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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr Haynes"/1) | (@(roleclean,performerclean) "Mr Haynes")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5642 results for: Keyword - Mr Haynes
We found 4231 matches on Event Comments, 1151 matches on Performance Comments, 528 matches on Performance Title, 18 matches on Author, and 5 matches on Roles/Actors.

1
June 1696 @ Dorset Garden Theatre

Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 25-27 Aug. 1696, suggests that it was first acted not later than July 1696 and possibly in June 1696. In the edition of 1696 are two dialogues, set by Clarke, the words by Haynes, and sung by Bowen and Mrs Cross. A Comparison Between the Two Stages (1702), p. 18: Cornish Comedy: No matter whose, 'twas Damn'd

Performances

Mainpiece Title: The Cornish Comedy

Performance Comment: Edition of 1696: Prologue-Mr Haines in a Barrister's Gown; Epilogue-Miss Chalke Seven Years Old by Mr Haynes; Gripe-Johnson; Peregrine-Mills; Trusty-Simpson; Manley-Harland; Swas -Lee; Sharper-Powell; Busy-Haynes; Freeman-Williams; Nic Froth-Penkethman; Shuffle-Bullock; Clarinda-Mrs Temple; Eugenia-Mrs Andrews; Sue-Mrs Lucas; Margaret-Mrs Mills; Maid-Mrs Unwinn.
Cast
Role: Epilogue Actor: Miss Chalke Seven Years Old by Mr Haynes
Role: Busy Actor: Haynes

2
April 1689 @ Drury Lane Theatre or Dorset Garden Theatre

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Haines. Mr Haynes His Recantation-Prologue Upon his first Appearance on the Stage After His Return from Rome.
Cast
Role: Bayes Actor: Haines. Mr Haynes His Recantation-Prologue Upon his first Appearance on the Stage After His Return from Rome.

3
February 1696 @ Drury Lane Theatre

Performances

Mainpiece Title: Neglected Virtue; Or, The Unhappy Conquerors

Performance Comment: [The Dedication is signed by Hildebrand Horden, who does not claim it for his own.] Edition of 1696: The Prologue [Writ and-Mr Horden; Phraates-Powell; Artaban-Horden; Memnon-Dizney; Castillio-Mills; Lysander-Hill; Castillio Jr-Penkethman; Bretton-Bullock; Lycastes-Harland; Curio-Simpson; Thermusa-Mrs Knight; Alinda-Mrs Rogers; Eudora-Mrs Powell; Emilia-Mrs Mills; Ariena-Mrs Temple; Aramdine-Mrs Cross; The Epilogue by Mr Motteux-Mr Haynes [Acting the Mad-Man.
Cast
Role: The Epilogue by Mr Motteux Actor: Mr Haynes

4
July 1696 @ Drury Lane Theatre

Performances

Mainpiece Title: The Unhappy Kindness; Or, A Fruitless Revenge

Performance Comment: Edition of 1697: Prologue-Mr Verbruggen; The Epilogue written and-Mr Haynes in the Habit of a Horse Officer, mounted on an Ass; Alphonso, King of Naples-Verbruggen; Frederick-Harland; Valerio-Williams; Sorano-Disney; Pisano-Mills; Petruchio-Hill; Pedro-Newth; Evanthe-Mrs Rogers; Queen Mother-Mrs Powel.
Cast
Role: The Epilogue written and Actor: Mr Haynes in the Habit of a Horse Officer, mounted on an Ass

5
29 January 1676 @ Drury Lane Theatre

Performances

Mainpiece Title: Gloriana; Or, The Court Of Augustus Caesar

Performance Comment: Prologue to the Court of Augustus Caesar-Mrs Roch; Epilogue to the Court of Augustus Caesar-Mr Haynes; Augustus Caesar-Mohun; Caesario-Hart; Marcellus-Kenaston; Tiberius-Lydall; Agrippa-Cartwrite; Mecaenas-Griffin; Ovid-Clarke; Leander-Powell; Araspes-Harris; Gloriana-Mrs Marshall; Julia-Mrs James; Narcissa-Mrs Corbet.
Cast
Role: Epilogue to the Court of Augustus Caesar Actor: Mr Haynes

6
07 May 1702 @ Stationer's Hall

Performances

Mainpiece Title: Concert

Entertainment: Divine Musick in Praise of Religion and Vertue-; both Vocal and instrumental, with new Anthems compos'd by Mr Blow; an Oration by Mr Collier; Pieces by Mr Tate, her Majesty's Poet Laureat. The edition of 1702 lists: The Introductory Poem Upon the Reformation of Poetry-Mr Tate Poet-Laureat to her Majesty; The First Anthem-, Compos'd by Dr Blow, and Sung in Westminster-Abbey, at Her Majesty's Coronation; The Oration-J. Collier/M.A.; The Second Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem in Praise of Virtue- , Written by Mr Tate

7
26 November 1735 @ Swan Tavern

Performances

Mainpiece Title: Concert

Music: A Solo and several Pieces on the French Horn by Mr Charles. And several Songs and Duets by the two Miss Youngs. The German Flute by Mr Pelicour [Balicourt in Daily Advertiser], lately arrived from abroad; Being the first Time of his Performing in England

8
August 1685 @ Drury Lane Theatre

Event Comment: The United Company. The date of the first performance is not precisely known, but a broadside copy of the Epilogue, in the Bodleian Library, has a licensing date of 20 Aug. 1685, a MS date of 24 Aug. 1685. The play was licensed on 11 Sept. 1685. These dates suggest a premiere in mid-to late-August 1685. For Anne Bracegirdle as Clita and speaker of the Epilogue, see Lucyle Hook, Anne Bracegirdle's First Appearance, Theatre Notebook, XIII (1959), 135. The Prologue and Epilogue, separately printed, are reprinted in Wiley, Rare Prologues and Epilogues, pp. 239-41. The broadside Prologue has a more detailed heading than that in the edition of 1686: Prologue To A Commonwealth of Women, Spoke by Mr Haynes, Habited like a Whig, Captain of the Scyth-men in the West, a Scythe in his Hand. Two songs, set by Samuel Ackroyde, are in The Theater of Musick, The Third Book, 1686

Performances

Mainpiece Title: A Commonwealth Of Women

9
14 December 1669 @ Lincoln's Inn Fields

Performances

Mainpiece Title: Mr Anthony

10
January 1682 @ Dorset Garden Theatre

Performances

Mainpiece Title: Mr Turbulent; Or, The Melanchollicks

11
08 September 1701 @ Richmond Wells

Performances

Mainpiece Title: Concert

Music: Mr Abell; having had the Honour lately, to Sing to the Nobility and Gentry of Richmond and the Neighbouring Towns, thinks himself bound in Gratitude...to return his most Humble Thanks with a Performance of New Musick, in English, Latin, Italian, French-Mr Abell; &c....being Honour'd and Accompany'd-the Greatest Masters of Europe

12
22 February 1704 @ Drury Lane Theatre

Performances

Mainpiece Title: Concert

Afterpiece Title: Britain's Happiness

Song: Singing in Italian and English-Mrs Tofts

Dance: l'Abbe, duRuel, Cherrier, Mrs Elford, Mrs Campion, Mrs Mayers, Devonshire Girl

13
01 August 1730 @ Tottenham Court

Performances

Mainpiece Title: Mad Tom Of Bedlam; Or, The Distress'd Lovers: With The Comical Humours Of squire Numscul

Song: Mr Corse, age 12

Dance: DDutch Skipper-Sandham; Drunken Man-Wilcox; (On 8 Aug. and there after:) Mad Dance, Pierrot-Le Sieur Labisle, from France

14
24 February 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: A New Dance call'd The Hunters-Mas. Clinton, Miss Street, Miss Ford; II: The Faggot Binders-Aldridge, Miss Baker; End Opera: A Dance-Grimaldi, Lauchery, Miss Baker

15
15 March 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Sheep Shearers, as17640308 II: The Shepherdesses, as17640113; End Opera: Dance, as17640301

16
11 April 1716 @ Drury Lane Theatre

Performances

Mainpiece Title: Sir Courtly Nice

Afterpiece Title: La Guinquette; or, Harlequin Turned Tapster

Dance: An Entertainment of Mimick Dancing, call'd, La Caprice-Harlequin (in Imitation of Mlle Provost, the Famous Dancer in the Opera at Paris)

17
20 February 1736 @ Drury Lane Theatre

Performances

Mainpiece Title: The Connoisseur; Or, Every Man In His Folly

18
27 February 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Shepherd

Dance: I: The Hunters, as17640224; The Faggot Binders, as17640224; End Opera: A Dance, as17640224

19
01 March 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Shepherd

Dance: II: The Faggot Binders, as17640224; End Opera: A Dance, as17640224

20
05 April 1764 @ Drury Lane Theatre

Performances

Mainpiece Title: The Royal Shepherd

Afterpiece Title: Miss in Her Teens

Dance: I: The Sheep Shearers-Lauchery, Miss Baker; II: The Faggot Binders, as17640224; End Opera: A Dance, as17640319

21
26 March 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Chaplet

Dance: V: A Comic Dance-Daigville, Sga Vidini

22
01 October 1772 @ Drury Lane Theatre

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin's Invasion

23
02 October 1773 @ Drury Lane Theatre

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Polly Honeycomb

Dance: End: The Mountaineers, as17730930 Como, Sga Crespi (2nd appearance)

24
28 September 1776 @ Drury Lane Theatre

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Matilda

Afterpiece Title: The Mayor of Garratt

25
01 June 1793 @ Drury Lane Theatre

Performances

Mainpiece Title: At Hay The Recruiting Officer

Afterpiece Title: The Mariners