Event Comment: The United Company. The date of this Performance is stated as 16 Feb. (L. C. records) or 17 Feb. (Peregrine Bertie), but as Lent began on Wednesday 17 Feb., the performance probably occurred on Shrove Tuesday. This performance is on the L. C. list, 5@147, P. 125. See also Nicoll, Restoration Drama, p. 350. Peregrine Bertie to the Countess of Rutland, 17 Feb. 1685@6: To night will be the last play at court, they tell mee 'tis the Mocke Astrologer (HMC, 12th Report, Appendix, Rutland MSS., Part V, p. 105). John Povey to Sir Robert Southwell, 18 Feb. 1685@6: Sir, the enclosed had been sent last post, had it not been detained late by a play at Court which ended our Carnival. The night before the King and Queen were entertained by the Lord President at a ball or masque in Lady Portsmouth's lodgings. The Masquers were twelve couples whose habits were of several nations' and prescribed by a picture sent to each of them from the Queen, and the least habit cost !bove a hundred Pounds, and some above three hundred pounds, besides jewels of which Mrs Fox and some others had above thirty thousand pounds value each (Savile-Finch Correspondence, Add. Mss. 28,569; I owe this quotation to Professor John Harold Wilson)

Event Comment: Christopher Rich's Company. The date of this revival is not certain. Apparently the revival was in preparation before the division of the company, but the publication of the Songs in 1695 confines the production to the period between mid-April and the late autumn. For the opera, see The Works of John Dryden, Vol. VIII: The Plays, edited by John Harrington Smith and Dougald MacMillan (Berkeley and Los Angeles, 1692), pp. 325-30; Moore, Henry Purcell and the Restoration Theatre, Chapter VI;and Purcell's Works, Purcell Society, Vol. XIX. The Songs (1695), the music by Henry Purcell, lists the following pieces and singers: I, Wake, wake, Quivera, sung by Freeman. I, Why shou'd men quarrel, sung by The Boy, with Flutes. Their looks are such that mercy flows, sung by Freeman. II, I come to sing, sung by Freeman. Scorn'd Envy here's nothing, sung by Freeman. Begone, curst Feinds of Hell, sung by Freeman. III, Ah, how happy we are, sung by Freeman and Church. I attempt from Love's sickness to fly, sung by Mrs Cross. IV, They tell us that you mighty powers above, sung by Mrs Cross. In addition, other parts of the opera appeared elsewhere: Act V, a Masque, set by Daniel Purcell, O Bless the Genial Bed with chast delights, in Deliciae Musicae, First Book of the Second Volume, 1696. [The others, since they do not name the performers, are omitted here.

Event Comment: [Text by John Hughes. Music by John Galliard.] Never Performed before. Admission as 24 Nov. 1711, but Benches in the Pit rail'd in at the Price of the Boxes. At 6 p.m

Event Comment: [Dedication signed by John James Heidegger.] By Subscription. Never Perform'd before. Colman's Opera Register: Monr John James Heidegger managed both this & ye former Opera for ye Singers & ye Subscription was for Six Nights paying 10 Guin for 3 Tickets each Night, they not to give out above 400 Tickets a Night