SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Mills Sen"/1) | (@(roleclean,performerclean) "Mr Mills Sen")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4442 matches on Event Comments, 3584 matches on Performance Comments, 821 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Register Office

Performance Comment: Le Brush-King; Gulwell-Packer; Frankly-J. Palmer; Scotchman-Love; Frenchman-Baddeley; Trickit-Fox; Irishman-Moody; Harwood-Lee; Williams-Ackman; Brilliant-Castle; Maria-Miss Mills; Margery-Mrs Love; Original Prologue-King.

Dance: End: The Irish Lilt, as17630922; End I Farce: Hornpipe-Miss Baker

Event Comment: Afterpiece [1st time; P 2, by John O'Keeffe. MS: Larpent 608; not published. CG playbill of 16 Nov. 1795 has a detailed synopsis of the action]: Intermixed with Songs and Dialogue. With new Music, Scenes, Dresses, Machinery, and Decorations. The new Music composed by Shield. The new Scenes designed by Richards, and executed by Richards, Hodgins, and assistants. To conclude with a Representation of the Lord Mayor's Show on the Water. Books of the Songs to be had at the Theatre. Nothing under Full Price will be taken. "As to the Pantomime it wanted nothing on the first Night but Abbreviations . . . [which should be] omission of the Doctors, the two Women of the Town, and the whole of Edwin's Character" (Public Advertiser, 27 Nov.). Gentleman's Magazine, Jan. 1783, pp. 29-31, contains a detailed synopsis of the procession, and adds, "The personages of this procession were all dressed in the characters of the time in which they lived, and before each of them a label, a scroll, or a pageant was carried, bearing their name, or some allusion of the poets to their occupation. The figures in transparency were all painted as large as the life, and had a most grand and beautiful effect . . . The idea of the paintings was furnished by Mr Richards and Mr Smirk [sic], and all of them executed by the latter in a style of so much taste and excellence that it is a matter of some wonder to us, where an artist of Mr Smirk's abilities has been so long concealed . . . The glee introduced with so much applause is the composition of the late Dr Rogers (who lived in 1600); the other airs in the pantomime and procession arc by Handel, Lord Kelly, Abel, Stamitz and Shield, and have very great merit. The expense of preparing this splendid spectacle must have been very great, and the cost of continuing its representation cannot be inconsiderable, since more than 200 supernumeraries are employed to walk in the procession." Receipts: #215 3s. (206/3; 9/0)

Performances

Mainpiece Title: Zara

Afterpiece Title: Lord Mayor's Day; or, A Flight from Lapland

Performance Comment: Cast not listed. [Cast from London Chronicle, 26 Nov.: Captain-Bannister; Sailor-Brett; Gobble-Wilson; Ballad Singer-Wewitzer; Serjeant-Davies; Barber-Mills; Glazier-Darley; Vintner-Booth; Hatter-Doyle; Clod-Edwin; Whalebone-Stevens; Lucretia-Mrs Wilson; Polly-Miss Morris; Aerial Spirit-Mrs Martyr. Larpent MS adds the following parts: Harlequin, O'Flannegan, Ulan, Man with Books, Doctors, Taylors, Servants, Mob; Mrs Gobble, Visitors, Jenny, Colombine, Servant Maids.] hathi. Mrs Gobble, Visitors, Jenny, Colombine, Servant Maids.] hathi.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: HARLEQUIN AND FAUSTUS; or, The Devil will have his Own

Performance Comment: The following is a short Description of part of the Scenery, Business and Characters: I. A Representation of Tartarus, exhibiting the Punishments of Sisyphus, Tantalus, Ixion, Titius, Phlegyas, &c. &c. (design'd and executed by Richards; music by Shield). Lucifer-Cubitt; Pillardoc-Richardson; Asmodius-Townsend; Orchus-Blurton; Bclial-Linton; Ades-Street. II. The Study of Dr Faustus (painted by Hodgins). Dr Faustus-Farley; Zany-West. III. A Landscape and Water Mill (painted by Walmsley). Harlequin-Boyce; Pierrot-Follett; Miller-Hawtin; Taylor-Simmons; Bridemen-Cranfield, Ratchford, Blurton, Wilde, Rayner, Jackson, &c.//Miller's Wife-Miss Leserve; Bridemaids-Mrs Follett, Mrs Watts, Mrs Ratchford, Mrs Cranfield, Mrs Crowe, Mrs Lloyd, &c.; Colombine-Mme Rossi; Philidel (the Celestial Spirit)-Mrs Mountain. IV. A View of a Country Inn: The Bull and Dog (The Machinery invented by Hodgins). Landlady (with a song in character)-Mrs Henley. V. A Representation of tht Scaffolding prepared for erecting the New Theatre-Royal, Drury Lane, as it appeared in July. Irish Song in character by Rock. Which changes to a View of the above Building, as it will appear when completed (designed and painted by Malton). Playhouse Glee (composed by Dr Arne) by Blanchard, Bernard, Davies, Linton, Street, Spofforth, &c. VI. A View of Smithfield on a Market-Day (painted by Hodgins and Phillips). A New Glee (composed by Shield [singers not listed]). VII. The Garden of Faustus (painted by Pugh). Zephyrus-Byrn//Flora-Mlle St. Amand. VIII. A Tobacco Warehouse, which changes to an Equestrian Figure by Roubiliac. IX. A Street, in which is introduced two Irish Sedan Chairs (designed by Hodgins). Harington's Stammering Glee by Blanchard, Townsend, Cubitt. X. A View of a Garden and Tent, which changes to a Canal, in which will be introduced the celebrated piece of machinery, The Peacock. XI. A Farm Yard, which changes to a Chinese Bridge. XII. The Infernal Regiom, with a Shower of Fire. XIII. The Temple of Glory (designed and executed by Hodgins). Aerial Spirits-Byrn, Holland, Mlle St. Amand, Cranfield, Ratchford, King, Blurton, Wilde, Mrs Castelle, Miss Kirton, Miss Leserve, Mrs Follett, Mrs Watts, Mrs Blurton .
Event Comment: Mainpiece Written by the late Mr Congreve. Benefit Mrs Mills. Tickets to be had of Mills at his house in Nassau St., Soho. To the Author of the General Advertiser: It is with great Pleasure I find by the Publick Papers that a tragedy founded on Voltaire's Mahomet is now in rehearsal at Drury Lane Theatre. The Original was by Authority forbid to be played in France on account of the free and noble sentiments with regard to Bigotry and Enthusiasm, which shine through it; and which that Nation found as applicable to itself, as to the bloody propagators of Mahomet's Religion. Indeed the Fable on which it is built demanded such sentiments; the design of it being to shew the dreadful effects of Bigotry and Enthusiasm, even upon minds naturally well inclined when work'd up to such a pitch, as a beautiful concurrence of amazing, yet probable Circumstances hath there carried them to: So that it was equally impossible for the poet, by cutting and mangling his play, to lop it to their standard of Orthodox poetry, as it were for their Inquisitors, by torturing and burning a poor Protestant, to convince him of their Christian love and charity....They foresaw that the most obvious Reflection, that every sensible Spectator could not but make, would be, that he every day saw the same effects produced from two the most different causes, Mahometanism and Christianity; and the consequence must be, either that they were both alike Imposters, or that a crafty, mercenary, and cruel Clergy had dared to add a spirit to Christianity, which Christianity never knew. It is not doubted but these every Sentiments, which in France, prevented the Representation of this piece, will, in England speak loudly in its favor (providdd our English poet is not unequal to his subject) especially since so audacious an attempt has been lately made by the Common Enemy of Europe to establish at once a Civil and Spiritual Tyranny over those injur'd Nations, by the old Mohametan and Roman Arguments of Fire and Sword. I am, &c

Performances

Mainpiece Title: The Double Dealer

Performance Comment: Brisk-Cibber Jun.; Sir Paul Plyant-Yates; Lady Froth-Mrs Mills; Maskwell-Berry; Mellefont-Havard; Careless-Mills; Lord Froth-Neale; Lord Touchwood-Winstone; Lady Plyant-Mrs Roberts; Saygrace-Turbutt; Lady Touchwood-Mrs Cross; Cynthia-Mrs Ridout.

Afterpiece Title: The Jovial Crew

Dance: Muilment, Mrs Auguste

Song: BBritons Strike Home-

Event Comment: Benefit Mrs Mills. Mainpiece at the desire of several Ladies of Quality. [For Mrs Woffington in this role, see 12 Dec. and 18 Feb. 1747.] Tickets to be had of Mrs Mills at her Lodgings at Mr Long's in Bow Street, and at the stage Door of the Theatre

Performances

Mainpiece Title: The Constant Couple

Performance Comment: As17460303 but Sir Harry Wildair-Mrs Woffington last appearance in the character; Lady Lurewell-Mrs Mills; Standard-Mills; Angelina-Mrs Bennet.

Afterpiece Title: The Intriguing Chambermaid

Song: II: Bibby; IV: Colin and Phebe-Bibby, Miss Edwards

Dance: III: Italian Peasants, as17460206

Performances

Mainpiece Title: The Siege Of Damascus

Performance Comment: Edition of 1720 lists: Eumenes-Wilks; Eudocia-Mrs Porter; Herbis-Williams; Phocyas-Booth; Artamon-Wm. Mills; Caled-Mills; Abudah-Thurmond; Daran-Walker; Prologue-Mills; Epilogue-Wilks.

Performances

Mainpiece Title: The Tempest

Performance Comment: Parts-Mills, Johnson, Miller, Harper, Norris, Shepard, W. Mills, Cibber, Miss Teno, Miss Lindar; The Dance of the Winds-Roger, Lally, Essex, Boval; The Grand Devils Dance: Chief Fury-Houghton; The Dance of Watermen-Harper, others; With a Masque of Neptune and Amphitrite-.

Afterpiece Title: The Strolers

Dance: End I: The Muzette-Young Rainton, Miss Robinson; III: Whitson Holidays-Boval, Miss Tenoe

Ballet: End Farce: The Cobler's Jealous Wife. As17270505

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Performance Comment: Prospero-Mills; Ferdinand-W. Mills; Hypolito-Mrs Cibber; Trincalo-Miller; Mustachio-Harper; Ventoso-Norris; Caliban-Johnson; Ariel-Miss Robinson; Miranda-Mrs Mills; Dorinda-Miss Raftor.

Afterpiece Title: Neptune and Amphitrite

Song: DDear Dear Pretty Youth by Henry Purcell-Miss Raftor as Dorinda

Dance: DDance of the Four Winds-; Grand Dance of Infernal Spirits-, as perform'd before the Grand Signor, by the Eunuchs of the Seraglio, at the Bairam Feast; Dance of Watermen-

Performances

Mainpiece Title: The Tempest; Or, The Inchanted Island

Performance Comment: Prospero-Mills; Hypolita-Mrs Cibber; Trincalo-Harper; Mustachio-Cibber Jr; Ventoso-R. Wetherilt; Ferdinand-W. Mills; Miranda-Mrs Mills; Dorinda-Miss Raftor; Caliban-Johnson; Ariel-Miss Robinson; Infernal Spirits-Bowman, Rainton, Tenoe; Grand Spirit-Haughton; Alonzo-Fielding; Gonzalo-Oates; Neptune-Rainton; Antonio-Cory; Sycorax-Hallam; Amphitrite-Mrs Roberts; Watermen-Harper, Bridgwater, Rainton, Houghton, Oates, Wright; Winds-Essex, Lally, Rainton, Haughton.

Afterpiece Title: Patie and Peggy

Event Comment: Benefit for Mrs Mills. Tickets deliver'd out by Taswell, Wilder, Morris, and Mrs Addison will be taken. Tickets to be had of Mrs Mills at Mr Gardyner's, Printer, in Russel St., Covent Garden, and at the Stage Door. Receipts: #130 (Cross)

Performances

Mainpiece Title: The Inconstant

Performance Comment: As17540917, but Lamorce-Mrs Mills.

Afterpiece Title: The King and the Miller of Mansfield

Dance: II: The Running Footmen-Morris, Walker; III: The Minuet, Louvre-Dennison, Mrs Addison; IV: Comic Dance by Three Sabatinis, as17550203

Song: V: Rule Britanniaby Beard, as17550402 concluding with a Hornpipe-Morris

Event Comment: "Had Mr Bannister, sen (whose merit as a singer is pre-eminent) never played any other character than that of Caliban, he would, by so capital, so unique, so unparalleled a performance, have deserved to be ranked with the foremost" (Jonson, ed. Waldron, 178). Receipts: #182 15s. (145.11; 36.2; 1.2)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Don Juan

Dance: As17911202

Song: Vocal Parts, as17911214; Masque of Neptune and Amphitrite, as17911109

Event Comment: A new Comic Opera; the music by Cimarosa, under the direction of Federici. The music of both dances by Miller. With entirely new Dresses, Scenes and Decorations, both in the Theatre itself, and in the Representations. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No Money to be returned. The Subscribers are respectfully entreated to observe that they are to produce their Tickets at the doors. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season, except on 15 May). The Ladies at the Head of the Boxes arc respectfully reminded that such Boxes as shall not be paid for at the opening of the Theatre become then vacant, and may be claimed by any of the old Subscribers. No one to be admitted behind the scenes. For the greater Safety of the Company in coming and going out of the Theatre Mr Townsend has taken charge of the Peace Officers, and will himself attend every night of Performance. [Morning Herald, 12 Jan., notes than the original gallery is now divided into two, a lower and an upper, and that the chief colors used in the repainting of the auditorium are blue, white and gold. Ibid, 13 Jan.: The scenes [in the opera], which were entirely new, have never been exceeded in splendour of general effect...One, representing the hall of an Italian villa, shews a ceiling designed like that of the theatre itself [which the same newspaper, 4 Jan., describes as being Apollo and the Muses, in a cove enriched with allegorical figures, flowers, and medals, in chiaroscuro].]

Performances

Mainpiece Title: Il Matrimonio Segreto

Performance Comment: Principal Characters by Rovedino, Braghetti, Morelli//Sga Pastorelli, Sga Casentini [Borghi]. [Cast from libretto (C. Clarke [1794)): Geronimo-C. Rovedino; Paolino-Braghetti; Il Conte Robinson-G. Morelli//Elisetta-Sga G. Pastorelli; Carolina-Sga C[asentini] Borghi; Fidalma-Sga Schinotti.] hathi. hathi.

Dance: End of Act I a new Divertisement, composed by Noverre [performers not listed]; End of Act II a new Pantomimic Ballet, composed by Noverre, Adelaide; ou, La Bergere des Alpes, by Aumer, Gentili, Mme Del Caro, Mlle Hilligsberg, Mme M. L. Hilligsberg Sen

Performance Comment: L. Hilligsberg Sen .

Performances

Mainpiece Title: The Twin Rivals

Performance Comment: Edition of 1702 lists: Elder Wouldbe-Wilks; Young Wouldbe-Cibber; Richmore-Husband; Trueman-Mills; Subtleman-Penkethman; Balderdash-Johnson; Alderman-Johnson; Clear Account-Fairbank; Teague-Bowen; Constance-Mrs Rogers; Aurelia-Mrs Hook; Mandrake-Bullock; Steward's Wife-Mrs Moor; Prologue written by Motteux-Wilks; Epilogue-Aurelia.

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: As17291112, but Sylvia-Mrs Mills; Rose-Mrs Roberts.

Afterpiece Title: The Lover's Opera

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: King-Mills; Osmyn-Milward; Gonsalez-Quin; Garcia-Cibber; Selim-Cross; Perez-Winstone; Alonzo-Turbutt; Heli-Este; Leonora-Mrs Shireburn; Almeria-Mrs Thurmond; Zara-Mrs Butler .

Afterpiece Title: Flora

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Performance Comment: Orphan-Mrs Cibber; Castalio-Milward; Polydore-Mills; Chamont-Quin; Chaplain-Turbutt; Page-Miss Cole; Serina-Miss Holliday; Florella-Mrs Brett; Acasto-Wright, the first time of his appearance on that stage.

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: The Pilgrim

Performance Comment: Pedro-Milward; Alphonso-Johnson; Roderigo-Quin; Curio-Cross; Seberto-Ridout; Pilgrim-Woodburn; Jacques-Turbutt; Lopez-Shepard; Mad Englishman-Winstone; Mad Scholar-Havard; Mad Priest-Raftor; Mad Taylor-Woodward; Mad Welchman-Macklin; Master of sadhouse-Furnival; Keeper-Marshall; Alinda-Mrs Mills; Juletta-Mrs Pritchard; In which will be introduced the Original Mad Dialogue set to Musick by Mr H. Purcell-Beard, Mrs Clive.

Afterpiece Title: Colombine Courtezan

Dance: II: Flanderkins-Master Ferg, Miss Wright; III: Drunken Peasant-Philips; IV: Grand Dance-Mlle Roland

Performances

Mainpiece Title: Rehearsal

Performance Comment: Bayes-Cibber Jr; Smith-Delane; Johnson-Mills; Other Characters-Johnson, Macklin, Neale, Havard, Ridout, Taswell, Arthur, Turbutt, Winstone, Leigh, Green, Wright, Ray, Woodburn, Miss Woodman, Mrs Cross, Miss Story, Miss Cole; Vocal Parts-Beard, Lowe, Johnson, Ray, Raftor; Particularly the Representation of a Battle of the Two Operatical Generals-Per gli Signori Giovanni and Tomasino detti Beard, Lowe; With the Additional reinforcement of Mr Bayes's New Rais'd Troops-.

Dance: I: Ballet, as17411015; II: Sailor's Dance, as17411015; III: The Drunken Peasant, as17411029; IV: A Dutch Dance, as17411114; V: The Swiss, as17410926

Performances

Mainpiece Title: Henry Viii

Performance Comment: Henry-Berry; Wolsey-Mills; Buckingham-Winstone; Gardiner-Johnson; Cranmer-Turbutt; Norfolk-Havard; Suffolk-Ridout; Lord Chamberlain-Woodburn; Campeius-Shepard; Abergavenny-Raftor; Cromwell-Cross; Lord Sands-Neale; Surveyor-Taswell; Lovel-Ray; Old Lady-Mrs Egerton; Anna Bullen-Mrs Ridout; Queen Katherine-Mrs Roberts.

Afterpiece Title: The Virgin Unmasked

Dance: I: A Concerto, as17420105; II: The Drunken Peasant, as17411029; III: Le Boufon, as17420325

Song: IV: A Ballad-Lowe; V: Bumper Squire Jones-Beard

Event Comment: Benefit Macklin. Stage form'd into Front and Side Boxes. N.B. As Mr Macklin has reason to believe that several of his tickets are counterfeited, and will be offer'd for sale in the streets and passages leading to the theatre, he begs leave to give this publick caution of the fraud; and humbly desires that Gentlemen and Ladies who have taken places, to send for tickets to the Theatre, or to Mr Macklin at his House in Bow Street.--Daily Advertiser. Winston MS.: In 1743 Macklin, Mrs Woffington, and Garrick took house No. 6 Bow St.--a joint establishment

Performances

Mainpiece Title: The Alchemist

Performance Comment: Abel Drugger-Garrick, 1st time; Face-Macklin; Subtle-Mills; Sir Epicure Mammon-Berry; Dol Common-Mrs Macklin; Ananias-Morgan; Tribulation-Taswell; Surly-Cross; Dapper-Leigh; Lovewit-Turbutt; Kastril-Neale; Dame Pliant-Mrs Bennet.

Afterpiece Title: The School Boy

Dance: II: Sicilian Peasant, as17430310 IV: Italian Gardeners, as17421231

Song: III: Beard

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: Shylock-Macklin; Antonio-Delane; Bassanio-Havard; Gratiano-Mills; Launcelot-Neale; Morochius-Sparks; Lorenzo (with proper songs)-Lowe; Portia-Mrs Clive; Nerissa-Mrs Bennet; Jessica-Mrs Ridout; Duke-Winstone; Solanio-Berry; Salarino-Blakes; Gobbo-Ray; Tubal-Taswell; Balthasar-Simpson; Prologue [written by Samuel Johnson]-Garrick; Epilogue-Mrs Woffington [Rosenbach copy of Prologue and Epilogue. Spoken at the opening of the Theatre in Drury Lane, 1747.]Rosenbach copy of Prologue and Epilogue. Spoken at the opening of the Theatre in Drury Lane, 1747.]

Performances

Mainpiece Title: She Wou'd And She Wou'd Not; Or, The Kind Imposter

Performance Comment: Manuel-Yates; Don Philip-Sparks; Octavio-Havard; Diego-Ray; Soto-Neale; Trappanti-Woodward; Corrigidore-Winstone; Alguazile-Bransby; Lewis-Usher; Stephano-Wright; Flora-Mrs Green; Rosara-Mrs Mills; Viletta-Mrs Clive; Hippolita-Mrs Pritchard.

Afterpiece Title: The Lottery

Music: I: Concerto on Flute-a Child five years of age (1st time of his appearing on any stage); III: Another piece of music-the Child

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Triumph of Peace

Performance Comment: Mars-Cooke; Mars' followers-Blakes, Vaughan, Marr, Adams, Shawford, Harvey, Yates, Harrison; War-Winstone; Power-Lee; Ambition-Palmer; Peace-Mrs Mills; Justice-Mrs LaFont; Liberty-Mrs Ansley; Shepherds-Havard, Beard, Reinhold, King, Master Maddox; Shepherdesses-Mrs Clive, Miss Cole, Miss Medina; Britannia-Anne Auretti; Hungarians-Cooke, Janeton Auretti; French-Mathews, Mrs Addison; Dutchman-Pelling; Spaniard-Shawford; concluded with a view of the Temple of Peace-.

Performances

Mainpiece Title: The Double Dealer

Performance Comment: Maskwell-Berry; Careless-Mills; Mellefont-Havard; Sir Paul-Yates; Lord Froth-Shuter; Lord Touchwood-Winstone; Brisk-Woodward; Saygrace-James; Lady Froth-Mrs Clive; Lady Pliant-Mrs Pit; Cynthia-Mrs Willoughby; Lady Touchwood-Mrs Pritchard.

Afterpiece Title: Acis and Galatea

Performances

Mainpiece Title: The Busy Body

Performance Comment: As17491229, but Sir Jealous Traffic-Berry; Sir George Airy-Mills.

Afterpiece Title: Don Saverio

Ballet: SSavoyard Travellers. As17500126