SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Joy"/1) | (@(roleclean,performerclean) "Mr Joy")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4239 matches on Event Comments, 1157 matches on Performance Comments, 536 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Loyal General

Performances

Mainpiece Title: Lucius Junius Brutus, Father Of His Country

Performances

Mainpiece Title: The Second Part Of The Rover

Performances

Mainpiece Title: Tamerlane The Great

Performances

Mainpiece Title: The False Count; Or, A New Way To Play An Old Game

Performances

Mainpiece Title: The Royalist

Performances

Mainpiece Title: Like Father, Like Son; Or, The Mistaken Brothers

Performances

Mainpiece Title: The City Heiress; Or, Sir Timothy Treatall

Performances

Mainpiece Title: Dame Dobson; Or, The Cunning Woman

Performances

Mainpiece Title: The Atheist; Or, The Second Part Of The Souldiers Fortune

Performances

Mainpiece Title: The Squire Of Alsatia

Performances

Mainpiece Title: Bury Fair

Performances

Mainpiece Title: Sir Anthony Love; Or, The Rambling Lady

Performances

Mainpiece Title: King Edward The Third; With The Fall Of Mortimer, Earl Of March

Performances

Mainpiece Title: The Scowrers

Performances

Mainpiece Title: Concert

Event Comment: Luttrell, A Brief Relation, II, 437: This being the queen s birth day, a new ode was sung before her upon the occasion: the nobility and gentry, with the lord mayor and aldermen of this citty, attended to compliment thereon. Gentleman's Journal, May 1692: The 30th of April, being Her Majesties Birth-day, was observ'd with all the usual Solemnity. I design'd to have sent you an Attempt of mine in Verse, on that noble Subject: But having happily obtain'd a Copy of those writ by Sir Charles Sidley, it would have been an unpardonable Crime, to have joyn'd my weak Essay to a Piece by so great a Master. [The Ode, Love's Goddess Sure, the music by Henry Purcell, is in Purcell's Works, Purcell Society, XXIV (1926), i.

Performances

Mainpiece Title: Concert

Event Comment: The United Company. As 9 Nov. 1692 is known to be the second day, it is assumed that 8 Nov. 1692 represents the first performance. (See entry for 9 Nov. 1692.) The authorship is uncertain; William Mountfort signed tne Dedication, but its authorship is linked with that of Edward III (November 1690), which may have been by Bancroft. Gentleman's Journal, October 1692 (not issued until November): Henry the Second, King of England, A new Play, by the Author of that call'd Edward the Third, which gave such universal satisfaction, hath been acted several times with applause. It is a Tragedy with a mixture of Comedy....Had you seen it acted, you would own that an Evening is pass'd very agreeably, when at a Representation of that pleasing Piece. [Alfred Harbage, Elizabethan-Restoration Palimpsest, Modern Language Review, XXXV (1940), 312-18, argues that this play is the Elizabethan Henry II once in the possession of Moseley. A song, In vain 'gainst Love I strove, composed by Henry Purcell and sung by Mrs Dyer, not in the printed play, is in Comes Amoris, 1693, and Joyful Cuckoldom 1695. See Purcell's Works, Purcell Society, XX (1916), vii

Performances

Mainpiece Title: Henry The Second, King Of England; With The Death Of Rosamond

Performances

Mainpiece Title: Concert