Event Comment: The United Company. The date of the first performance is not known, but Luttrell dated his copy of the separately-printed Prologue and Epilogue 5 April 1684 (J. W. Dodds, Thomas Southerne, p. 48). Very probably the play first appeared during the week of 31 March-5 April, immediately following Easter. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 191-94. This may have been the last new role William Smith undertook for some years; see Cibber, Apology, ed. Lowe, 1, 78-79, for the incident which prompted Smith's leaving the stage for awhile. One song, I never saw a face till now, with music by Captain Pack, is in The Theater of Music, the First Book, 1685; and another, O why did e'er my thoughts aspire, the music by R. King, is in the same collection. A third song, See how fair Corinna lies, the music by Captain Pack, is in A Collection of Twenty-Four Songs, 1685

Event Comment: Benefit Macklin. Mainpiece written by the late Lord Lansdown. With the Original Songs, new set by Mr Arne, and to be sung by Mr Lowe and Mrs Clive. Never acted there before. Afterpiece wirtten by the late Mr Pope, Mr Gay, and Dr Arbuthnot. Servants will be allowed to keep places on the stage; and those ladies who have taken places are humbly desired to send for tickets to prevent mistakes. Tickets to be had of Macklin at his house in Bow St., and of Hobson at the stage door

Event Comment: The United Company. The date of the first performance is not certain, but Luttrell acquired his copy of the separately-printed Prologue and Epilogue on 18 Aug. 1684. (Bindley Collection, William Andrews Clark@Jr@Library), and the play was probably first performed on that day or in the preceding week. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 221-23. In the broadside the speaker of the Prologue is identified as Jevon. A sofg, Ah poor Oliver never boast, the verse by a Lady, and the music by R. King, is in A Collection of Twenty-Four Songs, 1685. Another, Damon if you wilt believe me, the verse by a Person of Quality and the music by Alexander Damascene, is in The Banquet of Musick, The Fifth Book, 1691. Two songs, Tell me no more I am deceived, the verse by Sir George Etherege and the music by J. B. Draghi, and Who can resist my Celia's charms, the music by J. B. Drahgi, and the verse by A Person of Quality, are in the printed play. This cast contains the last new role certainly assigned to John Wiltshire, who, according to (Cibber, Apology, ed. Lowe, I, 84-85), entered the army and was killed in action

Event Comment: Full Prices. Afterpiece: A Pantomimic dance by Love (Biographia Dramatica). Much followed and brought several crowded houses, and the success chiefly owing to the reports our newspapers were, at that time, daily filled with, of the French wild Beast that was devouring (and yet pursued by) children. This wild beast was happily introduced in this pantomime, pursued by boys led on by a Frenchman. At last the Beast made his Re-entry, and ran across the stage with the poor Frenchman in his mouth, to the great joy of the Pit, Box and Galleries (Victor, History of Theatres, III, 72). Dorilas for the first time by Mr Cautherly--very decent, but wanted spirit. This pantomime is fathered by Mr Lowe [?]--went off with applause, --Mr Garrick made most of the Business to it, which is very good (Hopkins Diary). [Letter from C. V. Theatricus on ladies' removing their hats in the theatre. A Gentleman had requested it and a debate ensued in the Public Advertiser, as to whether he wished to see the play better or to gaze more audaciously on many pretty faces. Long letter also from G. F. Theatricus to the Public Advertiser, commenting on the excellence of Powell, Mrs Yates, Holland, the Palmers, Cautherly and Bensley for their performance in Venice Preserved, Romeo and Juliet, and Mahomet respectively.

Event Comment: Benefit for Lowe. Charges #60. Deficiency to Lowe #11 16s. covered by #104 9s. from tickets. [Afterpiece appears under the Shakespearian title in the Account Book. Actually it was James Worsdale's Cure for a Scold taken from Shakespeare's play.] Mainpiece: By particular desire. Tickets to be had of Lowe at his lodgings the corner of Southampton St., Covent Garden, and of Page at the Stage door of the Theatre. Receipts: #48 4s

Event Comment: The United Company. The date of the first performance is not certain, but it was very likely this day. Writing on 12 May 1688, Peregrine Bertie states that it had been acted nine days successively. If the ninth performance fell on Friday 12 May, the premiere probably occurred on Wednesday 3 May. The Prologue and Epilogue, printed separately, are reprinted in Wiley, Rare Prologues and Epilogues, pp. 261-63. Downes (Roscius Anglicanus, p. 41): This Play by its Excellent Acting, being often Honour's with the presence of Chancellor Jeffereies, and other great Persons had an Uninterrupted run of 13 Days together. Note, The Poet receided for his third Day in the House in Drury Lane at single Prizes 130 l. which was the greatest Receipt they ever had at that House at single Prizes. Dedication, Edition of 1688: This, I must confess, made me hope for success upon the Stage, which it met with, but so great, as was above my expectation (in this Age which has run mad after Farces) no Comedy, for these many years, having fill'd the Theatre so long together: And I had the great Honour to find so many Friends, that the House was never so full since it was built, as upon the third day of this Play; and vast numbers went away, that could not be admitted. For Leigh as Belfond Sr, see Cibber, Apology, ed. Lowe, I, 147-48; and for Underhill as Lolpoop, I, 154-55. For further comment upon the play, see 12 May 1688

Event Comment: Benefit Lowe. Tickets at his lodgings next Seven Stars, Bedford Street, Covent Garden

Event Comment: Benefit for Lowe. Tickets three shillings. To begin at half past six (Daily Advertiser)

Event Comment: Benefit for Lowe. Tickets for 30 March will be taken. Afterpiece: Not acted these 6 years [see 18 April 1746]

Event Comment: [Benefit for Joseph Lowe, a Citizen of London, under Misfortunes

Event Comment: Benefit for Lowe. Mainpiece: By Particular Desire. Not acted these 6 years. [See 27 March 1750.

Event Comment: Benefit for Lowe. Receipts: #89 3s. 6d. plus Tickets #134 (boxes 206; pit 430; gallery 180). (Charges: #63 (Account Book)

Event Comment: Benefit for Lowe. Afterpiece: A Musical Masque. With new Additions. Books of the Masque may be had at the theatre, Price 6d

Event Comment: Benefit for Lowe. Ladies send servants by 3 o'clock. Receipts: #103 1s., in cash, plus #162 19s. from tickets (Boxes 259; Pit 546; Gallery 163). Total income #266.Charges #64 5s. Paid Martin (wardrobe keeper) on a acct of his salary #5; Paid Whitefield 3 months salary #7 10s

Event Comment: Benefit for Lowe. Afterpiece: Not acted these 16 years. Arethusa by a young lady [hiatus in MS] her first appearance--very decent (Hopkins MS Notes)

Event Comment: By Particular Desire. Benefit for Lowe. The last night of the Season. Admittance 3s. To begin at 6 p.m

Event Comment: Paid 2 Clarinets 6 nights (this incl.) #9 9s.; Paid Manager's gratuity of Mr Lowe #5 5s. (Treasurer's Book). Receipts: #201 8s. 6d. (Treasurer's Book)