SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr John Crown"/1) | (@(roleclean,performerclean) "Mr John Crown")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 9843 matches on Author, 5210 matches on Event Comments, 2753 matches on Performance Comments, 847 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: In The Theatre of Compliment, 1688, are verses similar to those apparently referring to August 1686: @Here is the Rarity of the whole Fair,@Pimper-la-Pimp, and the Wise Dancing Mare;@Here's valiant St George and the Dragon, a farce;@Here's Vienna Besieged, a most delicate thing;@And here's Punchinello, shown thrice to the King.@ John Verney entertained some of his wife's family who were in town to see Bartholomew Fair. See Memoirs of the Verney Family, ed. Margaret M. Verney (London, 1699), IV, 435

Performances

Event Comment: The warrant for the export of the goods of the French comedians who acted in the late summer is dated this day. See Calendar of Treasury Books, 1685-1689, p. 2082, and Boswell, Restoration Court Stage, p. 128. During October #200 was paid to John deSureis for himself and eleven companions, the French comedians who had been at Windsor (Boswell, Restoration Court Stage, p. 128)

Performances

Performances

Mainpiece Title: London's Anniversary Festival Performed On Monday, October The 29th, 1688, For

Performance Comment: .Sir John Chapman, Kt. Lord Mayor....Being Their Great Year of Jubilee. With a Panegyrick upon the Restoring of the Charter. And a Sonnet provided for the Entertainment of the King.

Performances

Mainpiece Title: Concert

Performance Comment: A Pindarick Ode, on New@Year's@Day-; Vocal and Instrumental Musick Perform'd before Their Sacred Majesties, K. William and Q. Mary. Set by Dr John Blow, and Written by ThomasD'Urfey-.
Event Comment: Walsh to Dryden: Is Cleomenes finisht pray or have you begun ye other design you told mee of abt ye priesthood (The Letters of John Dryden, ed. Ward, p. 44)

Performances

Event Comment: Newdigate newsletters (Folger Shakespeare Library), 5 Dec. 1691: The same night ye Morocco Ambasadr with all his retinue was at the great musick house in Covent Garden. [I owe the transcription of this item to Professor John Harold Wilson.

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Performed on Saturday, Octob. 29th 1692. For the Entertainment of the Right Honourable Sir John Fleet, Kt. Lord Mayor of the City of London. Containing A True Description of the several Pageants w ith the Speeches spoken on each Pageant. All set forth at the proper Costs and Charges of the Worshipful Company of Grocers. Together with An Exact Relation of the most Splendid Entertainments, prepared for the Reception of Their Sacred Majesties.
Event Comment: Dryden to Walsh, 9 May 1693: The play I am now writeing is a feignd story: & a Tragicomedy of the nature of the Spanish Fryar: And I am sure the tale of it is likely to be diverting enough. I have plotted it all; & written two Acts of it. This morning I had their chief Comedian whom they call Solon [Dogget], with me; to consult with him concerning his own Character: & truly I thinke he has the best Understanding of any man in tihe Playhouse (Letters of John Dryden, p. 54)

Performances

Event Comment: Dryden to Walsh, 12 Dec. 1693: Your Critique, by your description of its bulk, will be to large for a preface to my Play, which is now studying; but cannot be acted till after Christmasse is over. I call it Love Triumphant; or, Nature will prevaile:...I have remembered you to all your friends; and in particular to Congreve; who sends you his play, as a present from him selfe, by this conveyance; & much desires the honour of being better known to you. His Double Dealer is much censured by the greater part of the Town: and is defended onely by the best Judges, who, you know, are commonly the fewest. Yet it gets ground daily, and has already been acted Eight times. The women thinke he has exposd their Bitchery too much; & the Gentlemen, are offended with him; for the discovery of their follyes: & the way of their Intrigues, under the notion of friendship to their Ladyes Husbands. My verses, which you will find before it, were written before the play was acted, but I neither altered them nor do I alter my opinion of the play (The Letters of John Dryden, pp. 62-63)

Performances

Performances

Mainpiece Title: The Triumphs Of London

Performance Comment: Performed on Tuesday, Octob. 29. 1695 for the Entertainment of...Sir John Houblon, Kt...Containing a True Description of the several Pageants; with the Speeches spoken on each Pageant. All prepared, at the proper Costs and Charges of the...Grocers. To which is added a New Song upon His Majesty's Return.
Event Comment: Betterton's Company. The date of the first performance is not certain, but the fact that the play was advertised in the London Gazette, 6-11 May 1696, suggests that it was first acted not later than April 1696. A song, Come, Hodge, come, Robin, set by John Eccles and sung by Wiltshire and Mrs Hudson, was printed in Deliciae Musicae, The Second Book of the Second Volume, 1696. Dedication, Edition of 1696: Which I wrote three Years ago....nor the Displeasure of the Judicious, who I hope will not condemn this Play from the appearance it had upon the Stage, where it suffer'd in the Acting....Tho. Dogget. A Comparison Between the Two Stages (1702), pp. 16-17: Ramble: Oh that's Dogget's: The Players have all got the itching Leprosie of Scribling as Ben. Johnson calls it; twill in time descend to the Scene-keepers and Candle-snuffers: Come, what came on't? Sullen: Not then directly Damn'd, because he had a part in't himself, but it's now dead and buried

Performances

Mainpiece Title: The Country-wake

Related Works
Related Work: Hob's Opera Author(s): John Hippisley
Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Man, 4-6 June 1696, suggests that it was acted not later than May 1696, possibly that it was given in late April. In III is a song, Unguarded lies the wishing maid, set by John Eccles and sung by Leveridge. In IV is a song, The secrets of peace, set by Finger and sung by Mrs Hudson. A Comparison Between the Two Stages (1702), p. 20: This is Mrs Manley's; it made a shift to live a half a dozen Days, and then expir'd

Performances

Mainpiece Title: The Royal Mischief

Event Comment: Newdigate newsletters, 29 Sept. 1696: The Close of least Week one of our merry Andrews or Jack Puddings in Bartholomew ffaire stood in ye Pillory at Temple Bar for saying upon ye publick Stage yt in a little tyme Piggs would be roasted by ye flames of Exchange Telleyes & yt Bank Bills should Singe ye Haire of ym off. Transcribed by Professor John Harold Wilson

Performances

Event Comment: Betterton's Company. James Brydges, Diary: About 4: we went to ye playhouse in Lincolns inn fields, and meeting Sr John Cope here, after having Put ye Ladies in box kept for them, I went with him to Hyde Park, & from thence came again to ye play (Huntington MS St 26)

Performances

Mainpiece Title: The Mourning Bride

Event Comment: Rich's Company was apparently suspended because of its action in allowing John Powell, who had been involved in an altercation with Colonel Stanhope and Charles Davenant, to act before making satisfaction for the incident. See Nicoll, Restoration Drama, p. 368, and Cibber, Apology, II, 20n. The suspension lasted but a day; on 19 May 1698 Powell was forbidden to be received at either Drury Lane or Dorset Garden

Performances

Event Comment: Both playhouses were closed for the burial services of John Dryden. See The Patentee; or some Reflections in Verse (1700), titlepage

Performances

Event Comment: Benefit John Wilford. The Hall is in Basinghall Street. At 8 p.m. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

Music: Vocal and instrumental Music-several Eminent Masters

Event Comment: Benefit John Banister Jr. At the usual hour

Performances

Mainpiece Title: Concert

Music: Newly composed by Keller, with vocal Music-Signora Maria Gallia; instrumental Music-Paisible, Gasperini, laTour, Banister, others Masters

Related Works
Related Work: Like Master Like Man Author(s): John Vanbrugh
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): John Rich
Event Comment: Genest, II, 309, lists Don John; or, The Libertine Destroy'd, probably as a mistake for 1 May

Performances

Event Comment: A new Farce, never acted but twice. [By John Corey. Date of premiere unknown.

Performances

Mainpiece Title: The Metamorphosis; Or, The Old Lover Outwitted

Performance Comment: Edition of 1704 lists no actors' names; Prologue by C. Johnson designed for Verbruggen, in the Astrologer's Habit. Prologue-Mrs Bradshaw; Epilogue written by C. Johnson-Booth.
Cast
Role: Johnson Actor: Booth.
Related Works
Related Work: Apollo and Daphne; or, Harlequin's Metamorphosis Author(s): John Thurmond
Event Comment: Benefit Cavaliero Nicolini Grimaldi. And (at the Desire of several Persons of Quality) the Boxes are to be open'd to the Pit, and none to be admitted but by printed Tickets, which are deliver'd by him. [Ch. Dering, writing to John Percival, stated that Nicolini got 800 guineas.-Egmont MS, p. 246.

Performances

Mainpiece Title: Pyrrhus And Demetrius

Event Comment: Sir John Perceval to Elizabeth Stockwell, 20 Sept.: We should have languished for want of diversion but for Othello, which drew all the stragglers in town together, and our number was greater than I imagined....Meanwhile I declare that they who cannot be moved at Othello's story so artfully worked up by Shakespeare, and justly played by Betterton, are capable of marrying again before their husbands are cold, of trampling on a lover when dying at their feet, and are fit converse with tigers only (Egmont MS, II, 240)

Performances

Mainpiece Title: Othello, Moor Of Venice

Event Comment: Benefit James Graves and John Garee. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

Music: Several Eminent Masters

Event Comment: Benefit John Geree. At 6 p.m. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-several Eminent Masters

Event Comment: At the Desire of several Ladies of Quality. Lady Hervey to John Hervey, 26 April: Yesterday I dined with Lady Dalkeith, and she and Lady Katt: supd with me after the Opera, which was as full as ever I saw it at a subscription, but that was by way of party, in order to get it empty on Saturday (Hervey, I, 301)

Performances

Mainpiece Title: Rinaldo

Related Works
Related Work: Rinaldo and Armida Author(s): John Dennis