SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Lowe"/1) | (@(roleclean,performerclean) "Mr Lowe")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4271 matches on Event Comments, 1569 matches on Performance Comments, 880 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [The play was not allowed to conclude, nor was the afterpiece, All the World's a Stage, performed. "Yesterday evening, during the representation of...A Bold Stroke for a Wife, at China Hall, Rotherhithe, a party of the inhabitants, who had laid an information against the performers, rushed into the theatre, behind the scenes, and seized Mr Russell (who played the character of Colonel Feignwell), and carried him, in his stage dress, before Justice Smith, at the Rotation-Office, St Bennet's-hill, who committed him to the House of Correction, for further examination this morning" (Morning Chronicle, 24 July). What happened to Russell is not known, but because of this occurrence the theatre did not re-open until the following season, on 25 May 1778. See my article on the history of this unlucky playhouse, Theatre Notebook, VIII, 76-80.

Performances

Mainpiece Title: A Bold Stroke For A Wife

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mayor of Garratt

Dance: III: a Hornpipe-

Entertainment: ImitationsEnd: New Imitations Vocal and Rhetorical-Hutton

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Irish Widow

Song: Entertainments of singing-Mrs Mapples;, particularly the favourite song of The Soldier tir'd of war's alarms-Mrs Mapples

Performances

Mainpiece Title: The Wonder: A Woman Keeps A Secret

Afterpiece Title: The Lying Valet

Dance: End: Hornpipe-a Lady [from the Theatre Royal, Covent Garden unidentified]

Performances

Mainpiece Title: The First Part Of King Henry Iv

Afterpiece Title: The Wonders of Derbyshire

Performances

Mainpiece Title: The Second Part Of King Henry The Fourth

Afterpiece Title: The Register Office

Dance: End IV: As17780919

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: An Ode by Garrick

Dance: As17790922

Performances

Mainpiece Title: A Gazette Extraordinary; Or, The Illumination

Afterpiece Title: The Pilgrim

Afterpiece Title: The Elders

Dance: IV: The Bedlamites-

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Miniature Picture

Dance: End II afterpiece: As17791122

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Robinson Crusoe

Dance: As17810203

Performances

Mainpiece Title: The Farmer's Return From London

Afterpiece Title: All for Love

Afterpiece Title: Phusimimesis; or, Resemblances of Nature

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Song: End II 2nd piece: The Huntsman's Sweet Halloo, as17810226; 4th piece: The Early Horn-Cubitt; Scene I: When Phoebus the tops of the hills, as17810425

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggar's Opera

Afterpiece Title: Medea and Jason

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Gentle Shepherd

Dance: End of Act I of afterpiece a Highland Reel by Blurton and the two Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: The Banditti; Or, Love's Labyrinth

Afterpiece Title: The Apprentice

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: A Fete

Afterpiece Title: The Dead Alive

Event Comment: [In mainpiece the playbill assigns the 1st Gravedigger to Parsons, but "an Apology was made for Parsons, and Suett went through his Part" (Public Advertiser, 2 Oct.). In afterpiece the playbill retains Parsons as Solomon; for Fawcett see 26 Nov.] "We have for so many years been accustomed to see Hamlet dressed in the Vandyke costume, that it may be material to state that Mr Kemble played the part in a modern court dress of rich black velvet, with a star on the breast, the garter and pendant ribbon of an order-the mourning sword and buckles, with deep ruffles: the hair in powder; which, in the scenes of feigned distraction, flowed dishevelled in front and over the shoulders" (Boaden, Kemble, I, 104). Receipts: #285 16s1. (265/14/0; 19/19/6; 0/2/6)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Quaker

Event Comment: RosiNA [announced on playbill of 2 Oct.] is obliged to be deferred on account of Mrs Martyr's Indisposition. "There are many of Mr Garrick's most favourite characters which [Henderson] appears in with great credit to himself, and applause from the audience; that in which he has been thought to approach the nearest to his predecessor is Hamlet; and, if we oppose the declamatory skill of Henderson-a quality indispensably necessary to the performance of this most difficult character-to the pathos and phrenzy (whether it be assumed or real madness in Hamlet is not here the question) of Garrick; I think it must be allowed that however short of him he may fall in some particulars, in the one I have mentioned, at least, he exceeds him" Qonson, The sad shepherd, ed. Waldron, p. 174). Receipts: #199 4s. 6d. (197/19/0; 1/5/6)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Padlock

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: A Medley

Afterpiece Title: Duke and No Duke

Dance: End of Act I of mainpiece, as17840311athi

Performances

Mainpiece Title: Zara

Afterpiece Title: Catherine and Petruchio

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Bon Ton

Dance: In Act I of mainpiece a Dance of Spirits by Miss Hamoir, &c.; In Act III a Dance of Fantastic Spirits (performers not listed); In Act IV a Dance by Mr and Miss Hamoir. [All these were danced, as here assigned, in all subsequent performances.]

Event Comment: By Permission of the Lord Chamberlain. Mainpiece [1st time; C 5, author unknown. MS: Larpent 651; not published]. Places for the Boxes to be taken of Rice at the Theatre; and Tickets to be had of Mrs Williams, the Artificial Flower Warehouse, Store-street, Bedford-square. [Mrs Williams is identified in Morning Post, 11 Feb.]

Performances

Mainpiece Title: The Fair Refugee; Or, The Rival Jews

Afterpiece Title: A Musical Interlude

Afterpiece Title: The Author

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Land of Enchantment

Afterpiece Title: Barataria

Dance: In 2nd piece, by Harris, Miss Besford, Mrs Goodwin, Mrs Ratchford, Miss Matthews

Song: As17841025, but omitted: names of singers

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Deserter

Dance: End of mainpiece The fancy Races {performers not listed]

Song: End of Act I of mainpiece Tantivy, the welkin resounds (the Music by Hook); End of Act II a new song, The New Blown Rose (the Words by Mrs Cumyns, the Music by Dale), both by Mrs Martyr