Toggle Sphinx Query
SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Martin"/1) | (@(roleclean,performerclean) "Mr Martin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?
+
+

Keyword

?
New Search
6047 results for: Keyword - Mr Martin
We found 4315 matches on Event Comments, 1501 matches on Performance Comments, 574 matches on Performance Title, 38 matches on Author, and 0 matches on Roles/Actors.

1351
03 April 1775 @ Drury Lane Theatre

Event Comment: Benefit for Sga Hidou. Paid 1 yrs. Poor's Rate for Covent Garden parish to Lady Day last #2 16s. 8d.; one yrs. ditto for St Martin's to Xmas last #60 6s. 7d. (Treasurer's Book). Main characters in the New Ballet New Dressed. Receipts: #170 3s. 6d. Charges: #66 4s. 6d. Profits to Sga Hidou: #103 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Ladies Frolick

Dance: I: A New Ballet (for that Night Only) call'd The Force of Love-M LaRavier (his first appearance on that stage), Sga Hidou, Como, Sga Como, Two Children, first appearance; End: The Grand Provencalle Dance, as17750202

1352
17 May 1776 @ Drury Lane Theatre

Event Comment: Benefit for Watson, Roberts, Wilson, and Palmer. Tickets deliver'd by Humphreys will be taken. Paid subscription to charity school and Easter offering #2 12s. 6d. (Treasurer's Book). [Probably to St Martin's Charity school #2 2s.; and Offering 10s. 6d., as indicated by payments in earlier 70's.] Receipts: #37 3s. 6d. Charges: #84. Deficit to Watson, Roberts, Wilson, and Palmer: #46 16s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Padlock

Dance: V: The Sailors Revels, as17751220

1353
08 February 1777 @ Covent Garden

Performances

Mainpiece Title: Sir Thomas Overbury

Afterpiece Title: The Jovial Crew

Performance Comment: As17771025, but Randal-_; Martin-_; Patrico-_; Beggars-_; Beggar Women-_.

1354
10 May 1779 @ Haymarket Theatre

Event Comment: By Authority of the Lord Chamberlain. Benefit for Mitchell and Sinclair. The Doors to be opened at 5:15. To begin at 6:00 precisely. Tickets to be had of Mitchell at the Old Castle Tavern, near Gray's Inn Gate, Holborn; of Sinclair, Church-Lane, near St. Martin's Church, Strand

Performances

Mainpiece Title: Douglas

Afterpiece Title: Wit's Last Stake

Afterpiece Title: The Brave Irishman

Dance: End Monologue: Hornpipe-Lapper

Song: End III: He's aye kissing me-Miss Harris; End: Hunting Song-Miss Harris

Music: Between the Acts: The original Scotch Music-

Entertainment: Monologue.End 2nd piece: Hippisley's Drunken Man-Lewis (1st appearance on that stage these 3 years)

1355
17 August 1779 @ Haymarket Theatre

Event Comment: Benefit for Edwin. Tickets to be had of Edwin, No. 9, St. Martin's-street, Leicester-Fields. Mainpiece: Not acted these 4 years [acted 23 Sept. 1776]

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Waterman

Song: End IV: Ted Blarney-Master Edwin

Entertainment: Monologue End: Bucks have at ye all-Master Edwin

1356
13 October 1779 @ Haymarket Theatre

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Massey. Afterpiece: Never performed in London, written by the author of The Son-In-Law [John O'Keeffe; 1st acted at Smock Alley Theatre, Dublin, 14 Jan. 1767. See also cg, 16 Mar. 1782, when it was acted as The Positive Man]. To begin at 7:00. Tickets delivered for the 4th instant will be taken. Tickets and places for the Boxes to be had of Rice at the Theatre, and of Massey, No.4, St. Martin's-street, Leicester-Fields

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The She Gallant

1357
17 August 1780 @ Haymarket Theatre

Event Comment: Benefit for Bannister Jun. Tickets to be had of Bannister Jun. at a print shop, four doors below New-street, St. Martin's Lane

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Quaker

Dance: II afterpiece: As17800615

Entertainment: End: a Variety of Imitations-Bannister Jun

1358
07 May 1784 @ Drury Lane Theatre

Event Comment: Benefit for Williames and Spencer. Gazetteer, 5 May: Tickets to be had of Williames, No. 32, St. Martin's-street, Leicester-fields [Spencer not listed]. 3rd piece: Not acted these 3 years. To conclude with a Waterfall, as it was originally performed. Receipts: #188 5s. 6d. (27/12/0; 12/6/6; 1/14/0; tickets: 146/13/0) (charge: #115 10s.)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: Musical Miscellanies

Afterpiece Title: The Elopement

1359
10 May 1784 @ Covent Garden

Event Comment: Benefit for Mrs Martyr. Public Advertiser, 7 May: Tickets to be had of Mrs Martyr, No. 32, St. Martin's-strcet, Leicester-fields. 1st piece [1st time; CO 2, by Horatio Edgar Robson. MS: Larpent 657; not published. Composer of music unknown]: The Music partly new and partly compiled. With a New Overture. Receipts: #181 i5s. (99/16; tickets: 81/19) (charge: #105)

Performances

Mainpiece Title: Too Loving By Half

Afterpiece Title: The Winter's Tale

Afterpiece Title: Rosina

Dance: End of 2nd piece Adelaide de Brabant, as17840508

1360
20 May 1784 @ Drury Lane Theatre

Event Comment: Benefit for Staunton and Mrs Hedges. Gazetteer, 8 May: Tickets to be had of Staunton, No. 9, St. Martin's-street, Leicester-fields; of Mrs Hedges, opposite Old Bond-street, Piccadilly. Receipts: #208 1s. 6d. (15/13/0; 19/15/6; 0/16/0; tickets: 171/17/0) (charge: #106 0s. 11d

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: A Musical Oglio

Afterpiece Title: The Double Disguise

1361
17 November 1784 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Mainpiece: Not acted these 4 years. Paid Half Year's Watch & Beadles, St Martin's Parish, #22 3s. 8d. Receipts: #289 18s. (276/1/0; 12/19/6; 0/17/6)

Performances

Mainpiece Title: Zara

Afterpiece Title: Bon Ton

1362
06 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for Williames and Staunton. Public Advertiser, 3 May: Tickets to be had of Williames, No. 22, Gerrard Street; of Staunton, No. 9, St. Martin's Street. Receipts: #192 8s. 6d. (23/10/0; 11/9/0; 0/11/6; tickets: 156/18/0) (charge: #110 18s.)

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Sons of Anacreon

Afterpiece Title: Comus

1363
16 April 1788 @ Covent Garden

Event Comment: Benefit for Johnstone. [Afterpiece in place of Love in a Camp, advertised on playbill of 15 Apr.] Public Advertiser, 11 Apr.: Tickets to be had of Johnstone, No. 83, St. Martin's Lane. Receipts: #256 9s. 6d. (152.1.0; 7.2.6; tickets: 97.6.0)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Barataria

Dance: As17871129

1364
10 January 1789 @ King's Theatre

Event Comment: A New Comic Opera (never performed [in London; 1st performed at Vienna, 1786]); the Music by Martini [i.e. Martin y Soler], under the direction of Mazzinghi. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. Those Subscribers of last season who have not yet signified their intention respecting the retaining of their Boxes are respectfully requested to send their names, in writing, to the Treasurer's office in Union-court, Hay-market, on or before Thursday next, the 15th inst., or the Manager will be under the necessity of disposing of the Boxes. Subscriptions are received and Tickets delivered as usual, at Messrs Ransom, Morland and Hammersley, No. 57, Pall-Mall. All persons claiming admission into the Opera House by Silver Tickets or Renters' Shares are requested to send the same to the Treasurer's Office as early as may be, that they may be examined and properly certified, otherwise they cannot be admitted. The Doors to be opened at 6:30. To begin at 7:30 [same throughout opera season]

Performances

Mainpiece Title: La Cosa Rara

Dance: End I: a New Divertissement-Didelot, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Normand; End Opera: L'Embarquement pour Cythere [composed by Didelot]-Didelot, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Normand

1365
21 October 1789 @ Drury Lane Theatre

Event Comment: [As mainpiece the playbill announces the 1st night of The False Friend (see 24 Oct.), but "Miss Farren was taken ill, and The Beggar's Opera was the substitute. It proved, however, to be a substitute flat, stale and unprofitable. We never saw more indiffernet acting" (Oracle, 22 Oct.). Afterpiece in place of Richard Coeur de Lion, advertised on playbill of 20 Oct.] Paid Watch & Beadles, St. Martin's parish? 1 Year #42 10s. 4d. Receipts: #73 4s. (46.17.0; 24.17.6; 1.9.6)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Comus

1366
27 February 1790 @ Haymarket Theatre

Event Comment: A new Comic Opera; the music by Bianchi [with additions by Mozart [K. 479, 480 (see Loewenberg, 407)], Martin y Soler, Paisiello]. Under the direction of Federici

Performances

Mainpiece Title: La Villanella Rapita

Dance: End I: La Bergere des Alpes, as17900107; End Opera: Les Mariages Flamands, as17900213, but Mlle Dorival

1367
06 May 1790 @ Covent Garden

Event Comment: Mainpiece [1st time; MD 3, by Frederick Reynolds. Larpent MS 870; not published; synopsis of plot in Public Advertiser, 7 May]: With entire new Dresses, Scenes, Machinery and Decorations. The Music partly selected from Cimarosa, Gluck, Martin y Soler?, Reeve, Dr Arne [the printed score (Longman and Broderip [1790]) adds: Martini, Duni, Carolan, Leveridge]. The rest composed by Shield. The Chorusses selected from Handel, and sung by the Performers from the Concert of Ancient Music. Books of the Songs to be had at the Theatre. Receipts: #210 13s. 6d. (208.12.0; 2.1.6)

Performances

Mainpiece Title: The Crusade

Afterpiece Title: The Miser

1368
20 May 1790 @ Drury Lane Theatre

Event Comment: Benefit for Sedgwick. Public Advertiser, 19 May: Tickets to be had of Sedgwick, No. 66, St. Martin's Lane. Receipts: #218 5s. (47.12.0; 19.19.6; 1.12.6; tickets: 149.1.0) (charge: #110 9s. 2d.)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Court of Apollo [i

Afterpiece Title: Comus

1369
20 May 1790 @ Haymarket Theatre

Event Comment: Benefit for Mlle Dorival. Tickets to be had of Mlle Dorival, No. 36, St. Martin's-street

Performances

Mainpiece Title: Ninetta

Dance: End I: Les Mariages Flamands, as17900213, but Mlle Dorival, in place of Mlle _de'Caro; End Opera: +La Jalousie sans Raison, as17900325

1370
03 June 1790 @ Covent Garden

Event Comment: Benefit for Duffey and Cox. Diary, 3 June: Tickets to be had of Duffey, No. 115, St. Martin's Lane [Cox not listed]. Receipts: #315 10s. 6d. (94.12.0; 6.3.6; tickets: 214.15.0)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Follies of a Day

Song: End I afterpiece: Tho' Bacchus may boast (composed by Shield)-Duffey; End II: Mad Tom (composed by Purcell)-Duffey

1371
19 October 1790 @ Covent Garden

Event Comment: Mainpiece: 15th [recte 14th] Time [i.e. in continuation of the reckoning for the previous season]. With new Dresses, Scenes, Machinery and Decorations. The Music partly from Cimarosa, Gluck, Martin y Soler?, Reeve, Dr Arne. The rest by Shield. The Chorusses selected from Handel, to be sung by the Performers from the Concert of Ancient Music. [Miss Williams was from the Exeter theatre.] Receipts: #137 1s. 6d. (133.7.0; 3.14.6)

Performances

Mainpiece Title: The Crusade

Afterpiece Title: Animal Magnetism

1372
13 April 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: Israel In Egypt; Messiah; Grand Selection 0

Afterpiece Title: A New Selection

Performance Comment: Concerto on the violin-Master Clement; Gentle Airs Melodious Strains-Miss Broadhurst (Athalia); Let me wander not unseen, Or let the merry Bells-Dignum; And young and old-Chorus; Sweet bird that shun'st-Miss Hagley; accompanied on the violin-Shaw (L'Allegro); Pleasure my former ways resigning-Spence (Time and Truth); Solo on the violoncello-Mason; From rosy Bowers-Mrs Crouch (Purcell); Ah! d'ascolta gia parmi-Miss Davies (Martin y Soler); Awake Eolian Lyre-Reinhold (Dr Arnold); Gird on thy Sword-Chorus (Saul).

1373
18 May 1791 @ Drury Lane Theatre

Event Comment: Benefit for Sedgwick. Morning Chronicle, 14 May: Tickets to be had of Sedgwick, No. 66, St. Martin's-lane. Receipts: #100 16s. 6d. (65.11.0; 31.9.0; 3.16.6; tickets: none listed) (charge: #117 13s. 8d.)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Court of Apollo [i

Afterpiece Title: The Pannel

1374
26 May 1791 @ King's Theatre

Event Comment: Benefit for Mlle Mozon. Tickets, 10s. 6d. each and Boxes, to be had of Mlle Mozon, No. 32, St. Martin-street, Leicester-fields

Performances

Mainpiece Title: Entertainments Of Music And Dancing

Dance: End III: an entire new Ballet (composed by Vestris Jun.) Les Folies d'Espagne- see17910610; (for that night only) Pas de Trois-Vestris Jun., Mlle Hilligsberg, Mlle Mozon; Pas Seul-Juber (principal dancer from France); a Pas de Deux-Juber, Mlle Mozon; conclude with Minuet de la Cour-as17910505Vestris Sen

Ballet: End I: L'Amadriade. As17910517

1375
16 August 1791 @ Haymarket Theatre

Event Comment: Benefit for Mrs Kemble. Afterpiece [1st time: F 2, by Stephen George Kemble, altered from The Fair Maid of the West, by Thomas Heywood. Larpent MS 914; not published. Author of Prologue unknown]. Morning Chronicle, 15 Aug.: Tickets to be had of Mrs Kemble, next door to the Old Slaughter's Coffee-house, St. Martin's Lane. "Miss Kemble, though only four years of age, drew forth much applause" (Diary, 17 Aug.)

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: The Northern Inn; or, The Days of Good Queen Bess