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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr John Banister"/1) | (@(roleclean,performerclean) "Mr John Banister")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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15888 results for: Keyword - Mr John Banister
We found 9843 matches on Author, 5139 matches on Event Comments, 2742 matches on Performance Comments, 848 matches on Performance Title, and 0 matches on Roles/Actors.

11126
17 December 1763 @ Drury Lane Theatre

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Deuce Is in Him

Dance: End: Reviv'd The Prussian Camp-Grimaldi, Aldridge, Lauchery, Miss Baker

11127
31 March 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello

Afterpiece Title: Thomasand Sally

Dance: The Irish Lilt, as17630922

11128
05 October 1768 @ Drury Lane Theatre

Performances

Mainpiece Title: The Plain Dealer

Performance Comment: Plain Dealer-Holland; Freeman-Palmer; Novel-King; Plausible-Parsons; Major Oldfox-Love; Vernish-Packer; Jerry-Weston [but see note below that W. Palmer played Jerry]; Quillet-Baddeley; Oakum-Moody; Fidelia-Mrs Jeffries; Eliza-Mrs Johnston; Olivia-Miss Pope; Widow Blackacre-Mrs Clive.
Cast
Role: Eliza Actor: Mrs Johnston
Related Works
Related Work: The Plain Dealer Author(s): John Philip Kemble

Afterpiece Title: The Padlock

11129
January 1690 @ Drury Lane Theatre

Performances

Mainpiece Title: The Successful Strangers

11130
December 1702 @ Drury Lane Theatre

Performances

Mainpiece Title: The Patriot; Or, The Italian Conspiracy

11131
22 January 1750 @ Drury Lane Theatre

Performances

Mainpiece Title: Friendship In Fashion (reviv'd)

11132
01 October 1750 @ Drury Lane Theatre

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Friar John Actor: Paddick

11133
07 February 1753 @ Drury Lane Theatre

Performances

Mainpiece Title: The Gamester

Related Works
Related Work: The Pharo Table Author(s): John O'Keeffe

11134
02 September 1757 @ Haymarket Theatre

Performances

Mainpiece Title: A Medley Concert; Or, An Impromptu Of Whim And Novelty

Related Works
Related Work: The Medley; or, Hippisley's Drunken Man Author(s): John Hippisley

Afterpiece Title: With a Lilliputian Pantomime call'dHarlequin's Frolic; or, A Voyage to Prussia

11135
27 July 1761 @ Drury Lane Theatre

Performances

Mainpiece Title: The Wishes; Or, Harlequin's Mouth Opened

Dance: Master Rogier, Miss Capitani

11136
02 December 1769 @ Covent Garden

Performances

Mainpiece Title: The Brothers

Related Works
Related Work: The Elder Brother Author(s): John Fletcher
Related Work: Rollo, Duke of Normandy Author(s): John Fletcher

Afterpiece Title: The Contrivances

11137
02 November 1771 @ Drury Lane Theatre

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Institution of the Garter

Dance: II: Comic Dance, as17710921

11138
09 December 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Witches

Cast
Role: Second Witch Actor: Johnston

11139
18 December 1775 @ Drury Lane Theatre

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: May Day

11140
05 June 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard Iii

Cast
Role: Duchess of York Actor: Mrs Johnston

Afterpiece Title: Bon Ton

11141
06 May 1786 @ Covent Garden

Performances

Mainpiece Title: The Beaux Stratagem

Cast
Role: Father Foigard Actor: Johnstone

Afterpiece Title: The Deserter

Song: End of Act II of mainpiece song by Mrs Kennedy; End of Act IV song by Mrs Martyr

Monologue: 1786 05 06 End of mainpiece A Description of the Tombs in Westminster Abbey by Edwin

11142
18 February 1792 @ Covent Garden

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: Blue Beard

11143
24 September 1662 @ Theatre in Vere Street

Event Comment: Some time (probably not long) before this date Aglaura [by Sir John Suckling] was acted by the King's Company. Pepys, Diary: Thence to Mr Wotton, the shoemaker's, and there bought a pair of boots, cost me 30s., and he told me how Bird hath lately broke his leg, while he was fencing in Aglaura, upon the stage, and that the new theatre of all will be ready against term

Performances

11144
20 September 1670 @ Lincoln's Inn Fields

Event Comment: The Duke's Company. This performance is on the L. C. lists at Harvard. See VanLennep, "Plays on the English Stage", p. 16. Whether this is the premiere is not known. A song, Amintas that true-hearted swain, with music by John Bannister, is in Choice Ayres, Songs, and Dialogues, 2d. Ed., 1675. Downes, Roscius Anglicanus, p. 34: The Jealous Bridegroom, Wrote by Mrs Bhen, a good Play and lasted six Days; but this made its Exit too, to give Room for a greater. The Tempest. Note, In this Play, Mr Otway the Poet having an Inclination to turn Actor; Mrs Bhen gave him the King in the Play, for a Probation Part, but he being not us'd to the Stage; the full House put him to such a Sweat and Tremendous, Agony, being dash't, spoilt him for an Actor

Performances

Mainpiece Title: The Forc'd Marriage; Or, The Jealous Bridegroom

11145
06 February 1672 @ Dorset Garden Theatre

Event Comment: The Duke's Company. There is no indication as to whether this is the premiere. This performance is on the L. C. lists at Harvard. See VanLennep, Plays on the English Stage, p. 19. Downes (Roscius Anglicanus, p. 32): The third new Play Acted there [dg] was the Gentleman Dancing-Master, Wrote by Mr Witcherly, it lasted but 6 Days, being like't but indifferently, it was laid by to make Room for other new ones. A song, with music by John Bannister, for this play is in Choice Songs and Ayres, The First Book, 1673

Performances

Mainpiece Title: The Gentleman Dancing Master

11146
July 1673 @ no theater listed

Event Comment: The King's Company acted at Oxford. John Dryden wrote a Prologue, To the University of Oxon, Spoken by Mr Hart, at the Acting of The Silent Woman, 1673, and an Epilogue, Spoken by the Same. There were first printed in the 1684 Miscellany Poems

Performances

11147
03 July 1673 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216. See also Nicoll, Restoration Drama, p. 348. There is considerable uncertainty as to when the first performance occurred, but it appears to have been acted first at court. See Boswell, Restoration Court Stage, pp. 131-34. The first Prologue, written by Lord Mulgrove, and the second, written by Lord Rochester, are in A Collection of Poems Written upon several Occasions by several Persons (1673). Roger North: And now we turne to the Publik theatres. It had bin strange if they had not observed this promiscuous tendency to musick, and not have taken it into their scenes and profited by it. The first proffer of theirs, as I take it, was in a play of the thick-sculd-poetaster Elkanah Settle, called The Empress of Morocco; which had a sort of masque poem of Orfeus and Euridice, set by Mr M. Lock, but scandalously performed. It begins The Groans of Ghosts, &c. and may be had in print (Roger North on Music, ed. John Wilson [London, 1959], p. 306)

Performances

Mainpiece Title: The Empress Of Morocco

Performance Comment: Edition of 1673: The first Prologue at Court-Lady Elizabeth Howard; The second Prologue at Court-Lady Elizabeth Howard; Prologue at the Play House-; Muly Labas-Harris; Muly Hamet-Smith; Grimalhaz-Batterton; Hametalhaz-Medbourne; Abdelcador-Crosby; Laula-Mrs Batterton; Mariamne-Mrs Mary Lee; Morena-Mrs Johnson; Epilogue-.
Cast
Role: Morena Actor: Mrs Johnson

11148
02 December 1674 @ Mr Slingsby's residence

Event Comment: Evelyn, Diary: [I] heard Signor Francisco on the Harpsichord, esteem'd on[e] of the most excellent masters in Europe on that Instrument: then came Nicholao Matteis? with his Violin & struck all mute, but Mrs Knight, who sung incomparably, & doubtlesse has the greatest reach of any English Woman; she had lately ben roming in Italy: & was much improv'd in that quality: Then was other Musique, & this Consort was at Mr Slingsbys Master of the Mint, my worthy friend, & great a lover of musique. [For a contemporary account of Matteis, see Roger North on Music, ed. John Wilson (London, 1959), pp. 307-11.

Performances

Mainpiece Title: Concert

11149
28 August 1675 @ Dorset Garden Theatre

Event Comment: The Duke's Company. This performance is known from a disturbance which occurred on this day; Langbaine states that the play was Macbeth. John Verney to Sir Ralph Verney, 30 Aug. 1675: On Saturday last, at the Duke's playhouse, Sir Tho. Armstrong killed Mr Scrope....Their quarrel is said to [be] about Mrs Uphill, the player, who came into the house maskt, and Scrope would have entertained discourse with her, which Sir T. Armstrong would not suffer, so a ring was made wherein they fought (HMC Verney MSS., 7th Report, 1879, p. 465). See also The Hatton Correspondence, Camden Society, XXII (1878), 121

Performances

Mainpiece Title: Macbeth

Related Works
Related Work: Macbeth Author(s): John Philip Kemble

11150
19 March 1678 @ Drury Lane Theatre

Event Comment: The Memoirs of Sir John Reresby, ed. Browning (p. 137): This day in the afternoon I had a quarrell in the King's playhous upon this occasion. As I sate in the pit a gentleman, whose name I afterwards heard to be Mr Symons came and placed himself next to me, and not content to rest ther, after a while desired me to give him my seat, or to exchange with him, (pretending he was to speake to one of his acquaintances on the other side). I had noe mind to quitt my seat, which was better to see than his; besides, he haveing been drinking, his manner of askeing was not altogather soe gratefull, insomuch as I denyed it. Here upon he said I was uncivil, and I tould him he was a rascall; upon which words we were both prepared to strike one another, had not a gentleman that sate near us (one Sir Jonathan Trelany) put his hand between us to prevent it

Performances