SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Mills"/1) | (@(roleclean,performerclean) "Mr Mills")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4350 matches on Event Comments, 3464 matches on Performance Comments, 793 matches on Performance Title, 18 matches on Author, and 4 matches on Roles/Actors.

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Englishman in Paris

Dance: End: The Merry Sailors, as17680920

Performances

Mainpiece Title: The Road To Ruin

Performance Comment: Goldfinch-Lewis; Silky-Emery; Harry Dornton-Holman; Dornton-Munden; Milford-Clarke; Sulky-Davenport; Smith-Powel; Hosier-Waddy; Marker-Farley; Jacob-Rees; Sheriff's Officer-Thompson; Tradesmen-Lee, Street, Abbot, Whitmore, Coombs; Sophia-Mrs Mills (from the Theatre Royal York; 1st appearance on this stage); Jenny-Mrs Norton; Mrs Ledger-Mrs Platt; Milliner-Miss Leserve; Mantua@maker-Mrs Blurton; Mrs Warren-Mrs Mattocks.
Cast
Role: Sophia Actor: Mrs Mills

Afterpiece Title: The Spoil'd Child

Performance Comment: Little Pickle-Mrs Mills; Mr Pickle-Powel; John-Abbot; Thomas-Street; Tag-Knight; Maria-Miss Sims; Susan-Miss Leserve; Margery-Mrs Whitmore; Mrs Pickle-Mrs Davenport.
Cast
Role: Little Pickle Actor: Mrs Mills

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Spoil'd Child

Performance Comment: Little Pickle-Mrs Mills; Mr Pickle-Emery; John-Abbot; Thomas-Street; Tag-Knight; Maria-Miss Sims; Susan-Miss Leserve; Margery-Mrs Whitmore; Mrs Pickle-Mrs Davenport.
Cast
Role: Little Pickle Actor: Mrs Mills
Event Comment: Benefit for Sowdon. Last time of performing the Mainpiece this season. A Gent: play'd Puff in the farce--Bug (Cross). [Seems to have been a clear benefit, as Treasurer's Book lists no charges.] Cash #65 8s. 6d., plus tickets #95; Paid Reynolds for wax & [brickdust] 3s. 9d. Paid Mr Pope a Bill #7 14s. [wigmaker] (Treasurer's Book). Tickets of Sowdon at his lodgings, the Sign of the Sun, a Milliner's facing Exeter exchange in the strand, and of Hobson at the stage door. Tickets otherwise to be had at Will's Coffee House in Cornhill, and of Mr Thomas Sowdon in Blackman St., Southwark. We hear William Mills, Comedian, lies at the point of death, at his lodgings in Russell St., Covent Garden. Receipts: #170 (Cross); #160 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Miss in Her Teens

Dance: CComic Dance, as17500221; Venetian Gardeners-Grandchamps, Mlle Auretti

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Waterman

Song: V: (By Desire) The Soldier Tir'd-Miss Abrams

Performances

Mainpiece Title: Love In Several Masques

Performance Comment: Principal parts-Wilks, Mills, Cibber, Bridgwater, Griffin, Harper, Miller, Mrs Oldfield, Mrs Porter, Mrs Moor, Mrs Mills; but edition of 1728 lists: Wisemore-Mills; Mertial-Wilks; Malvil-Bridgwater; Lord Formal-Griffin; Rattle-Cibber; Sir Postive Trap-Harper; Sir Apish Simple-Miller; Lady Matchless-Mrs Oldfield; Vermilia-Mrs Porter; Helena-Mrs Booth; Lady Trap-Mrs Moor; Catchit-Mrs Mills; Prologue Occasioned by its Succeeding The Provoked Husband,-Mills; Epilogue-Miss Robinson Jr.

Performances

Mainpiece Title: Medea

Performance Comment: Parts-Mills, Wilks, Wm. Mills, Mrs Porter, Mrs Thurmond, Mrs Horton; but edition of 1731 lists: Aegeus-Mills Jr; Ethra-Mrs Horton; Medea-Mrs Porter; Jason-Wilks; Creon-Mills Sr; Creusa-Mrs Thurmond; Iris-Mrs Vaughan; Therapion-Corey; Eumelus-Hallam; Euriale-Mrs Grace; Prologue-Wilks; Epilogue-.
Cast
Role: Parts Actor: Mills, Wilks, Wm. Mills, Mrs Porter, Mrs Thurmond, Mrs Horton
Role: Aegeus Actor: Mills Jr
Role: Creon Actor: Mills Sr

Performances

Mainpiece Title: The Mother-in-law; Or, The Doctor The Disease

Performance Comment: Parts by Johnson, Cibber, Miller, Harper, Griffin, W. Mills, Milward, Shepard, Oates, Winstone, Mrs Heron, Mrs Butler, Mrs Pritchard, Miss Robinson; but edition of 1734 lists: Sir Credulous Hippish-Griffin; Heartwell-Mills Sr; Beaumont-W. Mills; Dr Mummy-Johnson; Dr Diascordium-Miller; Looby Headpiece-Cibber; Galleypot-Harper; Cranny-Sheppard; Joseph-H. Tench; Poet-Oates; Constable-Hallam Sr; Lady Hippish-Mrs Butler; Belina-Mrs Pritchatd; Agnes-Mrs Robinson; Primrose-Mrs Heron. Prologue spoken by Mills Sr Epilogue spoken by Cibber, Griffin, Mrs Heron .

Performances

Mainpiece Title: Junius Brutus

Performance Comment: By Mills, Milward, Cibber, W. Mills, Berry, Mrt Heron; but edition of 1735 lists: Junius Brutus-Mills; Valerius Publicola-Berry; Titus-Milward; Caelius-W. Mills; Messala-Theo. Cibber; Silvius-Winstone; Rufus-Turbutt; Proculus-Woodbourne; Albinus-Hewit; Lucia-Mrs Heron; Hortensia-Mrs Pritchard. Prologue spoken by Milward. Epilogue spoken by Mrs Heron .
Cast
Role: : Junius Brutus Actor: Mills
Role: Caelius Actor: W. Mills

Performances

Mainpiece Title: The Christian Hero

Performance Comment: Parts by Quin, Milward, Mills, Cibber, W. Mills, Berry, Winstone, Hewit, Este, Mrs Thurmond, Mrs Butler, Mrs Pritchard; but edition of 1735 lists: Amurath-Quin; Mahomet-W. Mills; Hellena-Mrs Thurmond; Osmyn-Berry; Kister Aga-Hewit; Cleora-Mrs Pritchard; Scanderbeg-Milward; Aranthes-Mills; Althea-Mrs Butler; Amasie-Cibber; Paulinus-Winstone. Prologue spoken by Cibber. Epilogue spoken by Mrs Clive .
Cast
Role: Mahomet Actor: W. Mills
Role: Aranthes Actor: Mills

Performances

Mainpiece Title: The Man Of Taste; Or, The Guardian

Performance Comment: Parts by Mills, Cibber, Griffin, Harper, Miller, Milward, W. Mills, Este, Cross, Turbutt, Mrs Thurmond, Mrs Clive, Miss Holliday, Mrs Pritchard, Mrs Cross, Miss Mann; but edition of 1735 lists: Sir Positive Bubble-Griffin; Freelove-Mills; Valentine-Milward; Sir Humphrey Henpeck-Harper; Harcourt-Mills Jr; Horatio-Este; Martin-Cibber; Reynard-Miller; Lewis-Cross; Almanzor-Master Arne; Justice Diligence-Turbut; Lady Henpeck-Mrs Cross; Maria-Mrs Clive; Dorothea-Mrs Pritchard; Dorinda-Mrs Thurmond; Angelica-Mrs Holiday; Lisetta-Mrs Mann. Prologue spoken by Cibber. Epilogue spoken by Mrs Clive .
Cast
Role: Freelove Actor: Mills
Role: Harcourt Actor: Mills Jr

Afterpiece Title: Harlequin Orpheus

Performances

Mainpiece Title: Art And Nature

Performance Comment: Parts by Quin, Cibber, Griffin, Mills, Miller, Mrs Clive, Mrs Mills; but edition of 1738 lists: Sir Simon Dupe-Griffin; Truemore-Mills; Outside [Courtly]-Quin; Julio-Cibber; Alphabet-Turbutt; Lord Gewgaw-Raftor; Jeffery-Miller; Jeremy-Cross; Constable-Winstone; Flaminia-Mrs Mills; Violetta-Mrs Clive; Prologue-Cibber; Epilogue-Mrs Clive.
Cast
Role: Truemore Actor: Mills
Role: Flaminia Actor: Mrs Mills

Performances

Mainpiece Title: Liberal Opinions

Performance Comment: Principal Characters by Lewis, Munden, Fawcett, H. Johnston, Murray, Farley, Emery, Simmons, Rees, Wilde, Atkins, Abbot, Curties, Miss Chapman, Mrs Davenport, Mrs Mills, Miss Mills, Mrs Whitmore, Miss Murray. Cast from text of The School for Prejudice (T. N. Longman and O. Rees, 1801): Frank Liberal-Lewis; Old Liberal-Munden; Ephraim-Fawcett; Mildmay-H. Johnston; Counsellor Friendly-Murray; Squire Chace-Farley; John Grouse-Emery; Parchment-Simmons; Bailiff-Rees; Take-Wilde; Touch-Atkins; Tap-Abbot; Servant-Curties; Mrs Howard-Miss Chapman; Miss Liberal-Mrs Davenport; Fanny Liberal-Mrs Mills; Jenny-Miss Mills; Rachel-Mrs Whitmore; Marian-Miss Murray; Prologue-Mansel.
Cast
Role: Fanny Liberal Actor: Mrs Mills
Role: Jenny Actor: Miss Mills

Afterpiece Title: Paul and Virginia

Cast
Role: Alambra Actor: Mrs Mills
Role: Maugerette Actor: Mrs Mills

Afterpiece Title: The Horse and the Widow

Dance: As18000501

Song: As18000501

Event Comment: Benefit Mills. At the Desire of Several Persons of Quality. Written by the late Famous Mr Dryden

Performances

Mainpiece Title: The Conquest Of Granada By The Spaniards: With The Loves Of Almanzor And Almahide

Song: As17031102

Dance: duRuel, duRuel's Wife

Music: As17040404

Event Comment: Benefit Mrs Mills and Mrs Shaw. Written by the late Great Poet Mr Dryden

Performances

Mainpiece Title: Secret Love; Or, The Maiden Queen

Song:

Dance:

Event Comment: Benefit Mills. By His Royal Highness's Command. Written by the late Mr Otway. [The Prince present.

Performances

Mainpiece Title: Venice Preserv'd

Dance: Pastoral Dance of Myrtillo-

Event Comment: Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat. Daily Advertiser, 18 Dec.: Yesterday at about Six in the Morning died Mr John Mills, a celebrated Comedian, after an Illness of ten or twelve Days: The last Time of his appearing upon the Stage was on Saturday se'nnight last, in the Character of the sick King in the second Part of Henry IV

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Intriguing Chambermaid

Dance: I: Black Joak-Philips, Miss Mann; II: English Maggot-Villeneuve, Mrs Walter

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Dance: Muilment

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Upholsterer

Dance: End: The Merry Sailors, as17680920

Performances

Mainpiece Title: The Fair Example; Or, The Modish Citizens

Performance Comment: Edition of 1706 lists: Sir Charles-Mills; Springlove-Cibber; Sir Rice ap Adam-Johnson; Whimsey-Penkethman; Symons-Norris; Fancy-Bullock; Mrs Whimsey-Mrs Verbruggen; Lucia-Mrs Oldfield; Florinda-Mrs Knight; Flora-Mrs Lucas; Mrs Furnish-Mrs Powell; Lettice-Mrs Mills; Prologue-Mills; Epilogue-Cibber.
Cast
Role: Sir Charles Actor: Mills
Role: Lettice Actor: Mrs Mills
Role: Prologue Actor: Mills

Performances

Mainpiece Title: The Rover

Performance Comment: Rover-Wilks; Hellena-Mrs Booth; Angelica-Mrs Porter; Belvil-Mills; Frederick-Williams; Blunt-Johnson; Pedro-Bridgwater; Antonio-Wm. Mills; Sancho-Norris; Florinda-Mrs Horton; Valeria-Mrs Cibber; Moretta-Mrs Mills.
Cast
Role: Belvil Actor: Mills
Role: Antonio Actor: Wm. Mills
Role: Moretta Actor: Mrs Mills.

Dance: Miss Robinson

Performances

Mainpiece Title: Oroonoko

Performance Comment: Oroonoko-Elrington; Aboan-Mills; Imoinda-Mrs Thurmond; Governor-Bridgwater; Blandford-Williams; Stanmore-W. Mills; Driver-Johnson; Daniel-Cibber Jr; Widow Lackit-Mrs Wetherilt; Charlotte-Mrs Mills; Lucy-Mrs Cibber.
Cast
Role: Aboan Actor: Mills
Role: Stanmore Actor: W. Mills
Role: Charlotte Actor: Mrs Mills

Dance: Essex, Lally, Haughton, Rainton, Burney, Miss Robinson; particularly Tambour Dance of Moors-

Performances

Mainpiece Title: The Constant Couple

Performance Comment: Sir Harry-Wilks; Lady Lurewell-Mrs Oldfield; Angelica-Mrs Booth; Standard-Mills; Smugler-Johnson; Beau Clincher-Miller; Young Clincher-Oates; Vizard-W. Mills; Dicky-Norris; Lady Darling-Mrs Moore; Parly-Mrs Mills.
Cast
Role: Standard Actor: Mills
Role: Vizard Actor: W. Mills
Role: Parly Actor: Mrs Mills.

Dance: Mrs Booth, Miss Robinson

Performances

Mainpiece Title: The Rover

Performance Comment: Rover-Wilks; Hellena-Mrs Booth; Angelica-Mrs Porter; Belvill-Mills; Frederick-Williams; Blunt-Johnson; Pedro-Bridgwater; Antonio-Wm. Mills; Sancho-Norris; Florinda-Mrs Horton; Valeria-Mrs Cibber; Moretta-Mrs Mills.
Cast
Role: Belvill Actor: Mills
Role: Antonio Actor: Wm. Mills
Role: Moretta Actor: Mrs Mills.

Dance: