SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Love"/1) | (@(roleclean,performerclean) "Mr Love")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4468 matches on Event Comments, 3294 matches on Performance Title, 2078 matches on Performance Comments, 117 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: The Deserter of Naples

Dance: After Singing at end: A New Dance- (By Permission of the Proprietors of the Royal Circus) composed by Byrne, in which Mr Byrne, Mrs Byrne, will make their 1st appearance on this stage these 4 years, assisted by the three Miss Adams', Master Byrne (Their 1st appearance on this stage), Blurton, Platt, Wilde, L. Bologna, Lewiss, Klanert, Mrs Watts, Mrs Follett, Mrs Bologna, Miss Cox, Miss Bologna, Miss Dibdin

Song: End II: Black Ey'd Susan-Incledon; End IV: The Anchor Smiths-Townsend; End: Boxing the Compass-Fawcett; Old Towler-Incledon

Performances

Mainpiece Title: Cambro britons

Afterpiece Title: The Agreeable Surprise

Song: End: Paddy's Description of Pizarro; or, Mr Paddy O'Doody and his Cousin Shaun Shaugnessy's Treat to the One Shilling Gallery-Johnstone

Performances

Mainpiece Title: The Heiress

Performance Comment: Principal Characters by King, Palmer, Parsons, Baddeley, Wilson, Chaplin, Bannister Jun., Aickin, R. Palmer, Smith; Miss Pope, Mrs Crouch, Mrs Wilson, Mrs Love, Miss Tidswell, Mrs Booth, Miss Barnes, Miss Farren. [Cast from text (J. Debrett, 1786), and European Magazine, January 1786, p. 8: Sir Clement Flint-King; Lord Gayville-Palmer; Alscrip-Parsons; Chignon-Baddeley; Mr Blandish-Bannister Jun.; Mr Rightly-Aickin; Prompt-R. Palmer; Clifford-Smith; Miss Alscrip-Miss Pope; Miss Alton-Mrs Crouch; Mrs Blandish-Mrs Wilson; Tiffany-Miss Tidswell; Mrs Sagely-Mrs Booth; Waiting Maid-Miss Barnes; Lady Emily-Miss Farren.] Wilson, Chaplin, Mrs Love are unassigned. Larpent MS 578 adds, unassigned: Chairman, Servants; Country Girl, Milliner. Prologue spoken by King. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the 1st 15 performances only (see17860207).] hathi. Wilson, Chaplin, Mrs Love are unassigned. Larpent MS 578 adds, unassigned: Chairman, Servants; Country Girl, Milliner. Prologue spoken by King. Epilogue spoken by Miss Farren. [These were spoken, as here assigned, at the 1st 15 performances only (see17860207).] hathi.

Afterpiece Title: The Quaker

Cast
Role: Cicely Actor: Mrs Love

Song: In Act II a song in character by Mrs Crouch. [This was For tenderness formed, adapted by Linley Sen. from Saper bramate in; Barbiere di Siviglia by Paisiello. It was sung, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Henderson (1st appearance in that character [in London]); Smith-Aickin; Johnson-Palmer; The other Characters-R. Palmer, Egan, Hitchcock, Besford, T. Davis, Griffiths, Peirce, Fearon, Parsons, Blissett, Jackson, Edwin, Miss Hale, Mr DuBellamy, Mrs Poussin, Mrs Love, Miss Platt, Mrs Colles who acted Amaryllis (Morning Post, 26 Aug.)]. [With an Additional Reinforcement of Mr Bayes's New-raised Troops [for which, and for a list of the other parts, see dl, 13 Dec. 1777].for which, and for a list of the other parts, see dl, 13 Dec. 1777].

Afterpiece Title: The Fairy Tale

Performances

Mainpiece Title: The Chances

Afterpiece Title: TRISTRAM SHANDY

Afterpiece Title: A DIVERTISEMENT

Performance Comment: Speaking Characters by Johnstone, Powel, Blanchard, Incledon, Richardson, Bernard//Mrs Martyr, Miss Hopkins, Mr Rees. [Cast adjusted from playbill of 19 Sept. 1791: Capt. Frederick-Johnstone; Sir Fidget Fearful-Powel; Gregory-Blanchard; Thicket-Incledon; Clueline-Richardson; Flambeau-Bernard//Peggy-Mrs Martyr; Sophia-Miss Hopkins; Whim-Mr Rees.] With Dialogue to introduce the following favorite Songs, selected, written and composed (with new Accompaniments) by Dibdin: The Lamplighter, I'm jolly Dick the Lamplighter, by Bernard; Peggy Perkins, Let Bards elate, by Blanchard; Irish Drinking Song, Of the Ancients its speaking, by Johnstone; The Greenwich Pensioner ['Twas in the good ship RoPer] and Tom Bowling [Here a sheer bulk:], by Richardson; Comic Song, How much I love thee, by Powel; Taffy and Griddy, Abergavenny is fine, by Mrs Martyr; Hunting Song, To Batchelor's Hall, and Poor Jack, Go patter to lubbers, and The Portrait, Come, painter, with thy happiest flight, all by Incledon. To conclude with a Rural Masquerade. Indian Song, Dear Yanco say, and true be say, by Mrs Mountain; Sea Song, A sailor's life's a life of woe, by Miss Hopkins; The Masquerade, Sure an't the World a Masquerade, by Johnstone and Chorus . With Dialogue to introduce the following favorite Songs, selected, written and composed (with new Accompaniments) by Dibdin: The Lamplighter, I'm jolly Dick the Lamplighter, by Bernard; Peggy Perkins, Let Bards elate, by Blanchard; Irish Drinking Song, Of the Ancients its speaking, by Johnstone; The Greenwich Pensioner ['Twas in the good ship RoPer] and Tom Bowling [Here a sheer bulk:], by Richardson; Comic Song, How much I love thee, by Powel; Taffy and Griddy, Abergavenny is fine, by Mrs Martyr; Hunting Song, To Batchelor's Hall, and Poor Jack, Go patter to lubbers, and The Portrait, Come, painter, with thy happiest flight, all by Incledon. To conclude with a Rural Masquerade. Indian Song, Dear Yanco say, and true be say, by Mrs Mountain; Sea Song, A sailor's life's a life of woe, by Miss Hopkins; The Masquerade, Sure an't the World a Masquerade, by Johnstone and Chorus .

Dance: In 3rd piece a Ballet by Byrn, Mlle St. Amand, Mme Rossi

Song: In Act II of 1st piece a song by Mrs Mountain

Event Comment: Bills for Every Man in his Humour were posted to day--but Mr G. being taken very ill the Play was oblig'd to be chang'd & fresh Bills put up about Twelve o'clock (Hopkins Diary). [Also, according to Winston MS 10 the afterpiece was to have been Miss in Her Teens. See 8 Nov.] Paid Tallow Chandler's 1st bill #63 8s. 4d.; Mr Evans one year on Wardrobe Acct #10 10s.; half year Land and Window Tax for St Martin's to Michelmas last #46 8s. 7d.; Rec'd Stopages #12 17s. (Treasurer's Book). [Cast listed on playbill for afterpiece: Fribble (with song in character)-Dodd; Flash-$Palmer; Loveit-$J. Aickin; Puff-$Moody; Jasper-$Ackman; Tag-$Mrs Love; Miss Biddy-$Miss Pope.] Receipts: #165 7s. (Treasurer's Book)

Performances

Mainpiece Title: The West Indian

Cast
Role: Lucy Actor: Mrs Love.

Afterpiece Title: The Institution of the Garter

Dance: V: Comic Dance, as17710921

Performances

Mainpiece Title: The Female Chevalier

Performance Comment: Principal Characters by Palmer, Aickin, Baddeley, R. Palmer, Massey, Davis, Kenny, Silvester, Parsons, Miss Sherry, Mrs Love, Miss Walton, Mrs Greville. Cast from London Chronicle, 20 May: Sir Harry Freelove-Palmer; Ned Winworth-Aickin; Servants-Baddeley, Massey, Davis, Kenny, Silvester; Young Upstart-R. Palmer; Mr Stockwell-Parsons; Mrs Upstart-Miss Sherry; Landlady-Mrs Love; Mademoiselle-Miss Walton; Belinda-Mrs Greville; The occasional Prologue on Opening the Theatre, with Alterations,-Palmer.
Cast
Role: Sir Harry Freelove Actor: Palmer
Role: Landlady Actor: Mrs Love

Afterpiece Title: Piety in Pattens

Performance Comment: Butler-Parsons; The Squire-Lamash; Mrs Candy-Mrs Love; Polly Pattens-Mrs Jewell.
Cast
Role: Mrs Candy Actor: Mrs Love

Dance: End I: The Merry Lasses-(see17780529); End: Provencalle Dance-Master and Miss Byrn

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Smith; Duke-Aickin; Cacafogo-Moody; Juan-Packer; Sanchio-Hurst; Alonzo-Chaplin; Copper Captain-King; Margaretta-Miss Sherry; Clara-Miss Collett; Altea-Mrs Love; Old Woman-Mr Baddeley; Maid-Mr Waldron; Estifania-Mrs Abington.
Cast
Role: Altea Actor: Mrs Love

Afterpiece Title: The Camp

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Smith; Duke-Aickin; Cacafogo-Moody; Juan-Packer; Sanchio-Norris; Alonzo-Chaplin; Copper Captain-King; Margaretta-Miss Sherry; Clara-Miss Collett; Altea-Mrs Love; Old Woman-Mr Baddeley; Maid-Mr Waldron; Estifania-Mrs Abington.
Cast
Role: Altea Actor: Mrs Love

Afterpiece Title: Harlequins Invasion

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Smith; Duke-Aickin; Cacafogo-Moody; Juan-Packer; Sanchio-Norris; Alonzo-R. Palmer; Copper Captain-King; Margaretta-Miss Sherry; Clara-Miss Collett; Altea-Mrs Love; Old Woman-Mr Baddeley; Maid-Mr Waldron; Estifania-Mrs Abington .
Cast
Role: Altea Actor: Mrs Love

Afterpiece Title: The Gentle Shepherd

Cast
Role: Mause Actor: Mrs Love

Performances

Mainpiece Title: The Triumph Of Honour

Afterpiece Title: The Receipt Tax

Performance Comment: Principal Characters by Parsons, Wilson, Bannister Jun., Blissett, Egan, Edwin; Miss Morris, Mrs Webb. [Cast from text (J. Stockdale, 1783): General Heartfree-Parsons; Sir Harry Henpeckt-Wilson; Colonel Foible-Bannister Jun.; Doctor Puzzle-Blissett; Frill-Egan; Mr Cook-Edwin; Clump-Gaudrey; Mr Jacobs-Barrett; Farmer Flame-Painter; Postillion-Miss Painter; Maria Goodall-Miss Morris; Lady Henpeckt-Mrs Webb; Trippit-Mrs Love.] New Prologue spoken by Wilson . New Prologue spoken by Wilson .
Cast
Role: Trippit Actor: Mrs Love.

Afterpiece Title: The Dead Alive

Afterpiece Title: Chrononhotonthologos

Monologue: 1783 08 13 End of 2nd piece Joe Haynes's Epilogue by Wilson, riding on an Ass

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Smith; Duke-Aickin; Cacafogo-Moody; Juan-Packer; Sanchio-Phillimore; Alonzo-R. Palmer; The Copper Captain-[Lee] Lewes; Margaretta (1st time)-Mrs Ward; Clara-Miss Barnes; Altea-Mrs Love; Old Woman-Mr Baddeley; Maid-Mr Waldron; Estifania-Miss Farren (1st appearance in that character) .
Cast
Role: Altea Actor: Mrs Love

Afterpiece Title: Comus

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Smith; Duke-Aickin; Cacafogo-Moody; Juan-Packer; Sanchio-Phillimore; Alonzo-R. Palmer; Copper Captain-King; Margaretta-Mrs Ward; Clara-Miss Barnes; Altea-Mrs Love; Old Woman-Mr Baddeley; Maid-Mr Waldron; Estifania-Miss Farren .
Cast
Role: Altea Actor: Mrs Love

Afterpiece Title: Arthur and Emmeline

Performances

Mainpiece Title: The Rage

Afterpiece Title: A Divertisement

Performance Comment: Speaking Characters-Johnstone, Incledon, Bernard, Powel, Townsend, Richardson, Mrs Martyr, Mrs Clendining, Mr Rees; [Cast adjusted from playbill of 12 Apr. 1794: Capt. Frederick-Johnstone; Thicket-Incledon; Flambeau-Bernard; Sir Fidget Fearful-Powel; Gregory-Townsend; Clueline-Richardson; Peggy-Mrs Martyr; Sophia-Mrs Clendining; Whim-Mr Rees.] With Dialogue to intrdduce the following favorite Songs, selected, written and composed (with new Accompaniments) by Dibdin: The Lamplighter, I'm jolly Dick the Lamplighter-Bernard; [Peggy Perkins, Let Bards elate-Townsend; [Irish Drinking Song, Of the Ancients its speaking-Johnstone; The Greenwick Pensioner ['Twas in the good ship Rover]-Richardson; [Comic Song, How much I love thee-Powel; [Taffy and Griddy, Abergavenny is fine-Mrs Martyr; [Hunting Song, To Batchelor's Hall, [and Poor Jack, Go Patter to lubbers, [and The Portrait, Come, Painter, with thy happiest flight-Incledon; [To conclude with a Rural Masquerade-; [Indian Song, Dear Yanco say and true be say-Mrs Mountain; [Sea Song, A Sailor's life's a life of woe-Mrs Clendining; [The Masquerade, Sure an't the World a Masquerade-Johnstone, Chorus.
Cast
Role: How much I love thee Actor: Powel

Dance: In afterpiece: a Ballet-Byrn, Mlle St.Amand, Mme Rossi

Performances

Mainpiece Title: The Rage

Afterpiece Title: A Divertisement

Performance Comment: Speaking Characters-Johnstone, Incledon, Bernard, Powel, Townsend, Richardson, Mrs Martyr, Mrs Clendining, Mr Rees; [Cast from playbill of 29 Oct. 1794: Capt. Frederick-Johnston; Thicket-Incledon; Flambeau-Bernard; Sir Fidget Fearful-Powel; Gregory-Townsend; Clueline-Richardson; Peggy-Mrs Martyr; Sophia-Mrs Clendining; Whim-Mr Rees.] Dialogue-; to introduce the following favorite Songs selected, written and composed (with new Accompaniments) by Dibdin: The Lamplighter I'm jolly Dick the Lamplighter-Bernard; [Peggy Perkins, Let Bards elate-Townsend; [Irish Drinking Song, Of the Ancients its speaking-Johnstone; The Greenwich Pensioner ['Twas in the good ship Rover]-Richardson; [Comic Song, How much I love thee-Powel; [Taffy and Griddy, Abergavenny is fine-Mrs Martyr; [Hunting Song, To Batchelor's Hall, [Poor Jack, Go patter to lubbers, [The Portrait, Come Painter with thy happiest flight-Incledon; [To conclude with a Rural Masquerade-; [Indian Song, Dear Yanco say and true he say-Mrs Mountain; [Sea Song, A Sailor's life's a life of woe-Mrs Clendining; [The Masquerade, Sure an't the World a Masquerade-Johnstone, Chorus.
Cast
Role: How much I love thee Actor: Powel

Dance: In afterpiece: Ballet-Byrn, Mlle St.Amand

Event Comment: The Duke's Company. It is not certain this is the first performance, but it may well have been. This performance is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 346. Pepys, Diary: Sir W. Pen and I to the Duke's house, where a new play. The King and Court there: the house full, and an act begun. And so went to the King's. Downes (p. 28): Sir Martin Marral, The Duke of New-Castle, giving Mr Dryden a bare translation of it, out of a Comedy of the Famous French Poet Monseur Moleire: He adapted the Part purposely for the Mouth of Mr Nokes, and curiously Polishing the whole....All the Parts being very Just and Exactly perform'd, specially Sir Martin and his Man, Mr Smith, and several others since have come very near him, but none Equall'd, nor yet Mr Nokes in Sir Martin: This Comedy was Crown'd with an Excellent Entry. In the Last Act at the Mask, by Mr Priest and Madam Davies; This, and Love in a Tub, got the Company more Money than any preceding Comedy

Performances

Mainpiece Title: Feignd Innocence Or Sir Martin Marall

Event Comment: Benefit for Mr Davies and Mrs Love. Tickets deliver'd by Norris taken. Receipts: #143 5s. 6d. Charges: #74 14s. Profits to Davies and Mrs Love: #68 11s. (Treasurer's Book)

Performances

Mainpiece Title: The School For Fathers

Afterpiece Title: The Register Office

Entertainment: End Act II: Hippisley's Drunken Man-Weston

Dance: End: The Mountaineers, as17730930

Event Comment: An unidentified letter, 22 March 1693@4. There is hardly anything now to make it acceptable to you, but an account of our winter diversions, and chiefly of the new plays which have been the entertainment of the town. The first that was acted was Mr Congreve's, called The Double Dealer [see October 1693]. It has fared with that play, as it generally does with beauties officiously cried up: the mighty expectation which was raised of it made it sink, even beneath its own merit. The character of The Double Dealer is artfully writt, but the action being but single, and confined within the rules of true comedy, it could not please the generality of our audience, who relish nothing but variety, and think any thing dull and heavy which does not border upon farce.--The criticks were severe upon this play, which gave the author occasion to lash 'em in his Epistle Dedicatory, in so defying or hectoring a style, that it was counted rude even by his best friends; so that 'tis generally thought he has done his business, and lost himself: a thing he owes to Mr Dryden's treacherous friendship, who being jealous of the applause he had gott by his Old Batchelour, deluded him into a foolish imitation of his own way of writing angry prefaces. The 2d play is Mr Dryden's, called Love Triumphant, or Nature will prevail [see 15 January 1694]. It is a tragi-comedy, but in my opinion one of the worst he ever writt, if not the very worst: the comical part descends beneath the style and shew of a Bartholomew-fair droll. It was damn'd by the universal cry of the town, nemine contradicente, but the conceited poet. He says in his prologue, that this is the last the town must expect from him; he had done himself a kindness had he taken his leave before. The 3d is Mr Southern's call'd The Fatal Marriage, or the Innocent Adultery [see February 1693@4]. It is not only the best that author ever writt, but is generally admired for one of the greatest ornaments of the stage, and the most entertaining play has appeared upon it these 7 years. The plot is taken from Mrs Behn's novel, called the Unhappy Vow-Breaker. I never saw Mrs Barry act with so much passion as she does in it; I could not forbear being moved even to tears to see her act. Never was poet better rewarded or incouraged by the town; for besides an extraordinary full house, which brought him about 140 #. 50 noblemen, among whom my Lord Winchelsea, was one, give him guineas apiece, and the printer 36 #. for his copy. This kind usage will encourage desponding minor poets, and vex huffing Dryden and Congreve to madness. [For the fourth play, see 21 March 1693@4; Edmond Malone, Plays and Poems of William Shakespeare (London, 1821), III, 162-64.

Performances

Event Comment: Play never acted before. [This new tragedy by MacNamara Morgan is mercilessly scourged by Paul Hiffernan in Tuner No 1, (21 Jan.), pp. 41-61]: To Tune it in Lilliputian Score : @Such sighing@Such Billing@Such Flashing@Such Heeling@And Dying@And Killing@And Dashing@And Kneeling@Such Rizing@Surprizing!@Such Falling@And Bawling@Such Attitudes@And Flattitudes@Were ne'er exhibited before.@ In the representation Mr Barry spared no pains; Miss Nossiter and Mr Smith strained hard-Mrs Bland, as far as her part exposed itself, did it with alacrity, but vanished abruptly in a storm of Lust. Mrs Vincent put as good a face on wanton barbarity as possible-and Mr Sparks who can do justice to a more spirited character, supported his Arcadian Kingship with becoming equanimity...It is a Romance crush'd together without choice, unconnected and full of Exidents not Incidents. Musidorus and Pamela , are duplicates to Pyrocles and Philoclea , which lengthen by so much the play, with repetition of the same dull nauseous tale of love, stirr'd up now and then by a bounce and a cracker-many persons come on we know not why, and disappear we know not wherefore....This new piece is an outlaw from all rules of Criticism; the Unities of Time, Place, and Action are unobserv'd; Plot, Moral, Verisimilitude, or even Probability unknown: many scenes bid defiance to possibility....Mr Rich stopp'd at no expence as to the Dresses and Decorations, and reprieving the play's duration to the utmost extent of Managerian clemency

Performances

Mainpiece Title: Philoclea

Event Comment: MMr Vernon-Macheath, 1st time; Mr Parsons-Filch, Mrs Parsons-Mrs Peachum (Cross Diary). Mr William Parsons came with Mr James Love from Edinburg, and Made his first appearance on the stage in London this evening; He died of an asthma on Tues. 3 February in the severe winter of 1795, and was buried in the churchyard of Lea-Church near Blackheath in Kent; he was in his 60th year (Macmillan [Hopkins MS Notes]). Afterpiece: Not acted these 2 years. [See 19 Oct. 1759.

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Lying Valet

Dance: End Opera: A Dutch Dance-Vincent, Sga Giorgi

Event Comment: A New Pantomime of Mr Messinks went off with great Applause (Hopkins Diary). Music By Dibdin. New Scenes, Habits, and Machines. Nothing under Full Prices will be taken. [Repeated.] Paid 4 days salary list at #85 12s. 11d., #342 11s. 8d.; Miss Mansell on acct #5 5s.; Mr Clinch ditto, #6 6s.; Dr Arne for Mrs Bradley 2 nights per order #5 5s.; Stopages nil (Treasurer's Book). [Full description of the New Pantomime is given in the Westminster Magazine (January 1773): Harlequin born to the Pigmies comes to manhood, gets a job from the Register Office in a Nobleman's family where he meets Colombine. They love, and elope, a chase ensues through several noted places in London, which are detailed in the review. The union of the lovers is finally consended to, and all closes with dancing. "Some of the paintings in the scenery are well executed; and the generality of Mr Dibdin's music deserves equal praise." In it Mrs Wrighten gives a ludicrous imitation of Miss Catley's manner of singing. The reviewer's general thesis about the London stage of this period, given first in the preliminary number, 1 Jan. 1773 continues: "The Stage seems now buried in universal darkness...The Publick for several weeks, has been fed with the lean carcass of two villainous pantomimes."] Receipts: #162 13s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Pigmy Revels or Harlequin Foundling

Performances

Mainpiece Title: The Lost Lover Or The Jealous Husband

Performance Comment: Edition of 1696: Prologue-Mr Horden; Epilogue-Miss Cross; Sir Rustick Good Heart-Johnson; Wilmore-Verbrugen; Wildman-Horden; Sir Amorous Courtall-Powell; Smyrna-Cibber; Pulse-Penkethman; Knowlittle-Haynes; Lady Young Love-Mrs Kent; Marina-Mrs Rogers; Belira-Mrs Knight; Orinda-Mrs Cibber; Olivia-Mrs Verbrugen; Isabella-Mrs Cole; Phoebe-Mrs Mills.
Cast
Role: Lady Young Love Actor: Mrs Kent
Event Comment: At the Desire of several Persons of Distinction. Afterpiece: Set to Musick by Mr Arne. Love for Love-, which was bespoke for this Day, is deferred on Account of the Indisposition of a principal Comedian. The New Revel Masque will be perform'd the Day after the Wedding

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Opera of Operas

Dance: Tambourine by Miss Robinson. Whim by F. Tench and Miss Mann

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Powell; Copper Capt.-Palmer; Estifania-Mrs Clive; Old Woman-Mr Yates; Maid-Vaughan; Duke-Havard; Cacafoggo-Love; Margaritta-Mrs Hopkins; Juan-Packer; Sancho-Lee; Alonzo-Ackman; Altea-Mrs Bennet.
Cast
Role: Cacafoggo Actor: Love

Afterpiece Title: The Witches

Related Works
Related Work: The Witches; or, Harlequin Cherokee Author(s): James Love

Dance: II: Double Hornpipe-Walker, Miss Tetley

Performances

Mainpiece Title: The Provoked Husband

Performance Comment: Lord Townly-Reddish, 1st appearance there; Manly-Jefferson; Count Basset-Dodd; Sir Francis Wronghead-Love; John Moddy-Burton; Squire Richard-a young gentleman, [1st appearance [Mr Wingfield]; Lady Grace-Mrs Barry; Mrs Motherly-Mrs Cross; Lady Wronghead-Mrs Hopkins; Myrtilla-Mrs Lee; Miss Jenny-Miss Pope; Mrs Trusty-Mrs Johnston; Lady Townly-Mrs Abington[, 1st time., 1st time.
Cast
Role: Sir Francis Wronghead Actor: Love

Afterpiece Title: Daphne and Amintor