Event Comment: Mainpiece: With Alterations [by Richard Brinsley Sheridan]. Paid John Dallas, painter, #11 10s. Receipts: #95 4s. 6d. (70.12.0; 23.12.6; 1.0.0)

Event Comment: Mainpicce [1st time; burl 3, by Charles Dibdin]: Taken from [Amphitryon, by John] Dryden. [MS: Larpent 573; not published.] With new Scenery, Dresses, &c. The Music by several eminent Composers [Charles Dibdin, William Shield, &c.]. Books of the Songs to be had at the Theatre. Receipts: #153 15s. 6d. (151/8/0; 2/7/6)

Event Comment: Mainpiece [1st time; c 5, by Hannah Cowley. Prologue by Henry Bate (European Magazine, Mar. 1782, p. 210, which also gives name of speaker)]. 2nd piece [1st time; prel I, by Henry Bate (later Sir Henry Bate Dudley). Epilogue by John O'Keeffe (O'Keeffe, 11, 301)]: With New Dresses, Scenery, &c. Public Advertiser, 19 Feb. 1782: This Day is published The Dramatic Puffers (6d.). Receipts: #222 9s. 6d. (219/4/6; 3/5/0)

Event Comment: Benefit for Lewis. Afterpiece: As performed at the Theatre Royal in the Haymarket [beginning 6 Aug. 1779]; by the Author of the Son-in-Law, the Agreeable Surprise, &c. [John O'Keeffe]. [Prologue by George Colman, the elder.] Receipts: #195 9s. 6d. (161/11/6; tickets: 33/18/0) (charge: #105)

Event Comment: Mainpiece: With Alterations in the Dialogue and New Music [i.e. 6 new songs by John O'Keeffe with music by Michael Arne: 3 sung by Fairfield, and 1 each by Theodosia, Farmer Giles and Fanny. They are printed in London Chronicle, 26 Sept. and in Town and Country Magazine, Sept. 1782,p. 452]. The Words of the New Songs will be given at the Boxes. Afterpiece: 6th time [i.e. in continuation of the reckoning for the previous season]. [Brett was from the HAY.] Receipts: #271 10s. 6d. (269/4/6; 2/6/0)

Event Comment: Mainpiece [1st time; D 5]: Altered from Massinger [by John Philip Kemble. Prologue by the Hon. Henry Phipps (London Chronicle, 28 Jan.). Epilogue by George Colman, the elder (ibid). MS: Larpent 687; not published]. "This piece is considerably altered from the original; passages are expunged, and others added, in every scene; and several incidents transposed from the order in which they formerly stood. Some scenes are also introduced from the Maid's Tragedy of Beaumont and Fletcher" (London Magazine, Feb. 1785, p. 137). Receipts: #269 9s. (240/10/0; 27/6/6; 1/12/6)

Event Comment: Opera: The Music by Sir Christopher Gluck; with the additons of John Christ. Bach, and with the choice of several pieces of Handel. The Whole under the direction of Anfossi. Director of and 1st singer in the Chorus-Webb. The Scenes invented and painted by Novosielski. The Dresses entirely new, executed by Sestini. [Libretto (J. Jarvis, 1785): SER 3.]

Event Comment: By Permission of the Lord Chamberlain. Benefit for a Performer, thirty years a Servant of the Publick at Covent-garden and Haymarket Theatres [unidentified]. Mainpiece: Written by the ingenious Mrs Behn, with Alterations by a Gentleman well known in the Dramatick World and Republick of Letters. The Characters new dressed in the Habits of the Times. [Writers and speakers of Prologue and Epilogue unknown.] Afterpiece: Altered from Sir John Vanbrugh. The Doors to be opened at 5:00. To begin at 6:00

Event Comment: Benefit for Pope. Mainpiece: Not acted these 3 years [acted 22 Jan. 1784. Epilogue by John Wolcot (European Magazine, May 1786, p. 369)]. Afterpiece: With Additional Songs, &c., as 28 Apr. Morning Herald, 18 Apr.: Tickets to be had of Pope at his house, Half-Moon Street, Piccadilly. "There is a mellow richness in [Pope's] voice superior to any other performer on the stage" (Candid Strictures, p. 47). Receipts: #255 16s. 6d. (156/13/0; 2/14/6; tickets: 96/9/0) (charge: #105)

Event Comment: Mainpiece [1st time; CO 3, by Leonard Macnally, adapted from the same, by Michel Jean Sedaine. Not in Larpent MS; not published; synopsis of plot in Morning Chronicle, 17 Oct. For text of abridged version see 21 Oct.]: Taken from the celebrated French Opera of that Name. With the original Overture, Airs, Duetts, Trios, Chorusses and Finale, by the celebrated Gretry. To which are added Compositions by the following Masters; Anfossi, Bertoni, Duni, David, Rizzio, Carolan, Tenducci, and Shield. With new Dresses, Scenery and other Decorations. Books of the Songs to be had at the Theatre. [The printed score (Longman & Broderip, c. 1786) indicates that the music was adapted by Shield; it does not refer to Duni, Rizzio or Tenducci, but includes Philip Hayes and John Wilson. After the 1st 4 performances the mainpiece was reduced to an afterpiece of 3 short acts; see 21 Oct.] Account-Book, 28 Nov.: Paid Macnally in full for Coeur de Lion #121 18s. 6d. "Inchbald we thought [was] rather hardly dealt with. His voice happened to fail him in a particular turn of the tune he was singing, and some of the audience were ungenerous enough to disconcert him so far that he made a modest bow and retired [leaving his part unfinished. In consequence of this] a duet that was to have been sung by the King from the battlements of the castle, and Blondel without the walls, on which the turn of the fable hinged, was omitted; a circumstance that could not but materially affect the intrinterest, as it destroyed the connexion of the fable" (Morning Chronicle, 17 Oct.). [The following day Inchbald withdrew from his engagement at cg.] Receipts: #249 12s. 6d. (247.11.6; 2.1.0)

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by Edmond Malone. Epilogue by John Courtenay (see text)]: With new Dresses, Decorations, &c. Public Advertiser, 18 Dec. 1787: This Day is published Julia (1s. 6d.). Receipts: #217 2s. 6d. (201.5.0; 15.11.0; 0.6.6)

Event Comment: Mainpiece: Performed but once [on 14 Apr. 1787]. With new Dresses, Decorations, &c. [Prologue by Edmond Malone; Epilogue by John Courtenay (see text). Afterpiece in place of The First Floor, advertised on playbill of 10 Dec.] Receipt2: #223 10s. (195.13.0; 27.8.6; 0.8.6)

Event Comment: Benefit for Bowden. Public Advertiser, 22 Jan.: Tickets to be had of Bowden, No. 5, John-street, Great Portland-street. Receipts: #288 9s. (182.4.6; 1.18.6; tickets: 104.6.0)

Event Comment: Afterpiece [1st time; F 2, by John O'Keeffe, based on Les Intrigants; ou, Assaut de Fourberies, by Antoine Jean Bourlin, dit Dumaniant. Prologue probably by the author.]. Receipts: #269 8s. 6d. (264.10.0; 4.18.6)

Event Comment: Benefit for Mrs Kemble. "Kemble? Sen. performed the Miller...Here and there we could perceive the liberty of the country performer, by saying more than was set down by the author" (Public Advertiser, 27 Aug.). [Address by John Taylor (European Magazine, Sept. 1788, p. 217).] Public Advertiser, 21 Aug.: Tickets to be had of Mrs Kemble, No. 26, Villiers-street, York-buildings, Strand

Event Comment: Afterpiece [1st time; P 2(?), by John O'Keeffe. Synopsis of action in Public Advertiser, 27 Dec.]: With new Music, Scenery, Machinery, and Decorations. The Scenes designed and executed by Richards, Carver, Hodgins, Pugh, &c. The Music selected from the Works of the most eminent Masters, by A. Shaw. The new Airs composed by Shield, and the Overture by Richardson. Books of the Songs, Recitative, &c. to be had at the Theatre. Nothing under Full Price will be taken. Receipts: #315 16s. (301.6; 14.10)

Event Comment: Benefit for Quick. "Quick, in July 1777, played Richard III at Bristol" (Anthony Pasquin [pseud. for John Williams], Poems [1789], II, 244). "Most people expected from Quick a comic representation of Richard the Third--but strange to tell he was earnest in the attempt, and succeeded tolerably. The audience, however, were not disposed to be very serious, and named him 'Little Dicky'" (Public Advertiser, 8 Apr.). [Address by Robert Merry (European Magazine, Apr. 1790, p. 307.] Gazetteer, 1 Apr.: Tickets to be had of Quick, Broad-court, Bow-street. Receipts: #430 17s. 6d. (265.5.6; 4.15.0; tickets: 160.17.0)