SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Humphrey"/1) | (@(roleclean,performerclean) "Mr Humphrey")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4243 matches on Event Comments, 1360 matches on Performance Comments, 539 matches on Performance Title, 82 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: What d'ye Call It

Performance Comment: JonasDock, alias Timothy Peascod-Munden; Sir Roger-Davenport; Sir Humphrey-Thompson; Justice Statue-Street; Steward-Powel; Peter Nettle-Farley; Constable-Abbot; Countryman-Follett; Unborn Ghost-Master Standen; Smut, the Farrier's Ghost-Simmons; Squire Thomas, alias ThomasFilbert-Knight; Mother's Ghost-Mrs Henley; Grandmother-Mrs Gilbert; Dorcas-Mrs Watts; Aunt-Mrs Platt; Ghost of Bees-Mrs Norton; Kitty Carrots (with the original song, 'Twas when the seas were roaring)-Mrs Martyr.
Cast
Role: Sir Humphrey Actor: Thompson

Afterpiece Title: Tom Thumb

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Young Bevil-Holman; Myrtle-Betterton; Sealand-Murray; Sir John Bevil-Hull; Cimberton-Munden; Humphrey-Thompson; Daniel-Simmons; Tom-Lewis; Indiana-Mrs Spencer (1st appearance in that character); Lucinda-Miss Mansel; Mrs Sealand-Mrs Davenport; Phillis-Mrs Abington.
Cast
Role: Humphrey Actor: Thompson

Afterpiece Title: The Sultan

Song: In II: song-Mrs Clendining

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, my eyes being so bad since last night's straining of them, that I am hardly able to see, besides the pain which I have in them. The play was a new play; and infinitely full: the King and all the Court almost there. It is The Storme, a play of Fletcher's; which is but so-so, methinks; only there is a most admirable dance at the end, of the ladies, in a military manner, which indeed did please me mightily....And there comes my wife home from the Duke of York's playhouse. Two songs, printed somewhat later in Choice Songs and Ayres, The First Book, 1673, may have been prepared for this revival: Hark the storm grows, set by Robert Smith; and Cheer up my mates, set by Pelham Humphrey

Performances

Mainpiece Title: The Storm

Event Comment: Pepys, Diary: I to White Hall; and there got into the theater-room, and there heard both the vocall and instrumentall musick, where the little fellow [Pelham Humphrey] stood keeping time; but for my part, I see no great matter, but quite the contrary in both sorts of musique. The composition I believe is very good, but no more of delightfulness to the eare or understanding but what is very ordinary. Here was the King and Queen, and some of the ladies; among whom none more jolly than my Lady Buckingham, her Lord being once more a great man

Performances

Mainpiece Title: Concert

Event Comment: The King's Company. The date of the premiere is not known. Although the play was not entered in the Stationers' Register until 6 Oct. 1671, a reference in the Dedication to a Lenten performance suggests that it appeared about this time. A song, A wife I do hate, with music by Pelham Humphrey, is in Choice Ayres and Songs, The Fifth Book, 1685

Performances

Mainpiece Title: Love In A Wood; Or, St James's Park

Event Comment: The Duke's Company. The date of the first performance is not known, but Downes (Roscius Anglicanus, p. 32) states: The first new Play Acted there, was King Charles the VIII. of France; it was all new Cloath'd, yet lasted but 6 Days together, but 'twas Acted now and then afterwards. Two songs for this play, Too justly alas, set by James Hart, and O love if e'er thou'lt ease a heart, set by Pelham Humphrey, are in Choice Songs and Ayres, First Book, 1673

Performances

Mainpiece Title: The History Of Charles The Eighth Of France; Or, The Invasion Of Naples Of The French

Event Comment: For an essay on Humphrey, Duke of Gloucester, see Pasquin, 6 March

Performances

Performances

Mainpiece Title: Henry Iv, Part Ii

Performance Comment: As17340418 but Humphrey and Justice omitted. Prologue by Cibber. Epilogue by Mrs Horton .

Dance: I: Irish Trot by Young Master Oates. II: A new Comic Dance by Master Oates and Miss Oates Jr. V: Grand Dance of Momus, as17340426

Song: The usual Songs, adapted to the Subject of Masonry. II: The Enter'd Prentice's Song. IV: On, On, my dear Brethren. V: Let Matrimony be now my Theme

Event Comment: Mainpiece: By Particular Desire. Gave Prince of Wales' Chairmen by Humphrey #1 1s.; to Princess of Wales Chairmen by Cotten #1 1s. (Account Book). Receipts: #122 7s. 6d

Performances

Mainpiece Title: King Henry Iv, Part I

Afterpiece Title: Perseus and Andromeda

Event Comment: Benefit for Palmer (Pit-door-keeper). Tickets deliver'd by Denny, Humphrey, Page, Spilsbury, and Roberts will be taken. Receipts: #150 (Cross)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The King and the Miller of Mansfield

Dance: III: A Hornpipe-Walker

Entertainment: % New Magic Scene, as17580428

Performances

Mainpiece Title: King Henry Iv, Part Ii

Performance Comment: As17621105, but Humphrey-_; Clarence-_; Hastings-_; Lord Bardolph-_; Mowbray-_; Gower-_; Colville-_; Bardolph-_; Feeble-_; Mouldy-_; Bullcalf-_; Davy-_; Fang-_; Falstaff's page-_.

Afterpiece Title: The Witches

Event Comment: Benefit for Berrisford and Cridland, Watson, Smith &c. Tickets deliver'd by Berrisford and Humphreys will be taken

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Polly Honeycomb

Dance: II: The Provancalle, as17631014

Event Comment: Mainpiece: By Desire. [Genest, V, 120, suggests The Old Maid as afterpiece with Clerimont-Cautherley; Capt. Cape-$Baddeley; Mrs Harlow-$Miss Pope; Miss Harlow-$Mrs Bennet; but Treasurer's Book Specifies Queen Mab.] Paid $French on acct. #50; Shepherd for cotton #2 18s. 4d.; Mrs Hilman for cloaths #4 14s. 6d.; Mrs Humphreys for a suit of cloaths #9 9s.; Miss Allen for cleaning stockings #1 6s. 6d.; Licensing the Earl of Warwick and Cymon #4 4s. (Treasurer's Book). Receipts: #181 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Queen Mab

Event Comment: Benefit for Watson, Roberts, Kaygill and Palmer (pit doorkeeper). Tickets deliver'd by Humphreys, Denny, Claggit, and for the 22nd Inst. will be taken

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Absent Man

Entertainment: IV: Bucks Have at Ye All-J.? Palmer

Event Comment: Benefit for Watson, Roberts, Palmer. Tickets deliver'd by Wood and Humphreys will be taken (playbill). Receipts: #245 12s. 6d. Charges: #84. Profits to Watson, Roberts and Palmer: #161 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Register Office

Dance: III: A Dance, as17730506

Entertainment: End: Bucks Have at Ye All-Mas. Palmer

Event Comment: Benefit for Watson, Roberts, Wilson and Palmer. Tickets delivered by Humphreys will be taken. Receipts: #267 13s. Charges: #84. Profits to beneficiaries: #183 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Miller of Mansfield

Entertainment: End Opera: Bucks Have at Ye All-Palmer

Event Comment: Benefit for Watson, Roberts, Wilson and Palmer. Tickets deliver'd by Humphreys will be taken. Paid a cotten Bill #2 11s. 4d. (Treasurer's Book). Receipts: #254 1s. 6d. Charges: #84. Profits to beneficiaries: #170 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Committee

Afterpiece Title: Miss in Her Teens

Dance: V: The Sailors Revels, as17740920

Event Comment: Benefit for Watson, Roberts, Wilson, and Palmer. Tickets deliver'd by Humphreys will be taken. Paid subscription to charity school and Easter offering #2 12s. 6d. (Treasurer's Book). [Probably to St Martin's Charity school #2 2s.; and Offering 10s. 6d., as indicated by payments in earlier 70's.] Receipts: #37 3s. 6d. Charges: #84. Deficit to Watson, Roberts, Wilson, and Palmer: #46 16s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Padlock

Dance: V: The Sailors Revels, as17751220

Performances

Mainpiece Title: Douglas

Afterpiece Title: Deaf Indeed

Performance Comment: Principal Characters-Palmer, Parsons, Farren, Burton, Chaplin, Fawcett, Holcroft, Phillimore, Griffiths, Helme, Dodd, Miss Kirby, Mrs Brereton; [Larpent MS lists the parts: Sir Humphrey Homespun Fordair, Kirpatrick, Demipique, Security, Knightly, Diggory, Amelia, Rose.] Prologue-King.
Event Comment: Tickets delivered for this Evening [Account-Book: by Andrews, Calkin, Chatterley, Dangerfield, Edwards, Gardiner, Gilles, Henderson, Humphreys, Irish, Long, Massingham, Panchaud, Scott, Sherratt, Smith, Stevens, Thompson] will be admitted. Receipts: #57 15s. 6d. (36.14.6; 17.14.0; 3.7.0; tickets: none listed)

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Englishman in Paris

Dance: As17920613

Performances

Mainpiece Title: The Force Of Ridicule

Performance Comment: Characters-Palmer, Barrymore, Suett, R. Palmer, C. Kemble; Bannister Jun., Evans, Miss Farren, Miss DeCamp, Miss Mellon; [Larpent MS lists the parts: Lord Dorville, Lord Melford, Lord Annandale, Marquis, Sir Frederick, Humphrey, Lady Dorville, Lady Annhe, Tiffany.] Prologue-Palmer; Epilogue-Miss Farren.

Afterpiece Title: Richard Coeur de Lion

Dance: As17961019

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Register Office

Dance: II: The Haymakers-Giorgi's Scholars; End Opera: Hornpipe-Master Burn

Entertainment: End Opera: Bannister's Imitations-Bannister

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Intriguing Chambermaid

Dance: Cook, Anne Auretti, Mathews, Mrs Addison

Performances

Mainpiece Title: Matilda

Afterpiece Title: Bon Ton

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Dr Faustus