to 10 Oct. 1695 to 10 Oct. 1695. See Hotson, Commonwealth and Restoration Stage, p. 308

Performances

Mainpiece Title: Abdelazar; Or, The Moor's Revenge

Performances

Mainpiece Title: Alexander's Feast, With Coronation Anthems

Music: First Violin-Mr Ximene; with a Solo on the Violincello-Mr Janson, lately arrived from Paris, (Who has never performed in Public in England)

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; Particularly a Sonata for a Flute and a Violin-Signior Gasperini, Mr Paisable; And likewise a Sonata for two Flutes-Mr Paisable, Mr Banister; the whole being entirely New. Margaretta Gallia mention'd in my former Bills, has since got a Cold, and is very much indispos'd, therefore will not venture to Sing; but in her room Several Pieces of the late Mr Henry Purcell-Mrs Lindsey, Mrs Hudson, Mr Hughes, Mr Laroone