SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Hen"/1) | (@(roleclean,performerclean) "Mr Hen")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4227 matches on Event Comments, 1138 matches on Performance Comments, 528 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: King Henry The Fourth; With The Humours Of Sir John Falstaff

Performance Comment: Edition of 1700: King Henry IV-Berry; Prince of Wales-Scudamore; John Earl of Lancaster-Bayly; Northumberland-Boman; Henry Percy (surnamed Hotspur )-Verbruggen; Westmorland-Pack; Worcester-Freeman; Owen Glendower-Hodgson; Douglas-Arnold; Sir Walter Blunt-Trout; Sir Richard Vernon-Harris; Sir John Falstaff-Betterton; Bardolph-Bright; Francis the Drawer-Bowen; Katherine Percy-Mrs Boman; Hostess-Mrs Leigh.
Cast
Role: King Henry IV Actor: Berry
Role: Henry Percy Actor: Verbruggen
Event Comment: Villiers Bathurst to Arthur Charlett, 28 Jan. 1699@1700: The Wits of all qualities have lately entertained themselves with a reviv 6: went to ye play. I staid there a quarter of an hour (Huntington MS St 26). The Wits of all qualities have lately entertained themselves with a revived humour of Sir John Falstaff in Henry the Fourth, which has drawn all the town, more than any new play that has bin produced of late; which shews that Shakespeare's wit will always last: and the criticks allow that Mr Betterton has hitt the humour of Falstaff better than any that have aimed at it before (G. Thorn-Drury, More Seventeenth Century Allusions to Shakespeare, [London, 1924], p. 48)

Performances

Event Comment: A Comparison Between the Two Stages (1702), commenting upon Betterton's success with I Henry IV (see 9 Jan. 1699@1700) pictures Betterton entering his Closet and praying to Shakespeare for further assistance (p. 25), with the result that "tho' some of those Plays that Batterton Acted were Historical, and consequently highly irregular, yet they never fail'd to please" (p. 26). Sullen adds: Well, this lucky hit of Batterton's put D. Lane in a non-plus! Shakespear's Ghost was rais'd at the New-house, and he seem'd to inhabit it for ever: What's to be done then? Oh, says Rich I'll pray as well as he-What? Shall a Heathen Player have more Religion than a Lawyer? No, it shall never be said--with that Mr R@@ goes up to the Garret (a pair of Stairs higher than his own Apartment) and taking Ben Johnson's Picture with him, he implores. This work implies that Betterton presented Henry VIII in addition to I Henry IV and that Rich revived Volpone, The Alchymist, and The Silent Woman, which had, according to the author of this work, lain unacted for twenty years (p. 26)

Performances

Performances

Mainpiece Title: The Way Of The World

Event Comment: Betterton's Company. James Brydges, Diary: About 6: he [Brydges' brother Henry] set me down at y- Playhouse in Lincolns inn fields, where I met Me Coke, Mr Hammond, & Sir Godfrey Coply: about 8: I came home (Huntington MS St 26)

Performances

Mainpiece Title: The Way Of The World

Performances

Mainpiece Title: Concert

Performances

Mainpiece Title: Concert

Event Comment: Rich's Company. This play was apparently never published, and the performance is known only by an advance announcement: Post Boy, 30 May-1 June 1700: The History of Hengist, the Saxon King of Kent, which before was designed to be Acted this day [1 June 1700], for the benefit of Mr Johnson, is therefore deferr'd till Monday. London Post, 7-10 June 1700: This Week the Morocco Ambassador diverted himself thrice at the Play-house

Performances

Mainpiece Title: The History Of Hengist, The Saxon King Of Kent

Performances

Mainpiece Title: The Perjured Husband; Or, The Adventures Of Venice

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-. Compos'd by Dr John Blow, for the late Anniversary Feast of St Cecilia

Performances

Mainpiece Title: Concert

Music: New Vocal and Instrumental Music-

Performances

Mainpiece Title: The Committee

Event Comment: [[By William Congreve. Premiere.] Congreve wrote on 26 March: I wished particularly for you on Friday last, when Eccles his music for the prize was performed in Dorset Garden, and universally admired. Mr Finger's is to be to-morrow; and Russel and Weldon's follow in their turn....The number of performers, besides the verse-singers, was 85. The front of the stage was all built into a concave with deal boards; all which was faced with tin, to increase and throw forwards the sound. It was all hung with sconces of wax-candles, besides the common branches of lights usual in the playhouses. The boxes and pit were all thrown into one; so that all sat in common; and the whole was crammed with beauties and beaux, not one scrub being admitted. The place where formerly the music used to play, between the pit and the stage, was turned into White's chocolate-housev....Our friend Venus performed to a miracle; so did Mrs Hodgson Juno. Mrs Boman was not quite so well approved in Pallas.-Congreve to Keally, in Congreve, I, 71-72

Performances

Mainpiece Title: The Judgment Of Paris

Event Comment: The Performance of the Musick Prize, Compos'd by Mr Finger;...beginning at 5 of the Clock, places may be had in both the first and second Galleries; the profit arising from thence being for the Performers

Performances

Mainpiece Title: The Judgment Of Paris

Performances

Mainpiece Title: Rope Dancing

Entertainment: four of the most Famous Companies; as ever were in England (being the very same that were opposite to the Cross-Daggers in Smithfield last Bartholomew-Fair) who perform such variety of Curiosities both in Dancing, Walking on the Slack Rope, Tumbling, as far surpass any ever yet seen-

Music: You will likewise be entertain'd with that variety of Musick as was never in this Fair before-

Performances

Mainpiece Title: The Country Wife

Music: Vocal and Instrumental Music-

Dance: Prince, Mrs Elford, Weaver; And at the Request of several Persons of Quality, there will be performed that delightful Exercise of Vaulting on the Manag'd Horse, according to the Italian manner-

Related Works
Related Work: Mahmoud; or, The Prince of Persia Author(s): Stephen Storace

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-the best Hand and Voices in London

Performances

Mainpiece Title: The Guardian; Or, The Cutter Of Coleman Street

Event Comment: Benefit Pinkeman. Common Prices. All Persons that come behind the Scenes are desired to pay their Money to none but Mr Pinkeman. [This benefit had originally been advertised for 24 Oct. but deferred, the offerings for that day being a medley of The Death of King Henry VI, a Tragical Interlude of one Act only; Aesop, "several select Scenes" only; and The School-Boy; or, The Comical Rivals.

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Entertainment: Several pretty Entertainments-

Performances

Mainpiece Title: The Country Wife

Dance: The Mad/Man's Dance . A new Dance perform'd-16 Persons in Grotesque Habits; in which Variety of Postures-a Black will perform to Admiration; Roger a Coverly-Weaver , as it was done Originally after the Yorkshire manner

Song: The Chimney Sweeper's Dialogue-; A Trumpet Song never sung but twice on the Stage-; Mrs Hodgson, Mrs Willis

Music: The Turkey/Cock Music-. An Entertainment performed before the Doge and Senate of Venice at the last Carnival

Performances

Mainpiece Title: The Old Mode And The New; Or, Country Miss With Her Fourbeloe