SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Matthew Lock"/1) | (@(roleclean,performerclean) "Mr Matthew Lock")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4282 matches on Event Comments, 1270 matches on Performance Comments, 763 matches on Performance Title, 107 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Timon

Afterpiece Title: Lethe

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Lyar

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Deuce Is in Him

Dance: II: The Sailors Revels, as17711008

Performances

Mainpiece Title: Cyrus

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Devil to Pay

Dance: V: The Sailors Revels, as17711008

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Witches

Event Comment: Mainpiece: By Desire. Play not acted: theatres closed for death of Augusta Princess Dowager of Wales. [For comment Theatrical Review, II, p. 93 attaches to the evening of 7 Feb.]: Another additional scene was introduc'd this evening, for the first time in which Mr Dunstall, in the character of a Female Ballad Singer, entertained the audience with the following new song, relative to the tricks of the Stockwell Conjuror, which it exposes with some degree fo humour, and which has a good effect, from the manner in which it is introduc'd; but from such poetry, Heaven delvier us!@The Stockwell Wonder@Ye beaux, belles and flirts, who the Pantheon stock well,@Come and see the renown'd Pandemonium at Stockwell.@Where the house and the furniture's all in bon ton@And the pewter and crockery dance cottillon. Derry Down, down, down Derry Down.@A pickling-pan first, which exceeds all belief,@Jumps and skips to the tune of old English Roast Beef;@While a barrel so lively, it cannot be said,@That the beer that is in it can ever be dead, Derry Down &c.@ @The tables, chairs, jars, frisk about too, and soon@The pestle and warming-pan move to some tune;@The clock too chimes in, and we very well know@That a clock that don't stand must undoubtedly go, Derry down, &c.@But let not amazement your fancies perplex@The enchantment arose from th'enchanting fair sex;@A sweet girl was the cause, and girls wonders are rich in@For we all know sweet girls-are extremely bewitching.@Derry down, &c.

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Skeleton

Performances

Mainpiece Title: The Fox

Afterpiece Title: Harlequin Skeleton

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Witches

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Institution of the Garter

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Institution of the Garter

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Institution of the Garter

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Lottery

Event Comment: Paid Mr Chapman for horsekeeping [for Jubilee] #12 6s. (Treasurer's Book). [Published this month A Letter to David Garrick, Esq. on his conduct as Principal Manager and Actor at Drury Lane. Printed for S. Bladon. Accuses Garrick of controlling the press, save for two papers, and thus getting more favourbale treatment than his position and actions deserve. "You are a mere actor. You affect to feel where you do not, and imitate tones, looks and gestures, while your heart is at ease. This should heighten our opinion of you as an artist, whatever we might think of you as a man. I believe you are not generally judged of in this manner. It is not difficult to impose on the world." The author (David Williams?) deprecates Garrick's supposed handling of the actors of his company, and desires to see more Shakespeare. Suggests Garricks' acting perfection lies in the extreme, in exaggerated gesture, and sudden bursts of passion." Suggests he is getting old and should try his hand at Shylock.] Receipts: #271 (Treasurer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: Wit's Last Stake

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: Judas Maccabaeus

Music: Violin Solo-Ximene (the first time of his performing in public); Concerto on Violincello-Janson

Performances

Mainpiece Title: Grecian Daughter

Afterpiece Title: The Absent Man

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Lyar

Dance: V: The Sailors Revels, as17711008

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: High Life below Stairs

Dance: III: The Sailors Revels, as17711008

Entertainment: I: (by Particular Desire) A Comic Paraphrase of Shakespeare's Seven Ages-King

Monologue: End: By particular Desire Linco's Travels. As 24 March

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Lottery

Monologue: End of Play: Linco's Travels. As 24 March followed by

Dance: The Sailors Revels, as17711008

Performances

Mainpiece Title: The Chances

Afterpiece Title: A Trip to Scotland

Dance: After Interlude: The Sailors Revels, as17711008

Monologue: End: Linco's Travels. As 24 March

Performances

Mainpiece Title: The Refusal; Or, The Lady's Philosophy

Afterpiece Title: Love a-la-Mode

Dance: End: A Dance in which will be an Allemande,-Hamoir, Miss Hamoir

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Mayor of Garratt

Dance: I: The European in America (for 1st time this Season)-Messieurs Daigvilles, Miss Ross, Sga Vidini; II: A Comic Dance, as17720326 V: Psiche, a Grand Historical Ballet (Never performed before)-Daigville, Giorgi, Sga Daigville, Miss Ross, Sga Vidini

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Humours of the Turf

Dance: End: The Sailors Revels, as17711008