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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr How"/1) | (@(roleclean,performerclean) "Mr How")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7760 results for: Keyword - Mr How
We found 4812 matches on Roles/Actors, 4224 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, and 18 matches on Author.

7676
21 July 1787 @ Haymarket Theatre

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Comus

7677
28 August 1787 @ Haymarket Theatre

Performances

Mainpiece Title: Sir John Cockle, At Court

Afterpiece Title: The Village Lawyer

Afterpiece Title: The Ghost; or, The Man Bewitch'd

Song: End 2nd piece: the new Four@and@twenty Fiddlers all on a Row-Edwin

Entertainment: Monologue End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin

7678
12 January 1788 @ King's Theatre

Event Comment: "The orchestra, during the whole time of representations [of the opera] has by no means been conducted with that exactness that should be expected from that band...It must be supposed that neither the master of music at the harpsichord, nor Mr Cramer, the leader, have influence or power enough to prevail on the band to play, or rather, to accompany, more correctly...The arias of the tenor and base [sic] have been played, or rather accompanied, too fast, and without harmony with the voices of Morelli and Fineschi, which being good, and they seeming to wish to sing with all possible expression, the orchestra should have accompanied accordingly. Mme Storace, howefer, has baffled the efforts of the musicians to make her sing out of tune, quick or slow. As they fiddled, she modulated" (Public Advertiser, 17 Jan.). Receipts: #147 12s. 6d. [non-subscription]

Performances

Mainpiece Title: Il Re Teodoro In Venezia

Dance: End I: a new ballet, The Military Dance (composed by Chevalier)-Didelot, Chevalier, Coulon, Vestris, Mlle Coulon, the two Miss Simonets, Sga Bedini, Mlle Hilligsberg; End Opera: Les Offrandes a l'Amour, as17871208

7679
26 April 1788 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Romance of an Hour

Dance: As17880301

Entertainment: Monologues. End I: A Dissertation on Macaronyism-Bernard; End: Shuter's Observations in a Post@haste Journey to Paris-Bernard

7680
14 May 1788 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Minor

Dance: As17880328

7681
17 September 1788 @ Covent Garden

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Midas

7682
17 March 1789 @ Drury Lane Theatre

Performances

Mainpiece Title: The Regent

Afterpiece Title: The Deserter

7683
28 April 1789 @ Covent Garden

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: Midas

Dance: As17881010

Entertainment: Monologue. Preceding: Occasional Address-Middleton

7684
22 May 1789 @ Covent Garden

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The British Sailor; or, The Fourth of June

Afterpiece Title: The Quaker

Entertainment: Monologue End 2nd piece: Ned Shuter's Observations in a Post Haste Journey to Paris-Bernard

7685
27 June 1789 @ Covent Garden

Performances

Mainpiece Title: La Generosita D'alessandro

Dance: End I: New Divertissement, as17890310End Opera: L'Embarquement pour Cythere, as17890110, but Mlle _Normand

7686
31 July 1789 @ Haymarket Theatre

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Portrait

Entertainment: Imitations End: Theatrical Imitations Serious, Comic, Vocal, and Rhetorical,-Rees; Duologue End afterpiece: Hobby@Horses Describing the Statesman's Hobby, the Ladies' Hobby, the Lawyer's Hobby, the Physician's Hobby, the Manager's Hobby, and R. Palmer's own Hobby,-R. Palmer, Iliff

7687
10 November 1789 @ Covent Garden

Performances

Mainpiece Title: Marcella

Afterpiece Title: Rosina

Afterpiece Title: The Death of Captain Cook

7688
22 March 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Spoil'd Child

7689
04 October 1790 @ Covent Garden

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Provocation

7690
23 October 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Romp

7691
01 January 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: The Deuce is in Him

7692
31 January 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Fairy Favour

7693
07 March 1791 @ Haymarket Theatre

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Advertisement; or, A New Way to Get a Husband

Entertainment: MonologuesEnd IV: The late King of Prussia and General Ziethen-Lee Lewes; End: A Whimsical Dissertation upon Law-Lee Lewes

7694
12 April 1791 @ Pantheon, Oxford Street

Performances

Mainpiece Title: La Bella Pescatrice

Dance: End I: Amphion et Thalie, as17910409

Ballet: End Opera: Telemachus in the Island of Calypso

7695
29 April 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Citizen

Dance: End I: The Russian Minuet-Master D'Egville, Miss DeCamp

Song: As17901027

7696
05 May 1791 @ Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Love a-la-Mode

Song: End I: Wine cannot cure the pain I endure for my Chloe-Johnstone, Incledon; with new accompaniments by Shield-; End: Catches and Glees-Bannister, Johnstone, Incledon, Davies, Blanchard, Williamson; The Anacreontic Song-Bannister; The Introductory Dialogue, in Irish Character-Rock

7697
24 May 1791 @ Covent Garden

Performances

Mainpiece Title: Which Is The Man

Related Works
Related Work: The Committee; or, The Faithful Irishman Author(s): Sir Robert Howard
Related Work: The Man of Newmarket Author(s): Edward Howard

Afterpiece Title: Primrose Green; or, Love in the Country

Dance: After Monologue: The Jockies, as17910507

Song: End II: Black Eyed Susan-Incledon

Entertainment: Monologue. End: Dissertation on Hobby@Horses: The Statesman's Hobby; The Soldier's Hobby; The Beau's Hobby; The Lady's Hobby; The Fidler's Hobby; Mrs Mountain's Hobby; The Manager's Hobby; and His Own Hobby-Bernard

7698
03 June 1791 @ Covent Garden

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Linco's Travels

Afterpiece Title: The Cottage Maid

Dance: In 3rd piece: a Hornpipe, Dance of Sailors-

Song: Masquerade Scene in 1st piece: Green Willow (composed by Percy)-Miss Broadhurst

7699
04 June 1791 @ Covent Garden

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Poor Soldier

Song: End I: Had I a Heart for Falsehood framed-Marshall in imitation of Leoni; After Monologue: a New Song-Incledon

Entertainment: Monologue. End: A Dissertation on Hobby@Horses, as17910524 but Mr Brandon's Hobby in place of Mrs Mountain's Hobby; The Lawyer's Hobby-Marshall (in the character of a Jockey)

7700
27 September 1791 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: The School for Scandal

Afterpiece Title: No Song No Supper

Song: III 2nd piece: a song-Sedgwick