Event Comment: Mainpiece: Never Acted before. [by Henry Fielding.] Afterpiece: Never perform'd before. By Scriblerus Secundus. [By Henry Fielding.] Afterpiece: Never perform'd before. By Scriblerus Secundus. [By Henry Fielding.] Books of the Tragedy, with Notes by Way of Key, &c. will be sold at the Theatre, as also Books of the Farce

Event Comment: Mainpiece [1st time; c 5, by Hannah Cowley. Prologue by Henry Bate (European Magazine, Mar. 1782, p. 210, which also gives name of speaker)]. 2nd piece [1st time; prel I, by Henry Bate (later Sir Henry Bate Dudley). Epilogue by John O'Keeffe (O'Keeffe, 11, 301)]: With New Dresses, Scenery, &c. Public Advertiser, 19 Feb. 1782: This Day is published The Dramatic Puffers (6d.). Receipts: #222 9s. 6d. (219/4/6; 3/5/0)

Event Comment: Afterpiece [1st time; co 2, by Henry Bate (later Sir Henry Bate Dudley). Music by William Shield]. Books for both Pieces to be had at the Theatre. Public Advertiser, 15 June 1779: This Day is published The Flitch of Bacon (1s.)

Event Comment: [By Henry Fielding.] Never Acted before

Event Comment: At the particular Desire of several Persons of Quality. First Piece. [By Henry Carey.] Not play'd these Fourteen Years. Second Piece: Not play'd these Six Years

Event Comment: [By Henry Fielding.

Event Comment: Afterpiece: [By Henry Fielding.] For a comment on the performance, see Egmont, Diary, I, 97

Event Comment: Never Acted before. Written by the Author of Tom Thumb [Henry Fielding]. With New Scenes and other Decorations

Event Comment: Third piece: an entire New Act [introduced into Tom Thumb, By T. Cooke]. Daily Journal, 30 Nov.: Whereas it hath been advertised, that an entire New Act, called, The Battle of the Poets, is introduced into the Tragedy of Tom Thumb; This is to assure the Town, that I have never seen this additional Act, nor in any ways concerned therein. Henry Fielding

Event Comment: Benefit the Author. Afterpiece: Never perform'd before. [By Henry Fielding.

Event Comment: Never Acted before. [By Henry Fielding.]5s., 3s., 2s., 1s

Event Comment: Never Acted before. [Both plays by Henry Fielding. For a discussion of recent plays, see The Comedian, No. 3, June 1731.

Event Comment: At the particular Desire of several Persons of Quality. Afterpiece: A New Farce. [By Henry Fielding.] Alter'd from the French of Moliere

Event Comment: Afterpiece: [By Henry Carey. Not printed.

Event Comment: Benefit Miss Raftor. At the desire of several Persons of Quality. Afterpiece: A Farce of one Act. [By Henry Fielding. Apparently not published.

Event Comment: At the particular Desire of several eminent Merchants and Persons of Distinction. Afterpiece: a new Pastoral Epithalamium. [Edition of 1733 lists no cast, states that it was written by a Gentleman, and prints the Prologue, which was written by Havard. A song, The Wedding Day, written by Henry Carcy, was sung in it by Master Osborne.]

Event Comment: Mainpiece: In it The Pleasures of the Town. With great Additions. Afterpiece: a new Farce of two Acts. [By Henry Fielding.]

Event Comment: Benefit John Roberts, in lieu of one last Season at DL. Afterpiece: Written by Henry Fielding, Esq. 6:30 P.M. N.B. The Play and Entertainment will be conducted with the utmost Decorum: And whereas several Irregularities have been committed, as to Hours of beginning, &c. this is to assure all Gentlemen and Ladies that please to favour us with their Presence, that the Play will certainly begin at the time propos'd; and particular Care is taken that the whole Performance will endeavour at universal Satisfaction. Tickets for Sir Walter Raleigh taken at this Play

Event Comment: Never Acted before. [By Henry Fielding.] Admission: 5s., 3s., 2s., 1s. Preface: What could incense a Number of People to attack it with such an inveterate Prejudice, is not easy to determine; for Prejudice must be allowed, be the Play good or bad, when it is condem'd unheard. Prompter, 18 Feb.: Here I had an Opportunity of making an Observation very much in Favour of the Town; viz, That the Accusation of Bad Taste is very falsly and unjustly brought against them, since if the Town had really the bad Taste, they are represented to have, the Play would have run the remaining Part of the Season, in an uninterrupted Course of Applause. I had likewise an Opportunity of observing much more Impartiality than I expected, in the Behaviour of the Audience, for till almost the third Act was over, they sat very quiet, in hopes it would mend

Event Comment: Benefit Penkethman. Nunc aut Nunquam. Mainpiece: Written by Henry Fielding, Esq; Author of the Miser. [Tickets at Penkethman's, overagainst the Three Tuns, Ayliff Street.]

Event Comment: Benefit Pritchard. At the Desire of several Persons of Distinction. Afterpiece: A New Ballad Opera. [By Henry Ward.] Plays are like Mirrours, made for Men to see, How bad they are, how good they ought to be

Event Comment: Afterpiece: The Practice of a Dramatick Entertainment of Walking, in Serious and Absurd Characters. [By Henry Fielding.]

Event Comment: Benefit the Author of the Farce. Mainpiece: Written by the late J. Addison, Esq. Afterpiece: Written by the Author of Pasquin [Henry Fielding]

Event Comment: Benefit the Author of both Pieces. Mainpiece: Written by the Author of Pasquin. Afterpiece: a very short, but very merry Tragedy [By Henry Fielding]. Pit and Boxes (at the Desire of several Ladies of Quality) put together at 5s

Event Comment: Mainpiece: a new Farce of Two Acts. [Author not known. Apparently not printed.]Afterpiece: (by a Company of Singers just imported) A new Musical Burlesque of two Acts, in a Grand Oratorio. [By Henry Carey.] The Musical Connoisseurs are desir'd do take Notice, that the Company keeps up strictly to the Italian Taste, the Notes being full of Grandeur and Harmony, and the Words full of low Nonsense; and as a further Indication of his Attachment, it is so contriv'd, that two powerful Parties are already form'd to support the two beautiful Rivals, Mauxalinda and Margeria; but which of them will carry their Point, Time alone must determine. It will be deem'd a lasting Obligation to any Chronologer, in what University soever presiding, if he will communicate the precise Century Moore of Moore-Hall liv'd in, so that the Hero may be dress'd in Character; but if the Recherche should prove too laborious, it is resolv'd he shall come as near the Figure of the Divine Farinello as possible. N.B. The Dragon was intended to have charm'd the City at Stationer's Hall; but from a Punctilio very common to Singers, he insisted on exerting his Musical Faculty at the Hay-Market. Admission: 5s., 3s., 2s. 7 p.m