SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Henry Simsons"/1) | (@(roleclean,performerclean) "Mr Henry Simsons")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4539 matches on Event Comments, 3506 matches on Author, 2031 matches on Performance Comments, 1705 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Containing an account of that notorious Pretender in the Reign of Henry VIII. Aith a short account of Lambert Simnel, a Pretender to the Crown, fostered in like manner by Richard Simon, a Priest of Oxfordshire, with many other Historical passages, similar to the present times [and a synoptic account of the play follows]. A reviv'd Historical Play (not acted in the Memory of Man, and written by an anonymous author, in Shakespeare's Style).--Daily Advertiser, 18 Dec. Prices, Boxes 2s. 6d. Pit 2s. First Gallery 1s. 6d. Upper Gallery 1s. [These prices continue.

Performances

Mainpiece Title: Perkin Warbeck

Performance Comment: Henry VII-Furnival; James IV-Cushing; Huntley-Paget; Skelton-Barnard Bourn, for his Diversion; Katherine-Mrs Hallam; Perkin-Shepard.
Cast
Role: Henry VII Actor: Furnival

Afterpiece Title: The Debauchees

Related Works
Related Work: The Old Debauchees Author(s): Henry Fielding

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Chaplet

Dance: V: A Comic Dance-Daigville, Sga Vidini

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequins Invasion

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Polly Honeycomb

Dance: End: The Mountaineers, as17730930 Como, Sga Crespi (2nd appearance)

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Matilda

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: At Hay The Recruiting Officer

Afterpiece Title: The Mariners

Cast
Role: Henry Actor: Dignum
Event Comment: [Henry is identified in playbill of 15 Nov. He had been acting in America since 1767 (Dictionary of American Biography); and see 18 Apr. 1780.] "We cannot but object to [his] calling handkerchief hand-kercher, according to the old Saxon termination. Perhaps he may be justifiable [sic] on the strict rules of etymology, but singularity always looks like affectation" (Morning Chronicle, 18 Oct.). Receipts: #109 2s. 6d. (91.15.0; 17.2.0; 0.5.6)

Performances

Mainpiece Title: Othello

Performance Comment: Othello-A Gentleman (1st appearance upon the [recte: this] stage [Henry]); Roderigo-Dodd; Cassio-Palmer; Brabantio-Aickin; Lodovico-Packer; Duke-Chaplin; Montano-Norris; Gratiano-Wrighten; Iago-Bensley; Emilia-Mrs Hopkins; Desdemona-Miss Farren (1st appearance in that character).

Afterpiece Title: The Elopement

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Jubilee

Related Works
Related Work: Harlequin's Jubilee Author(s): Henry Woodward

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: Polly Honeycomb

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Phoenix or Anacreontics Renovated i

Afterpiece Title: Rosina

Entertainment: In 2nd piece: Imitations-Caulfield

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: The Jealous Wife

Afterpiece Title: The Farmer

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Chaplet

Ballet: II: Savoyard Travellers. Principal Savoyards-Grandchamps, Mlle Auretti, Mathews, Mrs Addison; Children Savoyards-Little Swiss, Miss Popling; Peasants-M'Neil, Mlle delaContri; see17491110

Performances

Mainpiece Title: A Writ Of Inquiry Will Be Executed On The Inquisitor General

Performances

Mainpiece Title: The Orators

Performances

Mainpiece Title: Loves Last Shift

Afterpiece Title: Lethe

Dance: IV: The Louvre and Minuet-Mas and Miss Simson

Song: I: Hooly and Fairly (by Desire)-Beard

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Register Office

Dance: End: A Double Hornpipe, as17670511; End I Farce: The Louvre and Minuet-Giorgi, Miss Simson

Event Comment: Benefit for the Simsons. Tickets of Simson in Wild Passage, Wild St., Lincoln's Inn Fields; Grigsby's Coffee House behind the Royal Exchange, and of Varney at the Stage Door, where places may be taken. Afterpiece: By Desire. Receipts: #180 (Cross)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Oracle

Entertainment: A Cento on the Birth@day of Shakespeare , selected from his own Works, by particular Desire-Master Simson

Dance: LLouvre and Minuet-Master Simson, Miss Simson

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Upholsterer

Dance: III: A Minuet, Louvre-Master Simson, Miss Simson

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Miss in Her Teens

Dance: II: Louvre, Minuet-Master Simson, Miss Simson

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Deuce is in Him

Dance: [the following new Dances composed] by Gallet:I: [a Dance of Cupids-; IV: [a Dance of Daemons-; to conclude: Grand Ballet-Henry, Miss Armstrong, Mlle Dupre. [These were danced, as here assigned, in all subsequent performances.

Music: Mainpiece: With a New Overture, and additional Airs, Chorusses-; the whole of the Music composed by Michael Arne

Performances

Mainpiece Title: The Committee Or The Faithful Irishman

Afterpiece Title: The Quaker

Dance: End: Minuet de la Cour, Gavotte-Henry, Miss Armstrong

Entertainment: Monologue In IV: Description of a Man of War and Sea Fight-Moody

Performances

Mainpiece Title: As You Like It

Afterpiece Title: High Life Below Stairs

Dance: I: The Cow Keepers, as17600313 End: Louvre, Minuet-Noverre, Miss Simson

Performances

Mainpiece Title: King Henry The Fourth Part I

Afterpiece Title: The Stage Coach

Dance: Thurmond, Boval, Mrs Brett, Miss Tenoe, Young Rainton, Miss Robinson

Event Comment: Mainpiece [1st time; T 5, by William Henry Ireland; incidental music by William Linley. Prologue by Sir James Bland Burges; Epilogue by Robert Merry (see text)]: With new Scenes, Dresses & Decorations. The Scenes designed and excuted by Greenwood and Capon. The Dresses by Johnston, Gay & Miss Rein. Printed slip attached to Kemble playbill: A malevolent and impotent attack on the Shakspeare MSS. [i.e. those forged by W. H. Ireland, of which this play was one] having appeared, on the Eve of representation of Vortigern, evidently intended to injure the interest of the Proprietor of the MSS., Mr Samuel? Ireland [W. H. Ireland's father] feels it impossible, within the short space of time that intervenes between the publishing and the representation, to produce an answer to the most illiberal and unfounded assertions in Mr Malone's enquiry [i.e. Edmond Malone, An Inquiry into the Authenticity of certain Papers attributed to Shakspeare, Queen Elizabeth, and Henry, Earl of Southampton, 1796]. He is therefore induced to request that Vortigern may be heard With that Candour that has ever distinguished a British Audience. The Play is now at the Press, and will in a very few days be laid before the Public. [But it was not issued until 1799 (see below). See also Bernard Grebanier, The Great Shakespeare Forgery, London, 1966.] 4 Apr., states that the first three acts were listened to with patience, but beginning with the fourth act the play was damned, when "one tremendous yell of indignation from the pit burst simultaneously." "At four o'clock the doors of the theatre were besieged; and, a few minutes after they were opened, the pit was crowded solely with gentlemen. Before six not a place was to be found in the boxes, and the passages were filled...The audience betrayed symptoms of impatience early in the representation; but, finding its taste insulted by bloated terms, which heightened the general insipidity, its reason puzzled by discordant images, false ornaments, and abortive efforts to elevate and astonish, pronounced its sentence of condemnation at the conclusion of the play" (Gentleman's Magazine, Apr. 1795, pp. 346-47). "Irelands play of Vortigern I went to. Prologue spoken at 35 minutes past 6 [see 29 Mar.]: Play over at 10. A strong party was evidently made to support it, which clapped without opposition frequently through near 3 acts, when some ridiculous passages caused a laugh, mixed with groans-Kemble requested the audience t o hear the play out abt. the end of 4th act and prevailed.-The Epilogue was spoken by Mrs Jordan who skipped over some lines which claimed the play as Shakespeares. Barrymore attempted to give the Play out for Monday next but was hooted off the stage. Kemble then came on, & after some time, was permitted to say that "School for Scandal would be given," which the House approved by clapping. Sturt of Dorsetshire was in a Stage Box drunk, & exposed himself indecently to support the Play, and when one of the stage attendants attempted to take up the green cloth [i.e. a carpet which, by custom, was laid on the stage during the concluding scene of a tragedy], Sturt seized him roughly by the head. He was slightly pelted with oranges" (Joseph Farington, Diary, 1922, I, 145). Account-Book, 4 Apr.: Paid Ireland his share for the 1st Night of Vortigern #102 13s. 3d. Morning Chronicle, 29 Mar. 1799: This Day is published Vortigern and Henry the Second (4s.). Receipts: #555 6s. 6d. (528.6.0; 26.9.6; 0.11.0)

Performances

Mainpiece Title: Vortigern

Related Works
Related Work: Vortigern Author(s): William Henry Ireland

Afterpiece Title: My Grandmother

Song: In: Last Whitsunday they brought me-Miss Leak; She sung whilst from her eye ran down-Mrs Jordan [neither one listed in playbill (see BUC, 622)]

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Register Office

Dance: End: A Louvre and Minuet-Giorgi, Miss Simson