Event Comment: 5 p. p.m. Benefit $Yeates Jun.

Event Comment: Mainpiece: Not acted these 6 years [not acted since 30 May 1772]. [Bannister Jun. was from dl.

Event Comment: Benefit for Bannister Jun

Event Comment: Benefit for Watson, Wilson, Carleton Jun., Hicks & Palmer [Sen.]. Receipts: #246 6s. (27/11/0; 11/7/6; 0/13/6; tickets: 206/14/0) (charge: none listed)

Event Comment: Benefit for Bannister Jun

Event Comment: Benefit for Bannister Jun. Public Advertiser, 24 July: Tickets to be had of Bannister Jun., No. 6, Great Russel-street, Covent Garden

Event Comment: Afterpiece: Not acted these 4 years. [Bannister Jun.'s 1st appearance as Young Philpot was at the hay, 7 Sept. 1789.] Receipts: #191 5s. 6d. (162.7.0; 27.3.0; 1.15.6)

Event Comment: Edwin still continuing unable to perform, The Battle of Hexham [advertised on playbill of 26 June] is obliged to be deferred. [Bannister Jun.'s 1st appearance as Trudge was at dl, 28 May 1789.

Event Comment: [Bannister Jun.'s 1st appearance as Lazarillo was at dl, 21 Apr. 1788.

Event Comment: No Money to be returned. Places for the Boxes to be taken of Fosbrook, at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 2 Nov.]. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Mainpiece: The Sixtieth Night [but in the previous season (its 1st) the play had been acted 56 nights. On this evening Bannister Jun. acted in the mainpiece at dl and in the 3rd piece at the hay.]. Account-Book, 16 Nov.: Paid Jarvis for 4,000 Songs of Haunted Tower #28 4s. Receipts: #256 2s. 6d. (214.12.0; 40.10.6; 1.0.0)

Event Comment: [In mainpiece the playbill retains Bannister Jun. as Edward, but he "was so ill as to be incapable of performing-his part of Lord Edward was read by Bland" (Thespian Magaune, Jan. 1794, p. 30). Afterpiece in place of HARLEQUIN PEASANT, advertised on playbill of 2 Jan.]

Event Comment: Paid Barratt for Oil and Candles #132 10s. Powell: The Jew rehearsed at 10 (for Bannister Jun.); The Citizen at 12. Receipts: #457 5s. 6d. (382/14/0; 70/12/0; 3/7/6; tickets not come in: 0/12/0)

Event Comment: [Mainpiece in place of THE LIAR, advertised on playbill of 10 June]. The Publick is most respectfully informed that LODOISKA [also advertised on playbill of 10 June] cannot be acted this Evening, on Account of the Indisposition of Bannister Jun. Receipts: #178 17s. 6d. (125/9/0; 46/15/0; 6/13/6)

Event Comment: [In 3rd piece the playbill lists Barrymore in place of Bannister Jun., but "Barrymore continuing ill C. Kemble play'd the part of Vapour in My Grandmother" (Powell).] Powell: My Grandmother rehearsed at 11 (Vapour's Scenes); New Ballet [Glorious First of June] at 12. Receipts: #135 7s. (84/13/6; 49/9/0; 1/4/6)

Event Comment: 3rd piece: With additional airs. [Bannister Jun.'s 1st appearance as Hob was at dl, 3 June 1795.

Event Comment: Afterpiece [1st time; BALL P 1, by John Cartwright Cross. Text, i.e. synopsis of ballet, and the songs, in Cross's Circusiana (Lackington, Allen and Co., 1809), Vol. I. Bologna, Bologna Jun. and Mrs Parker were from the Royal Circus]: Invented and under the Direction of Cross. With entire new Scenes, Dresses, Music and Decorations. The Overture and Music principally new, with a Selection of some novel Irish Air, by Reeve, composer of the Music to Oscar and Malvina, &c. The Harp by Weippert. The Scenery, comprehending a Display of the most Romantic Views in Ireland, painted by Richards, Phillips, Lupino, Hollogan, and Blackmore. The Machinery by Cresswell, Sloper and Goostree. The Dresses by Dick, Mrs Egan, &c. The Following are a Part of the new Scenes, &c.: The Ancient Temple, dedicated to Bel, the God of Fire, with the Flactaga, or Sacred Fire burning; it having been enacted that, on the last Evening of October, no other Fire should be Used thro'out the Kingdom, that all might be derived from that, which being a Fire Sacrifice, would render the rest Propitious and Holy. The Dargle, where the Irish Druids consulted their Oracle. A View near Wicklow. The Salmon Leap. Entrance of a Subterraneous Pass. Maon's Cavern. Cemetery and Dungeon, appertaining to the Round Tower, Moated Castle, &c. Receipts: #264 2s. 6d. (259.19.6; 4.3.0)

Event Comment: Afterpiece [1st time; MD 2, by George Colman, ynger, based on Raoul Barbe Bleue, by Michel Jean Sedaine (although, in the 1st edition of the play, this denied by Colman). Text (Cadell and Davies, 1798)]: The Scenery, Machinery, Dresses, and Decorations entirely new. The Musick composed and selected [from Paisiello] by Kelly. The Scenes designed and executed by Greenwood? Jun, Chalmers, and others. The Machinery, Decorations, and Dresses designed and under the direction of Johnston, and executed by him, Underwood, Gay, and Miss Rein. Books of the Songs to be had in the Theatre. Times, 8 Feb. 1798: This Day is published Blue Beard (1s. 6d.). "In the course of the representation, many blunders in working the scenery, which are unavoidable in a first representation of this nature, occurred, and the delays which took place were frequently very great...It was twelve o'-clock before the curtain dropped...The Expense of getting it up is said to be not less than #2,000" (London Chronicle, 18 Jan.). Proud swells the tide, with loads of capering heels, And vacant Folly shouts applause in peals; Hoards, even beyond th miser's wish, are thrown, To deck some sham farago for the town...Money for dresses, money for new scenes, New music, decorations, and machines; The cost of these, including every freak, Would pay ten decent players four pounds a week. Anthony Pasquin (pseud. for John Williams), "Innovation," in The Devil [1787], II, no. 2, 46. Receipts: #319 14s. 6d. (216.17.6; 102.2.0; 0.15.0)

Event Comment: By Authority of the Lord Chamberlain. Benefit for Lacy, formerly of the Theatre Royal, Drury-Lane. Tickets to be had of Fosbrook, at the Box Office of the Drury Lane Theatre, and Rice, at the Box Office of the Theatre-Royal, Haymarket, where Places for the Boxes may be taken. [Address by John Taylor (Monthly Mirror, Dec. 1798, p. 370). On this night the following appeared both at dl and at the hay: Hollingsworth, Caulfield, Bannister Jun., Suett, Miss Pope, Mrs Bland.

Event Comment: By Command of Their Majesties. The many Ladies who have Places for the suceeding nights of the new Pantomime [The Magic Oak] are respectfully acquainted that, on account of Bologna Jun.'s accident, it cannot be performed before Easter Monday. [The Mouth of the Nile, also advertised on playbill of 5 Mar., was not acted on this night.] Doors, &c. as 21 Nov. 1798. Receipts: #364 13s. 6d. (361.13.6; 3.0.0)

Event Comment: Mainpiece: Written by the Author of The Castle-Spectre [Matthew Gregory Lewis, also the author of Prologue and Epilogue (see text)]. "The Epilogue was spoken by Bannister Jun. in the character of Queen Elizabeth, who ascends from a trap in the middle of the stage, and who is supposed to have obtained the permission of Pluto to revisit her kingdom, in order to witness the representation of the East Indianv" (Monthly Mirror, Dec. 1799, p. 367). Receipts: #200 13s. 6d. (131.11.0; 67.9.6; 1.13.0)