SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Love"/1) | (@(roleclean,performerclean) "Mr Love")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4468 matches on Event Comments, 3294 matches on Performance Title, 2078 matches on Performance Comments, 117 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Playhouse To Be Let

Performance Comment: Song in Act II Ah love is a delicate thing-Mrs Gosnell.
Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw The English Monsieur; sitting for privacy sake in an upper box: the play hath much mirth in it as to that particular humour. After the play done, I down to Knipp, and did stay her undressing herself; and there saw the several players, men and women go by; and pretty to see how strange they are all, one to another, after the play is done. Here I saw a wonderful pretty maid of her own, that come to undress her, and one so pretty that she says she intends not to keep her, for fear of her being undone in her service, by coming to the playhouse. Here I hear Sir W. Davenant is just now dead; and so who will succeed him in the mastership of the house is not yet known. The eldest Davenport is, it seems, gone from this house to be kept by somebody; which I am glad of, she being a very bad actor.... [Mrs Knepp] tells me mighty news, that my Lady Castlemayne is mightily in love with Hart of their house; and he is much with her in private, and she goes to him, and do give him many Presents; and that the thing is most certain, and Becke Marshall only privy to it, and the means of bringing them together, which is a very odd thing; and by this means she is even with the King's love to Mrs Davis

Performances

Mainpiece Title: The English Monsieur

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. There is no certainty that this is the premiere, but the fact that the play was given again on 4 Dec. 1672 suggests that this was the first performance and that it was also acted on Tuesday 3 Dec. 1672. A song, How pleasant is mutual love, set by John Bannister for this play, is in Choice Songs and Ayres, First Book, 1673. See Cibber, Apology, ed. Lowe, I, 155, for Underhill's acting of Justice Clodpate. Downes (p. 33): This Play in general being Admirably Acted, produc'd great Profit to the Company. Note, Mrs Johnson in this Comedy, Dancing a Jigg so Charming well, Loves power in a little time after Coerc'd her to Dance more Charming, else where

Performances

Mainpiece Title: Epsom Wells

Event Comment: The United Company. On this evening William Mountfort, the actor, was killed by Lord Mohun and Captain Hill, but the name of the play given that night seems not to have been mentioned in the testimony at the trial. In a novel based on the event, The Player's Tragedy; or, Fatal Love (1693), Mrs Bracegirdle acted the Wife of Essex in The Unhappy Favourite, and the fiction may have been based on fact. Luttrell, A Brief Relation, II, 637, 10 Dec. 1692: Last night lord Mohun, captain Hill of collonel Earles regiment, and others, pursued Mountfort the actor from the playhouse to his lodgings in Norfolk Street, where one kist him while Hill run him thro' the belly: they ran away, but his lordship was this morning seized and committed to prison. Mountfort died of nis wounds this afternoon. The quarrell was about Bracegirdle the actresse, whom they would have trapan'd away, but Mountfort prevented it, wherefore they murthered him thus. [See also HMC, 14th Report, Appendix, Portland MSS., III, 509; The Ladies Lamentation for their Adonis, 16@2, a poem on Mountfort's death; The Player's Tragedy; or, Fatal Love, 1693, a fictional treatment of the affair; and, particularly, Borgman, The Life and Death of William Mountfort, pp. 123-69. See also Cibber, Apology, I, 108, for an account of Betterton's taking the role of Alexander after Mountfort's death.

Performances

Mainpiece Title: The Unhappy Favourite Or The Earl Of Essex

Event Comment: In spite of decrees concerning the transfer of a player from one house to another, Dogget entered into an agreement with Rich's Company. See Nicoll, Restoration Drama, pp. 338-39. Cibber, Apology, I, 229: And the late Reputation which Dogget had acquired from acting his Ben in Love for Love, made him a more declared Male-content on such Occasions; he over-valued Comedy for its being nearer to Nature than Tragedy, which is allow'd to say many fine things that Nature never spoke in the same Words; and supposing his Opinion were just, yet he should have consider'd that the Publick had a Taste as well as himself, which in Policy he ought to have complied with. Dogget, however, could not with Patience look upon the costly Trains and Plumes of Tragedy, in which knowing himself to be useless, he thought were all a vain Extravagance: And when he found his Singularity could no longer oppose that Expence, he so obstinately adhered to his own Opinion, that he left the Society of his old Friends, and came over to us at the Theatre-Royal: This happened in the Winter following the first Division of the (only) Company

Performances

Event Comment: [In Daily Courant, 6 Jan., Love for Love had been announced for this day.

Performances

Mainpiece Title: The Spanish Fryar

Dance: Layfield; particulary a new Italian Scaramouch-

Event Comment: Benefit Bickerstaffe. At the Desire of several Ladies of Quality. Note, The Tickets given out for Love for Love will be taken at this Play. [See also Tatler, 16 April.

Performances

Mainpiece Title: The Stratagem

Event Comment: Weekly Journal or Saturday's Post, 18 Oct., erroneously gives Love for Love as the play

Performances

Mainpiece Title: Volpone Or The Fox

Performances

Mainpiece Title: The Artifice

Performance Comment: Edition of 1723 lists: Sir Philip Money Love-Miller; Sir John Freeman-Wilks; Ned Freeman-Mills; Fainwell-Wilks Jr; Watchit-Griffin; Tally-Harper; Olivia-Mrs Horton; Louisa-Mrs Younger; Mrs Watchit-Mrs Oldfield; Widow Headless-Mrs Thurmond; Prologue by Bond-Mills; Epilogue by Sewell-Mrs Oldfield.
Cast
Role: Sir Philip Money Love Actor: Miller

Performances

Mainpiece Title: She Woud And She Woud Not Or The Kind Imposter

Afterpiece Title: Harlequin Happy and Poor Pierrot Married

Performance Comment: Pierrot-Roger; Colombine's Father-Weaver; His Servants-Hallam Sr, Ray; Harlequin-Clark; Pierrot's Servants-Young Hallam, Young Wetherilt; Cupid-Miss Robinson Jr; Colombine-Mrs Mills; Bridemen-Lally, Essex, Boval, Rainton; Bridesmaids-Mrs Brett, Miss Lindar, Mrs Walter, Mrs Young; Children of Love representing two Harlequin s-Young Master Lally, Miss Brett.
Event Comment: As 22 Dec. 1739. Tickets for Love for Love by A. Ryan, Miss Brunette, Mrs Ozanne taken

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Tragedy of Tragedies

Performances

Mainpiece Title: The True And Ancient History Of Fair Rosamond Representing Her Amours With King Henry And Her Being Poisoned By Queen Eleanor In Woodstock Bower

Afterpiece Title: The Modern Pimp or The Doctor Deceivd

Performance Comment: Crack-James; Sir Gregory Grey Goose-Mullart; Sir Nehemiah Nestlecock-Smith; Lady Grey Goose-Mrs Hill; Miss Grey Goose-Mrs Love; Bellamy-Jones; Captain Strut-Lacy; Servant-Davis; Page-Miss Mullart; Betty-Mrs James.
Cast
Role: Miss Grey Goose Actor: Mrs Love

Dance: TThe Miller and his Wife, The Jealous Savoyard-two Masters Granier, Miss Granier

Ballet: TThe Triumph of Britannia Over the Four Parts of the World. Britannia-Mlle Duval; Europe-Granier; Asia-Pelling; Africa-Miles; America-Olbeldiston; Women-Mrs Vallois, Mrs Phillips, Mrs Love, Mlle Glasson

Performance Comment: Britannia-Mlle Duval; Europe-Granier; Asia-Pelling; Africa-Miles; America-Olbeldiston; Women-Mrs Vallois, Mrs Phillips, Mrs Love, Mlle Glasson.
Event Comment: Masque: By Particular Desire. The Gentlemen's Magazine for Jan. 1742 (p. 28) in an article On Two Italian Dancers comments rather fully on the Fausans' performance in Le Boufon; or the Idiot: My expectation was rais'd to the height but at their entrance on the stage, they alarm'd me by the inexpressive Agility and descriptive Action, Look and Motion, which were all performed With such mimic Variety, that I defy the most severe Cynic to say that they wou'd not at least raise in him an agreeable surprise, to see all the attitudes, Oddities and mock Gesticulations of the two Idiots, who may be suppos'd to be in Love with one another. It is not any distortion of Body or unnatural transposition of the limbs which they exhibit to the view, but the extravagant Idiotry which the passions of Love, Disdain, Joy, Resentment, would on a real occasion actuate on the personages they represent: Nor do they so manage their Dance that it is ungraceful: they take opportunities to show by actions and movements, that in their comic Humour they have an elegancy. This performance therefore, on Reflection, appear'd to me, instead of an unnatural extravaganza to be founded on the nicest Observations of Human Nature, and prove Signor and Signora to be persons of good judgment, as well as agility. Receipts: #80

Performances

Mainpiece Title: Comus

Dance: LLe Boufon-the Fausans; Le Genereux Corsaire, as17411021

Event Comment: GGreat Theatrical Booth in Upper Moorfields. Advertised productions of Lying Valet, Honest Yorkshireman, etc. at this time are for Seward's puppets; on 18 Oct. Seward moved his puppet show to Shepherd's Market, and the performance announced there of Love for Love on 6 Dec. is a puppet show

Performances

Event Comment: Tormorrow Othello, Desdemona by a Young Gentlewoman, being her 3rd time of performing on any stage. N.B. The Comedy of Love for Love, which was to have been acted tomorrow for the Benefit of the Widow Ladbrooke, is, by her Deisre, deferr'd till further Notice

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Orpheus and Eurydice

Performances

Mainpiece Title: Alexanders Feast

Afterpiece Title: Beauty and Virtue

Performance Comment: Larpent MS 207 lists cast: Wisdom-Tenducci; Beauty-Miss Brent; Virtue-Miss Thomas; Love-Master Johnson; Eloquence-Aynscombe; Might-Champness; Chorus of Heavenly Spirits-.
Cast
Role: Love Actor: Master Johnson

Music: I: Concerto on Violincello-Siprutini; II: Concerto on German Flute-Florio

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Garrick; Frankly-Palmer; Bellamy-Packer; Strickland-Love; Jacintha-Mrs Yates; Mrs Strickland-Mrs Davies; Meggot-Obrien; Lucetta-Mrs Bennet; Clarinda-Mrs Pritchard; To conclude with a Country Dance-.
Cast
Role: Strickland Actor: Love

Afterpiece Title: The Musical Lady

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Devil to Pay

Performance Comment: Sir John Loverule-Vernon; Jobson-Love; Nell-Mrs Clive; Lady Loverule-Mrs Bennet.
Cast
Role: Sir John Loverule Actor: Vernon
Role: Jobson Actor: Love
Role: Lady Loverule Actor: Mrs Bennet.

Dance: I: Hearts of Oak, as17620925

Performances

Mainpiece Title: Tancred And Sigismunda

Performance Comment: Siffredi-Love; Rhodolpho-Ackman; Officers-Fox, Castle; Tancred-Holland; Osmond-Havard; Laura-Miss Haughton; Sigismunda-Mrs Cibber.
Cast
Role: Siffredi Actor: Love

Afterpiece Title: Polly Honeycomb

Dance: II: The Bavarian Shoemakers, as17621009; The Italian Robbers, as17621009

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Garrick; Scrub-Yates; Boniface-Love, 1st time; Aimwell-Palmer; Sullen-Burton; Gibbet-Bransby; Foigard-Moody; Sir Charles-Packer; Dorinda-Mrs Davies; Lady Bountiful-Mrs Cross; Cherry-Miss Pope; Mrs Sullen-Mrs Pritchard.
Cast
Role: Boniface Actor: Love, 1st time

Afterpiece Title: The Devil to Pay

Cast
Role: Sir John Loverule Actor: Vernon
Role: Jobson Actor: Love
Role: Lady Loverule Actor: Mrs Bennet.

Dance: TThe Sabotiers-Mas. Rogier, Miss Capitani

Performances

Mainpiece Title: Jane Shore

Performance Comment: Hastings-Garrick; Shore-Havard; Gloster-Love, 1st time; Darby-Fox; Ratcliff-Packer; Bellmour-Blakes; Catesby-Mozeen; Alicia-Mrs Cibber; Jane Shore-Mrs Yates.
Cast
Role: Gloster Actor: Love, 1st time

Afterpiece Title: Fortunatus

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus-Garrick; Belarius-Havard; Cymbeline-Love; Iachimo-Holland; Imogen-Miss Bride; Guiderius-O'Brien; Cloten-King; Philario-Parsons; Arviragus-Palmer; Pissanio-Packer; Frenchman-Blakes; Lucius-Bransby; In Act II, a Masque-Vincent, Lochery, Leppie, Sga Giorgi; singing-Mrs Vincent.
Cast
Role: Cymbeline Actor: Love

Afterpiece Title: The Spring

Performances

Mainpiece Title: The Mourning Bride

Performance Comment: Osmyn-Holland; Zara-Mrs Pritchard; King-Love; Gonzalez-Havard; Garcia-Lee; Leonora-Mrs Bennet; Almeria-Mrs Yates.
Cast
Role: King Actor: Love

Afterpiece Title: Fortunatus

Dance: II: The Bavarian Shoemakers, as17621009

Performances

Mainpiece Title: The Spanish Fryar Or The Double Discovery

Performance Comment: Dominic-Love, 1st time; Gomez-Yates; Torrismond-Holland; Bertran-Lee; Queen-Mrs Yates; Elvira-Mrs Cibber; Pedro-Castle; Lorenzo-Palmer; Raymond-Bransby; Alphonso-Packer; Drawer-Mas. Burton; Teresa-Mrs Bennet.
Cast
Role: Dominic Actor: Love, 1st time

Afterpiece Title: The Genii

Performances

Mainpiece Title: The Alchymist

Performance Comment: Subtle-Burton; Face-Palmer; Sir Epicure-Love, 1st time; Kastril-Yates; Surly-Blakes; Ananias-Philips; Tribulation-Clough; Abel Drugger-Garrick; Dapper-Vaughan; Lovewit-Packer; Dame Pliant-Mrs Bennet; Doll Common-Mrs Pritchard.
Cast
Role: Sir Epicure Actor: Love, 1st time
Role: Lovewit Actor: Packer

Afterpiece Title: The Genii