SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr J Rich"/1) | (@(roleclean,performerclean) "Mr J Rich")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4804 matches on Event Comments, 1999 matches on Performance Comments, 688 matches on Author, 646 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Elopement

Related Works
Related Work: The Duenna; or, The Double Elopement Author(s): Richard B. Sheridan

Performances

Mainpiece Title: Theodosius

Afterpiece Title: The Conjuror

Dance: V: The Mountaineers, as17730930

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Ladies Frolick

Dance: End: A Hornpipe-Walker

Performances

Mainpiece Title: Zara

Afterpiece Title: The Irish Widow

Dance: End I of Farce: The Irish Fair, as17740917

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Deserter

Dance: II: The Irish Fair, as17740917

Event Comment: Benefit for Wilson. 1st piece [1st time; PREL I, probably by Richard Wilson, altered from Illumination, by Frederick Pilin. Author of Epilogue unknown]. 2nd piece: Not acted these 28 years [acted 9 May 1763]. 3rd piece [1st time; F 2, by Henry Man. Text 1st published in his Miscellaneous Works, 1802, Vol. II, which does not assign the parts, and also lists Mr Carlton, Ralph, Butler. Prologue by the author (London Chronicle, 3 May)]. Public Advertiser, 15 Apr.: Tickets to be had of Wilson, at Stars Acres, upper end of Bow Street. Receipts: #277 19s. 6d. (13.4.6; tickets: 140.15.0) (charge: #105)

Performances

Mainpiece Title: A Gazette Extraordinary; Or, The Illumination

Related Works
Related Work: A Gazette Extraordinary; or The Illumination Author(s): Richard Wilson

Afterpiece Title: The Pilgrim

Afterpiece Title: The Elders

Dance: IV: The Bedlamites-

Performances

Mainpiece Title: Mahmoud; Or, The Prince Of Persia

Afterpiece Title: All the World's a Stage

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: The Follies of a Day

Dance: End: a new Scotch Ballet, The Highland Lovers (under the direction of Bologna Jun.)-Bologna Jun., Hawtin, King, Mrs Watts, Miss Brugier (1st appearance)

Song: In course Evening: Sally in our Alley-Incledon

Performances

Mainpiece Title: The Injured Lovers; Or, The Ambitious Father

Performances

Mainpiece Title: The Distressed Mother

Afterpiece Title: The Capricious Lovers

Dance: IV: The Irish Lilt, as17670430 End: Linco's Travels, by Particular Desire-King as17670406

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Lottery

Dance: II: Grand Provencalle Dance, as17741213

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Apprentice

Dance: End III: The Minuet de la Cour-Duprez, Miss Armstrong

Performances

Mainpiece Title: Better Late Than Never

Afterpiece Title: Don Juan

Dance: As17901026

Event Comment: The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p.408. It is not certain that this was the premiere, but, as the play was licensed for publication on 20 Nov. 1676, the first performance may well have been on this day. A song, Away with the causes of riches and cares, with music by Matthew Lock, is in Catch that Catch Can, No. 64, 1685. Another, Beneath a shady willow, with music by William Turner, is in A New Collection of Songs and Poems...by Thomas D'Urfey, 1683. Edition of 1677: That its only good Fortune was, in being the Subject of the Courts Diversion, where their Noble Clemency and Good Nature were extremely requisite, in covering its defects from the too Censorious; His Majesty, according to His accustomed Royal and Excellent Temper, was pleas'd to descend so far, as to give it a particular Applause, which was seconded by your Grace [The Duke of Ormond]

Performances

Mainpiece Title: Madam Fickle; Or, The Witty False One

Performance Comment: Edition of 1677: Prologue-Mr Smith; Epilogue-; Lord Bellamore-Betterton; Manley-Smith; Sir Arthur Oldlove-Sandford; Captain Tilbury-Medbourn; Zechiel-Anthony Leigh; Toby-James Nokes; Old Jollyman-Underhill; Harry-Jevan; Flaile-Richards; Dorrel-Norrice; Madam Fickle-Mrs Mary Lee; Constantia-Mrs Barrer [Barry]; Arbella-Mrs Gibbs; Silvia-Mrs Napper.
Cast
Role: Flaile Actor: Richards
Event Comment: Betterton's Company. The date of the premiere is not known, but the fact that the play was advertised in the London Gazette, No. 3151, 20-23 Jan. 1695@6, and entered in the Term Catalogues, February 1695@6, suggests that it was probably acted not later than December 1695. According to the Edition of 1696, the music was set by John Eccles: Come, Thyrsis, come was sung by Reading and Mrs Hodgson; the other songs in the edition lack the names of the singers. In addition, Rich mines of hot love are rooted here, sung by Bowman, was in Deliciae Musicae, The First Book of the Second Volume, 1696; and Let us revel and roar, set by John Eccles and sung by Curco and Reading, was published in Thesaurus Musicus, The Fifth Book, 1696. Downes, Roscius Anglicanus, p. 44: Lovers Luck, a Comedy, Wrote by Captain Dilks, which fill'd the House 6 Days together, and above 50# the 8th, the Day it was left off. A Comparison Between the Two Stages (1702), p. 20, lists it among the plays under the heading: Damn'd

Performances

Mainpiece Title: The Lover's Luck

Event Comment: DDaily Advertiser, 22 Nov.: A Latin Play of Terence's, call'd Eunuchus; the Theatre was newly built by the said Mr Galliardy, and is large enough to contain 150 Spectators; the Scenes were all new, and the House neat and well lighted; the Performers were young Lords, and Sons of Gentlemen of Distinction, whose Propriety of Speech and Justness of Action, exceeded all that had ever been done of the kind; the Dresses were exceeding rich, and after the Eastern Fashion; the Decorations handsome, and every thing performed...to the intire Satisfaction and Applause of the Audience

Performances

Mainpiece Title: Eunuchus

Performances

Mainpiece Title: The Stratagem

Performance Comment: Advertised but dismissed (Rich's Register) .

Performances

Mainpiece Title: The Cheats

Related Works
Related Work: The Cheats; or, The Tavern Bilkers Author(s): John Rich

Performances

Mainpiece Title: The Step Mother

Performances

Mainpiece Title: Cato

Afterpiece Title: The Burgo-Master Trick'd

Related Works
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): John Rich

Dance: As17340919

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Harlequin Dr Faustus

Dance: III: The Wapping Landlady, Double Hornpipe, as17690408

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Miss in Her Teens

Dance: III: New Grand Spanish Dance-; End: A New Ballet, call'd The Pirates-Como, Sga Crespi, Sga Chiringhelli, being her first appearance in England; After I Farce: A Grand Serious Dance-Como, Sga Crespi

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Meeting of the Company

Afterpiece Title: The Wedding Ring

Dance: I: A Dance-Giorgi's Scholars

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Lottery