SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Mr John and Mr Robert Palmer"/1) | (@(roleclean,performerclean) "Mr John and Mr Robert Palmer")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11827 matches on Author, 6688 matches on Performance Comments, 5566 matches on Event Comments, 983 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: King Henry the Eighth [advertised on playbill of 19 Jan.] is, on Account of the Indisposition of Mrs Siddons, deferred 'till Sturday next (after which it will be laid aside from some Time, on Account of Preparations for Coriolanus [see 7 Feb.]) with The Critic [also advertised on playbill of 19 Jan.]. Kemble Mem.: Palmer imprisoned [seemingly for debt]. Receipts: #129 13s. (108.3; 19.19; 1.11)

Performances

Mainpiece Title: The West Indian

Cast
Role: Varland Actor: Baddeley
Related Works
Related Work: The West Indian Author(s): Richard Cumberland

Afterpiece Title: Robinson Crusoe

Event Comment: Mainpiece: Altered from the Tragedy of Huniades. [Afterpiece in place of The Pannel, advertised on playbill of 1 Feb.] Morning Herald, 3 Feb., refers to the "new epilogue [probably written by Miss Brand]: a sort of dialogue between an undertaker and a brave British tar." Receipts: #141 12s. 6d. (105.2.6; 32.12.0; 3.18.0)

Performances

Mainpiece Title: Agmunda Huniades

Performance Comment: As Huniades 18 Jan., but Christian Characters-Bensley; Kemble_; R._ Palmer; Barrymore_; Mahometan Characters-Phillimore; Epilogue-Bannister Jun., Suett.

Afterpiece Title: The Humourist

Cast
Role: John Actor: Banks.
Event Comment: [This was Baddeley's last appearance on the stage (see 19 Nov.).] Powell: R. Palmer Ill, Benson Trip [as in playbill]; Banks Servt to Joseph Surface for Benson. School for Lovers rehearsed at 10; Mithridates at 12 [but this play not acted at this or any other London theatre between 1738 and 1800], Receipts: #329 1s. (259.0.6; 68.9.0; 1.11.6)

Performances

Mainpiece Title: The School For Scandal

Performance Comment: Sir Peter Teazle-King; Sir Oliver Surface-Aickin; Sir Benjamin Backbite-Dodd; Joseph Surface-Barrymore; Charles Surface-Wroughton; Crabtree-Parsons; Careless-Dignum; Snake-Phillimore; Rowley-Packer; Moses-Baddeley; Trip-Benson; Lady Teazle-Miss Farren; Lady Sneerwell-Mrs Goodall; Mrs Candour-Miss Pope; Maria-Mrs Kemble; Maid-Mrs Heard.
Cast
Role: Mrs Candour Actor: Miss Pope
Related Works
Related Work: The School for Scandal Scandaliz'd Author(s): John Philip Kemble

Afterpiece Title: My Grandmother

Cast
Role: Waiter Actor: Bland

Song: III: a song-Sedgwick

Performances

Mainpiece Title: The Mountaineers

Performance Comment: Octavian-Barrymore; Virolet-C. Kemble; Kilmallock-Johnstone; Roque-Aickin; Lope Tocho-Suett; Goatherds-Ledger, Chippendale; Muleteers-Bannister, Davies, Trueman; Bulcazin Muley-Caulfield; Ganem-[J.] Palmer; Pacha-Clarke; Ali Beg-Abbot; Sadi-Wathen; Zorayda-Miss Heard; Floranthe-Miss DeCamp; Agnes-Mrs Bland.
Cast
Role: Kilmallock Actor: Johnstone
Role: Agnes Actor: Mrs Bland.

Afterpiece Title: Fortunes Frolick

Cast
Role: Rattle Actor: Palmer

Performances

Mainpiece Title: The Iron Chest

Cast
Role: Dick Dowlas Actor: H. Johnston
Role: Henry Moreland Actor: Trueman
Role: Kenrick Actor: Johnstone
Role: John Actor: Abbot

Afterpiece Title: Fortunes Frolick

Performance Comment: As17990620 but Rattle-Trueman (1st time) in place of Palmer.
Event Comment: Benefit for Bologna Sen., Mrs Follett & Sloper. [Mainpiece: Epilogue by Thomas Palmer.] Receipts: #445 (95.4; 7.17; tickets: 341.19)

Performances

Mainpiece Title: Lovers Vows

Related Works
Related Work: Das King der Liebe Author(s): August Friedrich Ferdinand von Kotzebue

Afterpiece Title: Oscar and Malvina

Cast
Role: Standard Bearers Actor: Lee, Abbot

Song: End II: The Fox Stag and Hare (written by T. Dibdin, and composed by Davy)-Incledon; End IV: The Anchor Smiths-Townsend; End: The Red Cross Knight-Incledon, Linton; afterpiece: I am a jolly gay Pedlar, as18000308Come every jovial fellow, as18000308O ever in my bosom live-Miss Wheatley, Mrs Atkins

Performance Comment: Dibdin=, and composed by Davy)-Incledon; End IV: The Anchor Smiths-Townsend; End: The Red Cross Knight-Incledon, Linton; afterpiece: I am a jolly gay Pedlar, as18000308Come every jovial fellow, as18000308O ever in my bosom live-Miss Wheatley, Mrs Atkins.

Entertainment: End: a Variety of Imitations-Rees

Event Comment: Benefit for Mrs Bland. Morning Chronicle, 19 Aug.: Tickets to be had of Mrs Bland, No. 6, Southampton-place, Tottenham-Court-Road

Performances

Mainpiece Title: The Mountaineers

Performance Comment: Octavian-Barrymore; Virolet-Trueman; Kilmallock-Johnstone; Roque-Davenport; Lope Tocho-Suett; Goatherds-Ledger, Chippendale; Muleteers-Bannister, Klanert; Bulcazin Muley-Caulfield; Ganem-[J.] Palmer; Sadi-Wathen; Zorayda-Miss Chapman; Floranthe-Miss DeCamp; Agnes-Mrs Bland.
Cast
Role: Kilmallock Actor: Johnstone
Role: Agnes Actor: Mrs Bland.

Afterpiece Title: Rosina

Performance Comment: Belville-Trueman; Capt. Belville-Caulfield; Rustic-Chippendale; Irishman-Abbot; William-Miss DeCamp; Phoebe-Mrs Bland; Dorcas-Mrs Davenport; Rosina-Mrs Mountain.
Cast
Role: Phoebe Actor: Mrs Bland

Song: In course evening: Little Taffline; or, The Silken Sash-Mrs Bland

Event Comment: In the notebooks of John Ward, between 1 and 25 Sept. 1662, appears The Alchemist [by Ben Jonson]. See A. L. D. Kennedy-Skipton, "A Footnote to John Ward and Restoration Drama," Shakespeare Quarterly, XII (1961), 353. For an early cast, see Dec. 1660

Performances

Performances

Mainpiece Title: The Silent Woman

Performance Comment: . For The Silent Woman the cast may be that in Downes (Roscius Anglicanus, p.4): Morose-Cartwright; Truewit-Major Mohun; Cleremont-Burt; Dauphin-Kynaston; Sir Amorous-Wintersel; Sir John Daw-Shatterel; Captain Otter-Lacy; Epicene-Mrs Knep; Lady Haughty-Mrs Rutter; Mrs Otter-Mrs Corey.
Cast
Role: Sir John Daw Actor: Shatterel
Event Comment: The King's Company. Pepys, Diary: In haste to carry my wife to see the new play I saw yesterday, she not knowing it. But there, contrary to expectation, find The Silent Woman. However in; and there Knipp come into the pit...[and] tells me the King was so angry at the liberty taken by Lacy's part to abuse him to his face, that he commanded they should act no more, till Moone [Mohun] went and got leave for them to act again, but not this play. The King mighty angry; and it was better indeed, but very true and witty. I never was more taken with a play than I am with this "Silent Woman," as old as it is, and as often as I have seen it. There is more wit in it than goes to ten new plays. Nathaniel Wanby, Coventry, 1667: We have known in our time that the Silent Woman hath had the loud applause of a whole theatre (BM Harleian MS. 6430, p.23)

Performances

Mainpiece Title: The Silent Woman

Performance Comment: See16661210. Morose-Cartwright?; Truewit-Major Mohun?; Cleremont-Burt?; Dauphin-Kynaston?; Sir Amorous-Wintersel?; Sir John Daw-Shatterel?; Captain Otter-Lacy?; Epicene-Mrs Knep?; Lady Haughty-Mrs Rutter?; Mrs Otter-Mrs Corey?.
Cast
Role: Sir John Daw Actor: Shatterel?
Event Comment: The King's Company. Pepys, Diary: Being full of my desire of seeing my Lord Orrery's new play this afternoon at the King's house, The Black Prince, the first time it is acted; where though we come by two o'clock, yet there was no room in the pit, but we were forced to go into one of the upper boxes, at 4s. a piece, which is the first time I ever sat in a box in my life. And in the same box come, by and by, behind me, my Lord Barkeley and his lady; but I did not turn my face to them to be known, so that I was excused from giving them my seat; and this pleasure I had, that from this place the scenes do appear very fine indeed, and much better than in the pit. The house infinite full, and the King and Duke of York was there. By and by the play begun, and in it nothing Particular but a very fine dance for variety of figures, but a little too long. But, as to the contrivance, and all that was witty (which, indeed, was much, and very witty), was almost the same that had been in his two former plays of Henry the 5th and Mustapha, and the same points and turns of wit in both, and in this very same play often repeated, but in excellent language, and were so excellent that the whole house was mightily pleased with it all along till towards the end he comes to discover the chief of the plot of the play by the reading of a long letter, which was so long and some things (the people being set already to think too long) so unnecessary that they frequently begun to laugh, and to hiss twenty times, that, had it not been for the King's being there, they had certainly hissed it off the stage. But I must confess that, as my Lord Barkeley says behind me, the having of that long letter was a thing so absurd, that he could not imagine how a man of his parts could possibly fall into it; or, if he did, if he had but let any friend read it, the friend would have told him of it; and, I must confess, it is one of the most remarkable instances that ever I did or expect to meet with in my life of a wise man's not being wise at all times, and in all things, for nothing could be more ridiculous than this, though the letter of itself at another time would be thought an excellent letter, and indeed an excellent Romance, but at the end of the play, when every body was weary of sitting, and were already possessed with the effect of the whole letter, to trouble them with a letter a quarter of an hour long was a most absurd thing. After the play done, and nothing pleasing them from the time of the letter to the end of the play, people being put into a bad humour of disliking (which is another thing worth the noting), I home by coach, and could not forbear laughing almost all the way home, and all the evening to my going to bed, at the ridiculousness of the letter, and the more because my wife was angry with me, and the world, for laughing, because the King was there, though she cannot defend the length of the letter

Performances

Mainpiece Title: The Black Prince

Performance Comment: Edition of 1672: Prologue-the Genius of England [holding Trident in one hand and a Sword in the other; King Edward-Moon [Mohun]; King John-Wintersell; Prince-Kenniston [Kynaston]; Lord Delaware-Hart; Count Guesclin-Burt; Lord Latimer-Cartwright; Page-Beeston; Alizia-Mrs Guinn; Plantaginet-Mrs Marshall; Cleorin-Mrs Corey; Sevina-Mrs Nepp; Valeria disguised-F. Damport [Davenport]; A Lady-Betty Damport [Davenport]; Epilogue to the King-.
Cast
Role: Prologue Actor: the Genius of England
Role: King John Actor: Wintersell
Event Comment: In L. C. 5@12, p. 212, is a list of plays formerly acted at Blackfriars and now allowed (ca. 12 Jan. 1668@9) to the King's Company: Everyman in his Humour. Everyman out of his Humour. Cyntheas Revells. Sejanus. The ffox. The Silent Weoman. The Alchymist. Catilin. Bartholomew ffayre. Staple of Newes. The Devills an Asse. Magnitick Lady [The Humours Reconciled]. Tale of a Tubb. New Inn [or The Light of Heart]. Beggers Bush [by John Fletcher, with Philip Massinger?]. Bonduca. Custome of ye Country. The Captaine. The Chances. The Coxcombe. The Double Marriage. The ffrench Lawyer. The ffalse One. The fayre Mayd of ye Inn. The Humorous Leivt. The Island Princes. The Knights of Malta. Nathan Field. The Loyall Subject. The Lawes of Candye. Loves Progresse [The Lover's Progress; or, The Wandering Lovers. The Winters Tale. King John. Richard the Second. Loues Cure [or The Martial Maid]. Loues Pilgrimage. The Noble Gentlemen. The Nice Valour [or, The Passionate Madman]. The Prophetesse. The Marshall Mayd [see Love's Cure]. The Pilgrim. The Queene of Corinth. The Spanish Curate. The Sea Voyage. Valentinian. The Weomans Prize [or, The Tamer Tamed]. A Wife for a Moneth. The Wyd Goose-Chase. The Elder Brother. The ffaythfull Shepherdesse. A King & noe King. The Maydes Tragedie. Phylaster. Rollo Duke of Normandy [or, The Bloody Brother]. The Scornefull Lady. Thiery & Theodorat. Rule a Wife. The Gentlemen of Verona. The Merry Wives of Windsor. The Comoedy of Errors. Loves Labour Lost. Midsomer Nights Dreame. The Merchant of Venice. As you like it. The Tameing of ye Shrew. Alls well yt ends well. Henry ye fourth. The Second part Henry IV. The Royall Slaue

Performances

Event Comment: The Duke's Company. The date of the first performance is quite uncertain, but the fact that the Prologue was spoken at Lincoln's Inn Fields and refers to that theatre as "a damn'd House," appropriate to its status before the Company's removal to Dorset Garden (9 Nov. 1671), would place it in the early autumn. The presence of unfamiliar names in the cast and the statement in the Dedication to its "hasty Representation" suggest a summer or early autumn performance before the principals had resumed their places in the Company. See Nicoll, Restoration Drama, p. 424, for other complications in the dating of this play

Performances

Mainpiece Title: Herod And Mariamne

Performance Comment: Edition of 1673: Prologue at the Theatre in Lincolns@Inn@Fields-; Epilogue-Mariamne; Herod-Medburn; Pheroras-Crosby; Alexas-John Lee; Tyridates-Smith; Arsanes-Norris; Polites-Anthony Lee; Sosius-Gillow; Mariamne-Mrs Spencer; Salome-Mrs Mary Lee; Alexandra-Mrs Osborn.
Cast
Role: Alexas Actor: John Lee
Role: Alexandra Actor: Mrs Osborn.

Performances

Mainpiece Title: Love And Revenge

Performance Comment: Edition of 1675: Prologue-; Epilogue-Nigrello in a Mans Habit, but in a white Wig, and her Face discover'd; Clotair-Smith; Lewis-Crosby; Brisack-Norris; Clarmount-Medbourn; Dumain-John Lee; Lamot-Gillow; Burbon-Purseval; Nigrello-Mrs Mary Lee; Fredigond-Mrs Osborn; Aphelia-Mrs Batterton.
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407. Nell Gwyn's attendance again on Friday 9 June suggests that she attended the premiere. On that assumption, this Calendar lists the probable ten performances which Downes (Roscius Anglicanus, p. 36) alludes to: And all the Parts being admirably Acted, it lasted successively 10 Days; it got more Money than any preceding Modern Tragedy

Performances

Mainpiece Title: Don Carlos Prince Of Spain

Performance Comment: Edition of 1676: The Prologue-; Phillip the Second-Batterton; Don Carlos-Smith; Don John-Harris; Marquis of Posa-Crosby; Rui Gomez-Medbourn; Queen of Spain-Mrs Mary Lee; Duchess of Eboli-Mrs Shadwell; Henrietta-Mrs Gibbs; Garcia-Mrs Gillow; Officer of the Guards-Norris; The Epilogue-a Girle [Anne Bracegirdle?].Anne Bracegirdle?].
Cast
Role: Don John Actor: Harris
Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 408. It is not known when the premiere occurred, but this is the earliest known performance. The Prologue, missing in the 1677 edition, is in the 1693 edition. A song, Make haste, my shepherd, come away, with music by Francis Forcer, is in Choice Ayres and Songs, Second Book, 1679

Performances

Mainpiece Title: Abdelazer Or The Moors Revenge

Performance Comment: Edition of 1677: Ferdinand-Harris; Philip-Smith; Abdelazer-Betterton; Mendozo-Medburne; Alonzo-Crosbie; Roderigo-Norris; Sebastian-John Lee; Osmin-Percivall; Zarrack-Richards; Isabella-Mrs Mary? Lee; Leonora-Mrs Barrer; Florella-Mrs Betterton; Elvira-Mrs Osborne; Epilogue-little Mis. Ariell [Anne Bracegirdle?].Anne Bracegirdle?].
Cast
Role: Ferdinand Actor: Harris
Role: Sebastian Actor: John Lee
Event Comment: The Duke's Company. The date of the first production is not known, but the licensing date of 26 Dec. 1676 establishes the premiere as occurring in December 1676 or earlier. One song, Why does the foolish world mistake, with music by William? Turner, is in Choice Ayres and Songs, The Second Book, 1679

Performances

Mainpiece Title: Pastor Fido Or The Faithful Shepherd

Performance Comment: Edition of 1677: Prologue-; Montano-Medbourn; Sylvio-Crosby; Mirtillo-Smith; Titiro-John Lee; Sylvano-Batterton; Ergasto-Norris; Carino-Perseval; Dameta-Richards; Lynco-Gillo; Amaryllis-Mrs Batterton; Corisca-Mrs Mary Lee; Dorinda-Mrs Petty; Gerana-Mrs Hughes; Celia-Mrs Napier.
Cast
Role: Titiro Actor: John Lee
Related Works
Related Work: The Faithful Shepherd Author(s): George Frideric Handel

Performances

Mainpiece Title: The Rover Or The Banisht Cavaliers

Performance Comment: Edition of 1677: Prologue by a Person of Quality-; Don Antonio-Jevorne; Don Pedro-Medburne; Belvile-Betterton; Willmore-Smith; Frederick-Crosbie; Blunt-Underhill; Stephano-Richards; Philippo-Percivall; Sancho-John Lee; Florinda-Mrs Betterton; Hellena-Mrs Barrer; Valeria-Mrs Hughs; Angellica Bianca-Mrs Gwin [Anne Quin]; Moretta-Mrs Leigh; Callis-Mrs Norris; Lucetta-Mrs Gillo; Epilogue-.
Cast
Role: Sancho Actor: John Lee
Related Works
Related Work: Love In Many Masks Author(s): John Philip Kemble
Event Comment: The Duke's Company. There is considerable uncertainty as to the date of production of this play. Because it was licensed for printing on 2 Aug. 1677, it was probably first acted not later than July 1677. Because some of the names in the cast represent younger actors, it has been thought to be a Lenten production (see Gray, Lenten Casts, pp. 789-90). It seems, however, that the play, because of its reference to performances by the French comedians (the Epilogue refers to "de French Troop at toder end o'Town ") and the offering of Rare en Tout on29 May 1677, probably was acted in June 1677. The Prologue also refers to the comedy as The Women's Play," suggesting that it was produced for the actresses' annual benefit

Performances

Mainpiece Title: The French Conjuror

Performance Comment: Edition of 1678: Prologue-; Avarito-Jevon; Claudio-Crosby; Dorido-Gillo; Horatio-Norris; Truro-Percival; Monsieur-Anthony Leigh; Audacio-Richards; Pedro-John Lee; Clorinia-Mrs Barry; Leonora-Mrs Hughes; Sabina-Mrs Norris; Scintilla-Mrs Leigh; The Epilogue-.
Cast
Role: Pedro Actor: John Lee
Event Comment: The Duke's Company. The date of the first production is not known, and it may have been acted before this season; hence, it is entered also in the preliminary list in the season of 1676-77. As the play was licensed for printing on 4 Oct. 1677, September 1677 is probably the latest time at which it could have been produced. The play is an alteration of Thomas Middleton's No Wit, No Help, Like a Woman's. It has been attributed to both Mrs Aphra Behn and Thomas Betterton

Performances

Mainpiece Title: The Counterfeit Bridegroom Or The Defeated Widow

Performance Comment: Possibly by Mrs Aphra Behn or ThomasBetterton. Edition of 1677: Prologue-Mrs Currar; Sir Oliver Santloe-A. Leigh; Peter Santloe-Bowman; Sanders-Gilloe; Noble-Crosby; Hadland-Williams; Sir Gregory Lovemuch-Persivall; Gazer-Norris; Noddy-John Lee; Sam-Richards; Lady Santloe-Mrs Norris; Clarina-Mrs Gibbs; Widow Laudwell-Mrs Osborne; Eugenia-Mrs LeGrand; Mrs Hadland-Mrs Currar.
Cast
Role: Sanders Actor: Gilloe
Role: Hadland Actor: Williams
Role: Noddy Actor: John Lee
Role: Eugenia Actor: Mrs LeGrand
Role: Mrs Hadland Actor: Mrs Currar.
Event Comment: The Duke's Company. As the play was not printed until 1689, the date of composition is uncertain. In Act I, however, a reference to the death of the Earl of Rochester (26 July 1680) suggests that the play probably followed that even rather closely. On the other hand, the latest likely date for the first production seems set at late 1682 by the fact that Thomas Farmer's music for the play in BM Add. Mss. 19183-19185 is dated December 1682. The play has been placed in September 1680 as the earliest likely date (the presence of an experienced cast makes somewhat unlikely a production in mid-summer 1680). A song, All other blessings are but toys, with music by Thomas Farmer, is in Choice Ayres and Songs, The Fourth Book, 1683. A song, Lovely Selina, innocent and free, with music by John Blow, is in the same collection; and another, Weep all ye nymphs, with music by John Blow, is in The Theater of Music, The First Book, 1685

Performances

Mainpiece Title: The Princess Of Cleve

Performance Comment: Edition of 1689: The Prologue-; Prince of Cleve-Williams; Duke Nemours-Betterton; St. Andre-Lee; Vidam of Chartres-Gillo; Poltrot-Nokes; Princess of Cleve-Mrs Barry; Tournon-Mrs Lee [Elinor Leigh]; Marguerite-Lady Slingsby; Elianor-Mrs Betterton; The Epilogue-.
Cast
Role: Andre Actor: Lee
Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the Songs were advertised in the Post Boy, 29-31 March 1698, and performance probably occurred in early March. One song, All things seem deaf to my complaints, set by John Eccles and sung by Mrs Bowman, was published in The A'lamode Musician, 1698. According to the Post Boy, 17-19 March 1697@8, another song, Fair Amoret is gone Astray, had its words written by Congreve, and, according to the Post Boy, 29-31 March 1698, the music set by John Eccles. A Comparison Between the Two Stages (1702), p. 20: Damn'd. Gildon, English Dramatick Poets, p. 173: I have little to say to this Play, for 'tis not fair to attack a Man that's down, tho' I do not think (considering what Plays have pleas'd) that this ought to have met with so severe a Fate

Performances

Mainpiece Title: The Pretenders Or The Town Unmaskd

Performance Comment: Edition of 1698: Lord Courtipell-Thurmond; Sir Wealthy Plainder-Underhill; Sir Bellamour Blunt-Kynaston; Vainthroat-Bowman; Breakage-Trefuse; Captain Bownceby-Bright; Nickycrack-Bowen; Prim-Baily; Widow Thoroshift-Mrs More; Minx-Mrs Peryng; Ophelia-Mrs Bowman; Sweetny-Mrs Lee; Nibs-Mrs Lawson; Doll-Mrs Willis; Prologue-Mrs Bowen coming upon the Stage in a great huff, follow'd by a Prompter, with a Paper in his hand, and a Boy with a Bottle and Glass; Epilogue-Mrs Moor.
Related Works
Related Work: Kensington Gardens, or, The Pretenders Author(s): John Leigh
Event Comment: Rich's Company. Lady Morley attended this performance: Lady Morley and three in the Box at Marryage hater. 16s. See Hotson, Commonwealth and Restoration Stage, p. 378. John Dryden to Mrs Steward, 14 Dec. 1699: Both the Iphigenias have been played with bad Success; & being both acted, one against the other, in the same week, clashed together, like two rotten ships, which cou'd not endure the shock; & sunk to rights (The Letters of John Dryden, p. 131)

Performances

Mainpiece Title: The Marriage Hater Matched

Event Comment: Lady Marow to Arthur Kay, 12 March 1699@1700: The Way of the World, Congreve's new play doth not answer expectation, there being no plot in it but many witty things to ridicule the Chocolate House, and the fantastical part of the world (HMC, 15th Report, Appendix, Dartmouth MSS., Part I, p. 145). John Dryden to Mrs Steward, 12 March: Congreves New Play has had but moderate success; though it deserves much better (Letters of John Dryden, p. 134)

Performances

Performances

Mainpiece Title: Love At First Sight

Performance Comment: Edition of 1704 lists: Courtly-Booth; Lovewell-Powell; Sir NicholasEmpty-Pack; Gripeall-Fieldhouse; Hector-Leigh; Sir John Single-Trout; Jeremy-Freeman; Timothy-Knapp; Lawyer-Weller; Watchman-Miller; Melissa-Mrs Prince; Fidelia-Mrs Porter; Celinda-Mrs Bradshaw; Prologue-; Epilogue-.
Cast
Role: Sir John Single Actor: Trout