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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Joseph Inchbald"/1) | (@(roleclean,performerclean) "Mr Joseph Inchbald")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7226 results for: Keyword - Mr Joseph Inchbald
We found 4315 matches on Event Comments, 1527 matches on Performance Comments, 1408 matches on Author, 552 matches on Performance Title, and 0 matches on Roles/Actors.

2651
06 January 1753 @ Covent Garden

Event Comment: [Benefit for Joseph Lowe, a Citizen of London, under Misfortunes

Performances

Mainpiece Title: The Tragical History Of King Richard Iii

Afterpiece Title: [The Dragon of Wantley

Dance: [(BBy Desire )Grand Scots Ballet, as17521216

2652
25 April 1754 @ Haymarket Theatre

Event Comment: Benefit of Joseph Woodbridge and D. Grant

Performances

Mainpiece Title: Mrs Midnight's Concert

Afterpiece Title: The Adventures of Fribble

Entertainment: CCaudle-Mrs Midnight [See17540422

2653
12 January 1758 @ Drury Lane Theatre

Event Comment: PPittard's Observations on Garrick's Acting pub. as 6 d. Dedicated to Earl of Chesterfield (Winston MS 8). [Joseph Pittard the actor? or pen name for John Shebbeare?] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Male Coquette

Ballet: TThe Prussian Camp. As17571223

2654
09 November 1759 @ Haymarket Theatre

Event Comment: FFoote read part of his The Minor on 9 Nov. 1759 in a course of Comic Lectures and left for Dublin on 10 Nov. (Theatrical Duplicity or, A Genuine Narrative of the Conduct of David Garrick, Esq. to Joseph Reed on his Tragedy of Dido. MS in Harvard Theatre Collection)

Performances

Mainpiece Title: Comic Lectures

2655
15 May 1761 @ Covent Garden

Event Comment: Benefit for Wilford, Ross, (pit door-keepers); Slater; and Trott, (lobby door-keeper). Mainpiece: Acted but once these 10 years. [See 15 Jan. 1753.] Tickets deliver'd by Besford, Clark, Darby, Toten, Dimmock, &c. will be taken. [Besford a mistake for Joseph Besworth (porter).] Receipts: #15 15s. plus #100 14s. 2d. as 1!2 value of the tickets deliver'd. @Names Bow Pit Gallery Balue 1!2 Value@Wilford 2 62 18 #11 12s. #5 16s.@Ross 5 162 83 #33 17s. #16 18s. 6d.@Trott 144 53 .. #43 19s. #18 12s. 9d.@Slater 2 57 110 #20 1s. #10 6d.@Derby 4 79 105 #23 7s. #11 13s. 6d.@Toten .. 32 43 #9 2s. #4 11s.@Clingo .. 55 47 #12 19s. #6 9s. 6d.@Clarke .. 40 44 #10 8s. #5 4s.@Besworth .. 24 20 #5 12s. #2 16s.@Dymuck .. 12 53 #7 2s. #3 11s.@Jos. Smith 8 29 25 #8 17s. #4 8s. 6d.@Cole 4 61 83 #18 9s. #9 4s. 6d.@S. Griffiths .. 11 12 #2 17s. #1 8s. 6d.@Total 169 677 643 #208 2s. #100 14s. 2d. [1!2 of #208 2s. would seem to be #104 1s.]@ Rec'd of John Crane for the ends of the wax candles sold last season #6 4s., and for those sold this season #23 19s. 4d. (Account Book)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Devil to Pay

2656
18 December 1766 @ Covent Garden

Event Comment: By Command of their Majesties. Present their Majesties and the Princess Brunswick and Lady Louisa. Paid Yeomen of the guard #2 2s. Paid Joseph Stevens, Music porter, #1 16s. (Account Book). Receipts: #220 5s. 6d. (Account Book)

Performances

Mainpiece Title: The Accomplish'd Maid

Dance: I: The Happy Villagers, as17661215; II: Rural Love, as17661120; End Opera: The Female Archer, as17661215

2657
07 March 1767 @ Covent Garden

Event Comment: Mainpiece: By Desire. Paid Joseph Stevenson, Music Porter, as per bill #1 8s. (Account Book). Receipts: #252 12s. 6d. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Citizen

Dance: II: The Female Archer, as17661215

2658
25 February 1769 @ Covent Garden

Event Comment: To be published by Subscription: A General History of The Stage, for the last ten years; comprehending all remarkable Occurrences during that Period, the Production and Success of every new Piece, and Anecdotes of the Principal Performers. By Joseph Younger. Prompter to the Theatre Royal In Covent Garden. Printed Proposals to be had Becket and DeHondre in the Strand, and of Griffin in Catherine Street

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Harlequin Skeleton

2659
22 January 1773 @ Covent Garden

Event Comment: Every Man in His Humour oblig'd to be Deferr'd. Paid Joseph Stephenson as per Certificate from Sir John Fielding, 10s. (Account Book). Receipts. #156

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Harlequin Sorcerer

2660
11 January 1774 @ Covent Garden

Event Comment: Mainpiece: By Desire. The eighth night of the New Pantomime of the Sylphs will be on Thursday. Gave Porters of the several Inns of Court their Christmas Box #3 12s. 6d. Paid John Corker and Joseph Stephenson each 10s. as per certificate from Sir John Fielding (Account Book). Receipts: #183 15s. (Account Book)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Sylphs

2661
30 April 1779 @ Covent Garden

Event Comment: Benefit for Mrs Jackson. 3rd piece [1st time in London; F 2, by James Solas Dodd, based on Le Naufrage, by Joseph de laFont, and 1st acted at Smock Alley Theatre, Dublin, 1772, as The Funeral Pile. "The performers were exceedingly correct, which is unusual in benefit piece" Oulton, 1796,1,81). Prologue by the author (Town and Country Magazine, May 1779, p.270)]: With an Indian Processionv. Public Advertiser, 24 Apr.: Tickets to be had of Mrs Jackson in the Great Piazza, Covent Garden

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Farmer's Return from London

Afterpiece Title: Gallic Gratitude; or, The Frenchman in India

Song: In 3rd piece: the Vocal Parts-Reinhold, Miss Thornton, Mrs Wrighten

2662
10 March 1786 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption (selected From The Great And Favourite Works Of Handel That Were Performed At His Commemorations In Westminster Abbey And At The Pantheon [on 26 And 27 May 1784])

Performance Comment: Vocal Parts as17860303but Negus in place of Carter. 1st Violin by Shaw. Morning Chronicle, 16 Mar., lists the selections as follows: Overture to Occasional Oratorio. Oh! First Created Beam (Samson) Nasce al bosco (Eatius [i.e. Ezio]). When his loud voice by Chorus (Jephtha) Lord, what is man (Semele). How excellent by Chorus (Saul). Dite che fa (Tolomeo). Would custom bid (Susanna). Jehovah is my Shield (Occasional Oratorio). Blest be the man by Chorus (Joseph). He gave them hail-stones by Chorus; The Lord is a man of war; The Horse and his rider by Chorus (Israel in Egypt). Ye sons of Israel by Chorus; Oh had I Jubal's lyre [by Miss George (Public Advertiser, 16 Mar.)] Joshua). Angels ever bright and fair [by Mrs Forster (Public Advertiser, 31 Mar.)] (Theodora). Jehovah crowned by Chorus (Esther). Welcome, mighty King; In sweetest harmony both by Chorus (Saul). Their bodies are buried in peace (Funeral Anthem). Dead March (Saul). Rendi il serene (Sosarme). Gird on thy sword by Chorus (Saul). The sword that is drawn (Occasional Oratorio). God save the King by Chorus (Coronation Anthems). Verdi prati (Alcina). Here beneath a shady wood (Alexander Balus). He was eyes unto the blind (Siroe). Hosannah by Chorus (Athalia). Nel riposo (Deidamia). He sitteth at the right hand of God by Chorus. Dove sei [by Miss George (Public Advertiser, 16 Mar.)] (Rodelinda). Gloria Patri by Chorus . The Lord is a man of war; The Horse and his rider by Chorus (Israel in Egypt). Ye sons of Israel by Chorus; Oh had I Jubal's lyre [by Miss George (Public Advertiser, 16 Mar.)] Joshua). Angels ever bright and fair [by Mrs Forster (Public Advertiser, 31 Mar.)] (Theodora). Jehovah crowned by Chorus (Esther). Welcome, mighty King; In sweetest harmony both by Chorus (Saul). Their bodies are buried in peace (Funeral Anthem). Dead March (Saul). Rendi il serene (Sosarme). Gird on thy sword by Chorus (Saul). The sword that is drawn (Occasional Oratorio). God save the King by Chorus (Coronation Anthems). Verdi prati (Alcina). Here beneath a shady wood (Alexander Balus). He was eyes unto the blind (Siroe). Hosannah by Chorus (Athalia). Nel riposo (Deidamia). He sitteth at the right hand of God by Chorus. Dove sei [by Miss George (Public Advertiser, 16 Mar.)] (Rodelinda). Gloria Patri by Chorus .

2663
08 April 1788 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Lady Eglantine Wallace. Prologue by Joseph Jekyll (World, 14 Apr.). Epilogue by Thomas Morris, with five lines added by Edward Topham (Public Advertiser, 15 Apr.)]: With new Scenes and Dresses. Public Advertiser, 26 Apr.: This Day is published The Ton (18d.). "On the next representation we hope the other performers will not give the audience reason to believe that the prompter has a part in the play from his frequent audibility" (Public Advertiser, 9 Apr.). Receipts: #295 18s. 6d. (294.9.0; 1.9.6)

Performances

Mainpiece Title: The Ton; Or, Follies Of Fashion

Afterpiece Title: Hob in the Well

2664
18 March 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption 0; Triumph Of Truth 0

Afterpiece Title: Redemption 1

Performance Comment: Overture-(Occasional Oratorio); O first created beam-Chorus (Samson); Nasce al bosco-Reinhold (Ezio); When his loud voice-Chorus (Jephtha); Where e'er you walk-Mrs Crouch (Semele); How excellent thy name-Chorus (Saul); Speak ye who best can tell-Kelly (Ptolomy); Abraham enough-Mrs Crouch (Susanna); Jehovah is my shield-Miss Hagley (Occasional Oratorio); Blest be the man-Chorus (Joseph); Pious Orgies-Mrs Ambrose (Judas Maccabaeus); He gave them Hailstones-Double Chorus; The Lord is a man of war-Reinhold, Dignum; Moses and the Children of Israel-Chorus; Sing ye to the Lord-Mrs Ambrose; The horse and his rider-Double Chorus (Israel in Egypt).

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Music: As17890311

2665
20 March 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: The Triumph Of Truth 0

Afterpiece Title: Triumph of Truth 1

Afterpiece Title: Triumph of Truth 2

Afterpiece Title: Triumph of Truth 3

Performance Comment: Sacred Truth-Mrs Ambrose (Dr Arnold); Vain is Beauty-Mrs Crouch ([Judith] Dr Arne); O God! 'Tis Thou-Chorus (Handel); Hear a Nation's deep Distress-Mrs Crouch, Miss Hagley, Miss Lockhart, Dignum, Reinhold, Chorus (Jomelli); Safely go in Joy and Peace-Reinhold (Handel); Long by adverse motion-Kelly (Handel); Songs of Joy-Mrs Ambrose; accompanied on the hauboy-W. Parke (Sacchini); Glory to God (Joshua, Handel), We will rejoice (Joseph, Handel)-Grand Chorus; God save Great George our King-.

Music: As17890311

2666
20 March 1789 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Performance Comment: Fifth Grand Concerto-; Let me wander not unseen-Miss Mahon; And young and old-Chorus (L'Allegro); Music spread thy voice around-Harrison, Chorus (Solomon); O magnify the Lord-Miss Cantelo (Chandos? Athems); May no rash intruder, [the] Nightingale Chorus-(Solomon); Gentle Airs-Harrison (Athalia); O God who in thy heavenly band-Chorus (Joseph); The Prince unable to conceal his Pain-Sga Storace (Alexander's Feast); The King shall rejoice-.

Afterpiece Title: Grand Selection 3

Music: End II: As17890227; End Part I: Concerto by Handel on organ-Greatorex

2667
24 February 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Selection 0[from The Works Of handel; Messiah

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: PART III. Overture and Dead March (Saul)-; Blest be the man-Chorus [Joseph]; Gentle airs-Cizo [Athalia]; Concerto bassoon-Parkinson; How excellent thy name-Chorus [Saul]; Cease ah! cease thou gentle youth-Miss Romanzini; The flocks shall leave the mountains-Reinhold, Dignum, Miss Romanzini [Acis and Galatea]; Now heaven in all her glory shone-; Lord what is man?-Mrs Crouch [Semele]; Hallelujah! For the Lord God omnipotent reigneth-Grand Chorus [The Messiah].The Messiah].

2668
26 February 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption, A Sacred Oratorio Selected From The Great And Favourite Works Of handel That Were Performed At His Commemoration, In westminster-abbey And At The pantheon On 26 And 27 May 1784 0; Messiah

Afterpiece Title: Redemption 1

Performance Comment: Overture (Occasional Oratorio)-; Oh! first created Beam-Chorus (Samson); He layeth the Beams-Reinhold (Ezio); When his loud Voice-Chorus (Jephtha); Where e'er you walk-Mrs Crouch (Semele); How excellent thy Name-Chorus (Saul); Speak ye who best can tell-Kelly (Ptolomy); Abraham enough-Mrs Crouch (Susanna); Jehovah is my shield-Miss Hagley (Occasional Oratorio); Blest be the Man-Chorus (Joseph); Pious Orgies-Sga Storace (Judas Maccabaeus); He gave them Hail@stones-Double Chorus; The Lord is a Man of War-Reinhold, Dignum; Moses and the Children of Israel-Chorus; Sing ye to the Lord-Sga Storace; The Horse and his Rider-Double Chorus (Israel in Egypt).

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Music: As17900219

2669
26 February 1790 @ Covent Garden

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0; Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: Overture (Esther)-; Wave from Wave-Sale; He rebuked the Red Sea He led them through the deep-Chorus (Israel in Egypt); Justly these Evils Why does the God of Israel sleep?-Harrison (Samson); Cease thy Anguish-Miss Mahon, Saville (Athalia); O God! who in thy heavenly Hand-Chorus (Joseph); The smiling Dawn of happy Days-Miss Cantelo (Jephtha); How excellent thy Name-Chorus (Saul).

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

2670
05 March 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea; Messiah

Afterpiece Title: A Grand Selection

Performance Comment: Break his Bands of Sleep asunder-Chorus (Alexander's Feast); What sweeter than the new blown Rose-Miss Hagley [World: Sga Storace], Kelly (Joseph); The Soldier tir'd of War's Alarms-Mrs Crouch (Artaxerxes, by Dr Arne); Shake the Dome-Chorus (Solomon); Dove sei amato bene-Sga Storace (Rodelinda); The good we wish for, Thy glorious deeds-Reinhold (Samson); Worthy is the Lamb-Grand Chorus (The Messiah).

Music: End II oratorio: concerto on the violoncello-Mason

2671
14 April 1790 @ Covent Garden

Event Comment: Benefit for Holman. 1st piec : Written by George? Lillo, reduced into Three Acts with material Alterations [by Joseph George Holman (World, 15 Apr.)]. [Prologue by Robert Merry (World, 16 Apr.).] Gazetteer, 2 Apr.: Tickets to be had of Holman, No. 2, Tavistock-row, Covent-Garden. Receipts: #278 11s. (185.2.6; 1.8.6; tickets: 92.0.0)

Performances

Mainpiece Title: Arden Of Feversham

Related Works
Related Work: Arden of Feversham Author(s): Joseph George Holman

Afterpiece Title: The Busy Body

Afterpiece Title: Thomasand Sally

Dance: Afterpiece: As17891128.; End: Tamborine Dance, as17891021

2672
11 March 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: A Grand Selection 0 From The Works Of Handel

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Part III Fifth Grand Concerto-; Is not the King most mighty, On the Charmer fondly gazing-Miss Hagley [Dr Arnold]; For unto us a Child is born-Chorus (The Messiah); Every Day will I give thanks-Miss Broadhurst (Chandos Anthems); Jehovah crown'd-Bellamy; He comes-Chorus (Esther); Prophetic Raptures-Miss Cecilia Davies (Joseph); O come let us worship-Spence (Coronation Anthems); Hallelujah for the Lord God Omnipotent reigneth-Grand Chorus (The Messiah).

2673
23 March 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption, Selected From The Great And Favourite Works Of handel That Were Performed In westminster-abbey And At The pantheon [on 26 And 27 May 1784] 0; Messiah; Grand Selection 0

Afterpiece Title: Redemption 1

Performance Comment: PART I. Overture (Occasional Oratorio)-; O first Created Beam-Chorus (Samson); He layeth the Beams-Reinhold (Ezio); When his loud Voice-Chorus (Jephtha); Where e'er you Walk-Mrs Crouch (Semele); How excellent thy Name-Chorus (Saul); Speak ye who best can tall-Spence (Ptolomy); Abraham enough-Miss Broadhurst (Susanna); Jehovah is my shield-Miss Hagley (Occasional Oratorio); Blest be the Man-Chorus (Joseph); Pious Orgies-Miss Davies (Judas Maccabaeus); He gave them Hail@stones-Double Chorus; The Lord is a Man of War-Reinhold, Dignum; Moses and the children of Israel-Chorus; Sing ye to the Lord-Miss Davies; The Horse and his Rider-Double Chorus (Israel in Egypt).

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Music: End: concerto on the hautboy-W. Parke; End II: concerto violin-Master Clement

2674
23 March 1791 @ Covent Garden

Performances

Mainpiece Title: A Second Grand Selection 0 Of Sacred Music, From The Works Of Handel

Performance Comment: As17910311but Principal Vocal Performers-_Sale; PART I. Overture-(Berenice); Come ever smiling Liberty-Mrs Piele (Judas Maccabaeus); He measureth the waters, He layeth the beams-Griffith (Redemption); O God! who in thy heavenly hand-Griffith (Joseph); Great Jehovah's awful word-Miss Poole (Israel in Egypt); Daughter of Gods-Harrison (Hercules); Hail! mighty Joshua-Harrison (Joshua); Where e'er you walk-Mrs Billington (Semele); He rebuked the Red Sea He led them through the deep, But the waters overwhelmed-Double Chorus (Israel in Egypt).

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

2675
01 April 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea 0; Grand Selection 0

Afterpiece Title: Acis and Galatea 1

Afterpiece Title: Acis and Galatea 2

Afterpiece Title: PART III

Performance Comment: A Grand Selection. Tyrants would in impious throngs-Mrs Crouch; Tyrants ye in vain conspire-Chorus (Athalia); Sin not O King-Miss Broadhurst (Saul); Thrice happy the Monarch-Bellamy [Alexander Balus]; What's sweeter than the new blown rose-Miss Hagley, Dignum (Joseph); Shake the dome and pierce the Sky-Chorus (Solomon); Mad Bess-Mrs Crouch (Purcell); I sing the produce of the vine, 'Tis mighty wine inspires us-Reinhold (Ottone); The Trumpet's loud clangor-Kelly, Chorus (Dryden's Ode); Da forte morir sapro-Miss Davies (Sarti); I'll proclaim the wondrous story-Spence, a Young Lady (1st appearance) (Esther); Worthy is the Lamb-Grand Chorus (The Messiah).

Music: As17910323