SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Mills jun"/1) | (@(roleclean,performerclean) "Mr Mills jun")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4819 matches on Performance Comments, 4503 matches on Event Comments, 883 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Quaker

Afterpiece Title: Don Pedro

Performance Comment: Characters by Aickin, Palmer, C. Kemble, Bannister, Suett, Caulfield, Wathen, R. Palmer, Palmer Jun., Waldron Jun., Davies, Trueman, Abbot, Burton, Lyons, Ledger, Mrs Kemble, Mrs Harlowe, Miss DeCamp, Mrs Hopkins; Cast from Larpent MS: Count de Valdesoto-Aickin; Pedro de Rascafria-Palmer; Henrique-C. Kemble; Basco de Robeldondo-Bannister; NicolasSassenigo-Suett; Tayo-Caulfield; Roca-Wathen; Cerbero-R. Palmer; Lopez-Palmer Jun.; Martin-Waldron Jun.; President of the Inquisition-Davies; Ignacio-Trueman; Gomez-Abbot; Citizens-Burton, Lyons, Ledger (these not listed in MS); Celestina-Mrs Kemble; Mariguita-Mrs Harlowe; Cattania-Miss DeCamp; Benedicta-Mrs Hopkins; Prologue-R. Palmer; Epilogue-Miss DeCamp.
Cast
Role: Lopez Actor: Palmer Jun.
Role: Martin Actor: Waldron Jun.

Performances

Mainpiece Title: The Deaf Lover

Cast
Role: Anvil Actor: Waldron Jun.

Afterpiece Title: The Iron Chest

Performance Comment: Characters by Elliston, Aickin, Bannister Jun., Fawcett, Palmer, Suett, Master Willoughby, C. Kemble, R. Palmer, Davies, Caulfield, Trueman, Bannister, Master Webb, Waldron Jun., Lyons, Abbot, Chippendale, Mrs Kemble, Mrs Gibbs, Mrs Bland, Miss Granger, Miss DeCamp. Cast adjusted from text (Cadell and Davies, 1796), and from playbill of 14 Aug. 1797: Sir Edward Mortimer-Elliston; Fitzharding-Aickin; Wilford-Bannister Jun.; Adam Winterton-Fawcett; Rawbold-Palmer; Samson-Suett; Boy-Master Willoughby; Robbers-C. Kemble, Davies, Caulfield; Orson-R. Palmer; Gregory-Trueman; Armstrong-Bannister; Robber's Boy-Master Webb; Cook-Waldron Jun.; Peter-Lyons; Walter-Abbot; Simon-Chippendale; Helen-Mrs Kemble; Blanch-Mrs Gibbs; Barbara-Mrs Bland; Girl-Miss Granger; Judith-Miss DeCamp; The General Chorus-Boyce, Brown, Aylmer, Little, Walker, Willoughby, Linton, Dibble, Mrs Butler, Mrs Gaudry, Mrs Hale, Mrs Masters, Miss Menage, Mrs Norton.
Cast
Role: Wilford Actor: Bannister Jun.
Role: Cook Actor: Waldron Jun.

Performances

Mainpiece Title: The School Of Shakespeare Or Humours And Passions

Performance Comment: Given in a regular representation of several of his most favourite and capital Scenes. With Scenery and Dresses suited to the Characters and their situations. The inimitable Scenes of the Poet, selected for the Purpose, and digested into Five Acts, will exemplify in the strongest colours of our immortal Bard, Cruelty, Vanity, Ambition, Rusticity, Tyranny-; [Act I. Cruelty, in The Merchant of Venice [IV. i]. Shylock-Palmer; Anthonio-Aickin; Bassanio-C. Kemble; Gratiano-R. Palmer; Portia-Mrs Kemble; [Act II. Vanity, in the First Part of Henry IV [parts of II. iv]. Sir John Falstaff-Fawcett; Prince of Wales-Palmer Jun.; Francis (for that night only)-Bannister Jun.; [Act III. Ambition, in King Henry the Eighth [parts of III. ii]. Cardinal Wolsey (1st time)-Palmer; King Henry-R. Palmer; [Act IV. Rusticity, in As You Like it [III. iii]. Touchstone-Bannister Jun.; Audrey-Mrs Harlowe; [Act V. Tyranny, in King Richard the Third [parts of I. ii; II. ii; and V]. King Richard (1st time)-Palmer; King Henry-Aickin; Richmond (1st time)-Palmer Jun.; Lady Anne-Miss Logan.
Cast
Role: Prince of Wales Actor: Palmer Jun.
Role: Francis Actor: Bannister Jun.
Role: Touchstone Actor: Bannister Jun.
Role: Richmond Actor: Palmer Jun.

Afterpiece Title: The Hodge Podge or A Receipt to make a Benefit

Afterpiece Title: The Son in Law

Cast
Role: Bowkitt Actor: Bannister Jun.
Role: Idle Actor: Palmer Jun.
Role: Walter Actor: Bannister Jun.

Song: In 2nd piece: Mad Bess (in character)-Miss Leak; a Welch Song (in character)-Mrs Bland; The Waiter-Fawcett

Entertainment: In 2nd piece: Imitations-Caulfield

Performances

Mainpiece Title: Shes Eloped

Performance Comment: Characters by Aickin, Palmer, Suett, Wroughton, Dowton, Russell, R. Palmer, Bannister Jun., Maddocks, Webb, Palmer Jun., Chippendale, Fisher, Wentworth, Mrs Powell, Mrs Jordan, Miss Pope, Miss Mellon. Cast from London Chronicle, 21 May: Lord Villeure-Aickin; Sir Charles Hyacinth-Palmer; Major Blenner-Suett; Aylmer-Wroughton; Appesley-Dowton; Jerkin-Russell; Joe Clinckum-R. Palmer; Plodden-Bannister Jun.; Mrs Egerton-Mrs Powell; Miss Villeure-Mrs Jordan; Miss Highbury-Miss Pope; Grace-Miss Mellon; unassigned-Maddocks, Webb, Palmer Jun., Chippendale, Fisher, Wentworth; Prologue-Palmer; Epilogue-Mrs Jordan.

Afterpiece Title: The Virgin Unmaskd

Cast
Role: Ben Bowsprit Actor: Bannister Jun.
Role: Coupee Actor: Bannister Jun.

Performances

Mainpiece Title: Lovers Vows

Afterpiece Title: The Mouth of the Nile

Performance Comment: Vocal Characters-Incledon, Fawcett, Townsend, Emery, Dibdin Jun., Wilde, Gray, Linton, Street, Thompson, Miss Walcup, Miss Sims. +Characters in the Ballet-Farley, Bologna Jun., Follett, Dyke, Bologna, Blurton, Platt, Mrs Watts, Mrs Bologna, Miss Burnett, Mrs Masters, Mrs Wybrow; [Cast from text (J. Barker, 1798), and playbill of 9 Nov. 1799: Michael (an Egyptian Peasant)-Incledon; William-Fawcett; Jack Junk-Townsend; Old Peasant-Emery [in text: Simmons (see17981029)]; Pat-Dibdin Jun.; French Officer-Wilde; Peasants, Sailors-Gray, Linton, Street, Thompson, Cranfield, Lewiss, Rauner, Powers, Platt; Adela-Miss Walcup; Susan-Miss Sims; [Commencing with a Grand Ballet of Action, expressive of Egyptian Costume, contrasted with the Habits and Manners of the Turks and Arabs; and introducing, thro' the Medium of a Domestic Story, the Effects produced by the Landing of the French Army, and subsequent Arrival of the British Fleet at the Mouth of the Nile. Comic Dialogue and Songs form the Second Part, for the purpose of introducing a correct Scenic Representation of the Battle of the Glorious First of August [1798]. An Occasional Prologue-H. Johnston.

Performances

Mainpiece Title: A Bold Stroke For A Wife

Cast
Role: Feignwell Actor: Bannister Jun.

Afterpiece Title: The Captive of Spilburg

Performance Comment: Characters by Barrymore, Kelly, Suett, Bannister Jun., Miss Benson, Caulfield, Maddocks, Hollingsworth, Wentworth, Mrs Crouch, Mrs Bland. [Cast from text (Machell Stace, 1799): Korowitz-Barrymore; Cansemar-Kelly; Mousic@Mirhoff-Suett; Kourakin-Bannister Jun.; Iwan-Miss Benson; Liebstoff-Caulfield; Officers of the Emperor's Guards-Maddocks, Trueman; Tackstein-Hollingsworth; Kargad-Wentworth [these last two unassigned in text]; Eugenia-Mrs Crouch; Moola-Mrs Bland; Chorus of Soldiers-Danby, Wentworth, Brown, Tett, Denman, Atkins, Fisher, Aylmer, Gallot, Peck, Walker, Willoughby, Phillimore, Evans, Fisher, Caulfield Jun.; Peasants-Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage, Ms Menage Jun., Ms Chippendale, Ms Gawdry, Ms Butler, Ms Benson, Ms Bowyer, Ms Jacobs, Ms Coates.

Dance: In afterpiece: a Dance-Roffey, Whitmell, Wells, Male, Garman, W. Banks, Goodman, Gauron, Ms Brooker, Ms Daniels, Ms Brigg, Ms Byrne, Ms Vining, Ms Luciet, Ms Drake, Ms Riches; New Hornpipe-Sga Bossi DelCaro

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Cast
Role: Michael Perez Actor: Bannister Jun.

Afterpiece Title: Blue Beard or Female Curiosity

Performance Comment: Abomelique (Blue-Beard)-Barrymore; Ibrahim-Suett; Selim-Dignum; Shacabac-Bannister Jun.; Hassan-Hollingsworth; Spahis-Caulfield, Trueman, Maddocks, Evans; Janizaries-Danby, Cook, Tett, Caulfield Jun., Sawyer, Danby Jun., Aylmer, Willoughby, Bardoleau, Clarke, Mead, Elliot; Male Slaves-Roffey, Whitmell, Wells, Garman, Johnston, Goodman, Gauron; Fatima-Mrs Crouch; Irene-Miss DeCamp; Beda-Mrs Bland; Peasants-Ms Arne, Ms Roffey, Ms Wentworth, Ms Jackson, Ms Maddocks, Ms Menage, Ms Butler, Ms Benson, Ms Coates, Ms Gawdry, Ms Saunders, Ms Jacobs, Ms Chippendale; Female Slaves-Ms Brooker, Miss Daniels, Ms Brigg, Ms Byrne, Ms Vining, Ms Riches, Ms Luciet, Ms Drake.
Event Comment: Benefit Mills. At the Desire of Several Persons of Quality. Written by the late Famous Mr Dryden

Performances

Mainpiece Title: The Conquest Of Granada By The Spaniards With The Loves Of Almanzor And Almahide

Song: As17031102

Dance: duRuel, duRuel's Wife

Music: As17040404

Event Comment: Benefit Mrs Mills and Mrs Shaw. Written by the late Great Poet Mr Dryden

Performances

Mainpiece Title: Secret Love Or The Maiden Queen

Song:

Dance:

Event Comment: Benefit Mills. By His Royal Highness's Command. Written by the late Mr Otway. [The Prince present.

Performances

Mainpiece Title: Venice Preservd

Dance: Pastoral Dance of Myrtillo-

Event Comment: Mainpiece: Written by Colley Cibber, Esq; Poet-Laureat. Daily Advertiser, 18 Dec.: Yesterday at about Six in the Morning died Mr John Mills, a celebrated Comedian, after an Illness of ten or twelve Days: The last Time of his appearing upon the Stage was on Saturday se'nnight last, in the Character of the sick King in the second Part of Henry IV

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Intriguing Chambermaid

Dance: I: Black Joak-Philips, Miss Mann; II: English Maggot-Villeneuve, Mrs Walter

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Dance: Muilment

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Upholsterer

Dance: End: The Merry Sailors, as17680920

Event Comment: Whereas Thomas Arne, Jun. Proprietor of English Operas [at lif], has new set to Musick, after the Italian Manner, the Opera of Rosamond, Written by the late Mr Addison, Which is now in Rehearsal....This is to give Notice, that he...hoping to receive Encouragement from the Town, will (notwithstanding his Expences are considerably greater than any of the other English Theatres) Entertain the Town at the following Prices (viz) Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. 6d. And that he will give a private Rehearsal of the said Opera, to such Friends as shall oblige him with a Subscription...at One Guinea, to be paid on Receipt of a Ticket, which will admit the Bearer into the Boxes five Nights

Performances

Performances

Mainpiece Title: The Fair Example Or The Modish Citizens

Performance Comment: Edition of 1706 lists: Sir Charles-Mills; Springlove-Cibber; Sir Rice ap Adam-Johnson; Whimsey-Penkethman; Symons-Norris; Fancy-Bullock; Mrs Whimsey-Mrs Verbruggen; Lucia-Mrs Oldfield; Florinda-Mrs Knight; Flora-Mrs Lucas; Mrs Furnish-Mrs Powell; Lettice-Mrs Mills; Prologue-Mills; Epilogue-Cibber.
Cast
Role: Sir Charles Actor: Mills
Role: Lettice Actor: Mrs Mills
Role: Prologue Actor: Mills

Performances

Mainpiece Title: The Rover

Performance Comment: Rover-Wilks; Hellena-Mrs Booth; Angelica-Mrs Porter; Belvil-Mills; Frederick-Williams; Blunt-Johnson; Pedro-Bridgwater; Antonio-Wm. Mills; Sancho-Norris; Florinda-Mrs Horton; Valeria-Mrs Cibber; Moretta-Mrs Mills.
Cast
Role: Belvil Actor: Mills
Role: Antonio Actor: Wm. Mills
Role: Moretta Actor: Mrs Mills.

Dance: Miss Robinson

Performances

Mainpiece Title: Oroonoko

Performance Comment: Oroonoko-Elrington; Aboan-Mills; Imoinda-Mrs Thurmond; Governor-Bridgwater; Blandford-Williams; Stanmore-W. Mills; Driver-Johnson; Daniel-Cibber Jr; Widow Lackit-Mrs Wetherilt; Charlotte-Mrs Mills; Lucy-Mrs Cibber.
Cast
Role: Aboan Actor: Mills
Role: Stanmore Actor: W. Mills
Role: Charlotte Actor: Mrs Mills

Dance: Essex, Lally, Haughton, Rainton, Burney, Miss Robinson; particularly Tambour Dance of Moors-

Performances

Mainpiece Title: The Constant Couple

Performance Comment: Sir Harry-Wilks; Lady Lurewell-Mrs Oldfield; Angelica-Mrs Booth; Standard-Mills; Smugler-Johnson; Beau Clincher-Miller; Young Clincher-Oates; Vizard-W. Mills; Dicky-Norris; Lady Darling-Mrs Moore; Parly-Mrs Mills.
Cast
Role: Standard Actor: Mills
Role: Vizard Actor: W. Mills
Role: Parly Actor: Mrs Mills.

Dance: Mrs Booth, Miss Robinson

Performances

Mainpiece Title: The Rover

Performance Comment: Rover-Wilks; Hellena-Mrs Booth; Angelica-Mrs Porter; Belvill-Mills; Frederick-Williams; Blunt-Johnson; Pedro-Bridgwater; Antonio-Wm. Mills; Sancho-Norris; Florinda-Mrs Horton; Valeria-Mrs Cibber; Moretta-Mrs Mills.
Cast
Role: Belvill Actor: Mills
Role: Antonio Actor: Wm. Mills
Role: Moretta Actor: Mrs Mills.

Dance:

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Performance Comment: Sir Harry-Wilks; Lady Lurewell-Mrs Oldfield; Angelica-Mrs Booth; Colonel Standard-Mills; Smuggler-Johnson; Beau Clincher-Miller; Clincher Jr-Oates; Vizard-W. Mills; Dicky-Norris; Lady Darling-Mrs Wetherilt; Parly-Mrs Mills.
Cast
Role: Colonel Standard Actor: Mills
Role: Vizard Actor: W. Mills
Role: Parly Actor: Mrs Mills.

Dance: Mrs Booth

Performances

Mainpiece Title: The Humours Of Oxford

Performance Comment: Principal parts-Wilks, Mills, Cibber, Bridgwater, Harper, Griffin, Roberts, Norris, Mrs Oldfield, Mrs Porter, Mrs Booth, Miss Raftor; but edition of 1730 lists: Colonel Truemore-Mills; Gainlove-Wilks; Shamwell-Bridgwater; Haughty-Harper; Conundrum-Griffin; Apeall-Cibber; Vicechancellor-W. Mills; Old Apeall-Roberts; Timothy-Norris; Dash-Oates; Lady Science-Mrs Porter; Victoria-Mrs Booth; Clarinda-Mrs Oldfield; Kitty-Miss Raftor; Wife to Haughty-Mrs Grace; Prologue-Wilks; Epilogue-Miss Robinson.

Performances

Mainpiece Title: The Rover Or The Banishd Cavaliers

Performance Comment: Rover-Wilks; Hellena-Mrs Booth; Angelica-Mrs Porter; Belvil-Mills; Frederick-Williams; Blunt-Johnson; Pedro-Bridgwater; Antonio-Wm. Mills; Sancho-Norris; Florinda-Mrs Horton; Valeria-Miss Raftor; Moretta-Mrs Mills; Lucetta-Mrs Shireburn; Prologue as17300912-. Prologue as17300912-.
Cast
Role: Belvil Actor: Mills
Role: Antonio Actor: Wm. Mills
Role: Moretta Actor: Mrs Mills
Role: King Actor: Wm. Mills
Role: Horatio Actor: Mills

Dance: PPieraites-Roger, Mlle Delorme; Little Dutch Woman-Miss Robinson; French Gardiner and his Mistress-Rainton, Mrs Walter

Performances

Mainpiece Title: The Lover

Performance Comment: edition of 1730 lists: Sir John Trueman-Williams; Eustace-Mills; Eugenio-Watson; Captain Smart-Cibber Jr; Squire Timber down-R. Wetherilt; Granger-W. Mills; Modely-Bridgwater; Loveless-A. Hallam; Hardhead-Berry; Constable-Harper; Inanthe-Mrs Cibber; Harriet-Mrs Heron; Laetitia-Mrs Thurmond; Isabel-Mrs Butler; Beatrice-Mrs Shireburn; Lettice-Mrs Grace; Prologue design'd to be spoken by Mills. Prologue-Wilks; Epilogue-the Author, the Author's Wife.
Cast
Role: Eustace Actor: Mills
Role: Granger Actor: W. Mills

Performances

Mainpiece Title: The Chances

Performance Comment: John-Wilks; Frederick-Mills; Duke-Bridgwater; Petruchio-W. Mills; Antonio-Shepard; Anthony-Cibber Jr; Peter-R. Wetherilt; 1st Constantia-Mrs Cibber; 2d Constantia-Mrs Booth; Landlady-Mrs Mills.
Cast
Role: Frederick Actor: Mills
Role: Petruchio Actor: W. Mills
Role: Landlady Actor: Mrs Mills.

Afterpiece Title: The Jovial Crew