SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Mr H Purcel"/1) | (@(roleclean,performerclean) "Mr H Purcel")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4289 matches on Event Comments, 1424 matches on Performance Comments, 535 matches on Performance Title, 18 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: King Arthur; Or, Merlin The British Enchanter

Performance Comment: King Arthur-Marshall; Oswald-Giffard; Merlin-Paget; Osmond-Crisp; Grimbald-Yates; Conon-Blakes; Aurelius-Crofts; Albanact-Dunstall; Guillamar-Naylor; Philidel-Mrs Dunstall; Emmeline-Mrs Giffard; Matilda-Miss Hippisley; In which will be performed the Original Musick by the late ingenious Mr Henry Purcel-Paget, Touchbury, Hemings, Hemskirk, Mrs Jones, Miss Medina; Venus-Mrs Dunstall; Cupid-Master Nanfan; with the dances-Shawford, Olbediston, Vaughan, Marr, Mrs Bullock, Mrs Yates, Mrs Vallois, Miss Hippisley.
Related Works
Related Work: Arthur and Emmeline Author(s): Henry Purcell

Performances

Mainpiece Title: The Island Princess; Or, The Generous Portuguese

Performance Comment: The performers are listed in Add. MSS. 15, 318, and in a printed version, The Four Seasons; or, Love in every Age (1699). These two sources are essentially similar, but as they occasionally supplement each other, the following is a composite of the two sources: Prologue-Mr Powell; The Epilogue-Penkethman, Mrs Rogers; Prologue to The Four Seasons-Mr Leveridge; Armusia-Powell; Ruidias-Mills; Piniero-Thomas; King of Tidero-Evans; Governor or Tyrant-Johnson; King of Bokam-Bullock; Prince of Syana-Mrs Kent; Quisara-Mrs Rogers; Panura-Mrs Wilkins; Act II: A Masque The Music by Daniel Purcel. The Words fitted to the Notes by the Author-Leveridge, Freeman, Pate, Miss Campion, Magnus's Boy, Miss Lindsey; Act III: A Song set by Daniel Purcell-; Act IV: A Dialogue between a Clown and his Wife set by Leveridge-Pate, Leveridge; An Incantation set by Mr D. Purcell-Bowen, Freeman, Pate; The Enthusiastick Song Set by Mr Leveridge-Mr Leveridge; Act V: The Four Seasons Set by Mr Jeremy Clarke-Leveridge, Freeman, Miss Campion, Magnus's Boy, Miss Lindsey, Pate, Crossfield.
Cast
Role: A Song set by Daniel Purcell Actor:
Role: Purcell Actor: Bowen, Freeman, Pate
Event Comment: The United Company. The exact date of the first production is not known, but the play was entered in the Term Catalogues, February 1691@2, and mentioned in the Gentleman's Journal, February 1691@2 (licensed 12 February 1691@2). In all probability, it was first acted not later than January 1691@2. The music to one song, As soon as the Chaos, was composed by Henry Purcell. See Purcell, Works, Purcell Society, XX (1916), xvii. Two songs--Bonny lad prithee lay thy pipe down, with music by Tollet; Great Jove once made love like a bull, with music by Mountfort--are in The Banquet of Musick, The Sixth and Last Book, 1692. Dedication, Edition of 1692: Having at last so well acquitted it self on the Stage (tho' the thronging, imperfect Action, and worse than all, the faulty length, which I will never be guilty of again, render'd it little Diversion the first day). A Letter to Mr D'Urfey [by Charles Gildon], Edition of 1692: If there be any fault in this Play, 'tis that which few are guilty of; that is, there are too many good Characters, too full of Humour, a very Pardonable failing, which only proceeds from Variety, the life of Pleasure and Wit, tho' that gave it the disadvantage of seeming too long the first days Acting, tho' the Stage's being throng'd with Spectators, did not a little contribute to the imperfect Acting of it, which accidental Misfortunes concurring with the Endeavours of an opposite Faction, must needs have damn'd it, had it not by the Force and Vigour of its own Worthy, rais'd it self the second day with the general Applause of all that saw it....But the Marriage-hater went further, and in spight of all the disadvantages it labour'd under of Action and Audience, pleas'd on, after several times Repetition. See also Poeta Infamis; or, A Poet not worth Hanging (1692) for a variety of comments upon this play. London Mercury, 26 Feb. 1691@2: Query 4. Whether in Justice he [D'Urfey] is not obliged to present Mr Dogget (who acted Solon to so much Advantage) with half the Profit of his Third Day, since in the Opinions of most Persons, the good Success of his Comedy was half owing to that admirable Actor? Query 5. Whether, if there be any Wit in bringing a Person upon the Stage with an extravagantly broad-brimmed Hat, and a Muff of the same Size, so it will not be a very easy Matter for the next Poet that writes a Play, to Out-hat and Out-muff his Predecessors, and consequently to Out-wit him? Downes, Roscius Anglicanus, p. 42: Mr Dogget perform'd the part of Solon Inimitably. Gentleman's Journal, p. 454, February 1691@2 (licensed 12 Feb. 1691@2): I send you the Marriage-hater match'd, a new Comedy by Mr Durfey; it hath met with very good success, having been plaid six days together, and is a diverting Play. Gentleman's Journal, January 1691@2: Now I speak of Music I must tell you that we shall have speedily a new Opera, wherein something very surprising is promised us; Mr Purcel who joyns to the Delicacy and Beauty of the Italian way, the Graces and Gayety of the French, composes the Music, as he hath done for the Prophetess, and the last Opera called King Arthur, which hath been plaid several times the last Month [presumably December 1691]

Performances

Mainpiece Title: The Marriage-hater Matched

Performances

Mainpiece Title: Douglas

Afterpiece Title: Lovers' Quarrels

Afterpiece Title: The Deserter of Naples

Entertainment: Vaudeville In course Evening: an entire New Song, The Seaman's Lamentation for the Loss of the Royal Charlotte (The Words by G. S. Carey, and composed by Mazzinghi)-Incledon; Dancing-Mr and Master Michell (from the Theatre Royal, Edinburgh; 1st appearance)

Performances

Mainpiece Title: A Cure For The Heart Ache

Afterpiece Title: A Gallimaufry

Afterpiece Title: The Princess of Georgia

Performances

Mainpiece Title: Sir Harry Wildair

Afterpiece Title: Hymen's Triumph; or, Trick Upon Trick

Performances

Mainpiece Title: Eastward Hoe; Or, Ye Prentices

Afterpiece Title: The Anatomist

Dance: HHornpipe-Mathews; The Little Swiss

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: The Follies of a Day

Dance: End: a new Scotch Ballet, The Highland Lovers (under the direction of Bologna Jun.)-Bologna Jun., Hawtin, King, Mrs Watts, Miss Brugier (1st appearance)

Song: In course Evening: Sally in our Alley-Incledon

Performances

Mainpiece Title: The Mistake

Afterpiece Title: Flora

Dance: WWooden Shoe Dance-Nivelon; Scottish Dance-Mrs Bullock; French Sailor-Salle, Mrs Laguerre

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Minor

Entertainment: Monologue. Occasional Prologue-Bannister Jun

Event Comment: The United Company. This performance is on the L. C. list, 5@151, p. 369. See also Nicoll, Restoration Drama, p. 352. This appears to be a substitution for a previously scheduled performance of Amphitryon (Nicoll, p. 352). In L. C. 5@150, p. 74 (Nicoll, p. 357) is an order for a large looking glass to be provided for Sir Courtly Nice at this performance. In addition, there appears to have been a concert in honor of the Queen's birthday. See D'Urfey, Wit and Mirth, I, 62-64: An Ode on the Anniversary of the Queens-Birth. Set to Musick by Mr Henry Purcel, April 30th, 1690

Performances

Mainpiece Title: Sir Courtly Nice

Performances

Mainpiece Title: Concert

Performance Comment: Of about thirty Instruments and Voices-; [with] a Verse with Flutes-; [set by Mr Henry Purcel, in a Song for the Birthday of the late Queen Mary- (Post Boy, 17 Aug. 1697).
Event Comment: Benefit Pack. At the particular Desire of several Ladies of Quality. Afterpiece: A Masque of Musick, compos'd by the late Mr Hen. Purcel. Receipts: #158 11s. 6d

Performances

Mainpiece Title: Timon Of Athens; Or, The Man-hater

Afterpiece Title: Bacchus and Cupid

Song: Dialogues-Leveridge, Cook, Pack

Dance: As17150305

Event Comment: Mainpiece: Not acted these 3 years. The Music by Purcel and Dr Arne, with the additional Airs and Chorusses by the late [Thomas] Linley Jun. [Gazetteer, 9 Nov., notes that the music for the Chorus of Spirits was composed by Purcell, for Ariel's song by Dr Arne, for the storm scene by Linley Jun.] Receipts: #162 11s. (126/10/0; 35/19/6; 0/1/6)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Bon Ton

Dance: In Act I of mainpiece a Dance of Spirits by Miss Hamoir, &c.; In Act III a Dance of Fantastic Spirits (performers not listed); In Act IV a Dance by Mr and Miss Hamoir. [All these were danced, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: The Island Princess

Afterpiece Title: Pyramus and Thisbe, Lyon, Moonshine, and Wall

Music: With all New Musick (for that Night) both Vocal and Instrumental Musick-

Performances

Mainpiece Title: The City Politiques

Performances

Mainpiece Title: The False Count

Afterpiece Title: Hob

Song:

Dance:

Performances

Mainpiece Title: The Soldier's Fortune

Afterpiece Title: The Cheats

Dance: As17221030

Performances

Mainpiece Title: The Drummer

Dance:

Performances

Mainpiece Title: Oedipus, King Of Thebes

Performances

Mainpiece Title: The Strolers

Afterpiece Title: Acis and Galatea; or, The Country Wedding

Performances

Mainpiece Title: The Drummer; Or, The Haunted House

Afterpiece Title: The Magician; or, Harlequin a Director

Song: The Children on the Ice-

Performances

Mainpiece Title: The History Of The Rise And Fall Of Massaniello; Or, A Fisherman A Prince

Song: The Original Song:In Praise of Fishing-

Dance: A new dance:Fishermen and Their Wives-

Performances

Mainpiece Title: Love And A Bottle

Dance: SSpanish Entry-LeSac, Miss LaTour; French Peasants-Nivelon, Mrs Bullock; Les Characters de la Dance-Mlle Salle