SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Linley Jun"/1) | (@(roleclean,performerclean) "Mr Linley Jun")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4429 matches on Event Comments, 2568 matches on Performance Comments, 639 matches on Performance Title, 241 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Rich's Company. The date of the first performance is not known. A contract between Cibber and Rich was signed on 29 Oct. 1696 (L. C. 3@73, in Nicoll, Restoration Drama, pp. 381-82), with an agreement that it was not to be printed until a month after it was acted. Since the play was advertised in the Post Man, 20-23 March 1696@7, it may have been acted as early as January 1697, certainly not later than February 1697. Possibly Leveridge set the music for a song, Tell me, Belinda, prithee do, which is in A New Book of Songs by Mr Leveridge, advertised in the London Gazette, No. 3293, 3 June 1697. A Comparison Between the Two Stages (1702), p. 18: Lady in Fashion, by a Player, Damn'd. Preface, Edition of 1697: Not to miss the Advantage of Mr Doggett's Excellent Action; I prepar'd a low Character

Performances

Mainpiece Title: Woman's Wit; Or, The Lady In Fashion

Performances

Mainpiece Title: Love For Love

Performances

Mainpiece Title: The Italian Husband

Performances

Mainpiece Title: Europe's Revels For The Peace

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Heroick Love

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Fatal Discovery; Or, Love In Ruines

Performances

Mainpiece Title: Caligula

Performances

Mainpiece Title: Concert

Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 26-28 July 1698, suggests that the premiere occurred probably in mid-June or late June 1698. A Comparison Between the Two Stages (1702), p. 20: Damn'd

Performances

Mainpiece Title: Queen Catharine; Or, The Ruines Of Love

Performances

Mainpiece Title: Entertainments

Performances

Mainpiece Title: Entertainments

Performances

Mainpiece Title: Love And A Bottle

Performances

Mainpiece Title: Xerxes

Performances

Mainpiece Title: The Double Dealer

Performances

Mainpiece Title: The Princess Of Parma

Event Comment: Rich's Company. The date of the first production is not known, but the Prologue to the Second Part [1699] refers to warm weather and to May Fair. The Songs to both parts were advertised in the Post Boy, 24-27 June 1699, suggesting a first production not later than the end of May 1699. The following among the songs for Part I list the singer or composer or both: From azure plains, sung by Pate, in A Second Collection of New Songs and Ballads (1699). How comes it now good Mrs Spratt, sung by Pate and Leveridge (ibid.). Of all the world's enjoyments, sung by Leveridge (ibid.). Whilst wretched fools sneak up and down, composed by Daniel Purcell and sung by Leveridge and Pate (ibid.). Young Philander wooed me long, composed by Daniel Purcell (ibid.). For Part II: The devil he pulled off his jacket of flame, composed by Samuel Ackroyde (ibid.). He led her by the milk-white hand, composed by Samuel Ackroyde (ibid.)

Performances

Mainpiece Title: The Famous History Of The Rise And Fall Of Massaniello

Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 6-8 July 1699, suggests a first performance not later than June, probably in May 1699

Performances

Mainpiece Title: The False Friend; Or, The Fate Of Disobedience

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Grove; Or, Love's Paradice

Performances

Mainpiece Title: The Beau Defeated; Or, The Lucky Younger Brother