SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr John Hill"/1) | (@(roleclean,performerclean) "Mr John Hill")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 10066 matches on Author, 5219 matches on Event Comments, 2900 matches on Performance Comments, 886 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Dryden to Walsh, 12 Dec. 1693: Your Critique, by your description of its bulk, will be to large for a preface to my Play, which is now studying; but cannot be acted till after Christmasse is over. I call it Love Triumphant; or, Nature will prevaile:...I have remembered you to all your friends; and in particular to Congreve; who sends you his play, as a present from him selfe, by this conveyance; & much desires the honour of being better known to you. His Double Dealer is much censured by the greater part of the Town: and is defended onely by the best Judges, who, you know, are commonly the fewest. Yet it gets ground daily, and has already been acted Eight times. The women thinke he has exposd their Bitchery too much; & the Gentlemen, are offended with him; for the discovery of their follyes: & the way of their Intrigues, under the notion of friendship to their Ladyes Husbands. My verses, which you will find before it, were written before the play was acted, but I neither altered them nor do I alter my opinion of the play (The Letters of John Dryden, pp. 62-63)

Performances

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Performed on Tuesday, Octob. 29. 1695 for the Entertainment of...Sir John Houblon, Kt...Containing a True Description of the several Pageants; with the Speeches spoken on each Pageant. All prepared, at the proper Costs and Charges of the...Grocers. To which is added a New Song upon His Majesty's Return.
Event Comment: Betterton's Company. The date of the first performance is not certain, but the fact that the play was advertised in the London Gazette, 6-11 May 1696, suggests that it was first acted not later than April 1696. A song, Come, Hodge, come, Robin, set by John Eccles and sung by Wiltshire and Mrs Hudson, was printed in Deliciae Musicae, The Second Book of the Second Volume, 1696. Dedication, Edition of 1696: Which I wrote three Years ago....nor the Displeasure of the Judicious, who I hope will not condemn this Play from the appearance it had upon the Stage, where it suffer'd in the Acting....Tho. Dogget. A Comparison Between the Two Stages (1702), pp. 16-17: Ramble: Oh that's Dogget's: The Players have all got the itching Leprosie of Scribling as Ben. Johnson calls it; twill in time descend to the Scene-keepers and Candle-snuffers: Come, what came on't? Sullen: Not then directly Damn'd, because he had a part in't himself, but it's now dead and buried

Performances

Mainpiece Title: The Country-wake

Performance Comment: Edition of 1696: Prologue-Mrs Barry; Epilogue-Mrs Betterton; Sir ThomasTestie-Underhill; Woodvill-Betterton; Friendly-Kenneston; Old Hob-Trefise; Young Hob-Dogget; Lady Testie-Mrs Barry; Flora-Mrs Bracegirdle; Lucia-Mrs Bowman; Betty-Mrs Lee.
Cast
Role: Sir ThomasTestie Actor: Underhill
Related Works
Related Work: Hob's Opera Author(s): John Hippisley
Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Man, 4-6 June 1696, suggests that it was acted not later than May 1696, possibly that it was given in late April. In III is a song, Unguarded lies the wishing maid, set by John Eccles and sung by Leveridge. In IV is a song, The secrets of peace, set by Finger and sung by Mrs Hudson. A Comparison Between the Two Stages (1702), p. 20: This is Mrs Manley's; it made a shift to live a half a dozen Days, and then expir'd

Performances

Mainpiece Title: The Royal Mischief

Event Comment: Newdigate newsletters, 29 Sept. 1696: The Close of least Week one of our merry Andrews or Jack Puddings in Bartholomew ffaire stood in ye Pillory at Temple Bar for saying upon ye publick Stage yt in a little tyme Piggs would be roasted by ye flames of Exchange Telleyes & yt Bank Bills should Singe ye Haire of ym off. Transcribed by Professor John Harold Wilson

Performances

Event Comment: Betterton's Company. James Brydges, Diary: About 4: we went to ye playhouse in Lincolns inn fields, and meeting Sr John Cope here, after having Put ye Ladies in box kept for them, I went with him to Hyde Park, & from thence came again to ye play (Huntington MS St 26)

Performances

Mainpiece Title: The Mourning Bride

Event Comment: Rich's Company was apparently suspended because of its action in allowing John Powell, who had been involved in an altercation with Colonel Stanhope and Charles Davenant, to act before making satisfaction for the incident. See Nicoll, Restoration Drama, p. 368, and Cibber, Apology, II, 20n. The suspension lasted but a day; on 19 May 1698 Powell was forbidden to be received at either Drury Lane or Dorset Garden

Performances

Event Comment: Both playhouses were closed for the burial services of John Dryden. See The Patentee; or some Reflections in Verse (1700), titlepage

Performances

Event Comment: Benefit John Wilford. The Hall is in Basinghall Street. At 8 p.m. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-several Eminent Masters

Event Comment: Benefit John Banister Jr. At the usual hour

Performances

Mainpiece Title: Concert

Music: Newly composed by Keller, with vocal Music-Signora Maria Gallia; instrumental Music-Paisible, Gasperini, laTour, Banister, others Masters

Related Works
Related Work: Like Master Like Man Author(s): John Vanbrugh
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): John Rich
Event Comment: Genest, II, 309, lists Don John; or, The Libertine Destroy'd, probably as a mistake for 1 May

Performances

Event Comment: A new Farce, never acted but twice. [By John Corey. Date of premiere unknown.

Performances

Mainpiece Title: The Metamorphosis; Or, The Old Lover Outwitted

Performance Comment: Edition of 1704 lists no actors' names; Prologue by C. Johnson designed for Verbruggen, in the Astrologer's Habit. Prologue-Mrs Bradshaw; Epilogue written by C. Johnson-Booth.
Cast
Role: Johnson Actor: Booth.
Related Works
Related Work: Apollo and Daphne; or, Harlequin's Metamorphosis Author(s): John Thurmond
Event Comment: Benefit Cavaliero Nicolini Grimaldi. And (at the Desire of several Persons of Quality) the Boxes are to be open'd to the Pit, and none to be admitted but by printed Tickets, which are deliver'd by him. [Ch. Dering, writing to John Percival, stated that Nicolini got 800 guineas.-Egmont MS, p. 246.

Performances

Mainpiece Title: Pyrrhus And Demetrius

Event Comment: Sir John Perceval to Elizabeth Stockwell, 20 Sept.: We should have languished for want of diversion but for Othello, which drew all the stragglers in town together, and our number was greater than I imagined....Meanwhile I declare that they who cannot be moved at Othello's story so artfully worked up by Shakespeare, and justly played by Betterton, are capable of marrying again before their husbands are cold, of trampling on a lover when dying at their feet, and are fit converse with tigers only (Egmont MS, II, 240)

Performances

Mainpiece Title: Othello, Moor Of Venice

Event Comment: Benefit James Graves and John Garee. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

Music: Several Eminent Masters

Event Comment: Benefit John Geree. At 6 p.m. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-several Eminent Masters

Event Comment: At the Desire of several Ladies of Quality. Lady Hervey to John Hervey, 26 April: Yesterday I dined with Lady Dalkeith, and she and Lady Katt: supd with me after the Opera, which was as full as ever I saw it at a subscription, but that was by way of party, in order to get it empty on Saturday (Hervey, I, 301)

Performances

Mainpiece Title: Rinaldo

Related Works
Related Work: Rinaldo and Armida Author(s): John Dennis
Event Comment: Benefit John Geree. Postponed from 25 Jan

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

Event Comment: Benefit Signora Elizabetta Piloti Schivaonetti. Admission to pit and boxes by ticket only at half a guinea. At 6 p.m. Lady Hervey to John Hervey, 5 April: Yet I venture to the Opera, because poor Pilota has great faction made against her (Hervey, I, 323)

Performances

Mainpiece Title: Antiochus

Related Works
Related Work: Antiochus Author(s): John Mottley

Afterpiece Title: Thomyris (the famous Scene only)

Event Comment: [Opening night, under the management of John Rich.] By the Company of Comedians under Letters Patents granted by King Charles the Second. Beginning exactly at Six. No Persons are to be admitted behind the Scenes, nor any Money to be return'd after the Curtain is drawn up. Receipts: #143. Weekly Packet, 18 Dec.: This Day the New Play-House...is to be open'd...by the Company that act under the Patent; tho' it is said, that some of the Gentlemen who have left the Theatre in Drury-Lane for that Service, are order'd to return to their Colours, upon Pain of not exercising their Lungs anywhere; which may in Time prove of ill Service to the Patentee; that has been at vast Expence to make his Theatre as convenient for the Reception of an Audience as any one can possibly be

Performances

Mainpiece Title: The Recruiting Officer

Event Comment: The first of Twelve Grand Concerts. In Daily Courant, 9 Jan., proposals had been issued for setting up by subscription a monthly concert for the first Wednesday of each month. There were never to be fewer than three of the best singers and nineteen performers in all. Each subscriber was to pay to Trustees John Shipton and Thomas Ives one guinea for a year. The concerts were to begin when there were 350 subscribers. On this date 100 subscriptions had been received

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-

Event Comment: Benefit John Rich. Receipts. #71 9s. 6d

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Mars and Venus

Related Works
Related Work: The Loves of Mars and Venus Author(s): John Weaver

Dance: Dupre, Moreau, Boval, Thurmond Jr, Tully, Cook Sr, Newhouse, Pelling, Cook Jr, Mrs Bullock, Mrs Schoolding, Mlle Gautier, Mlle Corail, Miss Smith, Miss Schoolding Jr; particularly Dupre's Harlequin-Dupre, Mlle Gautier; and a new French Peasant-Moreau, Mrs Bullock

Event Comment: Afterpiece: [By John Weaver.] A new Dramatick Entertainment of Dancing after the Manner of the Ancient Pantomimes. With proper Scenes and Habits. Mainpiece: At the particular Desire of several Ladies of Quality

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Orpheus and Eurydice

Event Comment: See a letter from John Dennis to Sir Richard Steele for comments upon dl, Dennis' Coriolanus, All for Love, Caesar Borgia, The Masquerade in Dennis, II, 162-65

Performances

Event Comment: Benefit Mrs Knight. Written by Sir John Vanbrugh

Performances

Mainpiece Title: The City Wives Confederacy

Dance: As17190209