SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr Leveridge"/1) | (@(roleclean,performerclean) "Mr Leveridge")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4270 matches on Event Comments, 1377 matches on Performance Comments, 917 matches on Performance Title, 68 matches on Author, and 7 matches on Roles/Actors.

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: New Dance call'd The Sheep Shearers-Grimaldi, Miss Baker; II: The Faggot Binders, as17640224; End Opera: A Dance, as17640224

Performances

Mainpiece Title: The Royal Shepherd

Dance: The Sheep Shearers, as17640308 The Faggot Binders, as17640308 Dance, as17640308

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Sheep Shearers, as17640308 but _Grimaldi, Lauchery; II: The +Shepherdesses, as17640113; End Opera: A Dance, as17640301 but _Grimaldi, Tassoni

Event Comment: Rich's Company. The date of the first production is not known, but the Prologue to the Second Part [1699] refers to warm weather and to May Fair. The Songs to both parts were advertised in the Post Boy, 24-27 June 1699, suggesting a first production not later than the end of May 1699. The following among the songs for Part I list the singer or composer or both: From azure plains, sung by Pate, in A Second Collection of New Songs and Ballads (1699). How comes it now good Mrs Spratt, sung by Pate and Leveridge (ibid.). Of all the world's enjoyments, sung by Leveridge (ibid.). Whilst wretched fools sneak up and down, composed by Daniel Purcell and sung by Leveridge and Pate (ibid.). Young Philander wooed me long, composed by Daniel Purcell (ibid.). For Part II: The devil he pulled off his jacket of flame, composed by Samuel Ackroyde (ibid.). He led her by the milk-white hand, composed by Samuel Ackroyde (ibid.)

Performances

Mainpiece Title: The Famous History Of The Rise And Fall Of Massaniello

Performances

Mainpiece Title: The Island Princess Or The Generous Portuguese

Performance Comment: King-Delane; Armusia-Ryan; Quisara-Mrs Horton; Ruidias-Hale; Governor-Johnson; Emanuel-Hallam; Sforza-Arthur; Pymero-Gibson; King of Bakam-Rosco; Christophero-Roberts; Prince-A. Ryan; Priest-Mullart; Captain-Anderson; Citizens-Hippisley, Neale, James; with Enthusiastick Song-Leveridge.

Afterpiece Title: Cupid and Bacchus

Performance Comment: Cupid-Mrs Lampe; Followers-Rochetti, Thompson, Smith, Davis, Mrs Wright, Mrs Chambers, Miss Young, Miss Davis; Bacchus-Leveridge; Bacchanals-Salway, Waltz, Legar, Lad, Roberts; with a Masque call'd The Four Seasons: Phoebus-Rochetti; Spring-Mrs Lampe; Summer-Miss Younge; Autumn-Salway; Winter-Leveridge; with dances-Glover, Poitier, Mlle Roland Jr, Mlle Roland Sr, Villeneuve, Desse, Richardson, DelaGarde, Miss Oates, Miss Rogers, Mrs LeBrun, Mrs Ozanne, Mrs Villeneuve.
Cast
Role: Bacchus Actor: Leveridge
Role: Winter Actor: Leveridge

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Garrick; Johnson-Ryan; Smith-Cashell; Kings of Brentford-Arthur, Morgan; Prince Prettyman-Havard; Gentleman Usher-Hippisley; Prince Volscius-Gibson; Physician-Rosco; Drawcansir-Dunstall; Lt. General-Ridout; Tom Thimble-James; Thunder-Bridgwater; Lightning-Miss Morrison; Sun-Bencraft; Moon-Leveridge; Earth-Roberts; Amarillis-Miss Hippisley; Chloris-Mrs Bland; Pallas-Woodward; Two Sing song Dancing Spirits-Mrs Lampe, Miss Young; Players, Soldiers (Horse and Foot), Heralds, Cardinals, Judges, Serjeants at Arms-the rest of the comedians; With all the Music-; Songs-; Dances-; Scenes-; Machines, Habits and Other Decorations proper to the play; The vocal parts-Leveridge, Bencraft, Roberts, Mrs Lampe, Miss Young; Also an Additional Reinforcement of Mr Bayes's new/rais'd troops-.

Afterpiece Title: The Virgin Unmasked

Performances

Mainpiece Title: Theseus

Performance Comment: Deutsch (p. 52) conjectures the cast: Teseo-Valeriano; Aailea-Signora del'Epine; Medea-Signora Pilotti; Egeo-Valentini; Clizia-Signora Gallia; Arcane-Mrs Barbier; Fedra-Signora Manina; Minerva-Leveridge.
Cast
Role: Minerva Actor: Leveridge.

Performances

Mainpiece Title: Achilles

Performance Comment: Edition of 1733 lists; Lycomedes-Quin; Diphilus-Aston; Achilles-Salway; Ulysses-Chapman; Diomedes-Laguerre; Ajax-Hall; Periphas-Walker; Agyrtes-Leveridge; Thetis-Mrs Buchanan; Theaspe-Mrs Cantrell; Deidamia-Miss Norsa; Lesbia-Miss Binks; Philoe-Miss Oates; Artemona-Mrs Egleton; Prologue by Gay-Quin.
Cast
Role: Agyrtes Actor: Leveridge

Performances

Mainpiece Title: The Provokd Wife

Performance Comment: As17470127, but Songs-_Leveridge.

Afterpiece Title: Phebe

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Cibber; Johnson-Ryan; Smith-Johnson; Kings of Brentford-Arthur, Dunstall; Prince Prettyman-Hale; Gentleman Usher-Hippisley; Prince Volscius-Gibson; Physician-Rosco; Drawcansir-Marten; Lt General-Ridout; Tom Thimble-James; Thunder-Bridgwater; Lightning-Mrs Vaughan; Sun-Bencraft; Moon-Leveridge; Earth-Roberts; Amarillis-Miss Hippisley; Chloris-Mrs Bland; Pallas-Woodward; Two Sing/song Dancing Spirits-Mrs Lampe, Mrs Dunstall; Players, Soldiers (Horse and Foot), Heralds, Cardinals, Judges, Serjeants at Arms-the rest of the Comedians; Vocal Parts-Leveridge, Roberts, Bencraft, Mrs Lampe, Mrs Dunstall.

Afterpiece Title: Orpheus and Eurydice

Event Comment: Benefit for Mrs Horton. [A "puff" for Leveridge's forthcoming benefit (31 March) in a letter to the General Advertiser, followed by 3 stanzas of verse]: Sir, The Remembrance of the pleasure I have often receiv'd, in a series of years, by hearing Mr Leveridge's Performances on the stage, occasion'd the following Lines: which however artless they are wrote, will I dare say give no offense to the good natur'd part of Mankind. I am your constant reader. T.H.: @I Whilst Garrick justly claims applause,@Old Leveridge humbly sues,@That you'll not quite neglect his cause@Nor now his suit refuse.@Whilst youthful vigor tun'd his voice@With song he rais'd the heart;@To cheer that voice, now chilled with Age@Becomes a noble part.@Then shew that faithful service past@Your thoughts does still employ;@And by your num'rous Presence grac'd@Revive old age with joy.

Performances

Mainpiece Title: The Ladys Last Stake Or The Wifes Resentment

Afterpiece Title: Damon and Phillida

Song: n Irish Song %Ellen a Roon-Mrs Storer

Dance: Master Granier, Miss Granier

Event Comment: Rich's Company. The date of the first performance is not known. A contract between Cibber and Rich was signed on 29 Oct. 1696 (L. C. 3@73, in Nicoll, Restoration Drama, pp. 381-82), with an agreement that it was not to be printed until a month after it was acted. Since the play was advertised in the Post Man, 20-23 March 1696@7, it may have been acted as early as January 1697, certainly not later than February 1697. Possibly Leveridge set the music for a song, Tell me, Belinda, prithee do, which is in A New Book of Songs by Mr Leveridge, advertised in the London Gazette, No. 3293, 3 June 1697. A Comparison Between the Two Stages (1702), p. 18: Lady in Fashion, by a Player, Damn'd. Preface, Edition of 1697: Not to miss the Advantage of Mr Doggett's Excellent Action; I prepar'd a low Character

Performances

Mainpiece Title: Womans Wit Or The Lady In Fashion

Performances

Mainpiece Title: Rosamond

Performance Comment: King-Mrs Barbier; Sir Trusty-Leveridge; Page-Master Arne who never yet appeared in public; Messenger-Corse; 1st Angel-Master Arne; 2d Angel-Corse; Queen-Miss Jones; Rosamond-Miss Arne; Grideline-Miss Chambers.
Cast
Role: Sir Trusty Actor: Leveridge

Performances

Mainpiece Title: The Distrest Wife

Afterpiece Title: The Nuptial Masque or The Triumphs of Cupid and Hymen

Performance Comment: Cupid-Miss Norsa, the first time of her appearing in boy's clothes; Hymen-Salway; Priests of Hymen-Leveridge, Laguerre; Venus-Mrs Wright; Britannia-Mrs Sanderson; Liberty-Mrs Kilby; Bridal Virgin-Miss Hillyard, the first time of her appearing on any stage; Zephyrs-Malter, Glover, Pelling, Lesac, Delagarde, Duke; Bridal Swains-Lesac, Delagarde, Duke; Bridal Nymphs-Mrs Ogden, Miss Rogers, Miss Baston; Un Amour-Glover; Deities of Pleasure-Malter, Houghton; Bridal Nymph-Mlle Salle .

Performances

Mainpiece Title: The Rehearsal

Performance Comment: See17391031, but Bayes-Cibber; Johnson-Ryan; Smith-Bridgwater; other parts-Hippisley, Rosco, Hallam, Hale, Gibson, Stephens, Roberts, Arthur, James, Neale, Mullart, Bencraft, Mrs Cross, Miss Burgess, Miss Brunette; With the Original Prologue-; With an Additional Re-inforcement of Mr Bayes's new rais'd Troops-; Vocals-Leveridge, Salway, Bencraft, Mrs Lampe, Miss Young.

Afterpiece Title: The Parting Lovers

Performance Comment: See17400318 but Nancy's Father-Leveridge; Truelove-Salway; Lieutenant-Bencraft; Nancy-Mrs Lampe; In which will be a Hornpipe-a Gentleman in the Character of a Sailor; With an Epilogue by Jo. Haines, Comedian, of Facetious Memory, -Cibber, riding on an Ass.

Dance: I: Peasants-the French Boy and Girl; II: Comic Ballet-Villeneuve, Miss Oates; III: Swiss Dance-French Boy and Girl; IV: Grecian Sailors-Glover; V: Hippisley's Drunken Man-

Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the London Gazette, No. 3130, 7-11 Nov. 1695, suggests that it was acted not later than October 1695, although the first production may have been earlier than that. Part of the music was composed by Henry Purcell: Celia has a thousand charms, sung by Young Bowen; Take not a woman's anger ill, sung by Leveridge; and How happy is she, sung by Miss Cross; all are in Deliciae Musicae, The Third Book, 1696. See also Purcell's Works, Purcell Society, XXI (1917), x-xi. Another song, To me you made a thousand vows, set by John Blow, is in Amphion Anglicus, 1700. Dedication, Edition of 1696: I...found so much interrutpion and discouragement from some prejudic'd Gentlemen, who ought to have us'd me better, or, at least, had no reason to use me ill, that I repented I had bestow'd any time upon it....In spite of 'em, my Lord, it was kindly receiv'd, and that too, at a time when the Town was never thinner of Nobility and Gentry

Performances

Mainpiece Title: The Rival Sisters Or The Violence Of Love

Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Boy, 12-16 Dec. 1695, suggests that it was probably first acted not later than November 1695. The edition of 1696 mentions two songs and their performers: A lass there lives upon the green, the words by an unknown hand, set by Courteville, and sung by the Boy to Miss Cross; and Bright Cynthia's pow'r divinely great, words by Mr Cheek, set by Courtevill, sung by Leveridge. These two songs are also in Deliciae Musicae, The Fourth Book, 1696, as is a third, Celemene, pray tell me, set by Henry Purcell and sung by the Boy and Girl. The words were written by D'Urfey; and the Boy presumably was Bowen, and the Girl, Miss Cross. See Purcell's Works, Purcell Society, XXI (1917), v-vi. A Comparison Between the Two Stages (1702), p. 19: Sullen: Oronooko. Ramble: Oh! the Favourite of the Ladies. Sullen: It had indeed uncommon Success, and the Quality of both Sexes were very kind to the Play, and to the Poet: No doubt it has Merit, particularly the last Scene; but 'tis as certain, that the Comick Part is below that Author's usual Genius. Ramble: I have a particular regard for Mr Southern's Stile and agreeable Manner; there's a Spirit of Conversation in every thing he writes. Sullen: I think very few exceed him in the Dialogue; his Gallantry is natural, and after the real manner of the Town; his acquaintance with the best Company entered him into the secrets of their Intrigues, and no Man knew better the Way and Disposition of Mankind. But yet I must say, his Diction is commonly the best part of him, especially in Comedy; but in Tragedy he has once in this, and in one other, Drawn the Passions very well

Performances

Mainpiece Title: Oroonoko

Event Comment: Post Boy, No 482, 4-7 June 1698: At York Buildings this Day, being the 7th of June, will be performed an Entertainment of New Musick, Vocal and Instrumental, Mr Pate, Mr Leveridge, Mr Freeman, Mr Bowen, and all the best Masters perform their Parts. Composed by Mr Daniel Purcell for his Benefit

Performances

Mainpiece Title: Concert

Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Man, 22-24 Dec. 1696, suggests that it was probably first given not later than November 1696. A song, If Celia you had youth and all, the music possibly composed by Leveridge, was published in A New Book of Songs by Mr Leveridge (advertised in the London Gazette, No. 3293, 3 June 1697). Gildon, English Dramatick Poets, p. 176: This Play was our Author's first; and as it was writ in a Month,...so it had the Fate of those untimely Births, as hasty a Death....If the Voice of the Town had not been influenc'd by the Ill Representation, it must have met with a less rigorous Censure. A Comparison Between the Two Stages (1702): Damn'd

Performances

Mainpiece Title: The Roman Brides Revenge

Performances

Mainpiece Title: The Faithful Shepherd

Performance Comment: Singers only listed, but edition of 1712 lists: Mirtillo-Cavaliero Valeriano; Silvio-Valentino Urbani; Amarilli-Signora Elizabetta Pilotti Schiavonetti; Dorinda-Mrs Barbier; Eurilla-Signora Margarita del'Epine; Tirenio-Leveridge.
Cast
Role: Tirenio Actor: Leveridge.

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Beau Demolishd

Performance Comment: Parts-Leveridge, Pack.
Cast
Role: Parts Actor: Leveridge, Pack.

Dance: As17151102

Performances

Mainpiece Title: The Ladys Triumph

Performance Comment: Edition of 1718 lists: In Act V a Masque of Decius and Paulina. Decius Mundus-Mrs Barbier; Simon-Leveridge; Paulina-Mrs Thurmond; Ida-Pack; Priestess of Isis-Mrs Fitzgerald.
Cast
Role: Simon Actor: Leveridge

Performances

Mainpiece Title: Circe

Performance Comment: Circe-Mrs Bullock; Vocal parts-Mrs Margerita, Mrs Barbier, Mrs Pulmon, Mrs Fletcher, Leveridge, Pack.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Cornish Hero or Jack the Giant Killer

Performance Comment: Parts-Mrs Chambers, Leveridge, Legar, Salway.

Dance: Proper Dances-

Event Comment: Benefit Leveridge. N.B. Mr Leveridge hopes that his Friends accept of this Invitation, and favour him with their Companies, since a tedious Indisposition hath rendered him incapable of waiting on them in Person. Receipts: money #39 4s.; tickets #87 19s

Performances

Mainpiece Title: The Fortune Hunters Or Two Fools Well Met

Song: Mrs Barbier

Dance: TTwo Pierrots-Salle, Pelling; Fingalian-Newhouse, Mrs Ogden; Les Vandangeurs-Moreau, Mrs Moreau